#antigravity

McGee's Flying Wonder Emporium

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Small floating apartment hovers steadily in bright atmospheric fog beneath luminous pale violet-grey sky, in balcony-level three-quarter exterior view. Compact residential unit has warm window, attached balcony slab, railing, patched metal panels, rounded retro-futurist housings, vents, pipes, conduits. Balcony serves as small open-air market stall. Main apartment fills near-midground, bordered by open sky and pale fog. Balcony railing carries narrow shelves, hooks, ledges, and compact counters. Transparent jars, sealed colored liquids, powders, luminous components, cartridges, compact alien-tech devices, and small glowing modules rest on those supports. Warm apartment window adds amber light across balcony floor, jars, railing, and wall without dominating scene illumination. Pink-red neon OPEN sign mounts beside balcony; every letter remains legible, uneven tube brightness producing subtle flicker rather than missing characters. Apartment floats through concealed anti-gravity hardware integrated into architecture. Shallow underside housings, seams, vents, and structural panels show along lower edge; no large propulsion machinery is needed for suspension. Fog drifts horizontally between independently hovering residences at staggered elevations and distances. Clear air gaps separate main unit from neighboring buildings. Visible undersides through pale haze establish stable suspension. Oblique balcony-level camera shows stall contents, warm window, OPEN sign, railing, apartment wall, and narrow strip of underside Foreground holds balcony corner, jars, glowing devices, railing hardware, painted exterior skin; midground contains apartment mass and stall; background layers several smaller floating residences through illuminated haze. Buildings overlap only partly. No ground is visible; pale fog fills lower depth beneath structures instead of forming a dark void. Quiet elevated district contains modest floating residences with varied heights, widths, balcony shapes, silhouettes, antennas, vents, exterior pipes, patched panels, and occasional small signs. Nearby units remain residential, not monumental towers. Fog thickens gradually with distance while keeping nearer structures readable. Luminous pale violet-grey sky fills upper field; broad cool-blue daylight illuminates roofs, walls, balcony surfaces, underside housings, distant buildings, and fog. Gentle blue brightness above remains diffuse atmosphere. Lighting is bright, soft, scene-wide. Cool daylight provides strong ambient fill across apartment exterior and market stall; warm window, pink-red OPEN neon, and cyan/turquoise/violet merchandise glows remain localized accents within bright ambient light. Glowing objects cast restrained nearby reflections on glass, metal, railing, wall. Surfaces mix weathered painted metal, matte composite, worn railings, glass windows, retro-futurist trim. Jars show refraction, internal reflections, residue, condensation. Realistic digital illustration, luminous retro-futurist urban setting with restrained cyberpunk detail, crisp foreground materials, softly layered atmospheric depth. --mod realistic digital sci-fi illustration --mod retro-futurist floating architecture --mod balcony-level three-quarter view --mod bright cool atmospheric daylight --mod luminous retro-futurist atmosphere
  • Using base image: No
  • Aspect Ratio: landscape_wide

Steampunk Anti-Gravity Popsicles

• Model: Krea 2 Turbo

• Size: 1472 X 832 (1.22 MP)

• Used settings:

  • Prompt: Steampunk working dad, opeining the front door and finds that gravity has been turned off. wife floats from the floor to the ceiling toward the children carrying popsicles of different colors. Children are playing upside down on the ceiling. random furniture remains on the ceiling and walls.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Anywhere Beautiful

• Model: ChatGPT 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Flying luxury alien starcruiser hovers high above majestic coastline of mountains and forests. Vessel is large, sleek, and luxurious rather than military: white hull, multiple decks, elegant superstructure, white radomes, glazed observation sections, and polished wood decking along open promenade levels. Form should read as advanced alien grand cruiser, not present-day yacht or battleship. Hull lines are streamlined and graceful, with upper decks stepping aft to provide visible walking space for passengers. Deck life must be visible. People walk along open decks, stand in small groups at railings, and pause to look at scenery below. Figures read as passengers rather than crew: relaxed posture, sightseeing behavior, bodies oriented outward toward the view. The cruiser is large enough that people appear as small but legible scale markers across several deck levels. Deck surfaces are polished wood with pale rails and uncluttered promenade zones so the human presence feels leisurely and affluent. Starcruiser is airborne and stable, hovering high above coastline rather than docked or flying low over a city. It appears suspended in open air with clear separation from terrain below. Lower hull hangs over open space, decks remain level, and the ship suggests advanced lift rather than visible rocket exhaust. No weapon systems, combat damage, or industrial machinery. The key relation is serene elevation: luxurious vessel gliding or holding position above vast coastal landscape while passengers admire the world beneath. Landscape below is majestic and expansive. Coastline combines dramatic mountains, forested slopes, and open water, with terrain descending toward coves, cliffs, beaches, and inlets. Forest canopy should be abundant, and mountain forms should provide grandeur without overpowering the ship. Waterline, headlands, and layered distances should make the scenery feel worth observing from the decks. The view below must read as coherent coastal panorama rather than generic background texture. Composition keeps full starcruiser dominant while still showing enough coastline below for context. Midground centers the vessel in three-quarter exterior view so hull shape, open decks, radomes, wood decking, and passenger activity are all legible. Lower frame and background open to mountains, forests, and coast, giving a strong sense of altitude. Camera sits outside and slightly above or level with ship, angled so viewers can see both deck life and the scenery beneath. Silhouette separation between white hull and land or sky should remain strong. Lighting is bright clear daylight with broad even illumination across hull, decks, passengers, and landscape. White surfaces should stay luminous without blowing out, wood decks should show warm polished tone, and shadows should remain open enough to preserve detail. Air should feel clean, elevated, and scenic, with long visibility across coastline and sea. Digital illustration blending Jim Burns, Michael Whelan, Moebius, and Paul Chadeisson through sleek speculative design, painterly atmosphere, clean line confidence, and grand architectural scale. --mod asymmetric composition --mod digital illustration --mod luxury alien starcruiser --mod white hull --mod polished wood decking --mod passengers viewing scenery --mod bright coastal daylight --mod majestic mountains and forests
  • Using base image: No
  • Aspect Ratio: landscape_wide

Down Payment on a Second Earth

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Vast densely cloud-covered Venus as the primary environment, upper atmosphere occupied by floating megacities, single photographable instant, no ground-surface scene, no rocket-launch basin, no small orbital-station drift; the image reads immediately as colossal human-made habitation suspended high within the Venusian cloud layers, the planet defined by scale, cloud mass, and airborne infrastructure. Floating megacities explicit and load-bearing: gigantic floating platforms housing bio-domes, each platform massive, engineered, and suspended in the upper atmosphere, no ordinary skyscraper cluster, no fantasy castle-island substitution; bio-domes clearly readable atop the platforms, habitation and life systems integrated into the city masses, multiple city structures distributed through layered depth while preserving one dominant environmental read. Connection and support systems explicit: intricate tube systems linking platforms and domes, anti-gravity machines maintaining the floating city, and energy shields protecting from solar radiation, all visible and functionally coupled, no random pipes, no decorative cables only, no invisible support read; tube networks span between structures, anti-gravity machinery anchors the suspension logic, shield effects subtle but unmistakable around exposed habitation zones. Atmosphere of Venus remains thick and hostile: sulfuric-acid clouds dense and enveloping, faint yellow hue to the air, dull sunlight filtering through the clouds and creating dramatic shadows, no clear blue sky, no crisp vacuum-black space; cloud depth, haze, and filtered illumination shape the scene, with the megacities emerging through layered vapor rather than floating in empty air. Color and rendering system locked to muted yellows, grays, and metallic blues, digital illustration blending the styles of Fred Gambino and Chris Foss, industrial-futurist scale and design clarity held without collapsing into either pure concept sketch or cartoon stylization; metallic structures, domes, tubes, shields, and cloud light all remain sharply separated in material logic, no saturated rainbow palette, no green jungle-city drift. Asymmetrical cinematic composition with strong silhouette logic and clear foreground-to-background hierarchy, floating megacity masses and bio-domes suspended within Venus’s cloud ocean, tube systems, anti-gravity machines, and protective energy shields all coupled into one coherent basin; high-detail science-fiction illustration, dramatic filtered sunlight, sulfur-yellow haze, monumental airborne infrastructure, and one unified image of civilization surviving in the upper atmosphere of Venus. --mod vast cloud-covered Venus with floating megacities --mod gigantic floating platforms with bio-domes --mod intricate tube systems linking the city structures --mod visible anti-gravity machines and subtle energy shields --mod thick sulfuric-acid clouds with faint yellow atmosphere --mod dull sunlight and dramatic filtered shadows --mod muted yellows grays and metallic blues --mod Fred Gambino Chris Foss style fusion
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Long Way Up

• Model: FluX 2 (Ultra)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

As seen, but still works. Selling for parts. No log book. No returns. Cash only.

• Model: DaVinci2

• Size: 2981 X 1677 (5.00 MP)

• Used settings:

  • Prompt: a junkyard of old broken spacecraft in orbit around a deserted planet
  • Using base image: No
  • Aspect Ratio: landscape_wide

Reconnaissance and Survey Drone

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Small featureless angular glossy black rectangular spacecraft with a heavily textured surface hovering low to the ground, cables and hoses and wires underneath the spacecraft, antennas on top, futuristic world, post apocalyptic landscape, ((low concrete buildings:1.8)), anti gravity :: sky, clouds, ground visible, hovering, dry, ((dusty)), bleak landscape, parched, bright noon sunlight, square shapes, bleached colors, destroyed industrial buildings, powerlines and towers :: ultra high resolution, masterpiece, best quality :: hyperrealistic, hyper detailed, photorealistic :: a masterpiece, incredible composition, amazing depth, imposing, meticulously composed
  • Using base image: No
  • Aspect Ratio: landscape_wide

Anti Gravity AI thought Machine

• Model: DreamForge

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: anti gravity Machine
  • Using base image: No
  • Aspect Ratio: landscape

An armchair that looks like asm

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: An armchair that looks like asm
  • Using base image: No
  • Aspect Ratio: landscape

Antigravity

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: Antigravity device ; magnetic waves and electromagnetism
  • Using base image: No
  • Aspect Ratio: landscape

Anti-Gravity Umbrella

• Model: Artistic

• Size: 1279 X 820 (1.05 MP)

• Used settings:

  • Prompt: A landscape and the blue sky with white clouds are captured in an umbrella in the rain. Acrylic painting by Jacek Yerka. soft colours, extremely detailed, intricate, beautiful, hyperrealistic, HDR, high definition, crisp quality
  • Using base image: Yes

Antigravity tree

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: Tree flying
  • Using base image: No
  • Aspect Ratio: landscape