Save Bio Diversity/in Orbit, Animal Alliance Talks decide Humanity is >Too Lethal< to stay on Gaia..
Model:
Nano Banana 2
(Turbo)
Size:
1200 X 896
(1.08 MP)
Used settings:
Prompt: A medium, full shot of a group of three aliens and a Star Trek officer, standing in an ornate observation room inside a spaceship or space station, looking out of a large curved window at a planet with blue oceans and white clouds in the background, with the spaceships in orbit. The four characters on the left side of the composition are arranged in a horizontal row, facing right, with the human Star Trek officer on the far right, standing with his back to the viewer. The room has high ceilings, dark polished floors, and large curved windows. On the left, an Amphibian alien stands tall, with green skin, large yellow eyes, webbed hands and feet, wearing a rugged, leather-like armor and utility belt. Next to him is an Avian parrot-like alien, with vibrant blue, yellow, and red feathers, wearing a long, flowing dark blue robe with gold trim, with hands extended in a gesture of conversation. To his right, a Reptilian alien stands upright, with grey scaly skin, a crest of spines on his head, wearing a dark, form-fitting tunic with a high collar and a belt with a buckle. They are negotiating with the Federation officer.
Jarod Kent Simpson art Mel Gibson: Mad Max The Legendary Apocalyptic Road Warrior
Model:
Nano Banana 2
(Ultra)
Size:
1440 X 2560
(3.69 MP)
Used settings:
Prompt: Once again Mel Colm-Cille Gerard Gibson is standing legendary powerful and spirits of the apocalypse whisper its mad max as he gets in and drives a 1973 ford falcon xb gt coupe interceptor monster truck war rig to gasoline town and to the bullet farm and back home to valhalla so mote it be conjured under a mages moon eclipse with my cosmic grimoire necronomicon key brilliantly blessed be pendragon magical, spell forged source code pentagram, intricate energy bursts, reflections of fire, hyper-detailed work, complex, colorful, polished in the style of Daniel Merriam, Brian Froud, Josephine Wall, Catherine Abel, style Raphael
Jarod Kent Simpson art Mel Gibson: Mad Max The Legendary Apocalyptic Road Warrior
Model:
Nano Banana 2
(Ultra)
Size:
1440 X 2560
(3.69 MP)
Used settings:
Prompt: Mel Colm-Cille Gerard Gibson is standing legendary powerful and spirits of the apocalypse whisper its mad max as he gets in and drives a 1973 ford falcon xb gt coupe interceptor to gasoline town and to the bullet farm and back home to valhalla so mote it be conjured under a mages moon eclipse with my cosmic grimoire necronomicon key brilliantly blessed be pendragon magical, spell forged source code pentagram, intricate energy bursts, reflections of fire, hyper-detailed work, complex, colorful, polished in the style of Daniel Merriam, Brian Froud, Josephine Wall, Catherine Abel, style Raphael
Prompt: Eddie Riggs from Brütal Legend, realistic cinematic dark-fantasy heavy-metal warrior, full body. A rugged adult man with a broad muscular build, red skin, long straight black hair, thick eyebrows, brown eyes, broad nose, strong jaw, dark stubble and a short pointed goatee. His expression is confident, focused and battle-ready. Big demonic wings are waving from his back. He floats in the air and plays a white Flying V guitar with black accents. Lightning erupts from the guitar and strikes the ground. These lightning bolts set the earth on fire.
He wears his Ironheade combat outfit: a heavy black leather vest with large reinforced panels, metal studs, zippers and numerous heavy-metal badges, worn over a dark sleeveless shirt. On the chest of his black T-shirt is a bright white inscription - SUCCORIA. His muscular arms are exposed and covered with rugged leather bracers and heavy spiked metal wrist guards. A massive belt with a large metal buckle and hanging chains wraps around his waist. Dark fitted trousers, reinforced leather panels, heavy black boots and additional metal hardware complete the outfit. The badge of his belt is decorated with a metal skull with boar tusks.
His combat gear looks handmade and brutally practical, combining biker fashion, stage-roadie equipment and improvised post-apocalyptic armor. The leather is scratched, dusty and worn from constant battles. He stands aggressively with his shoulders squared, ready to command Ironheade forces on the battlefield.
Behind him: gigantic Ironheade war machinery, towering speakers, stage structures, smoke, sparks and enormous demonic-metal architecture. Epic battlefield atmosphere, dusty orange sky, dramatic backlighting, realistic materials, detailed face and anatomy, gritty cinematic heavy-metal album art, full-body composition.
Background: enormous Ironheade concert equipment, scaffolding, cables, speakers, machinery and half-assembled stage structures in a brutal post-apocalyptic metal world. Industrial steel, rusty machinery, red-orange lighting, smoke, sparks and dusty atmosphere. Cinematic lighting, realistic materials, detailed face, gritty textures, dark heavy-metal aesthetic.
The overall visual design should faithfully capture the aesthetic of heavy-metal fantasy, classic rock-and-roll rebellion and medieval weaponry. Detailed leather and metal textures, subtle imperfections, cinematic lighting, dramatic shadows, gritty atmosphere, photorealistic materials, high-detail fantasy concept art.
Welcome to ♡Spaceship Earth ! Now can the ♤Sum of US >stop< Making a Mess of the lower decks ?!?
Model:
DaVinci2
Size:
3840 X 2160
(8.29 MP)
Used settings:
Prompt: Council 9 gives encouragement 2 humanity 4 it ALL!
¡El Consejo 9 anima a la humanidad para todo!
Council 9 ermutigt die Menschheit für all das!
Совет 9 воодушевляет человечество на все это!
Prompt: PROMPT
Ultra-realistic cinematic scene, immersive ground-level perspective, as if the viewer is physically standing on the highway embankment and witnessing the catastrophe with their own eyes. The camera is close to the human action, NOT an aerial view, NOT a helicopter shot, NOT a distant panorama. Strong feeling of presence and scale.
In the foreground and middle distance, terrified people are escaping from a destroyed highway interchange. Abandoned cars stand behind them. Some people are climbing the steep grassy embankment, desperately helping each other. One person reaches down and pulls another person upward. The viewer feels surrounded by the chaos.
Directly ahead is a massive concrete highway overpass crossing above the road. A huge section of the bridge has been violently destroyed from BELOW. A massive jagged hole and broken gap have appeared in the bridge deck. Reinforced concrete is cracked and crumbling, enormous broken slabs hang from exposed twisted steel reinforcement, fragments of concrete continue falling onto the road below. Dust fills the sunlight.
Under and beyond the destroyed bridge, gigantic strange beasts are moving along the highway. They are enormous compared with cars, trucks and people, but the camera remains close enough to clearly see their terrifying details. The creatures have massive elephant-like bodies, long powerful legs, patches of worn bare skin and long hanging shaggy hair like ancient mammoths and wild yaks. Some have enormous bull-like horns and heavy prehistoric faces. Their bodies are covered with worn leather harnesses, scratched metal plates, ropes, nets and mysterious primitive-industrial equipment.
Several riders sit high on the gigantic animals. The creatures continue walking forward slowly and relentlessly through the destroyed highway interchange, completely indifferent to the humans. They feel ancient, exhausted, unstoppable and strangely realistic — not fantasy monsters, not dinosaurs, not Godzilla.
The perspective looks through the chaos toward the east. Beyond the bridge, the familiar green Eastern European landscape gradually turns into a dry desert. Green trees, bushes and agricultural fields with mature sunflowers remain behind and around the viewer, while the distant eastern horizon is filled with desert dust and intense heat haze, creating an oily shimmering mirage.
Late morning sunlight, realistic natural lighting, cinematic depth, powerful atmospheric perspective. The destroyed bridge, terrified people and gigantic creatures are all visible in the same composition. The scene must feel like a person standing inside a real catastrophe, not observing it from far away.
Photorealistic, extremely detailed, realistic textures, realistic human proportions, realistic bridge engineering, cinematic disaster photography, immersive perspective, deep three-dimensional space, natural colors, subtle dramatic lighting, masterpiece, believable science-fiction realism.
Prompt: Rage plagues my heart and mind when I see inequitable causes burnt in stone and sand for the sake of commerce greed.
The cause of war comes forth in many ways, but not as mighty as the one we shall see, like a blinded tiger, or a wounded snake, war comes rushing in, bent on blood, and death.
Prompt: Cinematic wide-angle shot, apocalyptic biblical prophecy concept art. A massive glowing fractal grid overlays a top-down view of the Earth, with specific regions highlighted as "chakras" or "pressure points" of a human body: The head (United Kingdom), the neck (Ukraine), the torso (Russia), the gut (Israel and Palestine), the bridge of the nose (Turkey), and the legs (Canada). A terrifying beam of pure white and gold divine light is striking down from the stormy heavens directly onto the intersection of Russia and the Middle East, triggering simultaneous nuclear mushroom clouds that resemble the opening of ancient seals. In the foreground, a desolate, impoverished Russian village lies in ruins, with a blurry silhouette of a man (Vitya) pointing towards the sky, holding a worn-out Bible. The mood is bleak, hopeless yet strangely sacred, cold winter tones mixed with fiery orange explosions. Hyperdetailed, photorealistic, cinematic lighting, 8k, eerie atmosphere.
Prompt: High-quality 2020s Hollywood blockbuster poster for "CHEERLEADER ZOMBIE APOCALYPSE", retro sci-fantasy meets Hammer Horror style, central film still of two post-apocalyptic cheerleader zombie hunters: a brave blonde with Anya Taylor-Joy’s sly smirk and agile gymnast with Sadie Sink’s athletic physique, dynamic defensive crouch/action stances, baseball bat and fire extinguisher in hand, fighting off zombie horde on overgrown school athletic field, candid defiantly agile poses, Miskatonic University cheerleader outfits with mud splatter, beautiful legs, calf socks, sporty sneakers, natural daylight accentuating toned physiques and ultrafine fabric details, background overrun with shambling zombies, shallow depth of field, bokeh blur framing edges, anamorphic lens flare, cinematic motion blur, subtle chromatic aberration, atmospheric dust and god rays, warm golden hour lighting, dramatic chiaroscuro contrast, rule of thirds composition, Dutch tilt angle for disorienting energy, shot on ARRI Alexa 35 with cinematic color science, f/2.8 aperture for creamy bokeh, rich detail density with intricate textures, vintage film grain texture, balanced composition with layered foreground elements, positive blurbs and inset stills showing cast in pre-zombie chaos and attack scenes, cool blue hour twilight glow on horizon, teal and orange cinematic grading, moody yet heroic atmosphere, urban decay meets gothic school architecture, brutalist concrete bleachers in distance, dynamic diagonal leading lines, sharp focus on characters, hyperdetailed skin and fabric, athletic fit physiques, wavy elegant hair and sleek ponytail, dark brown and honey blonde hair tones, earthy natural palette with pops of crimson and gold, nostalgic retro horror vibe fused with modern action, epic scale tension, award-winning masterpiece quality, photorealistic 8K UHD render, Unreal Engine 5 real-time ray tracing, full-body shot with environmental context, tight framing with breathing room, mysterious shadows and glowing embers, two subjects in heroic tandem, cinematic poster layout with bold typography and 2020s era cast.
Prompt: A monumental prophetic Christian visionary artwork depicting the righteous youth Vyacheslav (Otrook Vyacheslav) and his mother, the nun Maria, standing in divine light against a dark, oppressive world system. In the center, a young man with a glowing halo, dressed in ancient Russian princely or monastic robes, holds a cross and points toward the heavens. Beside him, a serene nun in black monastic schema, with a veil and rosary, her face radiating sorrow and prayer.
Behind them, a swarm of shadowy priests and clergy in black cassocks, their faces twisted in scorn, pointing fingers and hurling accusations — labeling the youth as a "sorcerer" — echoing the mockery of the Holy Royal Martyrs (Tsar Nicholas II and his family), whose ghostly icons appear in the background, crowned with martyr's halos and holding royal regalia.
In the foreground: symbols of the end times — microchips (implantable RFID chips) floating like insects, surveillance drones, security cameras, barbed wire, and riot police silhouettes representing the "police state" that the mother warned about. A massive digital countdown or barcode hovers over a global map.
On the right side: a collage of world religious symbols (cross, crescent, Star of David, lotus, etc.) merging into a single monolithic structure labeled "One World Religion" — but underneath, a hidden serpent or satanic shadow controls it, revealing its true master.
From the saints' hands, rays of golden and white light pierce through the darkness, shielding a crowd of ordinary people kneeling in prayer. Their prayers form a protective wall. Text scrolls or prophetic inscriptions float in the air: "They will call me a sorcerer, but by their own words they condemn themselves" and "The system of Satan is already built."
The composition is split: top — heavenly glory with angels and the Theotokos (Mary) interceding; bottom — earthly chaos, surveillance, and false unity.
Color palette: deep charcoal black, cold gray, neon red and blue (for surveillance), contrasted with warm gold, pure white, and fiery orange for the divine. Lighting: dramatic, with a central beam of light from above illuminating the saints, while the background remains murky and menacing.
Style: a mix of Byzantine iconography, Soviet-era propaganda poster, and dystopian sci-fi schematic — sharp lines, symbolic geometry, harsh contrasts. Mood: solemn, prophetic, warning yet hopeful — "by their prayers we still live."
hyper-detailed, 8k, sharp focus, volumetric lighting, cinematic, symbolic, --ar 16:9
Prompt: Morena Baccarin in a dramatic cinematic scene, portraying a cyborg with a bare robotic left forearm, holding up a robot head. The setting is an abandoned fast food restaurant, enhancing the futuristic and desolate ambiance. Captured on Kodak Portra 400 film to achieve authentic film grain, warm skin tones for realism, and a soft pastel color palette for a visually striking contrast. Focus on creating beautiful shallow-depth bokeh to add depth and mystery to the composition, emphasizing the cyborg's presence.
Prompt: A dark, cinematic political fantasy scene depicting Donald Trump and his cabinet members reimagined as the Four Horsemen of the Apocalypse. Trump rides at the center on a massive black warhorse clad in gold-plated armor, storm clouds swirling behind him, his expression stern and triumphant. Around him ride four cabinet figures representing Conquest, War, Famine, and Death — each with distinct symbolic armor, weapons, and eerie supernatural powers. One horseman carries burning economic contracts and shattered currency, another wields a flaming sword amid smoke and explosions, another spreads drought and ash across ruined cities, and the final rider appears ghostly and skeletal with tattered robes flowing in the wind.
The background shows a collapsing modern world: lightning over Washington D.C., cracked highways, burning stock market screens, abandoned cities, and giant storm fronts rolling across the sky. Style is hyper-realistic, ultra-detailed, dramatic lighting, surreal biblical symbolism, cinematic composition, ominous atmosphere, high contrast, epic scale, inspired by dark fantasy paintings and apocalyptic movie posters. 8K detail, volumetric fog, dynamic motion, haunting realism.
Prompt: Was tun wenn es brennt?
Was tuun wenn es brennt?
Die ganze Stadt
Alle Kirchen, alle Küchen, alle Aktenschränke
Akten, Fakten
Alle Zahnbürsten
Ruhe bewahren!
Im Brandfall werden Sie alarmiert.
Ruhe bewahren!
Ist der Fluchtweg versperrt...
Ruhe bewahren!
Sehen Sie einen Fluchtweg?
Wenn dein Einkaufszentrum, deine Welt,
vor dir in Flammen zusammenfällt
und du stehst da mit deiner Plastik-Tüte in der Hand
Tiefgefrorenes wolltest du kaufen für heute abend.
Dinner zu zweit bei Kerzenschein
Romantik
Du sitzt da an deinem Ecktischchen und guckst ihr tief in die Augen
Romantik, Kerzenschein und Vinaigre
und hinter
ein Fick
Alles geht kaputt!
Alles geht kaputt
Alles geht in Schutt
und ich lach
Tanz auf dem Vulkan,
Tanz auf dem Vulkan,
Tanz auf dem Vulkan,
so nennen wir das!
Es brennt!
Es brennt!
Es brennt!
Es brennt!
Ruhe bewahren!
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Prompt: photo that work like an escape from the world and work as a world to escape to dreams of a fantastical surrealism odd watercolor of a angled from the perspective of an battered couple climbing a ladder to get to the top of a building before the zombified population comes after them, a city is in ruins hinting at a post-apocalyptic setting, detailed, hyperrealism, fog, rays of light, shadows, octane render
Prompt: Make the picture in a realistic style. No muddy brushstrokes, just a clear, high-quality painting in a realistic style. The most realistic photographic style. The gothic atmosphere of an apocalyptic rider.
Prompt: A surreal, dreamlike landscape rendered in a hyperrealistic style, dominated by intricate, fantastical architecture and mechanical elements. The central focus is a colossal head of a humanoid figure, constructed from gears, pipes, and multiple metallic eyes, attached to a classical statue-like body. Stairs ascend towards this construct, flanked by other bizarre structures, including a tall, slender tower with a coiled, pink, tube-like appendage and a large, stylized eye in the sky. Scattered throughout the desert-like terrain are small, silhouetted figures and enigmatic objects. The color palette consists of warm desert tones, blues of the sky, and metallic grays, accented by pops of red and orange. Dramatic lighting casts long shadows, enhancing the mysterious and otherworldly atmosphere. The composition is wide-angle, showcasing the vastness of the scene and the overwhelming scale of the surreal elements. The perspective is low, emphasizing the grandeur of the structures and the overall sense of awe and wonder.
Prompt: variety of flowers blooming in dystopian wasteland, mammatus skies. oil-painting with multiple textured thick layers of detailed oil paint using the technique of glazing, 8k resolution. Textured painting by an extremely talented surrealist painter.
Prompt: It’s yours right, this house with the boarded up doors right. Poor sight, like maybe it’s mine and you made it
in time with the foresight to light a torch and torch this place. Co-ordinate my life with yours. Private wars and a core to relate in a world that you made full of minor chords. Find the oars, lie in the wake. Quiet your mind, they’re lying in wait. They’re firing everything all over everywhere, everyone in the asylum is safe.
Prompt: Additional prompt: The Panic # terrified men, women, old people, children # silhouettes of ruined buildings # spreading fire # planes dropping bombs in the mix # dark, gloomy background # digital painting picture-illustration # 16:9 aspect ratio
Prompt: A cartoonish drawing from 'The Simpsons' animated series. This is a satirical parody of the American way of life, telling the adventures of a funny family from the city of Springfield. Depict Homer - the family's father, announcing the end of the World in 2026 to his family. A great graphic caricature.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
