Prompt: A wide angle establishing shot of a painterly surrealistic Memphis style composition painting by Jean-Baptiste Monge when pink elephants dance the swan lake ballet between a sea of swirling clouds in a dancing like aesthetic motion, a beautiful pink sky, where the laws of physics and perspective are playfully distorted and all dispersed light is subsurface scattered subliminally, include floating geometric shapes, ethereal textures, and fluid, organic forms that seem to defy gravity. The scene should evoke a sense of whimsy and imagination, where traditional boundaries are blurred, and the abstract forms tell a story that is open to interpretation. The coral and pink hues should be used to highlight key elements of the composition, adding depth and vibrancy to the abstract grandeur with a dominant color palette of coral and pink, creating a dreamy, surreal atmosphere, Everything beautiful and clear, rich in detail, realistic, movie-grade picture, masterpiece, epic picture, picture tone harmonyIt's clean, it's choppy, it's lonely, sharp focus, splashscreen, by Pascal Blanche Rutkowski Repin ArtStation hyperrealism painting concept art of detailed character design matte painting, 4 k resolution Blade Runner
Prompt: A surrealistic composition painting by Jean-Baptiste Monge style showing pink elephants dance the swan lake ballet between a sea of swirling puffs in a dancing like aesthetic motion, a beautiful pink sky, where the laws of physics and perspective are playfully distorted and all dispersed light is subsurface scattered subliminally, include floating geometric shapes, ethereal textures, and fluid, organic forms that seem to defy gravity. The scene should evoke a sense of whimsy and imagination, where traditional boundaries are blurred, and the abstract forms tell a story that is open to interpretation. The coral and pink hues should be used to highlight key elements of the composition, adding depth and vibrancy to the abstract grandeur with a dominant color palette of coral and pink, creating a dreamy, surreal atmosphere, Everything beautiful and clear, rich in detail, realistic, movie-grade picture, masterpiece, epic picture, picture tone harmonyIt's clean, it's choppy, it's lonely, sharp focus, splashscreen, by Pascal Blanche Rutkowski Repin ArtStation hyperrealism painting concept art of detailed character design matte painting, 4 k resolution Blade Runner
Prompt: By a fully dynamic by Petrus Cristus, shattered and broken all shards still reflected through the looking glass Painting by Anato Finnstark, a beautiful pink sky and overwhelming contrasting colors, where the laws of physics and perspective are playfully distorted by Escher and all dispersed light is subsurface scattered subliminally
Prompt: By a surrealist, flamingo a game a mallet and croquette game with flamingos when broken and looked through the looking glass by Petrus Cristus and Tomi Ungerer, a beautiful pink sky, where the laws of physics and perspective are playfully distorted and all dispersed light is subsurface scattered subliminally
Prompt: By a surrealist, flamingo a game a mallet and croquette game with flamingos when broken and looked through the looking glass by Petrus Cristus and Tomi Ungerer, a beautiful pink sky, where the laws of physics and perspective are playfully distorted and all dispersed light is subsurface scattered subliminally
Prompt: A Jean-Baptiste Monge painterly style pink elephant dance the swan lake ballet surrealistic composition between a sea of swirling puffs in a dancing like aesthetic motion, a beautiful pink sky, where the laws of physics and perspective are playfully distorted and all dispersed light is subsurface scattered subliminally, include floating geometric shapes, ethereal textures, and fluid, organic forms that seem to defy gravity. The scene should evoke a sense of whimsy and imagination, where traditional boundaries are blurred, and the abstract forms tell a story that is open to interpretation. The coral and pink hues should be used to highlight key elements of the composition, adding depth and vibrancy to the abstract grandeur with a dominant color palette of coral and pink, creating a dreamy, surreal atmosphere, Everything beautiful and clear, rich in detail, realistic, movie-grade picture, masterpiece, epic picture, picture tone harmony, sharp focus, splash screen, by Pascal Blanche Rutkowski hyperrealism painting concept art of detailed character design matte painting, 4 k resolution
Prompt: By a fully dynamic by Petrus Cristus, shattered and broken all shards still reflected through the looking glass Painting by Anato Finnstark, a beautiful pink sky and overwhelming contrasting colors, where the laws of physics and perspective are playfully distorted by Escher and all dispersed light is subsurface scattered subliminally
Prompt: By a fully dynamic by Petrus Cristus, shattered and broken all shards still reflected through the looking glass Painting by Anato Finnstark, a beautiful pink sky and overwhelming contrasting colors, where the laws of physics and perspective are playfully distorted by Escher and all dispersed light is subsurface scattered subliminally
Prompt: By a fully dynamic by Petrus Cristus, shattered and broken all shards still reflected through the looking glass Painting by Anato Finnstark, a beautiful pink sky and overwhelming contrasting colors, where the laws of physics and perspective are playfully distorted by Escher and all dispersed light is subsurface scattered subliminally
Mystical Crystal Mountainscape Through a Broken Shard
Model:
Photonic
Size:
1152 X 896
(1.03 MP)
Used settings:
Prompt: By a fully dynamic by Petrus Cristus, shattered and broken all shards still reflected through the looking glass Painting by Anato Finnstark, a beautiful pink sky and overwhelming contrasting colors, where the laws of physics and perspective are playfully distorted by Escher and all dispersed light is subsurface scattered subliminally
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A Caravaggio style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: A Caravaggio style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: Jean-Baptiste Monge style panoramic view of 12 children sitting on a long table all looking at the one in the middle lifting his lifting a glass of grape juice to the air, Influenced by the last supper painting by Leonardo da Vinci, Divine light coming from behind, caustics from the glasses, fleshy youthful skin on the children, extreme attention to detail, Sfumato and glazing, perfect composition, perfect light and shadow play
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental panoramic fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: Portrait beautiful young blonde woman sensual short hair, red lips, by Gerald Scarfe, ink and wash style of Erica Hopper. Background hachura lines cubism abstract
Prompt: Beautiful woman very sensual gray eyes similar to Uma Thurman. Style Arthur Rackham, thomas wells schaller, Jacek Yerka. Background polygonal art colourful
Prompt: beautiful woman, full brown skin 25 years old, very sensual, charming, elegant, perfect body, perfect legs, perfect ass, plenty of hair wearing a sexy black lace bodice. line art in the style of Aubrey Beardsley and watercolor in the style of Thomas Wells Schaller. Background mosaic lovely woman, textured speedpaint with large brush strokes and paint splatter, by Jeremy Mann, Pino Daeni, Alex Maleev, Liz Gael,
Prompt: Portrait beautiful woman white skin brown light hair wearing glasses abstract cubism drawing. Style M. C. Escher and Wassily Kandinsky and Kazimir Malevich
Prompt: High quality, highly detailed attractive woman illustration of beautiful girl portrait, tattoos, colorful clothes, fire and smoke, light background, by Albert Eckhout Sticker of a full body photo of a beautiful woman, highly detailed beautiful face, freedom, soul, digital illustration, approaching perfection, dynamic, highly detailed, watercolor painting, art station, concept art, soft, sharp focus, illustration in the style of artists such as Russ Mills, Sakimichan, Wlop, Loish, Artgerm , Darek Zabrocki and Jean -Baptiste Monge, dark boke, dark back
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
