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ArtistA mixed-media, digital portrait, rendered in a surreal and serene style that blends the whimsical, decorative elegance of Florine Stettheimer with the raw, biomorphic abstraction of Arshile Gorky. The composition is asymmetrical, built like a collage in the spirit of Robert Rauschenberg. The central figure is "Semolina Pilchard," depicted not as a fish, but as a graceful, androgynous form with skin of iridescent, pearlescent scales, climbing a lattice that merges the Eiffel Tower with twisting, organic tendrils. An "Elementary penguin," stylized with the magical realism of Odilon Redon, chants silently ("singing Hare Krishna"), its form integrated into the background like a symbolic glyph. The scene of "them kicking Edgar Allen Poe" is abstracted into a dynamic, swirling vortex of frantic ink strokes and distressed textures reminiscent of Wangechi Mutu, suggesting chaotic revelry rather than literal violence. The palette is both delicate and dissonant: Stettheimer's pinks and golds clash with Gorky's burnt umbers and sour greens. Flecks of metallic leaf and washes of translucent color float like a DMT puff, creating layers of depth. The overall mood is one of serene absurdity a Nobel Prize Winner in a dream logic where each lyric becomes a visual symbol in a beautifully unbalanced, psychologically charged tableau.
Two elegant women in vintage dresses sit at a round table, enjoying drinks. One wears a blue dress with lace, and the other a polka-dot dress, both adorned with large hats and pearls.