Prompt: Full screen, sunlit, sharp-focus, macro-view large watercolor of three freshly picked, purplish-red kohlrabi plants lying on a potting bench covered with a red-and-white checkered wax cloth. The roots of the kohlrabi have some soil clinging to them, and the purplish-green, perfect leaves of the kohlrabi are spread out behind the kohlrabi bulbs. The potting bench stands before a weatherd, horizontally slatted wooden toolshed. The nostalgic gardening still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The toolshed wall is full of spots and splotches and is rendered in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sunlit, sharp-focus, macro-view closeup of a few rambutan fruits, large watercolor of the dark red rambutans lying on a dark green, intricately patterned serpentine stone kitchen counter, with a single rambutan opened to show the white interior. countertop. The expressionistic still life with its almost carelessly arranged fruits is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The wall behind the arrangement is rendered in shades of green with an irregular, small pattern full of spots and splotches, painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sunlit, sharp-focus, macro-view, extreme closeup of a very small, ornately etched silver dish filled a few cucamelons. Some of the tiny, green-patterned cucamelons have spilled outside the bowl, one is cut in half to show the light-green seeds and pulp in the interior. The dish of cucamelons sits on a smooth wooden cutting board along with a green-handled, small kitchen knife. The expressionistic still life with its almost carelessly arranged fruits is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The wall behind the arrangement is rendered in shades of pink, silver and green with an irregular, small pattern almost like knitware, and is painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, backlit, sharp-focus, macro-view, extreme frontal closeup of a dripping-wet white enamel colander filled with dark-green, fresh spinach leaves. The colander sits on the ledge of a kitchen sink to drip-ry and is sunlit from the back, with the light streaming through an old-fashioned French window with a garden view. The spinash leaves have light-green and golden edges where the sunlight illuminates them, and the colander is darkish-white in the front where the light does not reach. The expressionistic kitchen still life shows a moment in praparation of food, and is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The French window and the garden outside are rendered in shades of white, green and golden-yellow and are painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sunlit, sharp-focus, macro-view closeup of a handmade Portuguese ceramic bowl filled with roasted pistachos in the shell. The bowl is sitting on a green agate stone-veneered bar counter lit from the inside to show the intircate circular patterns of the agate. Next to the bowl stands a tall-stemmed wine glass half-full of a fine, heavy, burgundy-colored red wine. The atmospheric ambience of the still life with its sparse bowl and wine glass is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The wall behind the arrangement shows shelves of various bottles of spirits, brandies, wines, whiskies, and bar utensils. It is rendered in bokeh manner, witht he bottles creating a barely recognizable background pattern full of spots and splotches, painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, macro-view, side-lit, extreme close-up of several deep-red, shiny, sweet Italian peppers and a bunch of fresh scallions. The vegetables are sitting on a large maplewood cutting board next to one valuable, pearl-handled, sharp Japanese damast steel vegetable knife. No other utensils are included in the tableau. Behind the vegetable still life stands a large, empty frying pan on a professional gas cooking range with a reflective steel backsplash. The focus of the image is on the vegetables and the kitchen utensils, which are deftly rendered in diaphanous, ornate, painstaking, wet-on-wet watercolor with pen-and-ink emphasis and outlines. The background is rendered in alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view, close-up watercolor of a bunch of healthy, dark-purple, large-leaved basil in a mason jar with some water. The jar is standing on a kitchen counter along with a hunk of pecorino cheese, a head of pink garlic, and a small jar of pine nuts as well as a flask of golden-green virgin olive oil. The culinary still life is lit from above and stands in front of a dark-pink, floral-patterned kitchen wall with a linen finish and very tiny floral elements. The background is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the mason jar, the basil, the cheese and the olive oil flask are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with some details highlighted in pen-and-ink. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, front-lit, sharp-focus, macro-view closeup of an outstandingly valuable, shiny cloisonnée bowl with an intricate pink-blue floral and paisley pattern with gold-inlay curlicues. The bowl is filled with magnificent, dark-pink raspberries and scarlet-red strawberries and a few plump, deep blue-purple blueberries. The bowl is sitting on a mahagony sideboard in front of a wall hung with dozens of impressionistic paintings. The atmospheric ambience of the living room still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The wall behind the arrangement is rendered in bokeh manner, creating an even more impressionistic aspect in the paintings on the dark magenta-colored wall, which is painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, macro-view, side-lit, extreme close-up of several dark-and-light green, fresh Brussels sprouts on an oakwood chopping board along with a small, wooden-handled vegetable knife. The sparse culinary still life is strongly focused and deftly rendered in diaphanous, ornate, painstaking, wet-on-wet watercolor with pen-and-ink emphasis and outlines. The suggested dark-green kitchen background is rendered in alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, front-lit, sharp-focus, macro-view closeup of a small, simple, shallow, brown wicker basket filled with dried dates, dried figs and dried California raisins as well as cashews and hazelnuts. The basket stands on a pink-and-red cotton pepita-patterned tablecloth on a sideboard in front of a wall with a valuable tapestry with a landscape motif reminiscent of a painting by Jean-Honoré Fragonard. The atmospheric ambience of the still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details of the dried fruits and nuts as well as the wicker basket partly emphasized with pen-and-ink. The wall behind the arrangement is rendered in bokeh manner, creating an airy, impressionistic aspect of the tapestry, which is painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
eat your veggies - garlic: healthy, but don't get too close to me!
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full screen, front-lit, sharp-focus, macro-view closeup of a tightly braided heads of pink garlic lying on a rough, wooden potter's bench along with a pair of small, sharp garden shears. The bench stands in front of a green-painted metal toolshed, and the sun is shining on the tableau. The atmospheric ambience of the still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details of the garlic braid as well as the garden shears standing out in full detail, almost like in an etching. The shed behind the arrangement is rendered in bokeh manner, creating an airy, impressionistic aspect painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
eat your veggies - Delft-patterned pumpkin and chestnuts
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full screen, sunlit, sharp-focus, macro-view closeup of a large, blue-and-white patterned, precious delft porcelain platter with a landscape pattern. The platter lies on an intricately patterned, colorful jacquard tablecloth. The table stands against a simple, rough, whitewashed wall whose spots and bumps stand out in the sunlight streaming in. On the platter lies a halved Hokkaido pumpkin, showing the seeds and the bright orange-yellow flesh. A few chestnuts lie around the pumpkin display. The elegant, timeless atmospheric ambience of the still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details of the tablecloth, platter, pumpkin and chestnuts standing out in full detail, almost like in an etching. The wall behind the arrangement is rendered in an airy, impressionistic manner, painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the manner of accomplished contemporary and historical artists like Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: They say you're letting paper boats down the river, on each of them is written: "I'm waiting, but you're not here!"
Watercolour painting, pen and ink, realistic, dark fantasy, very detailed, eerie atmosphere.
Prompt: Somewhere in this world there’s a field where we all play—the secret’s in your eyes; Beautiful woman long on a field, Surrealism, the Hanging Gardens of Semiramis, Random + Asymmetrical composition, multi-layered three-dimensional drawing, incredible weightlessness, In the style of Valerie Hegarty, by Botticelli, Alessandro
Prompt: Dreamy muted dark purple rainy autumn scene, a woman in an indigo purple raincoat and umbrella, walking in the rain, rain rain rain, golden raindrops like tears from the sky, rain drops dancing in the air, raindrops dangling on a solitary crimson leaf, rain drops and falling leaves, gentle wind movement, branch swaying, golden sunlight filtering through leaves, warm hues of purple, red, orange, peaceful and serene atmosphere, nature-inspired watercolour painting, hazy breezy dreamy intuitive style, soft and warm lighting, capturing the essence of fall beauty.
Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, EmmAI autumnal colour palette, melancholy composition, minimalist, impressionist, with no text, no artifacts.
Prompt: On the bank of a river, among quiet trees, a woman sits on an old wooden platform. The water flows lazily, reflecting the silver rays of the setting sun. In one hand she holds an open book and with the other she gently brushes its pages, as if sensing the stories written on them. In a light white dress, with her hair blown by the gentle breeze, she looks completely submerged in the world of letters, cut off from reality. A basket of flowers lies beside her, and the silence around her emphasises the calm and concentration of the moment.
Prompt: Sunlight filters through,
Woman's hand, a rose caressed,
Moments held in bloom.
Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, EmmAI autumnal colour palette, melancholy composition, minimalist, impressionist, with no text.
Prompt: It's raining on a twilight Autumnal meadow, a delicate yellow orange butterfly perches on a small soaking wet fragile purple wildflower swaying in the strong wind, raindrops like tears from the sky on its iridescent wings reflecting a spectrum of colours, set against a soft, dreamy background of muted hues. Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, EmmAI autumnal colour palette, melancholy composition, minimalist, impressionist, with no text.
Prompt: Summer is fading! Create a mixed media, collage style drawing, stamping, threshold, image featuring a stylized female profile with monochromatic sepia tones. The subject has alabaster skin, full closed eyelids with dark eyeshadow, defined eyebrows, and full, dark lips slightly parted. The hair is not visible, giving way to a floral motif that merges with her form. A realistic rose is positioned over her ear, amidst a backdrop of sepia-toned leaves and blooms that resemble hydrangeas or peonies, creating a harmonious blend with her silhouette. The flowers and leaves are intricately detailed, displaying varying shades of sepia, from deep espresso to a lighter tan. The background transitions softly from a lighter tan on the left to a deeper sepia on the right, forming a vignette effect around the subject. The overall composition evokes an art nouveau aesthetic with a blend of floral and human elements, resulting in an elegant, organic, and ethereal image.
Prompt: Impasto in impressionist style with bold traces of paint. A bob-cut mother reads a book to her child in the study of a Parisian apartment bathed in the gentle light of the setting sun. Heavy carpets, heavy Art Nouveau wooden furniture. The whole composition is in warm tones and delicate lines. Abstract cubism.
Prompt: A masterpiece. Window. There are transparent curtains on the windows. There is a table by the window, covered with a lace tablecloth. There is a vase with a bouquet of autumn leaves on the table, next to the vase is a porcelain cup with steaming tea. Very beautiful. The autumn landscape is visible outside the window. The most beautiful painting in the world.
Prompt: A single fragile silky spider thread
Caught a lonely young golden fallen leaf
Autumn breeze in misty sun
Crying for a young life lost.
Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, EmmAI autumnal colour palette, melancholy composition, minimalist, impressionist, with no text, no artifacts.
Prompt: Full-screen, macro-view, extreme close-up of a few sugar snap pea vines bearing many sugar snap pea pods, growing in moist, loamy, sandy soil, ready to harvest. Next to the vines sits a shallow, meidum-blue plastic bowl filled with freshly picked sugar snap pea pods. The sunlit sugar snap pea vines have various shades of medium to light green. The focus of the image is on the plants and the bowl. Behind the plants and bowl, we see a blurry and verdant background suggesting a vegetable patch. Bottom-up, close-up view. The full-screen view shows the plants deftly rendered in diaphanous, ornate, painstaking, wet-on-wet watercolor. The background is rendered in floppy alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: A woman with pale long windswept hair in a white dress stands amidst a field of white flowers, giving a serene, ethereal vibe. Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, EmmAI autumnal colour palette, melancholy composition, minimalist, impressionist, with no text, no artifacts.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
