Prompt: Archival film still. Center-aligned two-shot of two astronauts (kevlar composites and nanofiber weave suits), in low-G coursing the sands of an alien planet, one holding a metering device. A faint trail of footprints leads toward an otherworldly building in the distance. Its rusted, weathered, oxidised steel, anodised titanium, exposed cabling and industrial pipes is etched by silence and slow erosion of time. Barren, rocky terrain in low-saturation tones, and subtle wear. An unearthly, pale yellow-green sky, light haze, tinged with alien trace gases. Calm composition. Space museum-grade iconic masterpiece with full clarity on main subjects. A moment caught just before the era shifts. Lit with memory, shaped by shadow, framed by longing. ARRI Alexa 35, REVEAL, dual gain, texture G444, ND 0.6, WB5600K. Leitz Hugo N 50mm T1.0 Prime, f/2.0, ISO 200. Tripod-mounted, still frame. Narrow DOF, archival exposure priority. Spectral rendering, full photon mapping, bidirectional path tracing. Absolute obsession with uncompromised ultra-high quality. Each stage uses best-in-existence ultra-lux 32k custom assets, flawless geometry, rich nanotexturing, razor-sharp detailing; sharpest, finest, continuous lines. L1: Moi3D, ZBrush 2025, Gravity Sketch Pro – building, terrain blockout, small rocks, suit. L2: Substance 3D 2025, Quixel 2024, Mari 7 – DCS suit scans, visor smudges, suit/boot deep surface grime stains, helmet scuffs, rust, suit fine detailing. L3: Nuke Studio 16 – framing; RealFlow X – low-G drifting plumes of sand particles. L4: HDRI, RTX shaders, ray/path trace: Corona 13, Krakatoa 2.12 – AO, haze, soft shadows, thin-atmosphere scattering, reflections in visors. L5: Arnold 7 (archival lens, suit detail refine), Rebelle 7 (imperfections), Flame Painter – motion drag. L6: Capture One LUTs (Kodak Vision3 250D), DaVinci Resolve 19 – faded film warmth, sepia/cyan matte grading, scuffed-film overlay. 32K, 600 DPI, archival tone preset.
Prompt: La obra representa un paisaje impresionante y aterrador en el interior de un exoplaneta rojo habitable llamado Rhodon. La escena captura la belleza y la inquietud de un entorno donde la vida extraterrestre y la geografía única coexisten en un equilibrio fascinante. Elementos Visuales
Paisaje Planetario:
Arena Roja: La superficie está cubierta de una arena de un rojo intenso, que brilla bajo la luz de los dos soles. La textura de la arena es suave, pero tiene un brillo casi metálico que refleja la luz de manera hipnótica.
Atmósfera: El cielo es de un rojo profundo, con nubes de tonos carmesí que flotan suavemente, creando un efecto de calidez envolvente. No hay sombras, ya que la luz de los dos soles es constante y uniforme.
Soles Rojos:
Sol Grande: Un sol de gran tamaño emite una luz roja intensa, iluminando todo el paisaje con un resplandor cálido.
Sol Pequeño: Un sol más pequeño, que parece estar casi fusionado con el grande, proporciona una luz complementaria, creando un ambiente surrealista y onírico. Flora Extraterrestre:
Plantas Verticales: Las plantas de forma lineal y estructural, de un color gris azulado, se alzan verticalmente, contrastando con la arena roja. Sus hojas son alargadas y triangulares y tienen un brillo sutil, como si estuvieran hechas de un material metálico.
Planta Carnívora: En el primer plano, destaca una planta de color negro con un morado radiactivo. Su forma se asemeja a una flor y a una estrella de cinco picos, con bordes afilados. Alrededor de ella, se puede ver un resplandor morado que indica su naturaleza venenosa, creando un aura de peligro.
Rocas de Cerámica Negra:
Formaciones Rocosas: Las rocas de cerámica negra se distribuyen por el paisaje, con superficies pulidas que reflejan la luz de los soles. Estas rocas tienen formas irregulares y parecen estar hechas de un material que resiste el calor extremo del planeta. Científicos e Ingenieros:
Personajes: Un grupo de ingenieros y científicos, vestidos con trajes espaciales futuristas de color blanco con detalles rojos, se encuentran en el centro de la escena. Sus rostros muestran una mezcla de admiración y temor mientras observan el paisaje.
Interacción: Algunos de ellos están tomando notas o utilizando dispositivos tecnológicos para registrar sus observaciones, mientras que otros miran con asombro la planta carnívora.
Nave Espacial Lujosa:
Nave: En el fondo, se puede ver una nave espacial de diseño elegante y futurista, anclada en la arena roja. Su superficie refleja la luz de los soles, y parece estar equipada con tecnología avanzada.
Ambiente Respirable: A pesar de la atmósfera inusual, los personajes pueden respirar sin cascos, lo que sugiere que el exoplaneta tiene condiciones adecuadas para la vida, aunque con un ambiente hostil. Ambiente y Emociones
Contraste de Belleza y Terror: La obra captura la dualidad de la belleza y el peligro en Rhodon. La puesta de sol es espectacular, pero el paisaje y la fauna extraterrestre generan una sensación de inquietud.
Sentido de Exploración: La presencia de científicos e ingenieros sugiere un espíritu de exploración y descubrimiento, mientras que la planta carnívora y el entorno hostil añaden un elemento de riesgo. Por Robert Hurt and H.R. Giger.
Prompt: Archival film still. Center-aligned two-shot of two astronauts (kevlar composites and nanofiber weave suits), in low-G coursing the sands of an alien planet, one holding a metering device. A faint trail of footprints leads toward an otherworldly building in the distance. Its rusted, weathered, oxidised steel, anodised titanium, exposed cabling and industrial pipes is etched by silence and slow erosion of time. Barren, rocky terrain in low-saturation tones, and subtle wear. An unearthly, pale yellow-green sky, light haze, tinged with alien trace gases. Calm composition. Space museum-grade iconic masterpiece with full clarity on main subjects. A moment caught just before the era shifts. Lit with memory, shaped by shadow, framed by longing. ARRI Alexa 35, REVEAL, dual gain, texture G444, ND 0.6, WB5600K. Leitz Hugo N 50mm T1.0 Prime, f/2.0, ISO 200. Tripod-mounted, still frame. Narrow DOF, archival exposure priority. Spectral rendering, full photon mapping, bidirectional path tracing. Absolute obsession with uncompromised ultra-high quality. Each stage uses best-in-existence ultra-lux 32k custom assets, flawless geometry, rich nanotexturing, razor-sharp detailing; sharpest, finest, continuous lines. L1: Moi3D, ZBrush 2025, Gravity Sketch Pro – building, terrain blockout, small rocks, suit. L2: Substance 3D 2025, Quixel 2024, Mari 7 – DCS suit scans, visor smudges, suit/boot deep surface grime stains, helmet scuffs, rust, suit fine detailing. L3: Nuke Studio 16 – framing; RealFlow X – low-G drifting plumes of sand particles. L4: HDRI, RTX shaders, ray/path trace: Corona 13, Krakatoa 2.12 – AO, haze, soft shadows, thin-atmosphere scattering, reflections in visors. L5: Arnold 7 (archival lens, suit detail refine), Rebelle 7 (imperfections), Flame Painter – motion drag. L6: Capture One LUTs (Kodak Vision3 250D), DaVinci Resolve 19 – faded film warmth, sepia/cyan matte grading, scuffed-film overlay. 32K, 600 DPI, archival tone preset.
Prompt: A high-tech futuristic city on Mars, glass domes protecting against harsh weather, advanced solar-powered skyscrapers, sleek metallic structures with minimalistic aesthetics, astronauts walking among AI robots, ultra-HD, science fiction cinematic scene.
At the Mountains of Madness & What We Found There...
Model:
DaVinci2
Size:
1320 X 1752
(2.31 MP)
Used settings:
Prompt: Sci-fi poster: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of "on the mountain of madness" cover art by H P Lovecraft depicting alien gods & technologies so ancient it brings shock & awe to human artic explorers exploring the underground caverns, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (alien gods, alien structures in mountainous caverns, alien technology, shock and awe for human explorers) paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
Prompt: Futuristic sci-fi. Cubist mixed media art. Medium shot. Three-bodied figures with no heads stand on a lonely, winding road among wilting flowers. Low angle shot. Distressed, textured, and faded ink style of Juan Gris and Hieronymus Bosch. Eerie, golden hour lighting with bold, neon colors and gritty textures. Neon pink and green hues clash with dark blues and purples. Torn, rough paper edges and faded, worn ink. Aged, forgotten, surreal terror. Haunting, dreamlike atmosphere. Vibrant, clashing colors. 70s and 80s horror movie poster aesthetic. Ash Thorp's neon-lit grit. Zdzisław Beksiński's surreal landscapes. Robert Crumb's dark humor. Retro
Prompt: A cyberpunk marine, moving toward the viewer, with glowing cybernetic implants, on a night with a scarlet full moon and a sky filled with bright stars. Professional art design. Digital art. Semi-realistic anime style.
Prompt: “Cosmic Jellyfish Harvesters in a Starfield Desert”
Endless dunes of shimmering stardust stretch to the horizon, where colossal glass-bodied jellyfish drift like slow space-vessels. Their trailing tentacles harvest plasma-sand into bio-luminescent sacks. Pilots in fractal-patterned flight suits tend to ornate control pavilions on their backs, steering them past spinning nebula whirlwinds that fracture reality into kaleidoscopic shards.
Deep Purple - Space Truckin'.............Exploring the Moon: A Cosmic Adventure
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Remember when we did the moonshot?
And pony trekker led the way
We'd move to the Canaveral moonstop
And every 'naut would dance and sway
We got music in our solar system
We're space truckin' 'round the stars
Come on, come on, come on
Let's go space truckin'
Come on, come on, come on
Space truckin'
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
