#building

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The new building was designed by the British architect Norman Foster and civil & structural engineers Ove Arup & Partners with service design by J. Roger Preston & Partners. It was constructed by the John Lok / Wimpey Joint Venture. From the concept to completion, it took seven years (1978–1985). The building is 180 metres high with 47 storeys and four basement levels. The building has a modular design consisting of five steel modules, which were prefabricated in the UK by Scott Lithgow Shipbuilders near Glasgow and shipped to Hong Kong. About 30,000 tons of steel and 4,500 tons of aluminium were used. The original design was heavily inspired by the Douglas Gilling designed Qantas International Centre in Sydney (currently known as Suncorp Place). The new lobby and its two-part Asian Story Wall were designed by Greg Pearce, of One Space Limited. Pearce was also the Principal Architect of the Hong Kong Airport Express (MTR) station. Conceived as a minimalist glass envelope, the new lobby is designed to be deferential to Foster's structure and appears almost to be part of the original.A notable feature is that natural sunlight is the major source of lighting inside
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The main characteristic of HSBC's Hong Kong headquarters is its absence of internal supporting structure. The inverted 'va' segments of the suspension trusses spanning the construction at double-height levels is the most obvious characteristic of the building. It consists of eight groups of four aluminium-clad steel columns which ascend from the foundations up through the core structure, and five levels of triangular suspension trusses which are locked into these masts. All flooring is made from lightweight movable panels, under which lies a comprehensive network of power, telecommunication, and air-conditioning systems. This design was to allow equipment such as computer terminals to be installed quickly and easily. Because of the urgency to finish the project, the construction of the building relied heavily on off-site prefabrication; components were manufactured all over the world. For example, the structural steel came from Britain; the glass, aluminium cladding and flooring came from the United States while the service modules came from Japan.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The present building was completed in 1997, five years after architect Stirling's death and three years after construction began. It is a postmodern structure, with use of bold, perhaps unsubtle, forms and colours in a compact assembly. It is clad in pink and yellow limestone in even stripes (and apex arch stones, that is voussoirs) whilst the courtyard, an atrium, displays some of Stirling's characteristic acidulous colour play. Like many notable postmodern buildings, the imagery is rich in references. For example, from the sharp apex of the site a keyhole-shaped opening leads to a little-seen Scala Regia with a ramped floor, gold-leafed terminus and ancient Egyptian aura takes visitors into the heart of the building. Intended as site owner Palumbo's private entrance, this space is now little used: Palumbo sold the development before its completion. The turret above is sometimes likened to a submarine conning tower while the glazed thus two-sided clock is in concept and detail that of the Art Deco era Palazzo delle Poste, Naples. Completed nearly two decades after the first designs were published.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: 100 King Street, formerly the Midland Bank, is a former bank premises on King Street, Manchester, England. It was designed by Sir Edwin Lutyens in 1928 and constructed in 1933–35. It is Lutyens' major work in Manchester and was designated a Grade II* listed building in 1974. A castle-like Art Deco building, surrounded by roads on all four sides, the architects for the former bank were Lutyens in collaboration with Whinney, Son & Austen Hall and it was built between 1933 and 1935 by J. Gerrard & Sons of Swinton and features carvings by the local sculptor John Ashton Floyd. It is constructed of Portland stone around a steel frame. Its neoclassical design is unusual for Manchester, the style perhaps more suited to the architecture of Liverpool, as most of Manchester's buildings were Neogothic.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Secondary deposits, which create stalagmites, stalactites, flowstone etc., outside the natural cave environment, are referred to as "calthemites". These concrete derived secondary deposits cannot be referred to as "speleothems" due to the definition of the word.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Travertine is a sedimentary rock formed by the chemical precipitation of calcium carbonate minerals from fresh water, typically in springs, rivers, and lakes; that is, from surface and ground waters. In the broadest sense, travertine includes deposits in both hot and cold springs, including the porous, spongy rock known as tufa, and also the cave features known as speleothems (which include stalactites and stalagmites). Calcrete, which is calcium minerals deposited as a horizon in the soil profile, is not considered a form of travertine. Travertine is often defined in a more narrow sense as dense rock, sometimes massive but more commonly banded or with a fibrous internal structure, deposited in hot springs. In this more narrow sense, travertine is distinct from speleothems and tufa. Travertine is sometimes also defined by its mode of origin, as rock formed by inorganic precipitation of calcium carbonate minerals onto a surface following exchange of carbon dioxide between the atmosphere and groundwater. Calcrete, lake marls, and lake reefs are excluded from this definition, but both speleothems and tufa are included.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Some of the distinguishing features of the Chicago School are the use of steel-frame buildings with masonry cladding (usually terra cotta), allowing large plate-glass window areas and limiting the amount of exterior ornamentation. Sometimes elements of neoclassical architecture are used in Chicago School skyscrapers. Many Chicago School skyscrapers contain the three parts of a classical column. The lowest floors functions as the base, the middle stories, usually with little ornamental detail, act as the shaft of the column, and the last floor or two, often capped with a cornice and often with more ornamental detail, represent the capital. The "Chicago window" originated in this school. It is a three-part window consisting of a large fixed center panel flanked by two smaller double-hung sash windows. The arrangement of windows on the facade typically creates a grid pattern, with some projecting out from the facade forming bay windows. The Chicago window combined the functions of light-gathering and natural ventilation; a single central pane was usually fixed, while the two surrounding panes were operable. These windows were often deployed in bays, known as oriel windows.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The dome is one of the largest of its type in the world. Externally, it appears as a large white marquee with twelve 100-metre-high yellow support towers, one for each month of the year, or each hour of the clock face, representing the role played by Greenwich Mean Time. In plan view it is circular, 365 metres in diameter. It has become one of the United Kingdom's most recognisable landmarks, and can be easily identified on satellite images of London. Its exterior is reminiscent of the Dome of Discovery built for the Festival of Britain in 1951. The canopy is 52 metres high in the middle – one metre for each week of the year[4] and is made of durable and weather-resistant PTFE-coated glass fibre fabric panels (original plans to use PVC-coated polyester fabric were dropped after protest led by Greenpeace[10]), with each of the 72 segments containing two panels. Its symmetry is interrupted by a hole through which a ventilation shaft from the Blackwall Tunnel rises. Six segments were destroyed during Storm Eunice on 18 February 2022.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: It was the first major example of an 'inside-out' building with its structural system, mechanical systems, and circulation exposed on the exterior of the building. Initially, all of the functional structural elements of the building were colour-coded: green pipes are plumbing, blue ducts are for climate control, electrical wires are encased in yellow, and circulation elements and devices for safety (e.g., fire extinguishers) are red. According to Piano, the design was meant to be “not a building but a town where you find everything – lunch, great art, a library, great music”. National Geographic described the reaction to the design as "love at second sight." An article in Le Figaro declared: "Paris has its own monster, just like the one in Loch Ness." But two decades later, while reporting on Rogers' winning the Pritzker Prize in 2007, The New York Times noted that the design of the Centre "turned the architecture world upside down" and that "Mr. Rogers earned a reputation as a high-tech iconoclast with the completion of the 1977 Pompidou Centre, with its exposed skeleton of brightly coloured tubes for mechanical systems". The Pritzker jury said the Pompidou "revolution
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Bowellism is a modern architectural style heavily associated with Richard Rogers. It is described as a transient architectural and flippant style that was influenced by Le Corbusier and Antoni Gaudi. The style consists of services for the building, such as ducts, sewage pipes, and lifts, being located on the exterior to maximise space in the interior.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The style originated with Michael Webb's 1957 student project for a Furniture Manufacturers Association building in High Wycombe. Webb coined the term in response to a comment on his design by Sir Nikolaus Pevsner in a 1961 lecture, in which he recalled hearing the words: "within the schools there are some disturbing trends; I saw the other day a design for a building that looked like a series of stomachs sitting on a plate. Or bowels, connected by bits of gristle". Thus this inside-out style was termed 'Bowellism' because of how it recalled the way the human body works. One of Webb's proposed structures based on bowellism was the Sin Centre for Leicester Square. The concept was a geodesic structure that supports a glass skin. Some scholars cite Reyner Banham as the first to use bowellism for the new architectural fascination with visible circulation, one that focuses on a building's skeletal services as well as its "bloodstream" or the moving cars and crowd, cascading down from the top to the main foyers - all visible through the structure's geodesic skin. Banham is also credited for introducing the term "topological" to refer to an aspect of brutalism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: High-tech architecture was originally developed in Britain (British High Tech architecture), with many of its most famous early proponents being British. However, the movement has roots in a number of earlier styles and draws inspiration from a number of architects from earlier periods. Many of the ideals communicated through high-tech architecture were derived from the early modernists of the 1920s. The concepts of transparency, honesty in materials, and a fascination with the aesthetics of industry can all be traced to modern architects. High-tech architecture, much like modernism, shares a belief in a "spirit of the age" that should be incorporated and applied throughout each building. The influence of Le Corbusier, Walter Gropius, and Mies van de Rohe is extensive throughout many of the principles and designs of high-tech architecture.[4]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: High-tech architecture focuses on creating adaptable buildings through choice of materials, internal structural elements, and programmatic design. It seeks to avoid links to the past, and as such eschews building materials commonly used in older styles of architecture. Common elements include hanging or overhanging floors, a lack of internal load-bearing walls, and reconfigurable spaces. Some buildings incorporate prominent, bright colors in an attempt to evoke the sense of a drawing or diagram.[3] High-tech utilizes a focus on factory aesthetics and a large central space serviced by many smaller maintenance areas to evoke a feeling of openness, honesty, and transparency.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: High-tech architecture, also known as structural expressionism, is a type of late modernist architecture that emerged in the 1970s, incorporating elements of high tech industry and technology into building design. High-tech architecture grew from the modernist style, utilizing new advances in technology and building materials. It emphasizes transparency in design and construction, seeking to communicate the underlying structure and function of a building throughout its interior and exterior. High-tech architecture makes extensive use of aluminium, steel, glass, and to a lesser extent concrete (the technology for which had developed earlier), as these materials were becoming more advanced and available in a wider variety of forms at the time the style was developing[1] - generally, advancements in a trend towards lightness of weight.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A gemstone (also called a fine gem, jewel, precious stone, semiprecious stone, or simply gem) is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments.[1][2][3] However, certain rocks (such as lapis lazuli, opal, and obsidian) and occasionally organic materials that are not minerals (such as amber, jet, and pearl) are also used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity and notoriety are other characteristics that lend value to gemstones.Apart from jewelry, from earliest antiquity engraved gems and hardstone carvings, such as cups, were major luxury art forms. A gem expert is a gemologist, a gem maker is called a lapidarist or gemcutter; a diamond cutter is called a diamantaire.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building consists of three main towers and three service towers around a central, rectangular space. Its core is the large Underwriting Room on the ground floor, which houses the Lutine Bell within the Rostrum. Also on the first floor is the loss book which for 300 years has had entries of significant losses entered by quill.[8] The Underwriting Room (often simply called "the Room") is overlooked by galleries, forming a 60 metres (197 ft) high atrium lit naturally through a huge barrel-vaulted glass roof. The first four galleries open onto the atrium space, and are connected by escalators through the middle of the structure. The higher floors are glassed in and can only be reached via the exterior lifts.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Lloyd's building (sometimes known as the Inside-Out Building)[3] is the home of the insurance institution Lloyd's of London. It is located on the former site of East India House in Lime Street, in London's main financial district, the City of London. The building is a leading example of radical Bowellism architecture in which the services for the building, such as ducts and elevators, are located on the exterior to maximise space in the interior.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters (60 ft) in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters (60 ft) in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The place of the architectural heritage of Itchan Kala in the history of Central Asian architecture is determined not only by the abundance of surviving architectural monuments, but also by the unique contribution of Khorezmian master builders to Central Asian architecture and preservation of its classical traditions. The domestic architecture of Khiva, with its enclosed houses with their courtyard, reception room with portico or avian supported by delicately sculptured wooden posts, and private apartments, is also an important attribute of the property that can be studied in its 18th- and 20th-century morphological variants. However, the outstanding qualities of Itchan Kala derive not so much from the individual monuments but also from the incomparable urban composition of the city, and from the harmony with which the major constructions of the 19thand 20th centuries were integrated into a traditional structure.
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