Prompt: Portrait of a dark skinned Martian with very short silver hair shaved into an extraordinarily fine and elaborate pattern, very fine arched silver eyebrows and deep set eyes are visible behind large eye protector goggles, she is wearing a complex breathing mask, tricolor in charcoal, rust red, and deep browns, background is an outpost colony on the surface of Mars; the emphasis is on the intricately precise pattern shaved onto her head
Prompt: i need a painting artwork as Pablo Picasso, Jan Vermeer, and Paul Klee would do in a moment of glory that Visually explores the following concept:
"All the freaky people make the beauty of the world"
Imagine it being displayed at the Louvre in Paris
Prompt: A humorous vintage American magazine illustration of exactly five young girls, approximately 8–11 years old, enthusiastically participating in a tug-of-war during an old-fashioned school field day. The girls form one lively diagonal line across the composition, gripping a thick rope that extends beyond the edge of the picture toward unseen opponents.
Each girl has a distinct, expressive, childlike reaction: one determined leader leaning far backward with gritted teeth, one laughing uncontrollably, one wide-eyed and startled, one struggling to keep her footing, and one falling backward onto the grass while still refusing to release the rope. Their poses should feel energetic, slightly exaggerated, and naturally interconnected, creating a clear visual story rather than a stiff group portrait.
Add one small mischievous terrier biting the the front of the group girl skirt and pulling enthusiastically in the wrong direction, creating an amusing complication. The dog should have an animated expression and a firmly braced stance.
Dress the girls in charming early-20th-century school-field-day clothing: simple cotton dresses, skirts, white blouses, pinafores, colorful hair ribbons, knee socks, and sturdy leather shoes. Use a varied but harmonious palette of muted navy blue, dusty red, pale yellow, soft green, faded pink, cream, and warm brown. Make the girls clearly look like children, with youthful proportions, rounder faces, smaller bodies, and innocent, playful expressions—not teenagers or adult women.
Create a wide 16:9 horizontal composition, but keep the arrangement intimate and uncluttered. Show all five girls clearly, with no duplicated figures, no additional children, no spectators, and no busy event scene. The rope and leaning bodies should create a strong sweeping diagonal movement through the image.
Use a mostly plain warm white or pale cream background, similar to an aged magazine page, with only a small amount of loosely painted grass and earth beneath the girls’ feet. Let the background fade softly into the white paper around the figures. Do not include a detailed landscape, crowd, buildings, trees, or large sky. A very small, faded field-day pennant may appear in one distant corner, but it should remain subtle and secondary.
Classic 1920s–1940s Saturday Evening Post illustration aesthetic, Norman Rockwell-inspired narrative realism, charming visual comedy, beautifully observed faces and hands, detailed hand-painted rendering, slightly exaggerated expressions, warm natural lighting, visible oil-paint brush texture, softly aged paper grain, nostalgic Americana atmosphere, polished magazine-cover quality.
Important constraints: exactly five girls and one dog; one rope; girls aged 8–11; no adults; no extra background people; mostly white background; full bodies visible; no cut legs; natural hands and limbs; clearly readable facial expressions; no modern clothing; no photorealistic photography; no text except an optional tiny background pennant; aspect ratio 16:9.
Prompt by Evan Maccabeus
Prompt: Style of Jaroslav Kukowski, Droste effect. The past is an interpretation. The future is on illusion. The world does not move through time as if it were a straight line, proceeding from the past to the future. Instead, time moves through and within us, in endless spirals. Eternity does not mean infinite time, but simply timelessness. If you want to experience eternal illumination, put the past and the future out of your mind and remain within the present moment.
Prompt: The Edible City
A city where everything can be eaten, shows houses built from bread with butter roofs, a park with broccoli trees, or spaghetti hanging as power lines. Stay-Puft Marshmallow Man with tangeriene dreams and Lucy in the marmalade skies with jelly beans.
To make this mundane world sublime,
take half a gram of phanerothyme.
To fathom Hell or soar angelic,
Just take a pinch of psychedelic.
(((One single image. No text in image at all)))
Prompt: Sophisticated surreal illustration - lizard lady with a lizard face and pigtails and a tail , very long legs in multicolored striped stockings and very high heels - she is drinking a tropical drink
Prompt: A vast, dreamlike watercolor painting inspired by ancient Mesoamerican mythology, rich in vibrant pigments — deep turquoise, obsidian black, gold, crimson, and jade green. The scene depicts the rebirth of the world after its collapse.
At the center, a colossal serpent-like primordial being (Cipactli) dissolves into landforms — its body transforming into mountains, rivers, and forests, painted in flowing watercolor textures. Its scales melt into continents, glowing with life.
To one side stands a powerful dark deity (Tezcatlipoca), partially shadowed, with one leg fading into cosmic smoke, symbolizing sacrifice and transformation. His presence distorts space like ink spreading in water.
Opposite him, a luminous, wind-like figure (Quetzalcoatl) descends into a deep, abstract underworld — a swirling ocean of colors and spirits. He carries glowing bones that radiate soft light, representing the origins of humanity. Around him, ghostly silhouettes of beings of different sizes emerge — small, large, varied forms — hinting at the diversity of life created from imperfect remnants.
Above them, a vast celestial realm opens — layered skies with symbolic suns, stars, and geometric patterns inspired by Aztec codices, painted as delicate watercolor glyphs. The heavens feel alive, observing.
The entire composition is fluid and organic, with paint bleeding and merging naturally, creating a sense of myth unfolding beyond time. No sharp realism — everything is slightly abstract, symbolic, and atmospheric.
Style: watercolor illustration, traditional pigment texture, soft edges, flowing gradients, mythological storytelling, Mesoamerican motifs, highly detailed yet dreamlike, balanced between chaos and harmony.
Prompt: A whimsical, forgotten statue of a child draped in vines, standing sentinel in a sun-dappled, misty forest clearing. Nostalgic, soft light filters through the leaves, highlighting dew drops on spiderwebs. The art style is a delicate ink wash painting, evoking a sense of gentle melancholy and fading memories.
Prompt: Victorian steampunk woman standing in a magnificent industrial city, wearing an elegant leather corset, brass goggles, mechanical jewelry, and a long Victorian coat. She is carefully examining an intricate brass clockwork communication device with glowing vacuum tubes, analog gauges, engraved metal panels, exposed gears, and delicate mechanical components. Small steam-powered flying automatons hover nearby. The background features towering clock towers, giant gears, floating airships, iron bridges, steam engines, cobblestone streets, Victorian architecture, warm golden sunset, cinematic lighting, volumetric light, steam, smoke, ultra detailed, photorealistic, masterpiece, highly detailed mechanical design, realistic textures, depth of field, 8K.
Prompt: A highly detailed, vertical-format art piece, rendered in a dark ink and charcoal style with a distressed texture, depicting the iconic silhouette of Batman. The composition is split, with the upper left dominated by a large, swirling flock of bats and the lower right featuring Batman. Batman stands on a rugged, dark, rocky outcrop that forms a diagonally rising cliff edge from the bottom right. This cliff face is heavily textured with dark, fragmented, brushstroke-like rock formations, interspersed with vibrant, fiery-red molten cracks and embers that glow intensely, suggesting a volcanic or hellish landscape beneath him. Batman's silhouette is sharply defined, in a classic pose, hunched and contemplative, facing away from the main flock towards the empty left space. He wears his horned cowl and a tattered, long cape that flows and dissolves at the edges into a chaotic shower of black ink splatters and shards, blending seamlessly with the texture of the cliff and the bats. The flock of countless bats in the upper left is dense and layered, with dozens of individual bat shapes in various sizes, creating depth and motion as they fly in a sweeping curve across the high-contrast, off-white and light-grey textured background. The bat shapes are also rendered in the same dark, inky, slightly abstract style. The texture of the entire piece is that of a hand-printed or painted work on textured paper, with visible brushstrokes, splatters, and imperfections, emphasizing the dark, gritty, and heroic atmosphere. The lighting is dramatic and moody, coming from the fiery glow beneath Batman, highlighting the edges of his silhouette and the cliff, while the bats remain dark forms against the pale background. The focus is sharp on Batman and the closest rocks, with the flock of bats maintaining a sense of scale and distance. The art style is evocative of a modern graphic novel cover or a detailed concept painting.
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Prompt: A professional-grade digital painting capturing a surreal cosmic landscape with the four seasons seamlessly interweaving. In the center, a luminous ancient Tree of Life with incandescent roots anchors the scene. It is encircled by a majestic cosmic Ouroboros, its scales of nebula and star dust symbolizing the eternal cycle. The left side bursts with hyper-detailed flora and sacred geometry (Flower of Life). A golden Sol Invictus sun illuminates vine-wrapped marble columns, with alchemical symbols deeply carved. The right side transitions into decaying amber leaves, swirling mist, and a pale silver triple moon over a frozen, crystalline land. Snow is made of intricate Eye of Providence fractals. The palette is a contrast of deep, dark obsidian/midnight blue and vibrant neon green, violet, and gold. The atmosphere is sacred and highly spiritual, every detail in sharp focus.
Prompt: Whimsical book illustration 2D. An abstract background with an old-lime texture; fill the entire screen with an image of an old wall in a dirty white colour, featuring golden-olive scuffs and scratches, with soft lighting; at the bottom of the wall, across the entire width, depict a narrow line representing a cobbled street. On the wall is vibrant graffiti depicting the African savannah: stylised, comical animals at a watering hole – giraffes, lions and hippos. The animals painted on the wall seem to come to life; with eyes and mouths wide open in astonishment, they stare at a lively, mischievous little girl of about six years old leaping out of the wall, dressed in a black-and-white Amazonian outfit, boots and a helmet, from under which long chestnut curls spill out. The girl is perched astride an African ostrich like a horsewoman, hugging the frightened ostrich around the neck, and they leap out onto the cobbled street in a high jump, creating a small breach in the wall – dust and bits of earth fly up, and water pours out from the graffiti painted on the wall. The scene is cheerful, magical realism, with elements of surrealism and expressionism. Style inspired by Lalone, Diego As, Gabriel Pacheco, Inge Shuster, Angelina Wrona, Bill Carman, and Jasmine Becket-Griffith. Textured art, rendered with acrylics, oil pastels, charcoal of varying textures, metallic pigments, and delicate gold and silver dust. Full-size image, no text, no watermarks.
Prompt: A tranquil cinematic landscape, ultra-wide 16:9 composition, serene mist-covered lake at blue hour transitioning into moonlit night, mirror-like water with flawless reflections, subtle atmospheric haze drifting just above the surface. Two small forested islets with completely different shapes: the left islet is low, rocky and sparse with elegant tall pines; the right islet is broader and gently sloping, covered with dense conifers of varying heights, creating a natural asymmetrical balance.
Foreground on the right features natural lakeside vegetation: soft reeds, low shrubs, wild grasses and smooth dark rocks, arranged organically without obstructing the view. Standing gracefully in the shallow water near the right shoreline is a solitary flamingo, positioned beside the foreground shrubs. The flamingo is slightly larger than life, clearly visible but perfectly integrated into the scene, illuminated by a delicate rim light from the moon. Its soft pink plumage is gently desaturated to harmonize with the overall palette while remaining the visual focal point. Perfect reflection of the flamingo in the still water.
Color palette inspired by a cinematic moonlit landscape: deep forest green (#112420), midnight green (#041212), smoky olive (#3A4636), muted sage (#515842), warm moonlit gold (#96895E), soft ivory highlights (#E7D7A5), subtle charcoal shadows (#1A1F1C). No bright blues, no saturated colors.
Large luminous full moon high in the sky, wrapped in a thin veil of translucent clouds, casting warm golden reflections across the calm lake. Soft volumetric moonlight, delicate atmospheric perspective, distant rolling mountains fading into mist, extremely peaceful mood, no people, no pier, no buildings, no boats, no birds other than the flamingo, no artificial lights, no distractions.
Hyper-detailed digital painting with cinematic realism, magical realism, painterly realism, ultra-fine brushwork, soft gradients, atmospheric depth, natural textures, pristine reflections, subtle glow, elegant composition, premium concept art, award-winning landscape, HDR lighting, 8K quality, ultra-high detail, immersive widescreen wallpaper, full screen 16:9.
Prompt: Goblin colonies established in a vast network of caverns and tunnels carved beneath a mountain or ancient ruins. Improvised yet functional architecture made of salvaged wood, rusted metal, rope, stone slabs, and makeshift structures. Unstable walkways, suspended platforms, rudimentary staircases, and makeshift bridges connecting different levels. Intense and varied activity: goblins sorting salvaged items, artisans repairing
Total cinematic photorealism, 8K live-action rendering. Realistic 35–50mm equivalent lens, natural depth of field. Highly detailed materials: raw, damp rock, weathered wood, cracked planks, rusted metal, frayed ropes, dirty and patched fabrics. Believable physical textures, suspended dust, stagnant smoke beneath the rocky canopy. Dense and chaotic yet functional atmosphere. No cartoon aesthetic, no fantasy illustration, no game engine rendering
Prompt: A surreal photorealistic coastal scene where the ocean is being painted by hand onto a wooden pier.
A vast wooden boardwalk stretches toward the horizon beneath a dramatic sky filled with large billowing clouds. The wooden planks continue uninterrupted all the way to the distant horizon, replacing what would normally be the sea.
A young woman sits barefoot on the wooden planks near the foreground, calmly painting the surface with a small paint roller. Beside her sits an open metal bucket filled with vivid deep-blue paint, along with a paintbrush lying on the deck. A pair of shoes has been removed and left nearby.
Everything the woman has already painted has transformed into a perfectly realistic ocean. The blue-painted wooden planks visually become the surface of deep water, while still subtly retaining the texture and direction of the wooden boards beneath the paint. The illusion creates the impression that the sea itself is being manufactured from the pier.
The unpainted portion of the boardwalk remains ordinary weathered gray wood. The transition between unfinished wood and completed ocean is clean and clearly visible, showing the progress of her work.
The horizon appears seamless, where the painted ocean naturally blends into the distant sea beneath the sky. Several seagulls fly overhead, behaving as though they are flying above a real body of water.
The woman works calmly and naturally, completely unconcerned by the impossible task. She appears to be performing an ordinary painting job.
Composition: wide-angle view with a low horizon, emphasizing the immense painted ocean and expansive sky. The woman occupies the lower left portion of the frame, while the painted blue surface dominates the composition and leads the eye toward the horizon.
Atmosphere: peaceful, contemplative, poetic, understated humor, dreamlike, visual paradox, impossible everyday reality.
Lighting: soft daylight beneath dramatic clouds, realistic reflections, gentle contrast, cinematic atmosphere.
Style: conceptual surreal photography, Erik Johansson-inspired visual illusion, photorealism, cinematic realism, editorial photography, fine-art photography, ultra-realistic textures.
Camera: full-frame DSLR, 35mm wide-angle lens, eye-level viewpoint, deep focus, HDR, ultra-high detail.
Color palette: monochrome gray wooden pier, vivid cobalt and ultramarine blue ocean, dramatic black-and-white sky with subtle warm highlights, muted natural tones.
Critical visual constraint: there is no actual ocean beneath the woman. The wooden pier extends continuously from the foreground to the horizon. The painted blue sections visually transform into the sea while preserving the visible texture and perspective of the wooden planks. The ocean is literally being created by applying blue paint to the deck.
Additional constraint: everything except the painted-ocean illusion remains completely realistic. The woman behaves as though painting an ocean onto a pier is an ordinary maintenance task. The visual impact comes entirely from presenting this impossible idea with complete photographic realism.
Negative prompt: real water beneath the pier, separate shoreline, flooded boardwalk, magical effects, fantasy elements, glowing paint, cartoon, painting, CGI, illustration, low resolution, text, watermark, logo.
Prompt: Creative Direction & Original Scene Design by jexiq q — cinematic poetic visual universe.
The Stolen Straw Hat
A warm Mediterranean afternoon in another open corner of the rustic farmyard, with the distant blue sea visible beyond old stone walls and olive trees. In the foreground, the playful young donkey has just stolen a wide straw hat and proudly holds it between its teeth, trotting away with its unexpected prize.
Our recognizable ginger-haired muse reaches toward the mischievous little donkey, laughing as she tries to get her hat back. Her ginger hair catches the warm sunlight as she moves through the grass. The mother donkey stands calmly behind them, watching the playful scene with quiet patience, as if this is certainly not the first time her young one has caused trouble.
Around them, the farmyard continues its natural rhythm: chickens wander near the old coop, geese move slowly through their own part of the yard, ducks gather near a shallow water trough, and the friendly farm dog rests in the shade. The familiar garden cat sits on a low stone wall, watching the entire game with complete indifference.
Beyond the old fencing, olive trees descend toward the distant blue sea. A small sprig of lavender grows beside the stone wall, our recurring signature motif.
Impasto gives tactile weight to the donkey's soft coat, the rough stone, dry grass, straw hat, weathered wood and sun-warmed earth. Palette Knife structure builds the playful movement between the girl and the young donkey, the layered farmyard and the open view toward the sea. Glazing creates warm Mediterranean light, soft shadows and luminous blue distance, bathing the ginger hair, donkey and straw hat in golden atmosphere. Fine Color Ink accents define individual ginger strands, the donkey's bright eyes and coat, straw fibers, cat whiskers, feathers, olive leaves, sea glints and the delicate lavender sprig.
Poetic cinematic realism, playful animal behavior, warm Mediterranean farmyard, mischievous young donkey stealing a straw hat, recognizable ginger-haired muse laughing and reaching for it, calm mother donkey, familiar garden cat, farm dog, chickens, geese and ducks, distant blue sea, recurring lavender signature, rich tactile painterly surface, cinematic fine-art composition, joyful visual storytelling.
Prompt: A ghostly, porcelain-skinned woman with a huge, oversized bow in her hair, wearing an elaborate Victorian-era dress with ruffled collar and puffed sleeves. She stands in a desolate, watery landscape filled with gnarled, bare trees and submerged debris. In the misty background, a dark, gothic city skyline with tall, spired buildings. The overall mood is somber and ethereal. Monochromatic, highly detailed digital painting in the style of Mark Ryden meets Tim Burton, volumetric lighting, dramatic shadows, muted tones, cinematic.
Prompt: Stained glass mosaic artwork depicting a fantastical, overgrown castle or manor house nestled within a lush, enchanted forest. The central panel features a detailed, multi-turreted stone castle with dark pointed roofs, set against a backdrop of dense green foliage and subtle, lighter green sky. The castle's architecture is classical with multiple windows and a prominent wooden door at its base. Surrounding this central image, and integrated into the overall composition, are numerous smaller stained glass panels. These panels showcase a vibrant array of wild flowers and botanical elements, including yellow poppies, purple and white blossoms, delicate green stems, and leafy patterns. Some panels depict reflections of the castle or surrounding greenery in tranquil water, suggesting a pond or stream. The style is highly intricate and detailed, characteristic of stained glass, with distinct lead lines separating individual pieces of colored glass. The colors are dominated by various shades of green, ranging from deep forest green to lighter, almost translucent lime greens, with accents of yellow, purple, red, and white in the flowers. The overall mood is whimsical, magical, and serene, evoking a sense of ancient beauty and hidden wonders. The lighting appears soft and diffused, as if light is filtering through the stained glass, creating a luminous and ethereal glow. The composition is a vertical collage of interconnected panels, with a large central focus and smaller, decorative panels filling the rest of the frame, creating a rich tapestry of imagery. Intricate gold lines separate the individual glass pieces, adding to the luxurious and detailed feel.
Prompt: A lone traveler waits beneath an impossible bridge with stone patterns in opposite directions. Every road folds back upon itself through Op Art striping embedded into cobblestones. Umbrellas bloom like black flowers while distant silhouettes evaporate before reaching the station. Soft watercolor bleeding contrasts with sharp geometric distortions. in the style of Alcohol ink fantasy in Indigo, turquoise, moonlit silver, lavender
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
6d
