Prompt: (Solo, full-length, Mature woman, older woman, cute 1950s chignon hairdo, wearing a gold colored sequined gown, standing on a small stage in a dark nightclub, full-length, illuminated by spotlight, singing into a vintage microphone on a stand, hands raised, elbow-length white gloves, soulful singing face, very curvy figure, realistic body,:1.3), (beautiful hands, perfect fingers:1.2), (gorgeous detailed face, perfect lips:1.3), (elbows back, unobscured chest, unobscured face, visible smile:1,3)
Prompt: hdr masterpiece, hyper realistic, ultra realistic, realism, lifelike, award winning photography, full length Digital photo of a young Korean woman standing in a sunny park wearing a blue blouse, blue beret, and white slacks with flared cuffs, legs embroidered with blue serpentine dragons, visible stitchery.
Prompt: hdr masterpiece, hyper realistic, ultra realistic, realism, lifelike, award winning photography, full length Digital photo of a young Korean woman standing in a sunny park wearing a blue blouse, blue beret, and white slacks with flared cuffs, legs embroidered with blue serpentine dragons, visible stitchery.
Prompt: 462 / 5 000
Oil painting and ink artistic style.
Elegant woman, front view, arching her body, wearing a strapless floral ball gown in bright colors (red, yellow, turquoise blue) picking up luggage at the airport. Her chest is highlighted with the bustier. She has red hair styled in an elaborate bun and wears dangling earrings. The background is a striking blue and gold floral damask pattern. Baroque, rococo style, opulence, bright colors, glamour.
Prompt: horror cubism Gustave Doré Greg Rutkowski the raven haired beauty picking up luggage at the airport. blood moon rising Sur un bateau. Primitive. Bad blood moon rising. Metallic pewter dress. Fever dream. Eldritch. Wild affect. Wild effect. Covenitch. Almost over the edge. Over her staff. Pure fever. Walking through the city streets. this has happened so many times.You'd think she would have learned by now. But hope springs eternal, and the young woman holds the key to an important mystery of love life, forgiveness, injury, redemption and healing. And is worthy of love. And now the woman is tired, feeling stupid and hungry; and wanting to eat her breakfast. And it's freezing outside. And just yesterday, you were hopefully clutching your gold box. And then failing to honor the promise of the gold box. But you dream of the scepter of filigreed silver and the promise of the doves.
Prompt: A striking Art Deco chair with a sculpted fan back and bold circular accents, paired with smooth wood tones and a sleek dark seat. A true statement piece blending elegance and artistic flair. Museum lighting.
Prompt: Arturo Toscanini standing at the base of a seaside cliff. He is facing the cliff. He is conducting a chorus of singing birds that are perched on the cliff face. The birds include puffins, guillemots, razorbills, and kittiwakes.
Prompt: Arturo Toscanini standing at the base of a seaside cliff. He is facing the cliff. He is conducting a chorus of singing birds that are perched on the cliff face. The birds include puffins, guillemots, razorbills, and kittiwakes.
Coral figurine of Greek myth of Daphne turning into a tree
Model:
Realismo
Size:
1920 X 1920
(3.69 MP)
Used settings:
Prompt: Figurine: Sculpture representing the Greek myth The Metamorphosis of Daphne. Italian School, Trapani, Sicily. Date: 17th century AD. Medium: Red coral figure with gilt copper mounts on a later wood base. This sculpture represents a brilliant intersection of biology, mythology and supreme craftsmanship specific to the city of Trapani in Sicily. During the 17th century. sculptor utilized the natural branching growth of the coral colony to represent the very moment Daphne transforms into a laurel tree to escape the god Apollo. Her fingers extend into the natural forks of the coral which are tipped with gilded copper leaves, blurring the line between the artwork and the raw material. Museum lighting and display.
Prompt: Sculptural stirrup‑spout vessel representing a mythological animal. Culture: Moche. Place of origin: northern coast of Peru, probably Trujillo region. Date: 1–800 AD. Medium: black ceramic with mother‑of‑pearl and a turquoise‑coloured stone (chrysocolla) inlay; the mythological animal is the lunar animal, also called the rampant feline. It combines a catlike body and fangs, the upright ears of a fox and the crested head of a bird; the tail and hair extend backward in serpent forms. Museum display and lighting.
Prompt: Sculptural stirrup‑spout vessel representing a mythological animal. Culture: Moche. Place of origin: northern coast of Peru, probably Trujillo region. Date: 1–800 AD. Medium: black ceramic with mother‑of‑pearl and a turquoise‑coloured stone (chrysocolla) inlay; the mythological animal is the lunar animal, also called the rampant feline. It combines a catlike body and fangs, the upright ears of a fox and the crested head of a bird; the tail and hair extend backward in serpent forms. Museum display and lighting.
Prompt: Hypothetical Oil Portrait: “Sir John Suckling’s Muse” (c. 1638) Medium and style: A three-quarter length portrait in the manner of William Dobson or a slightly earlier Van Dyck follower — rich, theatrical, with that luminous Cavalier glow.Subject: A young woman (approximately 20) standing in an open arcade or garden loggia at golden hour, just before sunset. She is caught in the act of turning toward the viewer with a half-suppressed laugh, as though Suckling has just whispered something outrageous in her ear. Appearance:
Hair: Loose cascades of bright golden-chestnut hair, lightly powdered with tiny pearls, a few curls escaping onto her bare shoulders. One long lock is being playfully twirled around her finger.
Complexion: The famous “red and white” — cheeks flushed rose-pink against creamy skin, a few deliberately placed beauty patches (a heart near the corner of her mouth, a crescent on the left cheekbone).
Eyes: Bright hazel, sparkling with mischief; one eyebrow arched in amused challenge.
Lips: Full, slightly parted in mid-laugh, coral-red.
Expression: Not the serene mask of a van Dyck court beauty, but alive — a knowing, conspiratorial smile that promises everything and commits to nothing. The look says, “I have heard that line before, sir, and I may let you win — but not yet.”Dress: A daringly low-cut gown of shimmering pale peach-pink silk satin (almost flesh-toned in certain lights), slashed sleeves revealing white linen chemises embroidered with tiny black silk love-knots. The bodice is laced loosely enough to suggest it could come undone with one determined tug. A single deep-red rose is tucked provocatively into the décolletage, half-crushed, petals already falling.Pose: Weight on the back foot, body slightly turned away, but head and shoulders twisted back toward the viewer — the classic “about to flee but hoping to be caught” posture. One hand rests lightly on a marble balustrade strewn with discarded gloves and a lute (Suckling’s props); the other hand is raised, palm outward in mock protest, fingers splayed as if to push away an imminent kiss.Background: Warm Roman sunset behind her — terracotta rooftops, cypress trees, a fountain catching the last light. On the balustrade, a half-empty bottle of wine and two overturned silver goblets glint beside a scattering of playing cards (the knave of hearts face-up). Lighting: Strong raking light from the left (the dying sun) catches the sheen of the silk, the pearls in her hair, and the dew of perspiration at her collarbone — that deliberate, almost scandalous Caroline glow that makes the skin look touchable.Overall effect: The portrait radiates heat, wit, and imminent surrender. It is the visual equivalent of Suckling’s most famous couplet:“She is pretty to walk with,
And witty to talk with,
And pleasant too to think on
When she is — in bed with one.”This is not a woman to be worshipped from afar; this is the woman Suckling wants to drink with, laugh with, and carry off before the candles burn low.
Prompt: A golden woman with long silver hair, fully clothed in a utilitarian spaceflight jumpsuit, stands in profile at the left of the image, picking up luggage at the airport. Her long hair streams out to the right in an unseen wind, twisting and turning in golden waves and coils. Although the woman's lips and nose are distinct, the rest of her head and body is fragmenting and stretching out behind her, elongating into long languorous metallic tendrils that weave in and out of each other. On the far right, the woman's hair and features have all blended into an incredible organic pattern of silver and gold whorls, spirals and waves. Overall, the image is a semi-abstract digital artwork, exploring the boundaries of purity, deconstruction and the beauty arises from chaos.
Prompt: A golden woman with long silver hair stands in profile at the left of the image, picking up luggage at the airport. Her long hair streams out to the right in an unseen wind, twisting and turning in golden waves and coils. Although the woman's lips and nose are distinct, the rest of her head and body is fragmenting and stretching out behind her, elongating into long languorous metallic tendrils that weave in and out of each other. On the far right, the woman's hair and features have all blended into an incredible organic pattern of silver and gold whorls, spirals and waves. Overall, the image is a semi-abstract digital artwork, exploring the boundaries of purity, deconstruction and the beauty arises from chaos.
Prompt: Mughal painting of Krishna and musicians in a royal garden, personifying a musical mode, Opaque watercolors on paper, delicate old illuminated manuscript illustration.
Prompt: Photograph of the vast interior of a large Victorian train station, wrought iron, art nouveau designs, long barrel vault ceiling with clerestories and roseate windows, Victorian people walking through the station, kiosks.
Prompt: 1900 full-length studio portrait of beautiful young Jewish woman, elegant attire, captivating intellectual gaze, 1905 beauty, delicate features, soft brushstrokes, big expressive eyes, delicate spectacles, intricate details, masterful use of light and shadow, subtle background, timeless beauty, oil on canvas, classic portraiture style, reminiscent of the old masters, Belle epoque mood, Artstation.
Prompt: A Mediterranean villa very prettily arranged; and the court, paved with porcelain tiles, shaded by fine trees, and refreshed by fountains and basins. Around it are light, airy, and elegant summer-saloons of uncommon size. The spacious apartment on the first floor is covered with a carpet with stripes of a burning colour. Low divans, some with cushions surrounded with gold, stand around the walls. A choice collection of lances and swords, enriched with silver and jewels, hang on one side of the apartment; and some antique, Venetian looking glasses, and two massive tables, complete the furniture of the room.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
