#architecture

ai, alien architecture, Oz

• Model: PhotoReal

• Size: 672 X 832 (0.56 MP)

• Used settings:

  • Prompt: alien architecture, Oz, fractal zoom, subtle eroticism, direct lighting, diffuse lighting, golden sunset, award winning photography
  • Using base image: Yes

ai, alien architecture, Atlantis

• Model: PhotoReal

• Size: 672 X 832 (0.56 MP)

• Used settings:

  • Prompt: alien architecture, Atlantis, fractal zoom, subtle eroticism, direct lighting, diffuse lighting, golden sunset, award winning photography
  • Using base image: Yes

googie architecture

• Model: Artistic

• Size: 928 X 608 (0.56 MP)

• Used settings:

  • Prompt: googie architecture
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Maloti-Drakensberg Park is a transnational property composed of the uKhahlamba Drakensberg National Park in South Africa and the Sehlathebe National Park in Lesotho. The site has exceptional natural beauty in its soaring basaltic buttresses, incisive dramatic cutbacks, and golden sandstone ramparts as well as visually spectacular sculptured arches, caves, cliffs, pillars and rock pools. The site's diversity of habitats protects a high level of endemic and globally important plants. The site harbors endangered species such as the Cape vulture (Gyps coprotheres) and the bearded vulture (Gypaetus barbatus). Lesotho’s Sehlabathebe National Park also harbors the Maloti minnow (Pseudobarbus quathlambae), a critically endangered fish species only found in this park. This spectacular natural site contains many caves and rock-shelters with the largest and most concentrated group of paintings in Africa south of the Sahara. They represent the spiritual life of the San people, who lived in this area over a period of 4,000 years.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The layout and almost all buildings of the Rachid Karami International Fair-Tripoli have been preserved according to Niemeyer’s design. In most of the buildings of the complex, the structure defines their form and volume and is proudly exhibited to the audience. The main original structures of the International Fair complex, most of which are made of authentic materials, credibly reflect their period of construction and the quality of their execution. Despite the loss of interior finishes, fixtures and equipment, the transformation of the collective housing prototype into a hotel, and the interventions to the southern part of the Grand Canopy, the surviving attributes credibly convey the Outstanding Universal Value through the overall layout, the design of the structures, their sculptural conception, and the construction materials. The reflective pools and the hard landscape elements around the buildings are preserved according to Niemeyer’s design, the tropical gardens are still present and retain their “Brazilian spirit”. The International Fair complex in Tripoli still bears witness to an era of modernisation and social liberalisation in Lebanon and the Arab Near East.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Rachid Karami International Fair-Tripoli covers an elliptical area corresponding to the limits of the fairground as it was built and contains all buildings designed by Niemeyer. Almost all buildings and structures were preserved according to Niemeyer’s original design but lie in a state of abandonment, while outdoor and landscaped areas are maintained. Despite the loss of interior finishes, fixtures, glazing, doors and equipment due to the war, the attributes of Outstanding Universal Value have retained sufficient integrity. Some interventions on the Grand Canopy dictated by modern uses are reversible; the transformation of Niemeyer’s Collective Housing Prototype has seriously affected its architectural quality and erased the traces of the original design, but attempts have been made to restore the structure to its original conditions. However, the integrity of the property is extremely vulnerable, with the main threat coming from the precarious state of conservation of most buildings, which face serious stability problems due to the severe steel corrosion and the ageing of concrete.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Ouadi Qadisha is one of the most important settlement sites of the first Christian monasteries in the world, and its monasteries, many of which of great age, are set in an extraordinarily rugged landscape. Nearby are the vestiges of the great cedar forest of Lebanon, highly prized in ancient times for the construction of great religious buildings. The Qadisha Valley site and the Forest of the Cedars of God (Horsh Arz el-Rab) are located in northern Lebanon. The Qadisha Valley is located North of Mount-Lebanon chain, at the foot of Mount al-Makmel and West of the Forest of the Cedars of God. The Holy River Qadisha, celebrated in the Scriptures, runs through the Valley. The Forest of the Cedars of God is located on Mount Makmel, between 1900 and 2050 m altitude and to the East of the village of Bcharré. The rocky cliffs of the Qadisha Valley have served over centuries as a place for meditation and refuge. The Valley comprises the largest number of monasteries and hermitages dating back to the very first spread of Christianism. The main monasteries are those of St Anthony of Quzhayya, Our Lady of Hauqqa, Qannubin and Mar Lichaa. This Valley bears unique witness to the very centre.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In the modern town of Soûr, the property consists of two distinct sites: the one of the town, on the headland, and the one of the Necropolis of El Bass, on the continent. The site of the town comprises important archaeological vestiges, a great part of which is submerged. The most noteworthy structures are the vestiges of the Roman baths, the two palaestrae, the arena, the Roman colonnaded road, the residential quarter, as well as the remains of the cathedral built in 1127 by the Venetians and some of the walls of the ancient Crusader castle. The sector of Tyre El Bass, constituting the principal entrance of the town in antique times, comprises the remains of the necropolis, on either side of a wide monumental causeway dominated by a Roman triumphal arch dating from the 2nd century AD. Among the other vestiges are an aqueduct and the hippodrome of the 2nd century, one of the largest of the Roman world.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: According to legend, purple dye was invented in Tyre. This great Phoenician city ruled the seas and founded prosperous colonies such as Cadiz and Carthage, but its historical role declined at the end of the Crusades. There are important archaeological remains, mainly from Roman times. Located on the southern coast of Lebanon, 83 km south of Beirut, the antique town of Tyre was the great Phoenician city that reigned over the seas and founded prosperous colonies such as Cadiz and Carthage and according to legend, was the place of the discovery of purple pigment. From the 5th century B.C., when Herodotus of Halicarnassus visited Tyre, it was built for the most part on an island reportedly impregnable, considered one of the oldest metropolises of the world, and according to tradition founded in 2750 B.C. Tyre succumbed to the attack of Alexander of Macedonia who had blocked the straits by a dike. First a Greek city, and then a Roman city were constructed on this site, which is now a promontory. Tyre was directly associated with several stages in the history of humanity, including the production of purple pigment reserved for royalty and nobility, the construction in Jerusalem of the
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The coastal town of Byblos is located on a cliff of sandstone 40 km North of Beirut. Continuously inhabited since Neolithic times, Byblos bears outstanding witness to the beginnings of the Phoenician civilization. The evolution of the town is evident in the structures that are scattered around the site, dating from the different periods, including the medieval town intra-muros, and antique dwellings. Byblos is a testimony to a history of uninterrupted construction from the first settlement by a community of fishermen dating back 8000 years, through the first town buildings, the monumental temples of the Bronze Age, to the Persian fortifications, the Roman road, Byzantine churches, the Crusade citadel and the Medieval and Ottoman town. Byblos is also directly associated with the history and diffusion of the Phoenician alphabet. The origin of our contemporary alphabet was discovered in Byblos with the most ancient Phoenician inscription carved on the sarcophagus of Ahiram. The ruins of many successive civilizations are found at Byblos, one of the oldest Phoenician cities. Inhabited since Neolithic times, it has been closely linked to the legends and history of the Mediterranean regio
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The complex of temples at Baalbek is located at the foot of the south-west slope of Anti-Lebanon, bordering the fertile plain of the Bekaa at an altitude of 1150 m. The city of Baalbek reached its apogee during Roman times. Its colossal constructions built over a period of more than two centuries, make it one of the most famous sanctuaries of the Roman world and a model of Imperial Roman architecture. Pilgrims thronged to the sanctuary to venerate the three deities, known under the name of the Romanized Triad of Heliopolis, an essentially Phoenician cult (Jupiter, Venus and Mercury). The importance of this amalgam of ruins of the Greco-Roman period with even more ancient vestiges of Phoenician tradition, are based on its outstanding artistic and architectural value. The acropolis of Baalbek comprises several temples. The Roman construction was built on top of earlier ruins which were formed into a raised plaza, formed of twenty-four monoliths, the largest weighing over 800 tons. The Temple of Jupiter, principal temple of the Baalbek triad, was remarkable for its 20 m high columns that surrounded the cella, and the gigantic stones of its terrace. The adjacent temple dedicated
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Anjar was never completed, enjoying only a brief existence. In 744, Caliph Ibrahim, son of Walid, was defeated and afterwards the partially destroyed city was abandoned. Vestiges of the city of Anjar therefore constitute a unique example of 8th century town planning. Built at the beginning of the Islamic period, it reflects this transition from a protobyzantine culture to the development of Islamic art and this through the evolution of construction techniques and architectonical and decorative elements that may be viewed in the different monuments. Founded during the Umayyad period under the Caliphate of Walid Ibn Abd Al-Malak at the beginning of the 8th century, the excavated vestiges of the city of Anjar, which was abandoned after a short period, provide an eminent testimony, precisely dated, of the Umayyad civilization. Architectural complex possessing all the true characteristics of the Umayyad civilization, the city of Anjar constitutes an outstanding example of 8th century town planning of the Umayyad caliphate. The evolution of certain protobyzantine styles towards a more developed Islamic architecture is apparent in the building techniques as well as in the architectonical.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Founded during the Umayyad period under Caliph Walid Ibn Abd Al-Malak (705-715), the city of Anjar bears outstanding witness to the Umayyad civilization. Anjar is an example of an inland commercial centre, at the crossroads of two important routes: one leading from Beirut to Damascus and the other crossing the Bekaa and leading from Homs to Tiberiade. The site of this ancient city was only discovered by archaeologists at the end of the 1940s. Excavations revealed a fortified city surrounded by walls and flanked by forty towers, a rectangular area (385 x 350 m). Dominated by gates flanked by porticos, an important North-South axis and a lesser East-West axis, superposed above the main collectors for sewers, divide the city into four equal quadrants. Public and private buildings are laid out according to a strict plan: the great palace of the Caliph and the Mosque in the South-East quarter occupies the highest part of the site, while the small palaces (harems) and the baths are located in the North-East quarter to facilitate the functioning and evacuation of waste waters. Secondary functions and living quarters are distributed in the North-West and South-West quarters.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Prior to the Struve Geodetic Arc, an arc of about 2,400 km had been measured in India by Lambton and Everest (completed in 1845), and a shorter arc in Lithuania by Carl Tenner. Struve, who was working at the Dorpat University (currently University of Tartu in Estonia), decided that he would establish an arc following a line of longitude (meridian) passing through the observatory of the university. The new long arc, later to be known as the Struve Geodetic Arc, was eventually created by connecting earlier, shorter arcs to the southern one measured by Tenner, and their extension to the north and south. The arc thus covered a line connecting Fuglenæs, near Hammerfest at the Arctic Ocean, with Staro-Nekrassowka, near Ismail, on the Black Sea shores, along more than 2,800 km. The original arc consisted of 258 main triangles with 265 main station points. The inscribed property includes 34 of the original station points established by Struve and his colleagues between 1816 and 1851 – four points in Norway, four in Sweden, six in Finland, two in Russia, three in Estonia, two in Latvia, three in Lithuania, five in Belarus, one in Moldova and four in Ukraine.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Struve Arc is a chain of survey triangulations stretching from Hammerfest in Norway to the Black Sea, through 10 countries and over 2,820 km. These are points of a survey, carried out between 1816 and 1855 by the astronomer Friedrich Georg Wilhelm Struve, which represented the first accurate measuring of a long segment of a meridian. This helped to establish the exact size and shape of the planet and marked an important step in the development of earth sciences and topographic mapping. It is an extraordinary example of scientific collaboration among scientists from different countries, and of collaboration between monarchs for a scientific cause. The original arc consisted of 258 main triangles with 265 main station points. The listed site includes 34 of the original station points, with different markings, i.e. a drilled hole in rock, iron cross, cairns, or built obelisks.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The preservation and development framework for the Historic Centre of Riga is constantly being elaborated e.g. by data base improvement, further elaboration of detailed plans and local plans for certain areas, overall visual impact studies and their requirements, procedures for heritage impact assessment as well as diversification of local community involvement. The municipality develops legal frameworks and provisions to deal with these challenges in a holistic and participatory manner. The planning approach is based on a new system of planning in Latvia, introduced in 2011. The new long-term Development Strategy and mid-term Development Programme as well as the Spatial Plan according to new principles are in their initial stages of development. The municipality has issued binding regulations concerning building and land-use, which will prevent the appearance of over-scaled new constructions affecting the site and the demolition of historic buildings. These initiatives are being strengthened by state-level binding regulations, which demand the evaluation of every intended change related to heritage or the original structure, based on an assessment of certain cultural.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The comprehensive model of the protection and preservation of the Historic Centre of Riga strives to sustain the authenticity and integrity of the site and to ensure the prevention of potential threats. The main threats of the property include the following areas. Firstly, the planning of urban development that is insufficiently based on balanced long-term development and low public participation in planning processes poses a threat to the property. Secondly, extremities in economic development, excessively fast growth or crisis could dramatically affect the property. Insufficient understanding and appreciation of heritage values in the society could threaten the Outstanding Universal Value of the property. Thirdly, trends of losing original substance and authenticity that must be continuously overcome, for example, demolition of historic buildings and constructions, transformation of historic planning structure, low-quality changes of spatial composition or roof shape of historic buildings and repairs of historic buildings using unsuitable methods and/or materials, and falsification of history with replicas of historical buildings or imitations of styles may pose a threat.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Historic Centre of Riga is a spatially harmonic urban environment with relatively few destructive transformations. The Historic Centre of Riga and its buffer zone include a set of authentic cultural and historical attributes significant to its Outstanding Universal Value: structure of historic urban pattern with high-quality transformations of later periods, panorama and skyline, visual perspectives, historic structure, (particularly groups of buildings of the Middle Ages, Art Nouveau and wooden architecture and the scale and character thereof), archaeological cultural layer, public outdoor space, system of greeneries and green areas, historic water courses, waterfronts and water bodies, historic ground surfacing, and historic elements of improvements.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property is the whole central part of the capital city of Riga. Its boundaries and its buffer zone are specified in accordance with the integrity of the urban fabric and the effective protection of the important views of the site. It contains all elements necessary to express Outstanding Universal Value, namely the architectural monuments of respective historical styles of the medieval core; the semicircle of boulevards, dominated by harmonically balanced 19th century and early 20th century eclectic architecture and Art Nouveau; and the territory of former suburbs with buildings from the 18th to the 20th century, especially in wood. The outstanding panorama and visual perspectives of the Historic Centre of Riga reflect the effective protection of the important views of the property. The integrity of the site is challenged by the loss of original substance and authenticity of the site attributes, and the low-quality new developments in the Historic Centre of Riga not respecting the scale, character and pattern of the historic environment. The overall coherence of the site is also vulnerable to the possible adverse impact of new developments in and outside of the buffer zone.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Riga, which was founded as a port town in 1201, was one of the key centres of the Hanseatic League in Eastern Europe from the 13th to the 15th century. The urban fabric of its medieval core reflects the prosperity of those times, though most of the earliest buildings were rebuilt for actual needs or lost by fire or war. In the 17th century, Riga became the largest provincial town of Sweden. In the 19th century, it experienced rapid industrial development. It is in this period that the suburbs surrounding the medieval town were laid out, first, with imposing wooden buildings in neoclassical style, and later, when permanent stone buildings were allowed instead, in the Art Nouveau style. In the early 1900’s Riga became the European city with the highest concentration of Art Nouveau architecture with around 50 Art Nouveau buildings of high architectural value in the medieval part and more than 300 in the rest of the Historic Centre. The site reflects various architectural styles, which provide valuable insight into the stages of development of Riga as a city. The Historic Centre of Riga is comprised of three different urban landscapes – the relatively well-preserved medieval core.
  • Using base image: Yes