Prompt: A gothic bridge surrounded by fog and rain, painting style of John Ruskin, Catrin Welz-Stein, Raymond Briggs., Andy Kehoe. Endre Penovac. , John Piper, Raymond Briggs, Van Gogh, lonely person is standing on the bridge, end of the bridge is a cemetary with old gravestones
Prompt: Dreamlike winter panorama infused with ethereal golden light, painted in rich impasto textures and layered surrealism. Subtle 3D illusions merge with fine micro-detailing and a cinematic double-exposure effect. A murmuration of birds glides through silver fog, their silhouettes dissolving into abstract gradients of plum, ash, and bronze. Executed with minimalist elegance, deep matte surfaces, and refined golden highlights on a velvety black field. A luminous study in restraint and atmosphere, glowing with balanced contrast and painterly precision. Inspired by Zdzisław Beksiński, Leonid Afremov, Antonio Mora, Brian Rutenberg, and Olga Chernysheva.
Prompt: Vintage 1967 Dodge Hemi Cuda, glossy black finish, powerful engine gleaming, iconic muscle car design, eerie fog enveloping a narrow backroad, twisted trees silhouetted, dense fog creating an ominous atmosphere, mysterious shadows, haunting vibes, vintage feel, high-resolution digital illustration, detailed car features, atmospheric lighting with hints of eerie blue, green, and gray, artistically captured fog effects, Artstation showcase.
Prompt: Eerie black pumpkin house, Halloween theme, gothic architecture, ominous atmosphere, spooky setting, twisted vines, full moon, bats silhouettes, flickering candlelight, misty surroundings, haunting shadows, aged stone walls, arched windows, ornate iron gates, overgrown garden, dark and mysterious ambiance, deep purples, blacks, oranges, and greens for color palette, digital painting, intricate details, dramatic lighting, by Brom and H.R. Giger, ArtStation.
Prompt: Dreamlike winter panorama infused with ethereal golden light, painted in rich impasto textures and layered surrealism. Subtle 3D illusions merge with fine micro-detailing and a cinematic double-exposure effect. A murmuration of birds glides through silver fog, their silhouettes dissolving into abstract gradients of plum, ash, and bronze. Executed with minimalist elegance, deep matte surfaces, and refined golden highlights on a velvety black field. A luminous study in restraint and atmosphere, glowing with balanced contrast and painterly precision. Inspired by Zdzisław Beksiński, Leonid Afremov, Antonio Mora, Brian Rutenberg, and Olga Chernysheva.
Prompt: Impressionism, a semi-abstract oil painting of a foggy landscape of a red sunrise over Seine the in in winter, with bare trees just visible through the fog, by Camille Pissarro, Renoir, Pierre Bonnard, Henri de Toulouse-Lautrec, Georges Seurat...
Prompt: Impressionism, a semi-abstract oil painting of a foggy landscape of a red sunrise over Seine the in in winter, with bare trees just visible through the fog, by Camille Pissarro, Renoir, Pierre Bonnard, Henri de Toulouse-Lautrec, Georges Seurat...
Prompt: Impressionism, a semi-abstract oil painting of a foggy landscape of a red sunrise over Seine the in in winter, with bare trees just visible through the fog, by Camille Pissarro, Renoir, Pierre Bonnard, Henri de Toulouse-Lautrec, Georges Seurat...
Prompt: Impressionism, a semi-abstract oil painting of a foggy landscape of a red sunrise over Seine the in in winter, with bare trees just visible through the fog, by Camille Pissarro, Renoir, Pierre Bonnard, Henri de Toulouse-Lautrec, Georges Seurat...
Prompt: A dreamy masterpiece, the light nature of existence, a minimalist watercolor depicting a girl in harmony with nature, embracing the curves of a tree. Against a serene landscape shrouded in fog, a female figure is depicted leaning against a gnarled tree branch. The naked figure symbolizes a harmonious connection with nature. Other blurred trees, partially obscured by fog, surround the central tree, enhancing the ethereal quality of the painting. Half the painting is night, a curtain of light and the flight of fireflies and cicadas. The ground is covered in lush greenery, creating a tranquil backdrop. 16 cm, hyperrealistic.
Prompt: Suprematism flat graphic Ashcan School Art of a Romanticism art print of a precious hand painted drawing of a tall absurdist crooked trees with disheveled branches slumped over and a absurdist crooked old couple sitting picnicking by a creek looking at a vast landscape that seems to go on forever into the horizon
Prompt: A gothic ballerina in ornate black tutu with silver embroidery dancing en pointe on dark misty lake water, multiple black swans surrounding her, twisted bare trees in fog, water lilies, deep crimson and purple accents, eerie atmospheric lighting, dark romantic mood, in the style of John Everett Millais, Edward Burne-Jones, Dante Gabriel Rossetti, James Jean, oil painting on canvas, Pre-Raphaelite aesthetic, romantic gothic art style, chiaroscuro lighting technique.
A flock of coal black swans float elegantly across the lake, in stark contrast to the bright green forest behind them and the strange, eerie clouds.
Prompt: Create a surreal image that represents, in a minimal way, the following concept:
“The truth is not always beautiful, nor beautiful words the truth.”
Very balanced dreamlike composition, in style by Faith Ringgold, Mary Nagel Klein and Jamie Heiden
Prompt: Create a surreal image that represents, in a minimal way, the following concept:
“The truth is not always beautiful, nor beautiful words the truth.”
Very balanced dreamlike composition, in style by Faith Ringgold, Mary Nagel Klein and Jamie Heiden
Prompt: Create a minimalistic expressionistic painting which illustrates this concept:
"The truth is not far from us; it is within us." "Solitude can do funny things to the mind."
in the style of Anne Bachelier and Richard Burlet
Prompt: In color, this photograph would be a captivating scene filled with rich, contrasting hues. The sky above would transition from a soft, light blue near the horizon to a slightly deeper blue higher up, dotted with wispy white clouds that add texture and depth. The still water would be a deep blue-green, almost like liquid glass, perfectly reflecting the trees and boat below with an almost mirror-like clarity.
The bare trees standing in the water would have thick, dark brown trunks that anchor the scene, while their delicate branches spread out in lighter, grayish-brown tones, creating intricate patterns against the sky. The ground around the trees might be a muddy brown, possibly with patches of green from moss or grass peeking through.
The boat, likely made of weathered wood, would feature warm brown tones, ranging from light tan to reddish-brown, with some patches showing signs of aging and use. Its reflection in the water would create an upside-down mirror image, slightly distorted by gentle ripples that add a sense of movement to the otherwise tranquil scene.
The birds flying overhead—possibly geese or ducks—would have soft white and gray feathers, their formation creating a dynamic contrast against the serene blue of the sky. The overall color palette would be muted yet rich, with the blues of the water and sky complementing the earthy browns of the trees and boat, evoking a sense of calm and reflection. This colorful version would bring out the natural beauty and tranquility of the scene even more vividly than the black and white original.
Prompt: "Novacane Kaleidoscope" A psychosomatic surrealism masterpiece visualizing the lyrics' descent into numb, superhuman detachment. The scene is a fractured, Beksinski-esque landscape of a distorted collegiate campus at dusk, where the lawn is a sheet of cracked, ice-blue glass. Centered in the composition is a figure, their face a glitching, multi-perspective portrait merging Picasso's fractured forms with Egon Schiele's raw, nervous lines. Their expression is a vacant, "muted emotion" stare, capturing the lyric, "I can't feel my face." One eye is wide open, filmy and unseeing; the other is sutured shut, echoing "pleasure with my eyes wide shut." From their mouth, a ghostly, M.C. Escher-like staircase of smoke coils upward, morphing into the words "Don't let the high go to waste" in a Jean-Michel Basquiat graffiti scrawl. At their feet, an "ice-blue bong" lies on its side, spilling a liquid that transforms into a sink full of dishes rendered in the gritty, textural style of Francis Bacon. The background is a chaotic collage: a "chemist on campus" appears as a skeletal figure in a Tim Burton style, holding a beaker that bubbles with Andy Warhol's repetitive Coca-Cola logos. The sky is a Henri Matisse cut-out of vivid color, but sickly and stained, while the ground pulses with the organic, neural patterns of Alex Grey. The entire scene is framed by a grotesque, smiling mouth--a la Louis Wain in his later period--whispering the word "DISGUST." This is not a painting but a visceral experience--a "visionary stuff" tapestry of abstract expressionism and art brut, where you can "taste a little taste of Novacane" through sheer visual overload. It's the moment where pleasure, academia, and chemical numbness collapse into one another. Modifiers: Psychosomatic surrealism, hyper-detailed, chaotic collage, fractured perspective, glitch art, raw texture, high contrast, morbid whimsy, Zdzisław Beksiński, Picasso, Francis Bacon, Egon Schiele, Jean-Michel Basquiat, Tim Burton, Andy Warhol, Alex Grey, M.C. Escher, Louis Wain, abstract expressionism, art brut.
Memories stick around in that old house, even when the voices are gone
Model:
DaVinci2
Size:
1168 X 880
(1.03 MP)
Used settings:
Prompt: An abstract artistic composition, reminiscent of the styles of Scott Bergey, Richard Burlet, and Peter Wileman. Mute colours, layered texture, vintage hues, a small dilapidated house atop a hill, stone steps, a figure fishing, a blurred trees figures
Prompt: An illustration in horror manga style. The scene takes place on an asphalt path in the middle of a park with a woman. A fat woman in her fifties with curlers in her hair, she is wearing a white 1950s dress with petticoats printed with large red pentagrams. She is jumping on one foot on a hopscotch game drawn in chalk on the ground, she spreads her arms to keep her balance and looks very concentrated. The hopscotch is made up of 3 squares numbered 1 to 3 followed by 2 squares numbered 4 and 5 followed by 1 square numbered 6 followed by 2 squares numbered 7 and 8 followed by a square numbered 9 and followed by a round. There is a small stone placed on number 9 of the hopscotch. the is possessed by a demonic force that is making her do it
Prompt: An ultra-detailed, photorealistic fantasy vision of a colossal skeletal dragon forged entirely from translucent ice, its bones shimmering with frosty textures and crystalline reflections. The dragon rises from a mist-filled autumn forest, shaking its vast body so that crimson, amber, and gold leaves scatter like fragments of sorrowful memories, spiraling into the cold air as if heralding winter’s arrival. Its ribcage glows faintly with frozen light, and shards of frost trail from its wings, blending with swirling leaves that cling before falling away. The ground beneath is covered in damp autumn leaves turning brittle with frost, while the sky glows with haunting hues of violet and pale orange, cinematic backlighting casting ghostly highlights across the dragon’s icy form. The atmosphere is surreal, painterly, and gothic, filled with drifting particles of ice and leaf-dust, creating a dark romantic scene of seasonal death and transformation. Avoids cartoon style, anime aesthetics, sci-fi objects, modern elements, cheerful tones, and visible humans — focusing only on fantasy realism, spectral autumn decay, and mythic winter transition.
Prompt: There is a teal, gold and black landscape with abstract stylized trees,Jardin et étang dans le style Henri Rousseau, Igor Dubovoy , reg Rutkowsky,
Modifiers:
extremely detailed intricate 8k very attractive poster very cute pencil sketch watercolor aquarelle rendu magnifiquement détaillé , a looking glass pond with long grasses and teal wildflowers beneath a moonlit starfilled night sky with cumulous clouds in acrylic paint with a palette knife. Inspired by Zdzisław Beksiński , surreal winter forest with zentangle-inspired snow patterns, where trees twist into infinity loops resembling optical illusions. The scene is lit with a soft, ethereal glow emanating from a crescent moon in the sky. The colour scheme features saturated icy blues, whites, and shimmering silver, with hints of lavender to add a magical touch. In the background, abstract ice formations create geometric patterns. Style inspiration by Rick Roberts, Maria Thomas, Tim Burton
Modifiers:
extremely detailed extremely sharp extremely intricate Fine brush strokes Emotive Art delicate details of the flora brush and ink on silk Extremely detailed texture Extreme clarity
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
