#baroque

Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: In terms of external appearances dwarven structures in mountains would often create beautiful flourishes and accents to buildings to add flavour and beauty to the existing stone to accentuate the designs and mirror the beautiful caverns. On the surface however such beauty could not be afforded to the lower and middle classes, with more basic and slimmed designs bein uncommon in surface settlements. however on important buildings, structures or wealth homes such classically designs still existed and were seen as a symbol of wealth and status. Often Stone pillars would a brought and support houses, with more beautifully designed symbols of wealth being important status symbols like the lawns of America, tulips of Holland and gardens of Japan. Some of the earlier dwarven designs for surface structures mirrored greek designs such as the parthenon with importance placed on stone pillars, roof and floors, with creative interpretations from town to town. This design became synonymous with early dwarven surface designs and became an important symbol for surface dwellings as a symbol of wealth and history in the settlement. upcoming settlements might seek to acquire.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Ishtar Gate. The bricks of the Ishtar gate were made from finely textured clay pressed into wooden forms. Each of the animal reliefs was also made from bricks formed by pressing clay into reusable molds. Seams between the bricks were carefully planned not to occur on the eyes of the animals or any other aesthetically unacceptable places. The bricks were sun-dried and then fired once before glazing. The clay was brownish red in this bisque-fired state. The background glazes are mainly a vivid blue, which imitates the color of the highly prized lapis lazuli. Gold and brown glazes are used for animal images. The borders and rosettes are glazed in black, white, and gold. It is believed that the glaze recipe used plant ash, sandstone conglomerates, and pebbles for silicates. This combination was repeatedly melted, cooled, and then pulverized. This mixture of silica and fluxes is called a frit. Color-producing minerals, such as cobalt, were added in the final glaze formulations. This was then painted onto the bisque-fired bricks and fired to a higher temperature in a glaze firing.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

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  • Prompt: The clay tablet was thus being used by scribes to record events happening during their time. Tools that these scribes used were styluses with sharp triangular tips, making it easy to leave markings on the clay; the clay tablets themselves came in a variety of colors such as bone white, chocolate, and charcoal. Pictographs then began to appear on clay tablets around 4000 BCE, and after the later development of Sumerian cuneiform writing, a more sophisticated partial syllabic script evolved that by around 2500 BCE was capable of recording the vernacular, the everyday speech of the common people. Sumerians used what is known as pictograms. Pictograms are symbols that express a pictorial concept, a logogram, as the meaning of the word. Early writing also began in Ancient Egypt using hieroglyphs. Early hieroglyphs and some of the modern Chinese characters are other examples of pictographs. The Sumerians later shifted their writing to Cuneiform, defined as "Wedge writing" in Latin, which added phonetic symbols, syllabograms. Text on clay tablets took the forms of myths, fables, essays, hymns, proverbs, epic poetry, business records, laws, plants, and animals.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

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  • Prompt: Dental trait analysis of Badarian fossils conducted in a thesis study found that they were closely related to other Afroasiatic-speaking populations inhabiting Northeast Africa and the Maghreb. Among the ancient populations, the Badarians were nearest to other ancient Egyptians (Naqada, Hierakonpolis, Abydos and Kharga in Upper Egypt; Hawara in Lower Egypt), and C-Group and Pharaonic era skeletons excavated in Lower Nubia, followed by the A-Group culture bearers of Lower Nubia, the Kerma and Kush populations in Upper Nubia, the Meroitic, X-Group and Christian period inhabitants of Lower Nubia, and the Kellis population in the Dakhla Oasis.[17]: 219–20  Among the recent groups, the Badari markers were morphologically closest to the Shawia and Kabyle Berber populations of Algeria as well as Bedouin groups in Morocco, Libya and Tunisia, followed by other Afroasiatic-speaking populations in the Horn of Africa.[17]: 222–4  The Late Roman era Badarian skeletons from Kellis were also phenotypically distinct from those belonging to other populations in Sub-Saharan Africa.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

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  • Prompt: Architecture of Tibet. Traditional Kham architecture is seen in most dwellings in Garzê Tibetan Autonomous Prefecture. Although the region has been previously heavily logged, wood is still harvested locally from remaining stands of forest and used for housing. Throughout the region, horizontal timber beams support the roof and are in turn supported by wooden columns. In some areas such as Dêgê County, Baiyü County, and Dawu County, Sichuan, wood is also used to make log-cabin style exterior walls. Home interiors are sometimes paneled with wood and cabinetry is ornately decorated. Ganzi is known for its beautiful wooden houses built in a range of styles and lavishly decorated with wooden ornamentation. Although various materials are used in the well-built houses, it is the skillful carpentry that is most striking. Farm houses in Kham are often very spacious although the first (ground) floor is usually used to house farm implements and animals, not for human habitation. Floors, ceilings, and room dividers are made of wood. Carpentry skills are passed down from master to apprentice.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Etchmiadzin Cathedral is the mother church of the Armenian Apostolic Church, located in the city dually known as Etchmiadzin (Ejmiatsin) or Vagharshapat, Armenia. It is usually considered the first cathedral built in ancient Armenia, and is often considered the oldest cathedral in the world. The original church was built in the early fourth century—between 301 and 303 according to tradition—by Armenia's patron saint Gregory the Illuminator, following the adoption of Christianity as a state religion by King Tiridates III. It was built over a pagan temple, symbolizing the conversion from paganism to Christianity. The core of the current building was built in 483/4 by Vahan Mamikonian after the cathedral was severely damaged in a Persian invasion. From its foundation until the second half of the fifth century, Etchmiadzin was the seat of the Catholicos, the supreme head of the Armenian Church.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: St. Hripsime Church is a domed tetraconch enclosed in a rectangle, with two angular niches on the northern and southern side. German art historian Wilhelm Lübke wrote that the church is built on "a most complicated variation of the cruciform ground-plan." The monumental exterior of the church is "considered one of the great achievements of medieval Armenian architecture." It has been described as a "gem of Armenian architecture" and "one of the most complex compositions in Armenian architecture." Along with Saint Gayane Church, it stands as a "model of the austere beauty of early Armenian ecclesiastical architecture." The church is not the earliest example of this architectural form, however, the form is widely known in architectural history as the "Hripsime-type" since the church is the best-known example of the form. It has also been variously named "Jvari-type" or "Jvari-Hripsime-type" for Jvari in Georgia. Notable churches with similar plans include the Surb Hovhannes (Saint John) Church of Avan (6th century), Surb Gevorg (Saint George) Church of Garnahovit (6th century), Church of the Holy Cross at Soradir (6th century), Targmanchats monastery of Aygeshat (7th century).
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

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  • Prompt: Armenian architecture. Medieval Armenian architecture, and Armenian churches in particular, have several distinctive features, which some believe to be the first national style of a church building. Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical drum (usually polygonal on the outside, most often octagonal). The vertical emphasis of the whole structure, with the height often exceeding the length of a church. Reinforcement of the verticality with tall, narrow windows. Stone vaulted ceilings. Composed almost entirely of stone, usually volcanic tuff or basalt. A composite roof composed of finely-cut tuff shingles Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage. Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls. Roofs intersecting to support the dome, both in basilicas and centrally-planned churches. Sculptural decoration of external.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

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  • Prompt: When the Roman Empire became Christian (after having extended eastwards) with its new capital at Constantinople, its architecture became more sensuous and ambitious. This new style with exotic domes and richer mosaics would come to be known as "Byzantine" before it traveled west to Ravenna and Venice and as far north as Moscow. Most of the churches and basilicas have high-riding domes, which created vast open spaces at the centers of churches, thereby heightening the light. The round arch is a fundamental of Byzantine style. Magnificent golden mosaics with their graphic simplicity brought light and warmth into the heart of churches. Byzantine capitals break away from the Classical conventions of ancient Greece and Rome with sinuous lines and naturalistic forms, which are precursors to the Gothic style.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

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  • Prompt: Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations. New architectural elements like minarets, muqarnas, and multifoil arches were invented. Common or important types of buildings in Islamic architecture include mosques, madrasas, tombs, palaces, hammams (public baths), Sufi hospices (e.g. khanqahs or zawiyas), fountains and sabils, commercial buildings (e.g. caravanserais and bazaars), and military fortifications.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Weser Renaissance. Eicke's House. Brake Castle in Lemgo-Brake. The Hochzeitshaus in Hamelin. Ratcatcher's House in Hamelin. Town centre of Lemgo. Varenholz Castle in Kalletal. Bremen City Hall. Juleum Novum. Wolfsburg Castle. Bevern Castle. Neuhaus Castle. Hämelschenburg. Wewelsburg. Bückeburg Castle. Bückeburg Parish Church. Stadthagen Castle. Mausoleum in Stadthagen. Schwöbber Castle. Erbhof Thedinghausen.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

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  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarven Architecture has historically been completely stonework. Houses, halls, barracks, and temples were carved from solid stone. When solid stone could not be used, stone was often carved to fit these spaces (imagine incan walls at Macu picu) This method proved perfect for dwarven holds in the mountains, but outside these spaces, dwarves had little knowledge of how to work with wood to build larger buildings. Often lugging large stones long distances to then carves small houses initially. The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarves refuse to work with bricks as their false stone is seen as flimsy and unsustainable. Instead, they use stone bricks when possible when the solid stone is unavailable, leading to unique designs amongst their people.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Biomimetic architecture. Though a contemporary concept in a technological age, biomimicry does not entail the incorporation of complex technology in architecture. In response to prior architectural movements biomimetic architecture strives to move towards radical increases in resource efficiency, work in a closed loop model rather than linear (work in a closed cycle that does not need a constant intake of resources to function), and rely on solar energy instead of fossil fuels. The design approach can either work from design to nature or from nature to design. Design to nature means identifying a design problem and finding a parallel problem in nature for a solution. An example of this is the DaimlerChrysler bionic car that looked to the boxfish to build an aerodynamic body. The nature to design method is a solution-driven biologically inspired design. Designers start with a specific biological solution in mind and apply it to design. An example of this is Sto's Lotusan paint, which is self-cleaning, an idea presented by the lotus flower, which emerges clean from swampy waters.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Juxtaposing City and Nature is unproductive. Allowing for their mutually-reinforcing coexistence makes better sense. Trailblazers across the world are testing new concepts of integrating nature in the urban fabric so that natural and man-made systems could merge and cooperate. Just a few ongoing projects: XTU architects with scientists and manufacturers develop a facade system that incorporates the production of one of the most valuable raw materials, microalgae, while enabling passive climate control inside the building. New types of concrete support the growth of plants, transforming buildings into air purifiers. Breathe.austria deploys a 560m2 'augmented forest' to lower interior temperature by 5-7°C and produce as much oxygen as some 3 ha of a regular forest. Architect Ferdinand Ludwig is testing the use of living trees as structural supports. Let’s look into the new architecture that results from this approach, and see how nature/architecture hybrids can reshape our cities.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism. Geisel Library. Pereira originally conceived of a mushroom-shaped, steel-framed building, but the projected construction and maintenance costs forced him to switch to a reinforced concrete structure. This change of material presented an opportunity for a more sculptural design, as well as opening up interior spaces that would have been bisected by steel trusses. Prior to construction, a 1/2-scale model of one of the outer columns was built and subjected to various tests. It was envisioned that future additions to the original building would form terraced levels around the tower base descending into the canyon. In keeping with the original master plan, these are "deliberately designed to be subordinated to the strong, geometrical form of the existing library." Within its two subterranean levels are the other library sections as well as study spaces and computer labs. The building has been described by Architecture Daily as occupying "a fascinating nexus between brutalism and futurism". Its tower rises 8 stories to a height of 110 ft (33.5 m). The five upper stories of the tower house collections, individual study space, and group study rooms.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Basílica i Temple Expiatori de la Sagrada Família,[a] shortened as the Sagrada Família, is an unfinished church in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí. La Sagrada Familia utilizes three-dimensional forms comprised of ruled surfaces, including hyperboloids, parabolas, helicoids, and conoids. These complex shapes allow for a thinner, finer structure, and are intended to enhance the temple's acoustics and quality of light. The style of the Sagrada Família is variously likened to Spanish Late Gothic, Catalan Modernism or Art Nouveau.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: El Capricho. Casa Vicens. Episcopal Palace of Astorga. Güell Pavilions. Palau Güell. Teresian College. Casa Botines. Bodegas Güell. Casa Calvet. Bellesguard.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials.
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

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  • Prompt: Brick Gothic. Since the bricks used were made of clay, available in copious quantities in the Northern German Plain, they quickly became the normal replacement for building stone. The so-called monastic format became the standard for bricks used in representative buildings. The use of shaped bricks for tracery and friezes also can be found in some buildings of northwestern Gothic brick architecture. Masterly use of these elements is found in some of the Gothic buildings of northern Italy, where these highly sophisticated techniques had originally come from, having been developed in the Lombard Romanesque period. There, such brick decorations can even be found on buildings. St. Anne Church detail, Vilnius, Lithuania. Town Hall and St. Nicholas' church in Stralsund, Germany. Church of Workum in the province of Friesland is an example of Brick Gothic in the Netherlands. Malbork Castle in Poland is Europe's largest medieval Brick Gothic complex. Brick Gothic with some decoration of stone, Old St. John's Hospital in Bruges, Belgium. St. Mary's Church in Gdańsk, Poland. Frauenkirche in Munich, Bavaria, Germany. Frauenkirche in Munich, Bavaria, Germany.
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Ukraine, Lviv, Lviv O & B Theatre

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  • Prompt: Korean architecture. In Korean architecture, buildings are structured vertically and horizontally. A construction usually rises from a stone subfoundation to a curved roof covered with tiles, held by a console structure and supported on posts; walls are made of earth (adobe) or are sometimes totally composed of movable wooden doors. Architecture is built according to the kan unit, the distance between two posts (about 3.7 meters), and is designed so that there is always a transitional space between the "inside" and the "outside.". The construction of Buddhist temples was undertaken after Buddhism was introduced in Korean Goguryeo in 372 by way of northern China. A series of excavations in 1936-1938 unearthed the sites of several major temples near Pyongyang, including those in Cheongam-ri, Wono-ri and Sango-ri. The excavations disclosed that the temples were built in a Goguryeo style known as "three Halls-one Pagoda," with each hall in the east, west and north, and an entrance gate in the south. In most cases, the central pagodas had an octagonal plan. Palace buildings appear to have been arranged in this way as well. The earliest stone pagoda of the Mireuksa Temple in Iksan.
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