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ArtistInto the Black My my, hey hey Rock and roll is here to stay It's better to burn out than to fade away My my, hey hey Out of the blue and into the black They give you this, but you paid for that And once you're gone, you can never come back When you're out of the blue and into the black The king is gone, but he's not forgotten This is the story of Johnny Rotten It's better to burn out than it is to rust The king is gone but he's not forgotten Hey hey, my my Rock and roll can never die There's more to the picture Than meets the eye Hey hey, my my (((One single image. No text in image at all))) Featuring Anya Taylor-Joy as LUCKY
https://youtu.be/llBqvJwEkfw
Into The Black - Chromatics
https://www.imdb.com/de/title/tt37443202/?ref_=ttep_ep_4
A highly detailed, realistic oil painting features a fair-skinned young woman with blonde hair looking over her left shoulder, her face depicted in three-quarters profile. Her dark brown eyes are wide and captivating, her full lips are painted a deep red, and her cheeks are lightly flushed. She wears a striking jacket or top adorned with a vibrant, geometric pattern in shades of red, blue, orange, black, and white, incorporating circular and triangular shapes. The background is an abstract, cubist-inspired landscape, primarily in shades of blue and orange, with prominent red and yellow circular elements. To the left, a tall, white, abstract structure resembling a building with circular windows stands next to a whimsical, black bird-like creature with a large eye and spiky crest. Scattered throughout the background are various abstract shapes, lines, and concentric circles, creating a rich, textured appearance with visible brushstrokes and a slightly textured, antique feel, as if painted on an aged canvas. The overall style is a blend of realism for the woman and surrealist abstraction for the background and clothing, reminiscent of Joan Miró or Vasily Kandinsky.