#architecture

Astronomical clock

• Model: Quantum (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: futuristic astronomical clock
  • Using base image: Yes

googie architecture

• Model: Artistic

• Size: 576 X 1024 (0.59 MP)

• Used settings:

  • Prompt: googie architecture
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: As a vast expanse of largely pristine mid-ocean environment, replete with a suite of largely intact uninhabited atolls, truly an oceanic wilderness, the Phoenix Islands Protected Area (408,250 sq km), the largest marine protected area in the Pacific, is globally exceptional and as such is a superlative natural phenomenon of global importance. Phoenix Islands Protected Area contains an outstanding collection of large submerged volcanoes, presumed extinct, rising direct from the extensive deep sea floor with an average depth of more than 4,500 metres and a maximum depth of over 6,000 metres. Included are no less than 14 recognised seamounts, submerged mountains that don't penetrate to the surface. The collection of atolls and reef islands represent coral reef capping on 8 other volcanic mountains that approach the surface. The large bathymetric range of the submerged seamount landscape provides depth defined habitat types fully representative of Pacific mid oceanic biota.
  • Using base image: Yes

googie architecture

• Model: Artistic

• Size: 672 X 864 (0.58 MP)

• Used settings:

  • Prompt: googie architecture
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Phoenix Island Protected Area (PIPA) is a 408,250 sq.km expanse of marine and terrestrial habitats in the Southern Pacific Ocean. The property encompasses the Phoenix Island Group, one of three island groups in Kiribati, and is the largest designated Marine Protected Area in the world. PIPA conserves one of the world's largest intact oceanic coral archipelago ecosystems, together with 14 known underwater sea mounts (presumed to be extinct volcanoes) and other deep-sea habitats. The area contains approximately 800 known species of fauna, including about 200 coral species, 500 fish species, 18 marine mammals and 44 bird species. The structure and functioning of PIPA's ecosystems illustrates its pristine nature and importance as a migration route and reservoir. This is the first site in Kiribati to be inscribed on the World Heritage List.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property includes the Ohingni with their stone walls and low entrances, the structural support features known as buttresses, low water/sludge drainage vents from the inner livestock enclosures (kraals), the three-phase wall design, the inner and outer enclosures, industrial site and house pits. To ensure the full protection of the archaeological remains, the entire property area, including the suggested extension toward a yet private land in the south, will need to be considered in an integrated management approach. This also applies to the property’s immediate setting, where visual integrity depends on the conservation of the surrounding vegetation to retain the traditional atmosphere of the jungle-protected settlement.
  • Using base image: Yes

Dream / 11

• Model: Quantum (v2)*

• Size: 832 X 1088 (0.91 MP)

• Used settings:

  • Prompt: super tall underwater ancient golden temple, full covered with corals and seaweed with many exotic bottom fish and jellyfish swimming around, arqitecture, distopic ancient city, atlantis, columns, gold temple, ships, vegetation, solarpunk, nature, palms, statues
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Located 46 km northwest of Migori Town in the Lake Victoria region, Thimlich Ohinga archaeological site is a dry-stone walled settlement, based on a complex organization system of communal occupation, craft industries and livestock that reflects a cultural tradition developed by pastoral communities in the Nyanza region of the Lake Victoria basin that persisted from 16th to mid-20th centuries. Thimlich Ohinga is the largest and best preserved of these massive dry-stone walled enclosures. The Ohinga appear to have served primarily as security for communities and livestock, but they also defined social units and relationships linked to lineage based systems. The property comprises four larger Ohingni, all of which have extensions. The main Ohinga is referred to as Kochieng, while the others are Kakuku, Koketch and Koluoch. The dry stone wall enclosures are constructed in a three-phase design with separately built up outer and inner phases, held together by the middle phase. Stones were placed in an interlocking system that enhanced overall stability without use of any mortar or cement. The walls are built of neatly arranged stones of various sizes and without mortar.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built in a period and in a region, which were at the centre of the emerging political, commercial, and cultural globalisation, Fort Jesus, with its imposing structure, and the various traces of subsequent modifications, bears significant witness to the interchange of cultural values among peoples of African, Arab, Turkish, Persian and European origin. Built and occupied first by the Portuguese, Fort Jesus, Mombasa, changed hands many times throughout its history, coming under Arab, Swahili and English control. Its important role in the control of trade also saw it host many of the peoples of the Indian Ocean basin. Fort Jesus, Mombasa, eminently exemplifies a new type of fortification that resulted from the innovations in military and weapons technology that occurred between the 15th and 16th centuries. In its layout and form, the Fort reflects the Renaissance ideal whose architectural proportions and geometric harmony are to be found in the proportions of the human body, while at the same time meeting the functional needs of a modern and well-defended fortification. The original layout of the Fort, despite several changes, has survived almost unchanged over centuries of continued
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built by the Portuguese at the end of the 16th century at the southern edge of the town of Mombasa, over a spur of coral rock, and kept under their control for one century, Fort Jesus, Mombasa, bears testimony to the first successful attempt by Western civilization to rule the Indian ocean trade routes, which, until then had remained under Eastern influence. The design of the fort, with its proportions, its imposing walls and five bastions, reflects the military architectural theory of the Renaissance. Fort Jesus, Mombasa, bears physical witness, in its structures and subsequent transformations, also to the interchange of cultural values and influences between and among peoples of African, Arab, Turkish, Persian and European origin that fought to gain and maintain their control over this strategic port.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Kayas provide focal points for Mijikenda religious beliefs and practices, are regarded as the ancestral homes of the different Mijikenda peoples, and are held to be sacred places. As such they have metonymic significance to Mijikenda and are a fundamental source of Mijikenda’s sense of ‘being-in-the-world’ and of place within the cultural landscape of contemporary Kenya. They are seen as a defining characteristic of Mijikenda identity. Since their abandonment as preferred places of settlement, Kayas have been transferred from the domestic aspect of the Mijikenda landscape to its spiritual sphere. As part of this process, certain restrictions were placed on access and the utilisation of natural forest resources. As a direct consequence of this, the biodiversity of the Kayas and forests surrounding them has been sustained. The Kayas are under threat both externally and from within Mijikenda society through the decline of traditional knowledge and respect for practices. The Kayas are now the repositories of spiritual beliefs of the Mijikenda and are seen as the sacred abode of their ancestors. As a collection of sites spread over a large area.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Silk Roads were an interconnected web of routes linking the ancient societies of Asia, the Subcontinent, Central Asia, Western Asia and the Near East, and contributed to the development of many of the world's great civilizations. They represent one of the world’s preeminent long-distance communication networks stretching as the crow flies to around 7,500 km but extending to in excess of 35,000 km along specific routes. While some of these routes had been in use for millennia, by the 2nd century BC the volume of exchange had increased substantially, as had the long distance trade between east and west in high value goods, and the political, social and cultural impacts of these movements had far-reaching consequences upon all the societies that encountered them. The routes served principally to transfer raw materials, foodstuffs, and luxury goods. Some areas had a monopoly on certain materials or goods: notably China, who supplied Central Asia, the Subcontinent, West Asia and the Mediterranean world with silk. Many of the high value trade goods were transported over vast distances – by pack animals and river craft – and probably by a string of different merchants.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Mausoleum of Khoja Ahmed Yaswi, a distinguished Sufi master of the 12th century, is situated in southern Kazakhstan, in the north-eastern section of the city of Turkestan (Yasi). Built between 1389 and 1405, by order of Timur (Tamerlane), the ruler of Central Asia, it replaced a smaller 12th century mausoleum. Construction of the building was halted in 1405, with the death of Timur, and was never completed. The property (0.55 ha) is limited to the mausoleum, which stands within a former citadel and the archaeological area of the medieval town of Yasi; the latter serves as the buffer zone (79.36 ha) for the property. Rectangular in plan and 38.7 meters in height, the mausoleum is one of the largest and best-preserved examples of Timurid construction. Timur, himself, is reported to have participated in its construction and skilled Persian craftsmen were employed to work on the project. Its innovative spatial arrangements, vaults, domes, and decoration were prototypes that served as models for other major buildings of the Timurid period, in particular in Samarkand. It was left unfinished, providing documented evidence of the construction methods at that time and by having a uniqu
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built on three closely-spaced hills in the Balqa highland of west-central Jordan, the city of As-Salt, was an important trading link between the eastern desert and the west. During the last 60 years of the Ottoman period, the region prospered from the arrival and settlement of merchants from Nablus, Syria, and Lebanon who made their fortunes in trade, banking, and farming. This prosperity attracted skilled craftsmen from different parts of the region who worked on transforming the modest rural settlement into a thriving town with a distinctive layout and an architecture characterized by large public buildings and family residences constructed of local yellow limestone. The site’s urban core includes approximately 650 significant historic buildings exhibiting a blend of European Art Nouveau and Neo-Colonial styles combined with local traditions. The city’s non-segregated development expresses tolerance between Muslims and Christians who developed traditions of hospitality evidenced in Madafas (guest houses, known as Dawaween) and the social welfare system known as Takaful Ijtimai’. These tangible and intangible aspects emerged through a melding of rural traditions and bourgeoi
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Located south-east of Madaba on the edge of the semi-arid steppe, this archaeological site, which started as a Roman military camp and grew to become a town from the 5th century, is largely unexcavated. It comprises remains from the Roman, Byzantine and Early Muslim periods (end of 3rd to 9th centuries AD) including a fortified Roman military camp and sixteen churches, some with well-preserved mosaic floors. Particularly noteworthy is the mosaic floor of the Church of St Stephen with its representation of towns in the region. A tall square tower and associated buildings are probably the only remains of the practice, well known in this part of the world, of the stylites (ascetic monks who spent time in isolation atop a column or tower). Um er-Rasas is surrounded by, and dotted, with remains of ancient agricultural cultivation, including terracing, water channels and cisterns.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built in the early 8th century beside the Wadi Butum, a seasonal watercourse, this desert establishment was both a fortress with a garrison and a residence/pleasure palace of the Umayyad caliphate. The exceptionally well-preserved, small pleasure palace comprises a reception hall and hammam (a bath complex with changing room, warm and hot rooms), all richly decorated with figurative murals that reflect the secular art of the time. The extensive fresco paintings of the bath building and reception hall are unique for Islamic architecture of the Umayyad period. The wall paintings show influences from classical pagan themes, Byzantine style portraits and hunting scenes, depictions of animals and birds, and are accompanied by inscriptions in Greek and Arabic. The representation of the zodiac on the domed ceiling of the caldarium (hot room) is one of the earliest known, surviving portrayals of a map of the heavens on a dome.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The serried rows of numerous rock-cut tombs reflecting architectural influences from the Assyrians through to monumental Hellenistic; the sacrificial and other religious high places including on Jebels Madbah, M'eisrah, Khubtha, Habis and Al Madras; the remains of the extensive water engineering system, city walls and freestanding temples; garden terraces; funerary stelae and inscriptions together with the outlying caravan staging posts on the approaches from the north (Barid or Little Petra) and south (Sabra) also containing tombs, temples, water cisterns and reservoirs are an outstanding testament to the now lost Nabataean civilization of the fourth century BC to the first century AD.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Encompassing 42,698 hectares of subtropical rainforests on four islands on a chain located in the southwest of Japan, the serial site forms an arc on the boundary of the East China Sea and Philippine Sea whose highest point, Mount Yuwandake on Amami-Oshima Island, rises 694 metres above sea level. Entirely uninhabited by humans, the site has high biodiversity value with a very high percentage of endemic species, many of them globally threatened. The site is home to endemic plants, mammals, birds, reptiles, amphibians, inland water fish and decapod crustaceans, including, for example, the endangered Amami Rabbit (Pentalagus furnessi) and the endangered Ryukyu Long-haired Rat (Diplothrix legata) that represent ancient lineages and have no living relatives anywhere in the world. Five mammal species, three bird species, and three amphibian species in the property have been identified globally as Evolutionarily Distinct and Globally Endangered (EDGE) species. There are also a number of different endemic species confined to each respective island that are not found elsewhere in the property.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The integrity of the serial property is based on archaeological remains that exemplify the cultural traits and site types of the ancient Jomon culture in northern Japan. The property is comprised of archaeological sites that show the initiation of sedentism and the eventual separation between the residential area and burial areas; sites that show the diversity of settlement facilities during the warm marine transgression period, as well as hub settlements that have ritual places; and sites that demonstrate the maturity of sedentism through stone circles, cemeteries, and settlements. The sites also include, to a degree, their interaction with the environment. The component parts of the serial property are of adequate size individually, and as a group they include all important archaeological remains that constitute settlements and ceremonial spaces as well as landforms or features showing their locations and environment. The serial property is protected by law and does not suffer from the negative impacts of natural disasters or large-scale developments. There are, however, several modern constructions, referred to as “non-compliant elements”.
  • Using base image: Yes

googie architecture

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: googie architecture
  • Using base image: Yes