Prompt: A delicate imagined portrait of Saint Lucy of Syracuse holding a small tray with her eyes resting on it. The drawing is executed in silverpoint on gessoed parchment, in the Renaissance style of Leonardo da Vinci, Raphael, Rembrandt, or Albrecht Dürer. The portrait appears aged, with visible signs of oxidation in parts of the silver lines and a patina of time on the parchment. Intricate and finely detailed linework, with a serene and solemn expression on the saint’s face, reminiscent of classical devotional art.
Prompt: An 18th-century scientific illustration of a fantastical bird created by blending the anatomical features of all known bird species, both flying and flightless. The bird is perched on a twisted natural branch beside a carefully crafted nest containing several speckled eggs of varying sizes and colors, reflecting its diverse genetic origins. The creature's plumage is intricate and multicolored, inspired by peacocks, parrots, ostriches, and penguins. Its beak blends features of eagles, toucans, and flamingos; the strong legs resemble those of ostriches, with talons like those of raptors, gripping the branch near the nest. The wings are large and multi-layered, with feathers of many shapes and textures. The illustration is rendered in the style of historical ornithological plates, with detailed ink lines and watercolor washes. It is titled Avis Universalis Geneticum in elegant calligraphy, and surrounded by fine Latin annotations identifying anatomical parts and egg characteristics. Background is plain parchment with aged texture. The plate bears the signature “Dr. Thaddeus Wexley, Naturae Studiosus, 1763.” Vintage naturalist style, highly detailed.
Prompt: A highly technical and delicately rendered silverpoint drawing of Natalie Dormer in the combined style of Albrecht Dürer and Leonardo da Vinci, created on aged parchment with a gesso ground, 16:9 aspect ratio. The scene is a refined still life in strict frontal perspective, composed according to the rule of thirds. The drawing is rendered in extremely fine, soft silverpoint lines with meticulous tonal gradation. Subtle highlights and shimmering accents are added using white chalk pencil, illuminating the reflections, and sunlit surfaces. The silver has oxidized in places, creating a delicate patina, and the parchment shows signs of aging, with worn edges, abrasions, and light discoloration. The overall impression is quiet, radiant, and masterfully precise, evoking Renaissance scientific observation through balanced asymmetry and refined elegance.
Prompt: A highly technical and delicately rendered silverpoint drawing in the combined style of Albrecht Dürer and Leonardo da Vinci, created on aged parchment with a gesso ground, 16:9 aspect ratio. The scene is a refined still life in strict frontal perspective, composed according to the rule of thirds. A white-painted window with Renaissance architectural details and chipped paint occupies the left two-thirds of the vertical frame, with soft morning light streaming through. The glass is drawn frontally, but offset — a half-filled glass of water rests precisely along the right vertical third of the image, on a pale wooden table that spans the foreground. Through the window, a flat pastoral landscape with sparse trees extends to the horizon where the sun is just rising under a lightly clouded sky. The drawing is rendered in extremely fine, soft silverpoint lines with meticulous tonal gradation. Subtle highlights and shimmering accents are added using white chalk pencil, illuminating the edges of the glass, water reflections, and sunlit surfaces. The silver has oxidized in places, creating a delicate patina, and the parchment shows signs of aging, with worn edges, abrasions, and light discoloration. The overall impression is quiet, radiant, and masterfully precise, evoking Renaissance scientific observation through balanced asymmetry and refined elegance.
Prompt: A highly technical and masterfully rendered silverpoint drawing in the combined style of Albrecht Dürer and Leonardo da Vinci, created on aged parchment prepared with a gesso ground, 16:9 aspect ratio. The composition is a refined still life presented in a completely frontal perspective. At the center, a half-filled glass of water sits precisely on a pale wooden table. Behind it, a white-painted window is viewed straight on, with soft morning light streaming through. The window’s frame shows areas of flaking paint and subtle Renaissance architectural detailing. Through the window, a flat pastoral landscape extends to the horizon, with sparse trees and a rising sun visible directly ahead. The upper part of the sky is lightly clouded. The drawing exhibits meticulous frontal linework and tonal gradation, with oxidized silver creating a soft, aged patina. The parchment bears signs of time — subtle abrasions, edge wear, and discoloration. The overall image is quiet, luminous, and precise, evoking the optical realism and disciplined composition of Renaissance scientific illustration.
Prompt: Blueprint-style technical drawing on aged drafting paper, using fine blue ink lines with variable thickness. Intricate fractal structures—based on recursive geometries like Mandelbrot sets and Koch snowflakes—are layered to create a sense of spatial depth. Foreground elements are crisp and highly detailed, while background patterns become progressively smaller and slightly faded, simulating depth with a blueprint drafting aesthetic. The composition resembles generative algorithmic design fused with architectural schematics, emphasizing precision, repetition, and spatial clarity.
Main Style: Ink
Sub Styles: Blueprint, Fractal, Abstract
Prompt: A vertical silverpoint drawing on gessoed wood panel, shown as a photographic negative. The decaying melon infested with ants is rendered in pale silver lines against a dark background, with glowing textures where the metal reflects. The silverpoint lines show signs of oxidation, with slightly darker tones where tarnish has occurred. The background is tenebristic and moody, in the tradition of Vanitas still lifes. The panel surface displays subtle water stains and aging marks, giving an ancient and ghostly appearance. High contrast, fine detail, and atmospheric — like an x-ray of decay and impermanence.
Prompt: A delicate imagined portrait of Saint Lucy of Syracuse holding a small tray with her eyes resting on it. The drawing is executed in silverpoint on gessoed parchment, in the Renaissance style of Leonardo da Vinci, Raphael, Rembrandt, or Albrecht Dürer. The portrait appears aged, with visible signs of oxidation in parts of the silver lines and a patina of time on the parchment. Intricate and finely detailed linework, with a serene and solemn expression on the saint’s face, reminiscent of classical devotional art.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.