Prompt: A bustling scene in the town hall square in the rain, filled with a diverse crowd of people. In the centre is a charismatic Town Crier, reading orders, standing behind a wooden podium, enthusiastically reading the town hall orders, with a grey councillor standing next to him. And in the foreground is a 14 year old girl walking away from the crowd. The crowd, which includes men, women and children of various ages, eagerly watches and interacts with the Town Crier. The background shows rustic stone architecture and windows. The overall style is reminiscent of a book illustration, with strong line work and intricate detailing conveying the energy of a medieval town.
Prompt: A full body portrait: (from head to toe)
A scene from the late 17th century:
A female pirate with long dark hair.
She is wearing light brown trousers and a brown corset over a light brown blouse.
She is also wearing a brown hat, a red sash and boots.
The cannon deck of a pirate ship can be seen in the background.
Prompt: poster of a 17th century naval battle, Only Solid Colors. One Line Drawing. Art Deco And Marimekko, Latter Features, Illustrative Stylization, Graphic Emphasis, Strong Accent Textures, Colored Line Patterns.
Prompt: A realistic illustration of a 17th century inn on a Caribbean island. The inn is a quaint cottage with a thatched roof. Outside are some pirates socialising. 17th century Pirate ship anchored in the cove in the background.
Prompt: Portrait of the alchemist's girlfriend, made in the style of romanticism, sentimentalism, vintage, Empire , artist Jean-Baptiste Monge , Eugène Delacroix , Rembrandt , Dmitry Levin
Reynard 7th Earl of Hazel Wood A Majestic Portrait
Model:
AIVision
Size:
2724 X 1835
(5.00 MP)
Used settings:
Prompt: Create an image of a majestic fox with striking golden-yellow eyes and a beautiful orange-red coat streaked with white stripes. The fox has fluffy cheeks, a white muzzle, and a long, lush white mustache. It wears a majestic red hat adorned with a large, eye-catching ostrich feather. Around its neck, it wears an elegant, laced collar, sitting above a patterned golden-blue cavalier outfit with ornate floral designs and accented with gold embroidery. The attire is complemented by gold ball buttons. The background features a dark, weathered wood texture, adding to the timeless and noble atmosphere of the portrait. The mood is solemn and dignified, with the fox's posture and expression conveying a sense of poise and aristocratic bearing.
Prompt: Rembrandt inspired oil painting of an antiquated room dappled in sunbeams pouring through large windows, a diligent seamstress, engrossed in the artistry of stitching, is served by a diverse array of enchanted female figures each vested in timeless hats, the antique room filled with relic furniture paint a picture of an era once past, while a stately Rhodesian Ridgeback takes comforting solace on the floor
Prompt: The quaint medieval farming town's charm came from the many lanterns hanging about the simple thatched homes, providing a warm glow even at the waning of the dusk sunset.
Prompt: Sunlight washed onto the golden shores of the bustling medieval port along with the deep blue waves. The docked ships rocked gently, with many birds and clouds and rays of sun floating through the sky.
Prompt: A Skleton night watchman with a lantern in his hand stands on a cobblestone street with beautiful 17th century houses in the background. The skeleton is humanoid, with a full set of bones and a menacing skull for a face. His eye sockets glow menacingly. The figure wears a wide-brimmed black hat with a high crown and is draped in a tattered black cape with a high collar, further enhancing his ominous presence. With his bone hand he holds a lantern that glows with an intense fire, casting a warm light on the surrounding stones. Style Arthur Rackham, Jean-Baptiste Monge, Rebecca Guay,
Prompt: Judith Leyster’s painting depicting an anthropomorphic cat, wearing 17th-century musketeer attire with wide-brimmed hat and feather, fitted doublet, puffed sleeves, lace cuffs, traditional breeches, cuffed boots, sheathed rapier, cobblestone Paris street, historical buildings backdrop, dusk lighting. Precisely detailed brushwork in the style of Jean Fouquet and Thomas Ascott
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: The Return of the Prodigal Son" 1666-1669 is a Rembrandt painting based on the plot of the New Testament parable of the prodigal son. Several people gathered in a small area in front of the house. In the left part of the painting, the prodigal son is depicted kneeling with his back to the viewer. His face is not visible, his head is written in profil perdu. The father gently touches his son's shoulders, hugging him. The painting is a classic example of a composition where the main thing is strongly shifted from the central axis of the painting for the most accurate disclosure of the main idea of the work. "Rembrandt highlights the main thing in the painting with light, focusing our attention on it. The compositional center is located almost at the edge of the painting. The artist balances the composition with the figure of the eldest son standing on the right. The placement of the main semantic center at one-third of the distance in height corresponds to the law of the golden ratio, which has been used by artists since ancient times to achieve the greatest expressiveness of their creations
Prompt: heavy-impasto oil painting, Rembrandt loose brushstrokes, Rembrant as an old man, pale emotional self-prtrait, gigantic burgundy-red velvet beret, no cross-eyed
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
