Prompt:
Portrait by James March Phillips, hues of Overton Loyd, blotting, pen and ink, very detailed line-art, reminiscent of streamline_moderne, regenerative design, brughtness 1.7, reminiscent of 1980s neon art, textile fabric, cel-shaded, dethereal, stylized geometrical patterns, hallucinatory, stylized lineage illustration 1.5, 3d effects, raytraced shadows 1.8, parallax occlusion 1.2, ambient occlusion 1.5, anisotropic filtering 1.7, luminism, precise Gelsculpt 64K, op art, swirl, patterns, wispy filaments, subtle coloring, subsurface scattering 1.2, romantic abstraction by Frank Frazetta, cottagegore elements, sculpted, cel-shaded illustration, octane render, inkpunk 1.2, VFX-inspired luminism, coherent lineage details in calligraphic precision, precise Gelsculpt 64K, novelty architecture, trensegrety, triadic color scheme beige mauve green, linocut reference, dreamscape, traumacore 1.9, foampunk 1.4, captivating expression, softened 8,aquarelle extrusion, interplay of darkness and light, dynamic linocut details, close-up, overall composition by Didier Lourenço and James March Phillips
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+ Prompt:
Portrait by James March Phillips, hues of Overton Loyd, blotting, pen and ink, very detailed line-art, reminiscent of streamline_moderne, regenerative design, textile fabric, cel-shaded, dethereal, stylized geometrical patterns, hallucinatory, stylized lineage illustration 1.5, 3d effects, raytraced shadows 1.8, parallax occlusion 1.2, ambient occlusion 1.5, anisotropic filtering 1.7, luminism, precise Gelsculpt 64K, op art, swirl, patterns, wispy filaments, subtle coloring, romantic abstraction by Frank Frazetta, cottagegore elements, sculpted, cel-shaded illustration, octane render, inkpunk 1.2, luminism, coherent lineage details in calligraphic precision, precise Gelsculpt 64K, novelty architecture, trensegrety, triadic color scheme beige mauve green, linocut,dreamscape, traumacore 1.9, foampunk 1.4, captivating expression, softened 8,aquarelle extrusion, interplay of darkness and light, dynamic linocut details, close-up, overall composition by Didier Lourenço and James March Phillips
Artist
