1947 NYC 04 - Autumnal Dusk in The City ( landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Vintage architecture on Broadway in 1947 New York City, captured from a pedestrian's sidewalk perspective in the serene pre-dawn light. The empty streets devoid of cars and people, highlighting the essence of a bygone era. The classic architecture meticulously curated for its artistic allure, showcasing intricate details and ornate designs. The scene envisioned in a comic illustration style reminiscent of the Golden Age of comics, blending the dynamic compositions of Frank Frazetta, the intricate linework of Lou Fine, the storytelling flair of Will Eisner, the bold colors of Jack Cole, the dramatic shadows of Bill Everett, the detailed backgrounds of Alex Schomburg, the meticulous attention to detail by Wally Wood, the atmospheric touch of Graham Ingels, and the iconic style of Jack Kirby. The artwork should exude a sense of nostalgia, grandeur, and artistic mastery, transporting the viewer to a different time and place.
New York City, 1947 in the Comics 06 ( cityscape and landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture of the city's streets composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 01 ( cityscape and landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture with the skyline's skyscrapers composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 02 ( cityscape and landscape )
Model:
DaVinci2
Size:
716 X 716
(0.51 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture with the skyline's skyscrapers composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 03 ( cityscape and landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture with the skyline's skyscrapers composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 04 ( cityscape and landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture of the city's streets composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 05 ( cityscape and landscape )
Model:
DaVinci2
Size:
720 X 720
(0.52 MP)
Used settings:
Prompt: Vintage New York City, 1947 in the serene pre-dawn light, streets empty; classic architecture with skyline's skyscrapers, street-level view of vintage architecture by Bernard Buffet in comic illustration, CMYK color process, Golden Age comics artists' styles blend: Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's detail, Graham Ingels' atmosphere, Matt Baker's character designs, Jack Kirby's iconic style. Broadway in 1947, pedestrian's sidewalk perspective, empty streets, bygone era essence, intricate classic architecture, ornate designs. Nostalgic, grand, artistic, Golden Age comics style, transportive, rich colors, detailed linework, dramatic shadows, atmospheric touch, iconic style.
Mother and Child Reunion ( family portrait with beach landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Henri Matisse oil painting of a woman in a demure sun-dress standing on a beach with a five-year old boy on a bright summer afternoon ; the woman is looking out to sea ; the beach stretches out into the distance
Nightmare City - a landscape of 'The Third Place,' i.e., The Dream World
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A Hellish cityscape at night painted in the Nazarene movement art style as typified by the artists Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger, a group of early 19th-century German Romantic painters who aimed to revive spirituality in art
A Stylized Landscape, with Design Elements from Western Art and Traditional Japanese Painting
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: single image, aquarelle painting, 3D abstract fine line pencil drawing, a magnificent enchanting Japanese landscape, ripples, surrounded by magnolia trees and sea oats, big gold foil sun in background, white stripes, small triangles and geometric patterns in pink and lavender, fine line drawing executed with calligraphic precision, textured with gold, copper, black, cerulean blue and silver threads, filigree, very defined lines in the style of Esao Andrews and Brendan Monroe. Chinese ink painting, muted colours, rice paper texture, splashes of lavender and gold colour. Rich and varied textures, 3D brushwork, hints of kintsugi gold cracks, intricately detailed. An intricate pattern that delights with its unusual and precise lines, a harmonious combination of colours, a masterpiece inspired by Odilon Redon.
Prompt: A small village on the Great Plains region of the United States in the year 1840, in a Springtime scene with flowers blooming, painted in the combined styles of Monet, Renoir, and Cezanne, and Erin Hanson
Prompt: SUNRISE over rugged cliffs on a mountainside in the Canadian Rockies by Ivan Bilibin, flat color, bright colors and natural colors, vibrant blue sky
Prompt: A stylized illustration in a muted, warm color palette of beige, brown, and gold, reminiscent of vintage poster art, depicts a tranquil beach sunset scene with a painterly, almost watercolor-like texture. The sky is a blend of orange, pink, and dark purple hues, with soft, diffused lighting and visible brushstrokes. Light brown and tan rocks are scattered along the sandy beach, partially submerged in the calm turquoise water. A small, rocky island with a dark green tree sits in the middle of the bay. The overall aesthetic is nostalgic and dreamy, with a slightly rough, unfinished quality adding to the artistic effect. Small white birds are visible in the sky, and a dark silhouette of land is on the horizon. The lines are fluid and expressive, with smooth and rough areas contributing to the texture.
Forested Cliffs, a Landscape Painted in Traditional Japanese Sumi-e Style
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A sumi-e ink painting with a scroll layout depicting a traditional Japanese wilderness landscape ; this painting uses the expressive ink strokes, the Minimalism style, the clever use of negative space, and the interplay of light and shadow that are all characteristic of the Sumi-e medium ; the painting communicates the fleeting nature of things and the quiet poetry of tradition ; the painting is in monochrome, with delicate brushwork and traditional elegance, painted by Hokusai and Hiroshige.
A Temple Entrance in the Lost City ( archaeological wilderness landscape )
Model:
ArtFusion
Size:
1344 X 768
(1.03 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and the architecture is partly hidden by the encroaching alien rain-forest with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
A Bench By The Lake, Under The Cherry Blossom Tree
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Van Gogh Style, Dark Fantasy, a cherry blossom tree, a large tree with green leaves and white flowers, a bench, a pond in the background, a footpath, trees in the background on the sides of the picture, sun, midday, warm, strong colors
New York City, 1947 - a cityscape at night, full moon, in comic book style ( landscape in 3,4 )
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: New York City, 1947 with vintage architecture by Bernard Buffet translated into comics illustration for the quoted text : "There are monsters in our world, hiding in the shadows. They’re unknown to most, but a threat to us all."
A Woman at the Beach by Edward Hopper ( portrait with landscape )
Model:
ArtFusion
Size:
1344 X 768
(1.03 MP)
Used settings:
Prompt: EDWARD HOPPER painting of a full-body portrait of a young woman in a demure sun-dress standing on a beach alone on a bright summer afternoon ; the woman is looking out to sea at the ocean WITH HER BACK TO THE VIEWER, HER FACE IS NOT VISIBLE AT ALL
A Woman at the Beach by Henri Matisse ( portrait with landscape )
Model:
DaVinci2
Size:
720 X 1280
(0.92 MP)
Used settings:
Prompt: Henri Matisse oil painting of a full-body portrait of a young woman in a demure sun-dress standing on a beach alone on a bright summer afternoon ; the woman is looking out to sea at the ocean WITH HER BACK TO THE VIEWER, HER FACE IS NOT VISIBLE AT ALL
Another Woman at the Beach in Comic Book Style ( portrait with landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Depiction of a FULL-BODY PORTRAIT of a young woman standing on a beach alone WITH HER BACK TO THE VIEWER, HER FACE IS NOT VISIBLE AT ALL, depicted in comic book style
The Dhampir, with Home In Sight ( portrait with landscape )
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: An abandoned woman stands on empty roads that disappear into the desolate landscape. The environment conveys a sense of apocalyptic abandonment, with vegetation taking over the decaying structures. The setting is depicted in a gothic and hallucinogenic style, with a wide linear perspective and an expanded field of view. The alcohol ink effect enhances the ethereal atmosphere, mixing surreal colors with deep shadows. Inspired by Boris Vallejo, Sardax, German Expressionism, Felicien Rops, Georgia O'Keeffe and Aubrey Beardsley, it creates a fusion of dark fantasy and unsettling beauty.
A Woman at the Beach in Comic Book Style ( portrait with landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Depiction of a FULL-BODY PORTRAIT of a pretty young woman standing on a beach alone WITH HER BACK TO THE VIEWER, HER FACE IS NOT VISIBLE AT ALL, depicted in comic book style
A Woman at the Beach by Andrew Wyeth ( portrait with landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Andrew WYETH painting of a full-body portrait of a young woman in a demure sun-dress standing on a beach alone on a bright summer afternoon ; the woman is looking out to sea at the ocean WITH HER BACK TO THE VIEWER, HER FACE IS NOT VISIBLE AT ALL
Wanderer 01 - You Can See Forever In The Cold Clear Light of a Winter Day
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Solitary figure, stoic expression, mountaintop view, snow-covered winter forest covering the valley floor, bright BLUE sky, Arthur Rackham, Gustav Klimt, Ivan Bilibin, Leroy Neiman, Maxfield Parrish, Van Gogh, Moebius,
Wanderer 03 - Wildflowers and Epiphany in Springtime
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: In a scene by IVAN BILIBIN the viewer sees a solitary figure standing on a mountaintop and looking down FROM THE MOUNTAIN-TOP HE SEES A BROAD WIDE FLAT VALLEY FLOOR that spreads all the way to the horizon and THE VALLEY IS COVERED WITH WILDFLOWERS EVERYWHERE IN FULL SPRING-TIME BLOOM on an early afternoon in April, bright blue cloudless sky, bright color palette,
Prompt: In a scene by IVAN BILIBIN the viewer sees a solitary man in hat and long coat with his face turned away and his back to the viewer, he is standing on a rise in the hill country and looking toward the horizon and the gradual flattening of the hill country into flatlands that spread all the way to the horizon, where green and gold grasses and sage was growing tall, with everything under a bright blue cloudless SUMMER sky, bright color palette, ILLUSTRATED IN THE STYLEOF IVAN BILIBIN ESPECIALLY HIS FOLK TALES AND FAIRY TALES
Prompt: In A BRILLIANTLY COLORED AUTUMN FOREST WILDERNESS SCENE BY IVAN BILIBIN the viewer sees a solitary man in hat and long coat with his face turned away and his back to the viewer, he is standing on a mountain summit and looking down to a giant hardwood forest that is BRIGHTLY COLORED IN AUTUMN RED AND YELLOW AND ORANGE FOLIAGE on the mountainside and the valley beyond ; everything is under a bright blue cloudless SUMMER sky, bright color palette, ILLUSTRATED IN THE STYLE OF IVAN BILIBIN ESPECIALLY HIS FOLK TALES AND FAIRY TALES
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
