Prompt: Floating machines dominate the scene as primary subjects, multiple hovering entities in active formation above a partially destroyed machine, each built with biomechanical design, metallic exoskeleton, glowing bioluminescent details, intricate metallic tentacles, and clearly visible pulsating energy core; forms read as advanced synthetic organisms or machine-intelligences rather than drones, insects, or spacecraft, silhouettes distinct and load-bearing against an open minimal horizon.
Hovering machines actively tear apart the partially destroyed machine beneath them, metallic tentacles hooked into panels, joints, and exposed structure, pulling, prying, suspending fragments, and separating components in a single decisive instant; causal read explicit, disassembly in progress, no idle hovering, no repair activity, no explosion basin, no aftermath-only wreck, victim machine clearly mechanical and damaged but still legible as one coherent larger machine under violation.
Biomechanical identity remains explicit across the hovering machines: articulated tentacle arrays, armored shells, segmented metallic anatomy, luminous seams, ribbed plating, sensory apertures, and central pulsating cores glowing through translucent housings or recessed cavities; technology feels alien and predatory yet fully mechanical, no flesh, no gore, no soft organism drift, metallic surfaces intricate and high-detail, every appendage tied to the tearing action and hover logic.
Environment is an infinite flat Tron:Legacy-like plain, broad and minimal, smooth reflective or semi-reflective plane extending to the horizon with subtle grid or luminous surface logic, no mountains, no city, no debris field beyond the central event; plain reads as endless synthetic expanse and spatial isolator, not interior room, not desert, not battlefield, the emptiness intensifying the machine interaction and silhouette clarity.
Lighting and color drive the atmosphere: vibrant deep purples, blues, and greens across the plain, machine surfaces, bioluminescent accents, and reflected glow, dramatic lighting shaping the exoskeletons, tentacles, and torn machine fragments; energy cores pulse as localized light sources, reflections controlled, high contrast and clean edge separation preserved, no washed-out bloom, no muddy darkness, ultra-realistic high-resolution digital artwork with immersive scale and luminous precision.
Asymmetrical cinematic composition locked around the cluster of hovering machines above the partially destroyed machine, strong foreground-to-background hierarchy, digital science-fiction illustration, Dylan Cole environmental scale, David Levy conceptual futurism, Nick Runge dynamic visual force, single photographable instant of predatory mechanical disassembly on an infinite synthetic plain, surreal, severe, and visually arresting.
--mod hovering biomechanical machines
--mod metallic tentacle disassembly action
--mod pulsating energy-core visibility
--mod intricate exoskeleton detail
--mod partially destroyed machine target
--mod infinite Tron:Legacy-like plain
--mod deep purple blue green palette
--mod ultra-realistic high-resolution lighting
the aesthetic of biomechanical surrealism and steampunk organicism. It blends natural, fragile.
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: This collection of keywords perfectly describes the aesthetic of biomechanical surrealism and steampunk organicism. It blends natural, fragile materials (seashell, bone, ivory) with rigid mechanical, wooden, and metallic components into intricate, multi-layered abstract sculptures.
Prompt: Extremely textured abstract acrylic painting on worn canvas in style of Alexander Jansson, Ton Dubbeldam, Pedro Friedeberg, Catrin Welz-Stein, and Cecilia Frigati: A digital painting in the style of Alexander Jansson, Ton Dubbeldam, and Pedro Friedeberg, depicting a fantastical biomechanical city street nestled within a vibrant rainforest. A cluster of vintage houses and towers, resembling oversized mushrooms, line a cobbled street that leads to a bustling harbor filled with uniquely designed ships and boats, all amidst towering flowering trees. Pedestrians wearing intricate clockwork accessories stroll along the street, bathed in the warm, luminous glow of a sunset filtering through the dense rainforest canopy, creating an enchanting and whimsical atmosphere. The overall scene is framed by an overgrown fantasy rainforest backdrop with hints of Catrin Welz-Stein and Cecilia Frigati's organic sculptural forms, captured with cinematic lighting and a sense of HDR vibrancy.
Prompt: a highly detailed, symmetrical psychedelic art illustration in a striking dual-tone palette of deep red and obsidian black. The composition is a dense, intricate labyrinth of organic and mechanical motifs, featuring swirling neural pathways, fluid biological forms, and sharp geometric patterns. In the center, a complex, multi-eyed entity emerges, its features merging into a background of mechanical gears, celestial symbols, and microscopic textures. The overall style is reminiscent of progressive rock album art, evoking a sense of deep complexity, cosmic interconnectedness, and a fusion of biology with technology
Prompt: Painting of a beauty Japanese woman, inspired by H.R. Giger’s biomechanical art. The image features a dark, surreal japanese landscape filled with twisted, gnarled trees, skeletal structures, and biomechanoid forms. The composition blends organic and architectural elements, evoking a sense of haunting otherworldliness. Shadows dominate the scene, with eerie, unnatural lighting that creates a sense of depth and mystery. The air feels thick with tension, as if the scene exists in a nightmare. The atmosphere is oppressive, and the woman’s face is partially obscured by alien-like, biomechanical features, adding to the eerie, unsettling quality. Dark, detailed, and suffused with the essence of the Necronomicon, evoking a feeling of ancient, forbidden knowledge. The overall tone is foreboding, a chilling fusion of the organic and the mechanical, as if the landscape itself is alive and watching.
LAST DAYS OF AI VISION #9 – Celestial Visions: All The Things That I AM
Model:
Size:
4320 X 4320
(18.66 MP)
Used settings:
Prompt: Some metal separates us from the void, the termination of life is so close. Life is everywhere, everywhere. Masterpiece. Mysterious, eerie and horror ambiance. The Age of Madness.
Prompt: Electronic system on head humanoid |cyborg woman| with a visible detailed brain| muscles cable wires| biopunk|, pale face, cybernetic| cyberpunk| sharp focus| smooth| hyperrealism| highly detailed| intricate details|
Prompt: Full brilliantly coloured: By Takato yamamoto, Takashi Murakami: Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Takato yamamoto of :
Classic Cyberpunk art illustration of "Ghost in the Shell" by Chinese contemporary artist Yue Minjun 岳敏君 depicting a highly saturated, grainy medium motion blur all around, shot of a full length Kyoto female special operative wearing a stylish white & blue tight suit, suspended in a hibernation tank, wearing a glowing sunglass over her eyes as she looks downwards, with purple curl hair, wearing a half spherical high tech headgear with electrodes & wires emerging out of her head. suspended freely in the middle of a hibernation tank filled with liquid & bubbles in a lab setting, in the style of glitch art by Takato Yamamoto. Computer codes raining down all over the whole image as line streams crisscross with neon line scaffoldings. The image is rendered with a prominent dark red, dark green, and dark blue (RGB) color channel separation effect, creating a vibrant, distorted, and dream-like aesthetic field effect. The subject's face is subtly blurred and appears to have a diffuse glow. The background features more intense color bleeding and warping effects, resembling a textured, abstract pattern of bright and dark hues, with radial distortion. The overall image has a digital, retro, vaporwave-inspired feel, with a visible pixelated or halftone texture throughout. It is also dark and sad in a disturbing way.
Prompt: Full brilliantly coloured: By Takato yamamoto, Takashi Murakami: Soft Watercolor & ink on silk painting of a dreaming female robot by Takato yamamoto :
Introspective, high contrast, light & shadow, watercolor of human anatomy models in dynamic artistic poses connected to organic cables; side glance; wet on wet, with spherical goo dripping slime resembling placenta with radiating tubular networks like those in a computer chip; minimalist; expressive; figure; form; impression; translucent; additive; influence of Gottfried Helnwein and Ali Cavanaugh; seeing the soul in a finite moment of infinity. vulnerable but steadfast; organic and loose; ghostly realism, add cubistic background.
Classic Cyberpunk art illustration of "The Creation of Eve" by Chinese contemporary artist Yue Minjun 岳敏君 depicting a highly saturated, grainy medium motion blur all around, shot of a full length Kyoto female special automata wearing a psychedelic red, white, black, yellow & blue tight cyborg suit, suspended in inner space of biological tissues, with cells & blood vessels, & with cables attached to her spinal cord and brain, wearing a half spherical high tech headgear with electrodes & wires emerging out of her head. suspended freely in the middle of a hibernation tank filled with liquid & bubbles in a lab setting, in the style of glitch art by Takato Yamamoto.
Computer codes raining down all over the whole image as line streams crisscross with neon line scaffoldings. The image is rendered with a prominent dark red, dark green, and dark blue (RGB) color channel separation effect, creating a vibrant, distorted, and dream-like aesthetic field effect. The subject's face is subtly blurred and appears to have a diffuse glow. The background features more intense color bleeding and warping effects, resembling a textured, abstract pattern of bright and dark hues, with radial distortion. The overall image has a digital, retro, vaporwave-inspired feel, with a visible pixelated or halftone texture throughout. It is also dark and mysterious in a Lovecraft's way.
LAST DAYS OF AI VISION #6 – What Have You Done To Me? – Hands Never Forget
Model:
Size:
4320 X 4320
(18.66 MP)
Used settings:
Prompt: Some metal separates us from the void, the termination of life is so close. Life is everywhere, everywhere. Artstation showcase quality, high resolution for intricate details. Mysterious and mystical atmosphere. Epic Science-Fiction Masterpiece.
Prompt: Full brilliantly coloured: By Takato yamamoto, Takashi Murakami: Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Takato yamamoto of :
Classic Cyberpunk art illustration of "Ghost in the Shell" by Chinese contemporary artist Yue Minjun 岳敏君 depicting a highly saturated, grainy medium motion blur all around, shot of a full length Kyoto female special operative wearing a stylish white & blue tight suit, suspended in a hibernation tank, wearing a glowing sunglass over her eyes as she looks downwards, with purple curl hair, wearing a half spherical high tech headgear with electrodes & wires emerging out of her head. suspended freely in the middle of a hibernation tank filled with liquid & bubbles in a lab setting, in the style of glitch art by Takato Yamamoto. Computer codes raining down all over the whole image as line streams crisscross with neon line scaffoldings. The image is rendered with a prominent dark red, dark green, and dark blue (RGB) color channel separation effect, creating a vibrant, distorted, and dream-like aesthetic field effect. The subject's face is subtly blurred and appears to have a diffuse glow. The background features more intense color bleeding and warping effects, resembling a textured, abstract pattern of bright and dark hues, with radial distortion. The overall image has a digital, retro, vaporwave-inspired feel, with a visible pixelated or halftone texture throughout. It is also dark and sad in a disturbing way.
Prompt: Painting of a beauty Japanese woman, inspired by H.R. Giger’s biomechanical art. The image features a dark, surreal japanese landscape filled with twisted, gnarled trees, skeletal structures, and biomechanoid forms. The composition blends organic and architectural elements, evoking a sense of haunting otherworldliness. Shadows dominate the scene, with eerie, unnatural lighting that creates a sense of depth and mystery. The air feels thick with tension, as if the scene exists in a nightmare. The atmosphere is oppressive, and the woman’s face is partially obscured by alien-like, biomechanical features, adding to the eerie, unsettling quality. Dark, detailed, and suffused with the essence of the Necronomicon, evoking a feeling of ancient, forbidden knowledge. The overall tone is foreboding, a chilling fusion of the organic and the mechanical, as if the landscape itself is alive and watching.
Prompt: Pintura de un abismo hasta el infierno hecha por MC Escher, Beksinski y Hr giger.
The image depicts a surreal, intricate gold-saphir coloured landscape filled with twisted forms and figures, blending organic and architectural elements, evoking a sense of depth and a dreamlike atmosphere.
Prompt: Painting of a beauty Japanese woman, inspired by H.R. Giger’s biomechanical art. The image features a dark, surreal japanese landscape filled with twisted, gnarled trees, skeletal structures, and biomechanoid forms. The composition blends organic and architectural elements, evoking a sense of haunting otherworldliness. Shadows dominate the scene, with eerie, unnatural lighting that creates a sense of depth and mystery. The air feels thick with tension, as if the scene exists in a nightmare. The atmosphere is oppressive, and the woman’s face is partially obscured by alien-like, biomechanical features, adding to the eerie, unsettling quality. Dark, detailed, and suffused with the essence of the Necronomicon, evoking a feeling of ancient, forbidden knowledge. The overall tone is foreboding, a chilling fusion of the organic and the mechanical, as if the landscape itself is alive and watching.
Prompt: A side profile close-up of a female cow-pig head created from a seamless black and white pattern of tiny circles that form a halftone-like texture. The head is facing left, with its nose and deep red lips prominently displayed, but the eyes are trying to look sideways at the viewer. The background features several receding, blurry copies of the same head, arranged in a row, with alternating black and white vertical stripes. The image has a high contrast and a futuristic, technological aesthetic. 3D Ceramic.
Biomechanical Beauty Awakens (Prompt by Sylverdali)
Model:
Size:
2688 X 1512
(4.06 MP)
Used settings:
Prompt: The image features a surreal hyper-textured facial features, her with hyper-realistic facial features are adorned with biomechanical gears, cables, circuitry twisted and woven into her braided biomech tendrils, she blends with nature and machinery. She wakes from a long sleep, one of her incredibly hyper-realistic sorrowful eyes has a single tear rolling down her cheek, she is adorned with dead and dying flowers contrasting and enhancing the diaphanous dreamlike atmosphere.
Prompt: Painting of a beauty Japanese woman, inspired by H.R. Giger’s biomechanical art. The image features a dark, surreal japanese landscape filled with twisted, gnarled trees, skeletal structures, and biomechanoid forms. The composition blends organic and architectural elements, evoking a sense of haunting otherworldliness. Shadows dominate the scene, with eerie, unnatural lighting that creates a sense of depth and mystery. The air feels thick with tension, as if the scene exists in a nightmare. The atmosphere is oppressive, and the woman’s face is partially obscured by alien-like, biomechanical features, adding to the eerie, unsettling quality. Dark, detailed, and suffused with the essence of the Necronomicon, evoking a feeling of ancient, forbidden knowledge. The overall tone is foreboding, a chilling fusion of the organic and the mechanical, as if the landscape itself is alive and watching.
Prompt: A hyper-realistic, dark fantasy wall sculpture titled "Headsucker," featuring a grotesque, biomechanical design. The central focus is a pale, fleshy humanoid head with sunken blue eyes and a sorrowful expression, being consumed from above by a larger, more monstrous entity. The attacking entity has a wide, gaping maw filled with jagged, realistic human teeth and yellow, predatory eyes. A cryptic, inverted triangular symbol is etched into its forehead. The entire piece is framed by an ornate, baroque-style filigree that appears to be fused with decaying, sinewy flesh and organic matter. The lighting is moody and cinematic, casting deep shadows that emphasize the wet, visceral textures and the horrific, "Scorn-inspired" aesthetic. High detail, 8k resolution, macabre, surreal horror
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
