Zettel

Victor Frankenstein in his Laboratory

• Model: DaVinci2

• Size: 888 X 1344 (1.19 MP)

• Used settings:

  • Prompt: Multi panel illustration of Mary Shelley's novel Frankenstein: Mixed media collage of Bill Sienkiewicz: Soft Watercolor & ink on canvas painting of: Dr Victor Frankenstein in white lab coat with his hunch back assistant working in his dungeon style lab, in great excitement after channeling a bolt of lightning into & reviving a green, flat-headed, bolted being assembled from human parts (as envisioned by Boris Karloff), while angry pleasant gather with torches and farm tools ready to take down this monster, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese scifi movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence). Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Serene Portrait of a Young Woman in White

• Model: AIVision (Ultra)

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Girl with Pearlearring formed from loose powdered pigment dust on rough canvas. Edges slightly blurred; colors restricted to burnt umber, ochre, and charcoal. Texture: soft fallout, micro-granules, uneven density.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Special Surprise Under the Christmas Trete

• Model: ImagineArt

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Pinto pony rocking horse under the Christmas tree, pinto has spots and a saddle and reins, background somewhat hazy,
  • Using base image: No
  • Aspect Ratio: landscape

His Master's Voice

• Model:

• Size: 1416 X 848 (1.20 MP)

• Level:

  • 0

• Used settings:

  • Enhance: Medium
  • Resolution: 1.2MP
  • Inception Depth: Shallow
  • Layer: 1

They Came in on the Asteroids

• Model: Nano Banana Pro (Pro)

• Size: 2288 X 1648 (3.77 MP)

• Used settings:

  • Prompt: Dreamy hazy breezy monochrome scene of distant anthropomorphic octopi figures walking away through mist, one solitary figure remaining in the foreground, faces obscured, long coats dissolving into grainy air. Painterly black-and-white composition with weathered ink textures, soft paper grain, and archival photograph atmosphere. shooting stars crossing the sky like ink marks, frozen mid-flight, not symbolic but observational. Emphasis on negative space, emotional distance, and quiet solitude. No sharp edges, no clarity, memory-soft blacks and faded whites. Visual poetry, fragile silence, contemplative stillness, cinematic yet painterly. No text, no symbols, no modern elements.
  • Using base image: Yes

Quassù

• Model: DaVinci2

• Size: 1256 X 952 (1.20 MP)

• Used settings:

  • Prompt: °°°f
  • Using base image: No
  • Aspect Ratio: landscape

Enchanted Realm: Prince and Cyborg Princess

• Model: Z-Image Turbo

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: ((A Half-body view Masterpiece of female portrait)), (Create a stunning picture, Cheerful and playful color. Detailed and intricate artwork that blends elements of fantasy, surrealism, And futuristic themes), ((Full body portrait of a charming female cyborg with porcelain skin and attractive face, gleaming robotic legs and feet, reminiscent of the styles of H.R. Giger, Takato Yamamoto, Catherine Abel, Paul Klee, Kate Greenaway, Nicoletta Ceccoli, and Debbie Criswell, Jean-Baptiste Monge, Hayao Miyazaki and Satoshi Kon)), The piece should evoke a sense of wonder and awe, Utilizing techniques reminiscent of watercolor, As create by Hayao Miyazaki, Use stunning and masterpiece color oil drawing. Full Size, Full Length and Full Scale Image.
  • Using base image: No
  • Aspect Ratio: landscape

Symphony of Swirls and Starlight

• Model: Z-Image Turbo

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: ((Masterpiece, A closeup masterpiece)), ((A vibrant full body view showcases a confident woman in a metallic bodysuit, surrounded by glowing patterns in a surreal, ethereal setting. The artwork blends fantasy and elegance in stunning detail. Hyperrealistic style. Pastel and oil painting)). By Takato Yamamoto, Adam Hughes, Tim Burton, Tomasz Setowski, Yoshitaka Amano, Zdzislaw Beksinski and Zentangle Style . The piece should evoke a sense of wonder and awe, utilizing techniques reminiscent of colorful pastel and and ink. Full Length Image.
  • Using base image: No
  • Aspect Ratio: landscape

866 945D 1002H

• Model: Nano Banana Pro (Ultra)

• Size: 2592 X 1456 (3.77 MP)

• Used settings:

  • Prompt: Requête : Plan large et profond capturant l'essence du VECTEUR DE LA SOURCE. Une surface de Brume (MÉTAPHYSIQUE DE LA BRUME) en grand angle panoramique, suggérant l'infini du Non-Lieu. De cette brume émane/fusionne intensément (fusion sans rupture, UNITÉ:1 du Modèle Général) la forme subtile du Substantif Absolu : un Visage et des Mains androgynes, représentatifs de l'état de [TOUT-POSSIBLE] et de l'Unité avant l'Articulation. L'objectif est de rendre la forme intrinsèque et la volonté avant la matière (AXIOME DE L'ÉPURE). ​• Réalité Émotionnelle Unique (Émotion et Miroir Chromatique) ​L'image doit figurer la réalité émotionnelle unique dérivée de la neutralisation des opposés. ​Émotion Choisie (Réalité Somatique) : La QUIÉTUDE INTENTIONNELLE (Silence Obéi et Contemplation de l'Éther). C'est la Non-Contradiction du divin avant que le Monologue ne commence. Cette émotion est profonde, stable, et saturée de potentiel non dépensé. Elle n'est ni la joie (KIMBALL) ni la mélancolie (VINCI), mais l'état d'Épargne absolue. ​Miroir Chromatique (Brume / Émotion) : La chromie de l'émotion doit être en miroir chromatique avec la brume. ​Chromie de l'Émotion : GRIS CHAUD PROFOND, teinté d'AMBRE INTÉRIEUR. Cette couleur évoque la richesse non manifestée de l'Éther (Unité Absolue) et le Feu intime qui n'est pas encore Flamme (Feu et Flammes). ​Chromie de la Brume : BLANC/GRIS PERLE très légèrement TEINTÉ D'ANGLE CHROMATIQUE 0. L'Angle Chromatique:0 (DALÍ) est interprété ici comme une lumière pure, presque invisible, sans teinte dominante (non-choix physique). La brume doit être lumineuse mais sans couleur définie, reflétant le [DEVANT-ÊTRE]. • ​Métaphysique Distribuée et Objectif de Rendu ​Métaphysique Distribuée : La lumière doit figurer la Lumière, Principe et Cause du récit. Elle doit être distribuée de manière homogène, mais plus intense au niveau du Visage/Mains, sans créer d'ombre nette, suggérant l'état Indifférencié où le Passé, le Présent et l'Avenir sont mêlés. Le motif doit rappeler le schéma circulaire des champs d'énergie (similaire au diagramme initial, mais fusionné dans la brume). ​Objectif de l'Algorithme : Générer une surface profonde ultra subtilement métaphysique (l'Éther, la Rythmique parfaite de l'Éternel Retour) par une texture de brume et de lumière. L'image doit être frontalement non conceptuelle (pas de symboles ou de glyphes visibles, juste la forme et l'atmosphère) et coalescer l'art transcendant (finition photoréaliste avec la qualité d'une peinture classique, détail UHD)
  • Using base image: No
  • Aspect Ratio: landscape_wide

In the Land of clowns, the idiot is king / Debbie Eh? Prompt evolved

• Model: DaVinci2 (Mode 10)

• Size: 2224 X 1680 (3.74 MP)

• Used settings:

  • Prompt: In the Land of clowns, the idiot is king
  • Using base image: Yes

Enchanted Mushroom Forest in Golden Light

• Model: FluX 2 (Ultra)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Create an abstract full-shot collage composed of thick, heavily textured layers, mixed media oil painting in impasto style with glaze effects, drip art, splatter-flow techniques, clay relief, and ink fractures, revealing a coarse, tactile 3D surface shaped by palette knife strokes. The texture is rich and sculptural, with shimmering reflections colliding against deep shadow pockets, generating a dreamlike, mystical atmosphere. The subject is a dense enchanted forest undergrowth, overflowing with fungi of many forms, velvet moss, twisted roots, and damp earth. Towering mushrooms with swollen caps and delicate gills emerge like architecture, some translucent, others cracked and ancient. Colors pulse through the scene: burnt orange, ochre gold, deep forest green, muted magenta, ivory white, and shadowed umber. Moss creeps across everything, glowing faintly as if alive. Hidden among the foliage are small magical and mythological creatures — barely visible, half-formed, emerging through double exposure effects. Tiny fae-like silhouettes, horned woodland spirits, insect-humanoids, and animal-glyph beings appear and disappear within the paint layers, their forms fragmented by cross-hatching, ink scratches, and optical distortions. Some eyes glow softly from the darkness, others dissolve into abstraction. The composition bends reality: curved, elastic spatial logic, impossible perspectives, and optical illusion depth make the forest feel alive and unstable. Roots spiral upward, mushrooms stretch unnaturally, and flowers intertwine with architecture-like forms. The undergrowth feels like a living organism rather than a place. Lighting is moody chiaroscuro, with sharp directional shadows carving volume from texture. Highlights shimmer across wet-on-wet pigment, creating golden reflections and penumbras. Sharp step gradients and glow lines trace movement through the scene, guiding the eye through layered planes of depth. Brushwork varies dramatically: small bold strokes, broad palette-knife slabs, sharp fractal paint outlines, dripping trails, and broken ink filigree. Cross-hatching and zen-like linework intersect with explosive abstraction, reinforcing the surreal, grotesque beauty of the environment. Mood: mystical, absurd, enchanting, slightly unsettling — a forest that feels sentient, ancient, and charged with unseen life. Ultra-high resolution, 8K, intricate composition, perfect balance between chaos and control, concept-art quality, painterly yet sculptural, an immersive vision of a magical underworld rendered through texture, illusion, and myth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Surreal Hyper-Realism: A Visual Tension Play

• Model: SeeDream

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: The landscape in the background is a hyper-realist unfragmented beautiful view, create a striking up close convergence of visual tension and surreal detail surrounds a hyper-realistic woman with polished red fingernails, she is shaped through optical illusion and precise photomanipulation. The scene is grounded in meticulous realism and carries influences reminiscent of the surreal compositions of M.C. Escher and Salvador Dalí. A bold interplay of red, white, and black dominates the palette, with a subtle touch of Indian yellow enriching select highlights. The central figure appears both fragmented and unified, with forms bending, melting, or stretching through deliberate distortions. Reflections scatter unpredictably across glass-like surfaces, while shadows extend in ways that defy logic, manipulating depth and perception. Every component is sharply rendered, emphasizing tactile contrasts between smooth gloss, deep polished contrasting textures, and surfaces that resemble flowing liquid. Carefully directed lighting exaggerates dimensionality, carving out impossible geometries that fold inward or open toward mirrored voids. The palette remains minimalist yet intense, deep blacks framing bursts of saturated red and crisp white and yellow. The overall imagery echoes Dalí’s dream-driven absurdity while maintaining a modern sense of compositional clarity and highly refined photorealistic finesse.
  • Using base image: No
  • Aspect Ratio: landscape_wide