Zebra404

Glowing Rose Portrait

• Model: AI Upscaler

• Size: 2160 X 3840 (8.29 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Neon Waters Portrait

• Model: Nano Banana 2 (Pro)

• Size: 1440 X 2592 (3.73 MP)

• Used settings:

  • Prompt: Combineer de krachtige driedimensionale volumewerking van Richard Corben met de schilderachtige kracht en dramatische vormbehandeling van Frank Frazetta. * Sculpturale airbrush-volumes, rijk geschilderde materialen en overtuigende anatomische vorm. * Verzadigde, diepe kleuren en subtiele, realistische huidtextuur. * Glanzende reflecties uitsluitend waar het materiaal en de lichtbron die rechtvaardigen. * GEEN contourlijnen, GEEN inktlijnen, GEEN arceringen. * Geen overdreven anatomie, geen groteske vervormingen en geen surrealistische elementen. De vormen moeten ontstaan door licht, kleur, reflecties en schaduw — niet door getekende omtreklijnen. 4. #LI — ABSOLUUT STRIKTE LICHTREGELS GEEN SAAI FRONTAAL LICHT. GEEN SOFTBOX. GEEN VLAKKE BEAUTYVERLICHTING. Gebruik uitgesproken, directionele chiaroscuroverlichting die de volledige figuur sculpturaal modelleert. Hoofdlicht: Een krachtige, gerichte cyaanblauwe lichtbron van opzij, iets boven ooghoogte en schuin ten opzichte van Jovanda. Het licht moet duidelijke lichtvlakken, kernschaduwen en vormovergangen creëren. Secundair licht: Een gecontroleerde magenta-rode lichtbron vanaf de tegenoverliggende zijde. Deze vormt niet alleen een gekleurde buitenrand, maar beïnvloedt daadwerkelijk de zichtbare oppervlakken en schaduwen van haar gezicht, huid en kleding.
  • Using base image: Yes

Vibrant Dual-Tone Portrait of a Woman

• Model: Nano Banana 2 (Pro)

• Size: 2144 X 3856 (8.27 MP)

• Used settings:

  • Prompt: Medium-strength chiaroscuro with dominant sculptural modeling, every form shaped by continuous tonal transitions from deep shadow to hot highlight in a blue red palette. Light caresses each surface with subtle warmth — skin, hair and fabric glowing under a warm key light while cool fill wraps the shadows. Skilled contrast between warm and cool makes wood, metal, glass and leather read distinctly, yet the whole scene stays richly airbrushed rather than photographic
  • Using base image: Yes

Mosaic Shark Rider of the Deep City

• Model: Nano Banana 2 (Pro)

• Size: 1440 X 2592 (3.73 MP)

• Used settings:

  • Prompt: Medium-strength chiaroscuro with dominant sculptural modeling, every form shaped by continuous tonal transitions from deep shadow to hot highlight in a blue-red palette. Light caresses each surface with subtle — skin, hair and fabric glowing under a cold key light while cool fill wraps the shadows. Skilled contrast between warm and cool makes wood, metal, glass and leather read distinctly, yet the whole scene stays richly airbrushed rather than photographic
  • Using base image: Yes

Monster Submarine Adventure

• Model: AI Upscaler

• Size: 2160 X 3824 (8.26 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Alien Chef Kitchen Chaos

• Model: AI Upscaler

• Size: 2160 X 3824 (8.26 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Neon Alien Arcade Chaos

• Model: AI Upscaler

• Size: 2160 X 3824 (8.26 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Medusa

• Model: SeeDance 1.5

• Size: 496 X 864 (0.43 MP)

• Used settings:

  • Mode:
  • Generated From: Image
  • Duration: 10 seconds

Mosaic Diver and Shark Ride

• Model: Nano Banana 2 (Pro)

• Size: 1424 X 2576 (3.67 MP)

• Used settings:

  • Prompt: Medium-strength chiaroscuro with dominant sculptural modeling, every form shaped by continuous tonal transitions from deep shadow to hot highlight in a blue-red palette. Light caresses each surface with subtle — skin, hair and fabric glowing under a cold key light while cool fill wraps the shadows. Skilled contrast between warm and cool makes wood, metal, glass and leather read distinctly, yet the whole scene stays richly airbrushed rather than photographic
  • Using base image: Yes

Neon Rain Alleyway Duo

• Model: Nano Banana 2 (Pro)

• Size: 1440 X 2592 (3.73 MP)

• Used settings:

  • Prompt: Use the supplied image as the primary visual reference. Recreate the same character, composition, materials and lighting architecture in a highly detailed, sculptural Corben-inspired pulp aesthetic. Use the standard native output resolution, vertical 9:16 aspect ratio. Do not upscale to 8MP. SUBJECT & COMPOSITION A stout, humanoid science-fiction robot standing upright, facing the viewer. Its entire body is assembled from irregular, individually articulated ceramic mosaic tiles in burnt orange, copper, amber, ochre, muted yellow, petrol blue, turquoise, dusty red and charcoal. Dark mechanical joints, segmented fingers, articulated wrists, reinforced knees and heavy rounded boots provide a convincing mechanical structure. Its head is a circular industrial diving-helmet-like mechanism with a brilliant yellow circular central lens, dark metal housing, side-mounted mechanical components and two short upward-pointing antennae. Behind the head is a large circular mosaic structure integrated into a wall of small, irregularly colored tiles. The robot stands on a wet, reflective tiled floor. Maintain the original frontal, full-body composition and the monumental, symmetrical arrangement. #LI — LIGHT ARCHITECTURE — HARD LOCK Lighting must be directional, chromatic, sculptural and physically motivated. Light sources must visibly shape the subject rather than merely illuminate the scene. * Primary source: intense, localized amber-orange light emitted by the circular structure behind the head and the robot’s central lens. The glow creates selective golden-orange highlights on nearby tile edges and metal surfaces, not uniform yellow illumination across the entire figure. * Secondary source: strong blue-cyan light from the left, producing clearly visible cool highlights along the left silhouette, shoulder, arm, individual mosaic tiles, fingers, knees and boots. * Tertiary source: saturated red-orange light from the right, creating localized warm edge illumination and selective reflections. * Shadows: deep, substantial, chromatically differentiated blue-black and near-black shadows between tiles, beneath armor plates, around joints and along the less illuminated side of the body. * Fill light restriction: NO conventional softbox lighting, NO ambient-light wash, NO global illumination that evenly fills the shadows. No automatic exposure compensation that neutralizes the colored lighting. Ambient fill must remain extremely weak, approximately 30% maximum relative to the dominant directional illumination, and preferably less where the composition allows. Preserve dark regions and let some material detail disappear naturally into shadow. The colored light sources must visibly alter the local colors of the materials. Cyan reflections should remain cyan, orange reflections orange and red reflections red. Do not neutralize these colors into a uniform brown, beige or yellow palette. #COR OVERDRIVE — SCULPTURAL PULP RENDERING Create an intensely sculptural, hand-rendered comic-book pulp aesthetic with dramatic chiaroscuro, continuous-tone airbrush modelling, rich color masses and tactile surface definition. The image must feel like an exceptionally finished, high-end science-fiction pulp illustration rather than a standard 3D render with a comic filter. Use bold tonal separation, deep sculptural shadows, carefully controlled luminous highlights, complex reflected co
  • Using base image: Yes

Mosaic Robot in Warm Neon Light

• Model: Nano Banana 2 (Pro)

• Size: 2144 X 3856 (8.27 MP)

• Used settings:

  • Prompt: Instruction: Use the supplied image as the primary visual reference. Recreate the same character, composition, materials and lighting architecture in a highly detailed, sculptural Corben-inspired pulp aesthetic. Use the standard native output resolution, vertical 9:16 aspect ratio. Do not upscale to 8MP. SUBJECT & COMPOSITION A stout, humanoid science-fiction robot standing upright, facing the viewer. Its entire body is assembled from irregular, individually articulated ceramic mosaic tiles in burnt orange, copper, amber, ochre, muted yellow, petrol blue, turquoise, dusty red and charcoal. Dark mechanical joints, segmented fingers, articulated wrists, reinforced knees and heavy rounded boots provide a convincing mechanical structure. Its head is a circular industrial diving-helmet-like mechanism with a brilliant yellow circular central lens, dark metal housing, side-mounted mechanical components and two short upward-pointing antennae. Behind the head is a large circular mosaic structure integrated into a wall of small, irregularly colored tiles. The robot stands on a wet, reflective tiled floor. Maintain the original frontal, full-body composition and the monumental, symmetrical arrangement. #LI — LIGHT ARCHITECTURE — HARD LOCK Lighting must be directional, chromatic, sculptural and physically motivated. Light sources must visibly shape the subject rather than merely illuminate the scene. * Primary source: intense, localized amber-orange light emitted by the circular structure behind the head and the robot’s central lens. The glow creates selective golden-orange highlights on nearby tile edges and metal surfaces, not uniform yellow illumination across the entire figure. * Secondary source: strong blue-cyan light from the left, producing clearly visible cool highlights along the left silhouette, shoulder, arm, individual mosaic tiles, fingers, knees and boots. * Tertiary source: saturated red-orange light from the right, creating localized warm edge illumination and selective reflections. * Shadows: deep, substantial, chromatically differentiated blue-black and near-black shadows between tiles, beneath armor plates, around joints and along the less illuminated side of the body. * Fill light restriction: NO conventional softbox lighting, NO ambient-light wash, NO global illumination that evenly fills the shadows. No automatic exposure compensation that neutralizes the colored lighting. Ambient fill must remain extremely weak, approximately 30% maximum relative to the dominant directional illumination, and preferably less where the composition allows. Preserve dark regions and let some material detail disappear naturally into shadow. The colored light sources must visibly alter the local colors of the materials. Cyan reflections should remain cyan, orange reflections orange and red reflections red. Do not neutralize these colors into a uniform brown, beige or yellow palette. #COR OVERDRIVE — SCULPTURAL PULP RENDERING Create an intensely sculptural, hand-rendered comic-book pulp aesthetic with dramatic chiaroscuro, continuous-tone airbrush modelling, rich color masses and tactile surface definition. The image must feel like an exceptionally finished, high-end science-fiction pulp illustration rather than a standard 3D render with a comic filter. Use bold tonal separation, deep sculptural shadows, carefully controlled luminous highlights, complex reflected co
  • Using base image: Yes

Neon Calm in the Cyber City

• Model: AI Upscaler

• Size: 2160 X 3840 (8.29 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes