Prompt: An appealing three-colors 2D duotone illustration book cover. The illustration depicts a romantic young couple at a chic beach bar. The illustration is an appealing, stylized three-colors 2D duotone.
Prompt: An ostrich egg with a miniature Renaissance art masterpiece painted on its surface, museum display, below eye level, medium distance from viewer.
Prompt: Porcelain figurine of Sgt. Pepper Paul McCartney as a Dresden porcelain figurine, full length, museum display, colorful, gleaming, museum lighting.
Prompt: An enigmatic and fluid character with no defined hair, but instead a flowing aura of vibrant colors. Her eyes are abstract shapes that seem to change and shift. She wears a minimalist outfit made of translucent materials that blend seamlessly with her surroundings. She is positioned in an abstract digital environment where shapes and colors shift and swirl dynamically, with no clear reference point. Her expression is elusive and mysterious, embodying the essence of abstract art. The overall feeling is enigmatic, chaotic, and full of visual fluidity.
Prompt: She gets up and pours herself a strong one
And stares out at the stars up in the sky
Another night, it's gonna be a long one
She draws the shade and hangs her head to cry
She wonders how it ever got this crazy
She thinks about a boy she knew in school
Did she get tired or did she just get lazy?
She's so far gone, she feels just like a fool
Prompt: Hypothetical Oil Portrait: “Sir John Suckling’s Muse” (c. 1638) Medium and style: A three-quarter length portrait in the manner of William Dobson or a slightly earlier Van Dyck follower — rich, theatrical, with that luminous Cavalier glow.Subject: A young woman (approximately 20) standing in an open arcade or garden loggia at golden hour, just before sunset. She is caught in the act of turning toward the viewer with a half-suppressed laugh, as though Suckling has just whispered something outrageous in her ear. Appearance:
Hair: Loose cascades of bright golden-chestnut hair, lightly powdered with tiny pearls, a few curls escaping onto her bare shoulders. One long lock is being playfully twirled around her finger.
Complexion: The famous “red and white” — cheeks flushed rose-pink against creamy skin, a few deliberately placed beauty patches (a heart near the corner of her mouth, a crescent on the left cheekbone).
Eyes: Bright hazel, sparkling with mischief; one eyebrow arched in amused challenge.
Lips: Full, slightly parted in mid-laugh, coral-red.
Expression: Not the serene mask of a van Dyck court beauty, but alive — a knowing, conspiratorial smile that promises everything and commits to nothing. The look says, “I have heard that line before, sir, and I may let you win — but not yet.”Dress: A daringly low-cut gown of shimmering pale peach-pink silk satin (almost flesh-toned in certain lights), slashed sleeves revealing white linen chemises embroidered with tiny black silk love-knots. The bodice is laced loosely enough to suggest it could come undone with one determined tug. A single deep-red rose is tucked provocatively into the décolletage, half-crushed, petals already falling.Pose: Weight on the back foot, body slightly turned away, but head and shoulders twisted back toward the viewer — the classic “about to flee but hoping to be caught” posture. One hand rests lightly on a marble balustrade strewn with discarded gloves and a lute (Suckling’s props); the other hand is raised, palm outward in mock protest, fingers splayed as if to push away an imminent kiss.Background: Warm Roman sunset behind her — terracotta rooftops, cypress trees, a fountain catching the last light. On the balustrade, a half-empty bottle of wine and two overturned silver goblets glint beside a scattering of playing cards (the knave of hearts face-up). Lighting: Strong raking light from the left (the dying sun) catches the sheen of the silk, the pearls in her hair, and the dew of perspiration at her collarbone — that deliberate, almost scandalous Caroline glow that makes the skin look touchable.Overall effect: The portrait radiates heat, wit, and imminent surrender. It is the visual equivalent of Suckling’s most famous couplet:“She is pretty to walk with,
And witty to talk with,
And pleasant too to think on
When she is — in bed with one.”This is not a woman to be worshipped from afar; this is the woman Suckling wants to drink with, laugh with, and carry off before the candles burn low.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
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