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A monumental radioactive zombie apocalypse depicted in an ultra-detailed Baroque painting style, inspired by 17th-century European masters and Digirobson, Anjomestre. The scene shows a devastated city transformed into a nightmarish cathedral of ruin, with colossal crumbling architecture, broken domes, shattered columns, and ornate statues collapsing into radioactive ash. Dozens of grotesque zombies roam the scene, their decaying bodies glowing with eerie green and toxic neon radiation, veins illuminated from within, skin partially translucent, exposing irradiated bones and organs. Some zombies wear remnants of royal baroque garments, torn velvet cloaks, gilded armor, and decayed ceremonial robes, blending aristocratic elegance with horrific mutation. A dramatic central composition features survivors in the foreground illuminated by intense chiaroscuro lighting: harsh beams of divine-like light cutting through thick radioactive fog, contrasted with deep, oppressive shadows. The survivors appear desperate and heroic, wearing tattered survival gear mixed with baroque-era clothing elements, their faces marked by fear, determination, and tragedy. The sky is a swirling inferno of dark storm clouds mixed with radioactive auroras, glowing green, yellow, and sickly cyan, raining luminous ash and particles. In the distance, a ruined palace emits a blinding radioactive glow, as if a cursed relic or nuclear event has corrupted the world itself. Every surface is rich in texture: cracked marble, peeling gold leaf, melted stone, decayed flesh, floating embers, and drifting radioactive dust. The color palette is dominated by deep blacks, burnt umbers, blood reds, oxidized golds, and toxic neon greens, maintaining a painterly oil-on-canvas look with visible brush strokes and layered paint depth. Cinematic composition, epic scale, extreme detail, dramatic perspective, volumetric lighting, god rays, heavy atmosphere, emotional intensity, high contrast, masterwork quality, museum-level painting, hyper-realistic textures combined with classical baroque aesthetics, apocalyptic horror, dark fantasy realism, 8K detail.
A vivid, detailed, and atmospheric painting depicting a decaying ancient city under a malevolent, magical sky, with a horde of glowing green zombies advancing on a group of frightened, richly dressed kings and citizens. The sky above is a dramatic blend of dark, swirling clouds streaked with vibrant yellow, green, and orange hues, reminiscent of a celestial aurora but with a more ominous glow. Small, bright yellow glowing embers or stars are scattered throughout the sky.
The city itself is in ruins, with grand classical buildings, featuring large columns, domes, and statues, partially collapsed or crumbling. Some buildings, particularly in the mid-ground and background, appear to be on fire, emitting plumes of smoke and glowing red and orange light. The architecture suggests Roman or Greek influence. Ornate statues of robed figures are visible on pedestals amidst the debris.
In the foreground and mid-ground, a chaotic scene unfolds. On the left, a large group of zombies with glowing green skin and visible skeletal structures through their translucent bodies are moving forward, their faces contorted in grotesque expressions. They are dressed in tattered clothing, some with dark cloaks. Their eyes glow with an eerie green light.
Approaching these zombies from the right,
