Liminal

Liminal

• Model: Photonic

• Size: 1016 X 1176 (1.19 MP)

• Used settings:

  • Prompt: Line-art, stylized female portrait, retrofuturistic collagraphy print, geometrical linocut style, gradient coloring, contigous abstracted line-art, warped, dyed red and black hairstreaks, tesselated, texture mapping 1.8, displacement mapping 1.3, visible textures, shadow mapping 1.3, mip-mapping 1.3, phong shading 1.3, mesmerizing fusion of pigmented oil and oiled charcoal textures, compressed charcoal, black outlines, black conte crayon, creating a rich tapestry of textures. Streamline_moderne influence, otherworldly simplicity, perpendicular line-art features, triadic color scheme starfleet-blue light-pink black expressive brushstrokes, dissolving raytraced shadows 1.8, lavish shapes, coal dust, fabric-inspired textures, subtle reddish and bluish tones, gradient pastel accents, catenaries, vortexes, swirls, fractals, only curves, perpendicular streamline_moderne, 3d effects, raytraced shadows, texture mapping, shadow mapping, displacement mapping, concept art by Buckminster Fuller and Stand Lee, harsh, gradient coloring, overlay, layered vector art. Emphasize detailed linework, shades for depth and scale. Implement 3D effects for luminosity. Overall composition by Overton Loyd, portrait of an irresistible beauty of a girl with expressive eyebrows and eyes, stiyle dark fantasy v3, bare shoulders, painted in gloomy gothical style by Paul Klee, mysterious warm light, Optical illusion by Dee Nickerson, mysterious, expressionistic composition, wavery coloring by Helen Frankenthaler, High chromatic induction, pastel, graphite and charcoal, Reverse pathogen light, tints by Miriam Hoffmann, half-lit pores, fine lines, natural asymmetry, painterly effects, airy, catenaries, upper body portrait, stacked-up perspective, charcoal textures, hatching, stencil with modern hyperbolic surrealism. curvilinear forms, multi-layered, three-dimensional drawing, UHD, LiDAR point cloud, HDR reflectivity. Stark color contrasts, abstracted embodiment, liminal pointillism silhouette, made with pen and ink, chiaroscuro background, crackled paper, simple minimalist abstract asymmentrical line art weaves a whimsical and psychedelic ambiance. Comic book art style merged with american gothic. Blotted, stippled, tesselated. Flourescent color shapes, parallax occlusion 1.5. hues by William Bradley, subsurface scattering 1.2, quaintly contoured, warm purple tones, cubistic-inspired background, catenaries, organic textures by Dan Mumford and Frank Frazetta, supernatural asymmetry, unsettling, painterly effects, visible porcelain skin texture, displacement mapping, plasmatic hatchings, scratched edges, cel-shaded lighting is soft and diffused, highlighting the delicate linework features and fabric textures. The cartoon-style composition is symmetrical, with a focus on the face and hair, creating a sense of harmony and mystery. Henri de Toulouse-Lautrec influence, Bloom-Effect, interpolated, serene expressionism by Ed Binkley, diffused reflections, mip-mapping, displacement mapping, parallax occlusion, quaint, enlarged shadows, soft rain falling. Golden hour atmosphere, delicate luminous coloring, whimsical swirling patterns. Plasticity 1.7, harmoniously sculpted features, illusion of flowing hair, amidst ethereal layers of fabric merging with turbulent flares, liminal, luminism 1.6, plasticity 1.9, dynamic lighting effects and ambient occlusion by Ho Baron, lighting of Ed Paschke
  • Using base image: Yes