Golden Steampunk Observatory with Octopus Centerpiece
Model:
Z-Image Turbo
Size:
2576 X 1449
(3.73 MP)
Used settings:
Prompt: A highly detailed and surreal sci-fi fantasy artwork depicts a complex scene of strange humanoid figures interacting with a colossal mechanical octopus-like creature on an alien planet, viewed partially from inside a richly decorated golden spaceship with large windows looking out into a starry cosmos. The central figure is a massive, dark gray monster.
Prompt: A futuristic humanoid cyborg, featuring highly detailed, metallic robotic limbs and a muscular physique. The cyborg is sitting in a relaxed pose, with one leg bent and the other extended. The scene is illuminated with moody lighting, showcasing a dramatic contrast between red and blue hues in the background. The focus is on the intricate details of the cybernetic enhancements, including visible circuits and glowing elements. The environment has a sleek, modern feel, emphasizing a blend of human and machine.
Prompt: my surreal melting twisted psychedelic psychedelia adorned enigmatic impossible object is a wild and wildly surrealistic, disturbing. holding interdimensional trippy galaxy, surreal plexus teeth. a surreal anime man demonic angel angelic demon, cybernetic moon carpentry, fractal factory of modular snake pipe, vintage photography, surrealism, manifold construction of boiled gum, melting fractal, engine, ethereal, steampunk, macro photography. a crazy government official from a factory that says "ANIME" on it. the factory is a giant production line of trippy conveyor belt goodness. HDR, 64 megapixels, high quality, award winning photography. mouth tongue.
Prompt: robotic Couple ,
By James Jean, Mark Ryden, Brian Froud, Zdzisław Beksinski, H. R. Giger, Hieronymus Bosch,
trending on Artstation, high definition, crisp quality, polished, tropaeolum majus, orange
Prompt: Two futuristic robots with a glossy, cracked golden surface stand amidst a dreamy, ethereal background filled with soft clouds and shimmering orbs, exuding a sense of intrigue and wonder and amazement
Prompt: Stunning color oil drawing on textured paper, Abstract expressionism surrealism, full-length image of Moon Dome Guardians: Deadly Robot Spiders. magical, amazingly powerful, a very powerful piece, Inspired by the style illustrations of Picasso, Tomasz Setowski. As if created in the patchwork style of Masamune Shirow, Catrin Welz-Stein, Satoshi Kon and Van Gogh, Mamoru Nagano
Prompt: Otherworldly machine wove creatures inspired by psychedelic trips Be certain that the nature of mind is empty and without foundation. One’s own mind is insubstantial, like an empty sky pulsating. Look at your own mind to see whether it is like that or not. Divorced from views which constructedly determine [the nature of] emptiness, Be certain that pristine cognition, naturally originating, is primordially radiant – Just like the nucleus of the sun, which is itself naturally originating. Look at your own mind to see whether it is like that or not! Be certain that this awareness, which is pristine cognition, is uninterrupted, Like the coursing central torrent of a river which flows unceasingly. Look at your own mind to see whether it is like that or not! Be certain that conceptual thoughts and fleeting memories are not strictly identifiable, But insubstantial in their motion, like the breezes of the atmosphere. Look at your own mind to see whether it is like that or not! Be certain that all that appears is naturally manifest [in the mind], Like the images in a mirror which [also] appear naturally. Look at your own mind to see whether it is like that or not! Be certain that all characteristics are liberated right where they are, Like the clouds of the atmosphere, naturally originating and naturally dissolving. Look at your own mind to see whether it is like that or not! There are no phenomena extraneous to those that originate from the mind. [So], now could there be anything on which to meditate apart from the mind? There are no phenomena extraneous to those that originate from the mind. [So], there are no modes of conduct to be undertaken extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no commitments to be kept extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no results to be attained extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], one should observe one’s own mind, looking into its nature again and again. If, upon looking outwards towards the external expanse of the sky, There are no projections emanated by the mind, And if, on looking inwards at one’s own mind, There is no projectionist who projects [thoughts] by thinking them, Then, one’s own mind, completely free from conceptual projections, will become luminously clear. [This] intrinsic awareness, [union of] inner radiance and emptiness, is the Buddha-body of Reality, [Appearing] like [the illumining effect of] a sunrise on a clear and cloudless sky,. It is clearly knowable, despite its lack of specific shape or form. There is a great distinction between those who understand and those who misunderstand this point. This naturally originating inner radiance, uncreated from the very beginning, Is the parentless child of awareness – how amazing! It is the naturally originating pristine cognition, uncreated by anyone – how amazing! [This radiant awareness] has never been born and will never die – how amazing! Though manifestly radiant, it lacks an [extraneous] perceiver – how amazing! Though it has roamed throughout cyclic existence, it does not degenerate – how amazing! Though it has seen buddhahood itself, it does not improve – how amazing! Though it is present in everyone, it remains unrecognised –
Prompt: Painting of a beauty Japanese woman, inspired by H.R. Giger’s biomechanical art. The image features a dark, surreal japanese landscape filled with twisted, gnarled trees, skeletal structures, and biomechanoid forms. The composition blends organic and architectural elements, evoking a sense of haunting otherworldliness. Shadows dominate the scene, with eerie, unnatural lighting that creates a sense of depth and mystery. The air feels thick with tension, as if the scene exists in a nightmare. The atmosphere is oppressive, and the woman’s face is partially obscured by alien-like, biomechanical features, adding to the eerie, unsettling quality. Dark, detailed, and suffused with the essence of the Necronomicon, evoking a feeling of ancient, forbidden knowledge. The overall tone is foreboding, a chilling fusion of the organic and the mechanical, as if the landscape itself is alive and watching.
Prompt: She wakes from a long sleep, one of her incredibly hyper-realistic sorrowful eyes has a single tear rolling down her cheek, she is adorned with dead and dying flowers contrasting and enhancing the diaphanous dreamlike atmosphere. The image features a surreal hyper-textured facial features, her with hyper-realistic facial features are adorned with biomechanical gears, cables, circuitry twisted and woven into her braided biomech tendrils, she blends with nature and machinery.
Prompt: (A masterpiece of unparalleled excellence), ((A highly detailed, A mechanical alien creature(Show full body). The creature is predominantly black with intricate, interwoven mechanical components and wires. It appears to be a hybrid of biological and technological design. The creature's head is angular and has a gaping maw with visible teeth, suggesting an aggressive or predatory nature. The body is composed of numerous, articulated segments connected by complex machinery. Various mechanical components, including pipes, cables, and intricate plates, are visible across the entire creature, giving it a complex, almost organic yet artificial appearance. The creature is oriented toward the lower-right of the image and slightly angled, displaying its detailed structure in a dynamic pose. The lighting is even, highlighting the details of the intricate structures and mechanical parts without dramatic shadows. The style is futuristic, science fiction, and highly detailed, conveying a sense of advanced technology and artificial life. The composition is focused on showcasing the intricate design of the creature, utilizing a close perspective. "(The complex interior of a spacecraft is in the background)")), Inspired by the style illustrations of Ghost In The Shell, H.R. Giger, Hajime Sorayama, Jacek Yerka and Tomasz Setowski, Detailed Pen and Ink drawing on textured paper, As if created By Mamoru Nagano, Masamune Shirow and Jean-Baptiste Monge and Tim Burton. (Full-size. Full-length and Full-scale image).
Prompt: A highly detailed cyberpunk biomechanical skull in side profile, fused with exposed machinery, cables, pistons, and mechanical implants embedded into the bone. The skull appears partially decayed yet integrated with advanced technology, featuring industrial metal plates, warning symbols, serial numbers, graffiti markings, and glowing micro lights. Intricate wiring runs through the jaw and neck, blending organic textures with futuristic robotics. Monochrome grayscale illustration with heavy shading and rough sketch lines, ultra-detailed concept art style. High contrast composition with a solid, vivid red background. Dark, dystopian, gritty sci-fi atmosphere, futuristic cybernetic horror aesthetic, sharp focus, 4k, concept art, cyberpunk, biomech.
Prompt: Digital painting. A portrait of a mystical being with flowing, organic shapes and intricate, Hundertwasser-inspired patterns. The being's form incorporates biomechanical Giger accents, and surreal Bosch-like creatures emerge from its surface. The background depicts a fantastical universe with elements reminiscent of Bogomil's art. Glowing cryptids are scattered throughout the scene. Bold, expressive brushstrokes, sharp, dynamic lines, dramatic lighting. Digital art, surrealism, best quality, a masterpiece, 8k resolution, trending on Artstation. Hans Bellmer's Dolls meet David Lynch Eraserhead in a colorful surreal film with scene sets by H.R. Giger with the Alien and Cthulhu, where a single sunflower sprouts from the lady in the radiator's head on the road to OZ following a frantic rabbit, Bellmer's cat did not survive and the cryptid taxidermy chicken rules in Bogomil's Universe, imperial colors, Alphonse Mucha Max Ernst surrealism art Nouveau oilpainting dynamic lighting Art of Illusion.
Prompt: Painting of a beauty Japanese woman, inspired by H.R. Giger’s biomechanical art. The image features a dark, surreal japanese landscape filled with twisted, gnarled trees, skeletal structures, and biomechanoid forms. The composition blends organic and architectural elements, evoking a sense of haunting otherworldliness. Shadows dominate the scene, with eerie, unnatural lighting that creates a sense of depth and mystery. The air feels thick with tension, as if the scene exists in a nightmare. The atmosphere is oppressive, and the woman’s face is partially obscured by alien-like, biomechanical features, adding to the eerie, unsettling quality. Dark, detailed, and suffused with the essence of the Necronomicon, evoking a feeling of ancient, forbidden knowledge. The overall tone is foreboding, a chilling fusion of the organic and the mechanical, as if the landscape itself is alive and watching.
Prompt: Cybernetic artificial general intelligent extraterrestrial-mechanic synthetic techno-organic enhanced and advanced biomechanical-nanorobotic tall man
Prompt: A graphic novel style art of Mesopotamian biomechanical demonesses girl, blended with the intricate details of junji ito's sci-fi inking, and the sleekness of H.R. Giger's biomechanical creations, in fantastic alien world style of Mattias Adolfsson. moodily lit face. (A Zdzislaw Beksinski masterpiece of unparalleled excellence), beautiful girl characters wearing diaphanous fabrics scarf and wearing lots of gold jewelry. psychedelic expressionism and surrealism in a vibrant, surreal masterpiece",
Prompt: A fallen angel stands in full-body view, immersed in a dark surreal vision of biomechanical intricacy. Her figure blends human fragility with mechanical precision: porcelain-toned skin fractured into layered biomech plating, seamlessly fused with sinewy cables and ridge metallic seams. Her once-radiant wings are now vast, broken structures of steel and bone interwoven with blackened wires, their surfaces scarred with patterns that suggest both design and decay. Every surface carries hyper-textured richness polished chrome fades into corroded alloys, ivory-like bone merges into ribbed tubing, and fragile skin dissolves into lattice-like grids of machinery. From the fissures in her torso and limbs, faint circuitry glows pulse beneath the surface, as though life itself flickers between organic memory and mechanical permanence. Her face is sculpted with delicate precision, her expression heavy with sorrow. Hyper-realistic eyes holding the weight of endurance and loss, as if balancing human remembrance with machine-like calculation. She is surrounded by a biomechanical cathedral an immense architectural vision reminiscent of H.R. Giger. Towering structures twist and curve into endless arches, walls breathe with organic-mechanical textures, and shadowed corridors evoke alien landscapes. The atmosphere is monumental and ominous, balancing beauty and dread. Chiaroscuro lighting intensifies the scene: sharp gleams trace the fractured edges of her form, while vast shadows carve depth across her figure and the cathedral around her. Every crack, seam, and fold is rendered in obsessive detail, each surface hyper-realistic and tactile. The overall impression is a haunting fusion of surreal portraiture and biomechanical nightmare an angel of ruin and resilience, suspended in silence within an alien cathedral, rendered in a vision deeply reminiscent of the dark artistry of H.R. Giger.
Prompt: Extremely textured abstract acrylic painting on worn canvas in style of Alexander Jansson, Ton Dubbeldam, Pedro Friedeberg, Catrin Welz-Stein, and Cecilia Frigati: A digital painting in the style of Alexander Jansson, Ton Dubbeldam, and Pedro Friedeberg, depicting a fantastical biomechanical city street nestled within a vibrant rainforest. A cluster of vintage houses and towers, resembling oversized mushrooms, line a cobbled street that leads to a bustling harbor filled with uniquely designed ships and boats, all amidst towering flowering trees. Pedestrians wearing intricate clockwork accessories stroll along the street, bathed in the warm, luminous glow of a sunset filtering through the dense rainforest canopy, creating an enchanting and whimsical atmosphere. The overall scene is framed by an overgrown fantasy rainforest backdrop with hints of Catrin Welz-Stein and Cecilia Frigati's organic sculptural forms, captured with cinematic lighting and a sense of HDR vibrancy.
Prompt: The rhythm of life: There's no one else who needs to know. She tells herself, oh Memories back when she was bold and strong and waiting for the world to come along , Tightly packed, symmetrical musical notes in shimmering blue and gold, warp and bend in rhythmic harmony, evoking sound waves that pulsate across the canvas in a mesmerizing dance, reminiscent of the styles of Ash Thorp, Simon Stalenhag, and Loish, with intricate details and textures , Swears she knew it, now she swears he's gone. A masterful charcoal and wet on wet ink rendering unveils an elegant biomechanical hyper-realistic woman, captured mid-performance. Her slender torso merges seamlessly with the resonant body of a cello, forged from polished obsidian and adorned with luminous silver filigree. Delicate limbs formed of brass and bone clockwork extend with poised precision, while translucent tubes glow faintly with amber light, echoing the rhythm of living veins. She sits with her legs wrapped around the cello motionless on a desolate, darkened stage, her figure isolated beneath a single dramatic spotlight. The visual language evokes the anatomical precision of a lost Leonardo da Vinci study entwined with the grotesque refinement of H.R. Giger. Intricate cross-hatching, exquisite chiaroscuro, and meticulous detail elevate the sketch into a haunting fusion of art and machinery.
Prompt: The rhythm of life: There's no one else who needs to know. She tells herself, oh Memories back when she was bold and strong and waiting for the world to come along. Swears she knew it, now she swears he's gone. A masterful charcoal and wet on wet ink rendering unveils an elegant biomechanical hyper-realistic woman, captured mid-performance. Her slender torso merges seamlessly with the resonant body of a cello, forged from polished obsidian and adorned with luminous silver filigree. Delicate limbs formed of brass and bone clockwork extend with poised precision, while translucent tubes glow faintly with amber light, echoing the rhythm of living veins. She sits with her legs wrapped around the cello motionless on a desolate, darkened stage, her figure isolated beneath a single dramatic spotlight. The visual language evokes the anatomical precision of a lost Leonardo da Vinci study entwined with the grotesque refinement of H.R. Giger. Intricate cross-hatching, exquisite chiaroscuro, and meticulous detail elevate the sketch into a haunting fusion of art and machinery.
Prompt: Terrifying biomechanical alien creature with elongated skull, multiple rows of teeth, organic flesh fused with technological components, red glowing artificial eyes, dark sci-fi horror atmosphere, detailed digital art
Prompt: A biomechanical alien laboratory deep underground, in the style of H.R. Giger. A Mi-Go brain cylinder rests on a strange workbench — a translucent chitinous cylinder filled with amber fluid, holding a preserved human brain, connected to alien tubes and fibers. The workbench is covered with insectile tools, organic cables, and metallic-organic surfaces. Dim, eerie bioluminescent lighting in green and pale blue, with shadows stretching across the alien chamber. The atmosphere is oppressive, dark cosmic horror, ultra-detailed and cinematic.
Prompt: She is female M. Bison, powerful martial arts talent from Thailand. Reconceived and placed in the dystopian future of the year 1999, she becomes a cyberpunk biomechanical warrior embodying The Matrix's raw spirit fused with the visceral artistry of Wangechi Mutu; the tall bald Germanic ghostly figure with cold and stern menace raises the chin defiantly.
Her red military uniform is an outfit worn by the soldiers of the Shadaloo army in the Japanese and Chinese imperial styles-reminiscent. Its elements include large metallic silver shoulder plates that symbolize rank, matching silver wristbands for protection, and sleek shin guards that shine with authority. Atop her head rests the signature Shadaloo (シャドルー, Shadowlaw) peaked cap-red adorned with an over-sized silver skull insignia-a very valuable symbol of her ruthlessness.
The uniform, glossy with a latex finish, merges into a vantablack cape, blending understated luxury with neo-dada sophistication. Her surrealistic physiology, a hyper-real mixture of Elle Fanning as an android and the visionary art of Alex Gray, is ornamented with golden circuitry and floribund biomechanical motifs intertwining biology with botany in a surreal interplay of technology and nature.
Dark purple psycho crusher energy emanates from her hands, showcasing a unique Thai fighting style illuminated by green Matrix code accents, casting light upon a wasteland littered with skulls and crumbling structures beneath a swirling, foreboding sky filled with inverted hollow triangles and ethereal shadows. This happens in the domain of human mind—enormous Renaissance-type gallery of subconscious where angels (high-vibe states of love and light) engaged in the clash of their opposite energies against demons (repressed instincts and low vibrations) under volumetric low light.
A peek-through skin that would allow one to view not organs but rather an open work of artistry anatomy within a complicated web of patterned forms backlit with studio lighting inspired by Dmitry Mazurkevich and Ilya Kushinov. Dynamic pose of the character, a cyberpunk humanoid in the gritty style of Sergey Krasovskiy. While it shimmers with a candy pink liquid-gown overlay, it is weightless and ethereal-much like Alice in Wonderland's Mad Hatter.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
10d
