Prompt: Halloween still life rendered full-screen, sidelit by the creepy, pale orange glow of a street lamp outside the picture. Sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a close-up of an extremely intricately carved pumpkin, nothing else, only one pumpkin. The delicate line-art carving shows an amazingly accurate Van-Gogh Starry-Night motif on the pumkin, not a classical jack-o'-lantern. The carving is illuminated in pale yellow by the candle inside the pumpkin against the otherwise dark orange jack-o'-lantern. Art piece entry in a neighborhood exhibit of artfully carved pumpkins. It is a dark Halloween night lit only by the carved pumpkin and the sickly orange light of the streetlamp. The night background of the still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the Van-Gogh jack-o'-lantern is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning illustration, museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Newton's cradle perpetuum mobile desk toy, modern look, sparse, made of one piece of steel wire, with five hanging, heavy, cherry-red balls, sidelit by sunlight, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed, full-screen image is a Newton's cradle toy with cherry-red apples instead of metal balls. The toy stands on an elegant, dark leather-covered desktop. No other items clutter the desk. The bookcase background of the still life is rendered in wet-on-wet alcohol ink. The image is painted completely and all the way to the edges of the paper. The Newton's cradle with its apples is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning illustration in a modern style. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Exquisitely detailed branch of large, shiny, plump, juicy, very dark red-burgundy-colored cherries in watercolor, sunlit. Full-screen, wide-screen, sharp-focus, very close up. The background of the illustration extending all the way to the edges of the paper is a very small, very detailed mini-Cubist canvas, with style elements recalling Juan Gris, Paul Cézanne and Paul Klee, intricate, colored in a delicate, washed-out yellow-green-apricot abstract pattern with outline details. The watercolor illustration is painted completely, all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Richly detailed magical forest linocut tapestry filled with scintillating leaves in shades of green, olive, aqua, gold and ochre. The trees stand close together, with their dense foliage interweaving in ornate, organic patterns reminiscent of a pattern by William Morris. Several pheasants perch gracefully in the trees, spreading their wings and showing their shiny, reflective feathers and plumes in shades of rust, blue and oange. At the base of the trees, an array of flowers blooms: delicate white flowers with intricate petals, complemented by an assortment of orange carnations clustered in the center, framed by lush green foliage. The background is a deep blue, enhancing the forest colors. Harmonious nature composition, peaceful and picturesque setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed magical landscape of a wide expanse of lush dark-green grass in the foreground transitioning to a field of electric-yellow colza in the middle ground. The colza field is bright and contrasts strikingly with the greenery. In the background, a row of trees beginning to sprout light green leaves in spring, with some bare branches still peeking through. The sky above is somewhat overcast with soft gray clouds against a light blue background. Harmonious nature composition, peaceful and picturesque rural setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Full-screen museum-quality fine-art linocut of a branch of a willow tree in early fall with electric yellow, long and slender leaves. The leaves are illuminated by sunlight, casting a warm glow and creating distinct highlights along their edges. The background is very dark, emphasizing the contrast between the luminous yellow leaves and the shadowy backdrop. Some darker green foliage can be faintly seen in the lower part of the image, adding depth to the scene. The texture of the leaves shows imperfections or veins. Early fall magic in the forest. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Masterful, highly detailed, full-screen linocut of an extremely focused close-up view of a hanging branch of a birch tree with leaves in autumn shades of yellow, ochre and washed-out green. An early November snow clings to the leaves and branches in wet tufts, creating a soft, white contrast against the colorful foliage. The bokeh background features a blurred view of more snow-covered branches, enhancing the wintry atmosphere. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Impressionistic autumn forest woodcut of tall trees with slender trunks reaching towards a clear blue sky. The trees are adorned with dense, scarlet-red and dark-orange foliage, with a few dark branches visible. The ground is covered with a thick layer of red-hued fallen leaves, creating a rich tapestry of color. A forest path meanders through the trees. In the background, darker green trees contrast with the bright foliage, adding depth to the scene. The overall atmosphere is tranquil, highlighting the beauty of nature in the fall season. Japanese woodcut in the tradition of Hiroshige, Hokusai and Kawase. Extreme detail, strong color.
Prompt: Extreme detail, page-filling, outstanding Brussels lace image imitating a scenic landscape with three tall birch trees with white, papery, distinctively marked bark and myriads of heart-shaped leaves prominently displayed against a clear blue sky. The focus is on the tall, slender trees and the extremely detailed leaves. Exquisite lace made of fine-spun thread, ornate, masterful.
Prompt: Ice sculpture depicting old, gnarled trees in a park. Several trees have wide trunks and sprawling branches. Some trees surrounding the few large trees are shown as having leaves made of ice. The ground is blanketed with a mix of glittering ice crystals and blue-tinged snow reflecting back the winter sunshine. A path curves gently through the ice sculpture landscape. The wan winter sun shines through the branches, casting light shadows on the snow and ice. The ice is bluish in the shade, and glitters in rainbow colors where it reflects the sunlight. Extremely detailed photograph of an award-winning ice sculpture landscape.
forest series - magical embroidered log cabin in the woods
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, large, extremely intricate and detailed velvet fabric patchwork quilt of a log cabin in a forest during autumn. The dark-brown cabin is surrounded by tall trees with leaves in shades of orange, yellow, and red. A small wooden rocking chair sits on the porch. The ground is carpeted with fallen leaves. The tree branches close above the cabin to form a rich canopy allowing dappled sunlight to filter through. Peasceful and calm patchwork quilt in the style of old American master quilters.
Prompt: Museum-quality biological watercolor illustration of a cold, northern rainforest in a coastal area. The forest has tall, dense, mossy trees that create a dark-green canopy contrasting strongly with patches of sunlit, yellow-tinged foliage peeking through. The ground is carpeted with moist, strongly green, mossy undergrowth and some scattered leaves. In the background, the shimmering surface of a tranquil, turquoise, sunlit lake shines through the branches, reflecting shades of deep blue and turquoise. Light filters softly through the branches, enhancing the magical atmosphere of this woodland retreat. The composition creates a sense of depth, drawing the viewer's eye toward the bright, inviting water behind the trees. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Aquarelle sketch on heavy handmade rag paper.
Prompt: Meticulous, joyful watercolor of sun-dappled, dense, semi-tropical underbrush in North Carolina woodland filled with a variety of palmetto leaves, ferns and dry leaves on the ground. Large, broad-leaved ferns with intricate patterns stand alongside glossy, dark green palmetto fronds that arch gracefully. Some striking red and orange foliage contrasts with the greens, tans and browns. Some leaves are heart-shaped, light green and variegated with prominent, white veins. The background is darkish, allowing the colors, shapes and patterns of the leaves to stand out. Prize-winning illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle painted all the way to the edges of the heavy, handmade rag paper.
Prompt: Full-screen image of a mysterious black lake in the midst of a spooky forest with many overgrown pine trees and bare trunks of dead trees. The still, dark lake perfectly mirrors the trees on the far side of the lake, enhancing the enigmatic nature of this strange ladscape. The ground is thickly carpeted with brown pine needles and bare twigs. Wan sunlight in an overcast sky filters through the dense branches, but does not reach the ground or the mystifying lake. The line art composition is drawn all the way to the edges of the paper with extreme, scientific, methodical detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning, hyperrealistic biology illustration on heavy paper in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.The hyperrealistic details underline the sense of foreboding and apprehensiveness, suggesting black magic.
Prompt: Full-screen, museum-quality meticulous rendition in many felt pen colors of a Jurassic forest with cycads adorned with a crown of large, feathery leaves; evergreen cypress-like conifers; and many ginko trees. The forest understory is richly filled with some majestic ferns and horsetails. The forest floor gfeaturs moist, rich brown soli. and puddles. The sky above is filled with cumulus clouds behind which the sun casts its golden rays on the strange, prehistoric forest. Biological study for yong students, rich detail, strong colors, breathtaking beauty.
Prompt: Full-screen, museum-quality, meticulous colored pencil drawing of the ground below a small stand of poplars in December. The leaves have fallen, have turned brown, and are covered in glittering ice crystals in the early morning sun. Each leaf has fine, reflective, rainbow-hued crystals around its edges that capture and reflect the sunlight. The sparkly colors in the icy morning beautifully capture the begining winter season. Show the focus on the leaves; we only see the trunks of the poplars and the blue sky behind them, as the focus of the image is on the leaves and their color display. Rich detail, strong colors, breathtaking beauty.
Prompt: Full-screen rendering of a heavy impasto painting of a vast desert landscape during twilight, painted all the way to the edges of the canvas. The sun is low on the horizon, causing the lengthening shadows to bring out the shape of rolling sand dunes with their gentle curves. The shadows cast a warm golden hue across the sandy terrain. The surface of the sand is textured with intricate patterns and footprints of a camel caravan heading for a lush, greeen oasis. Green palm trees richly adorned with palm fronds huddle together closely in the distant oasis. A clear blue sky stretches above, transitioning to soft, peach-colored hues near the horizon. The warm earth tones of the sand contrast with the cool blues of the sky and the promise of green of the palm trees surrounding the oasis. Postmodern, heavy impasto, with large, broad, deft brushstrokes of oil paint. Museum-quality fine art.
Prompt: Full-screen, museum-quality meticulous arcrylic painting all the way to the edge of the canvas of a stand of majestic, tall, ancient ghost gums (Eucalyptus aparrerinja or Corymbia aparrerinja) with very smooth, glowing white trunks. A flock of many hundreds of galahs (all the same size) has convened only in the trees on the treetops. Hundreds of birds in the trees! The galahs have candy-pink faces and chests, pale gray backs and a paler pink crown on their head. The galahs are happy, flappy and very, very noisy. The gum trees have smooth, brilliantly white, straight trunks, twisted branches, and scattered, olive-green leaves where the sun shines on them and blue-green leaves in the sparse shade. The gum trees stand in front of a backdrop of dramatic, rugged, sharp-edged, red cliffs in eastern Western Australia, on arid, red ground. The ground is bare and terra-cotta colored. The sky is clear and bright blue. Prize-winning botanical study, rich detail, strong colors, breathtaking beauty. The style is a mix of line art for emphasis and wet watercolor to transport the shimmering heat of the dry desert. The style is reminiscent of Maynard Dixon and James Swinnerton, acclaimed naturalistic-impressionistic painters of the desert.
Prompt: Magical forest in spring. The riverside forest is made up of tall, slender, naturally growing deciduous trees with dark bark and mostly light-green spring leaves coming in. The forest floor is covered with a rich carpet of fallen leaves in various shades of brown, orange, and yellow through which a carpet of bright yellow spring flowers peeks. In the background, a gentle slope leads up to a grassy area that is vibrant green, contrasting with the earthy tones of the forest. In the foreground, lime-green, fresh grass catches the watery sunlight. The sky behind the trees is light blue and clear. Contemporary alcohol ink wash illustration.
forest series - fake forest made of dendritic agate
Model:
AIVision
Size:
5112 X 3912
(20.00 MP)
Used settings:
Prompt: Full-screen, extreme close-up rendition of a thin section of a large, rectangular plate of dendritic agate, backlit. The light shining through the transparent stone makes the stone look honey-yellow, with the dendrite inclusions standing out in dark brown. The dendrite inclusions perfectly mimic the silhouette of a highly detailed forest with many deciduous trees with very many branches and leaves. The entire tableau mimics the silhouette of a forest. Semi-precious stone of museum quality and size, reaching to the edge of the photograph. Intricate, ornate photograph of cataloque quality. The large stone is set on a mineral display stand on a dark stone table against a background graduating from a streaky dark blue at the table line to a streaked lighter blue at the top of the photograph.
Prompt: Hyperrealistic oil painting of a tenderly green new forest with several scraggly deciduous trees emerging from a jumbled, dirty, messy car parts junkyard, rendered in the hyperrealistic style of contempoorary artists like Gottfried Helnwein and Dirk Dzimirsky. The colors are cool and reduced, and the surfaces are smooth. Painstakingly and masterfully executed, showing a vision of hope: Nature reclaims humankind's debris.
Prompt: Full-screen rendition of a magical forest landscape made entirely of reflective snow globes. The snow globes are packed close together and create refractions and illusions of forests in autumn in various sizes and focuses. The leaves are falling and branches are becoming bare. Some of the snow globes have a mirror finish, which additonally enhances the confusing illusionary images. The sky above the ensemble of snow globes refracting forest aspects at different angles is clear blue and undisturbed by the jumble of forest images below it. The sun shines benevolently on the forest scene. Fantasy forest landscape in the fall rendered as an ultrasharp, ultrafocused, extremely high-resolution photo showing every last detail in splendid technicolor.
Prompt: Full-screen rendition of a magical landscape of thousands of long, glittering icicles hanging from the branches of dark-brown trees silhouetted against a dusky blue sky. The trees have bare branches with very many twigs, each of which is laden with icicles. The horizon behind the tree line is a lighter blue, and the sky turns darker blue toward the top of the image, and first stars appear and twinkle in the darker blue sky. The meadow on which the trees stand is dark. Fantasy winter landscape rendered in a combination of intricate, ornate line art and watercolor wash.
forest series - magical circularly recycled paper scrap forest
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Front view of a forest crafted entirely from recycled paper and carton boxes. The forest sports the colors of the illustrations on the carton boxes and the various colors of the recycled paper scraps. The trunks, branches, twigs and leaves are all made of various types of paper, crepe paper, construction paper in many colors, carton boxes of all types. The forest is dense and beautiful, and environmentally friendly. Collaborative sculptural art project of renowned contemporary paper and carton artists like Alex Uribe, Sylvie Reno, Mark Langan, and Chris Gilmour. Each tree is individually crafted and arranged in extreme, esthetic detail from thousands of paper and carton scraps, giving the trees an almost naturalistic appearance, from the trunk to the leaves. Sculptural masterpiece of a huge-scale forest landscape. Visionary circular recycling and upcycling project.
forest series - a parliament of owls and a skulk of foxes coexist peacefully in this magic forest
Model:
AIVision
Size:
2981 X 1677
(5.00 MP)
Used settings:
Prompt: Screen-filling image of an ancient, dense forest with massive, gnarled trees whose branches, twigs and leaves form an almost impenetrable canopy. The focus is on one majestic tree in the middle of the image. The tree has several hollows: one near the top left of the image is a large cavity in which an owl has made its nest. Several curious fledgling owl peek out of the hollow. A large hollow at the base of the tree, protected by twisting tree roots to the left and right, is a burrow for a family of red foxes. A few fox cubs peer out of the hole and sniff the air curiously. In this fairy tale, the fox and the owls are at peace with each other, not prey and predator, and both families use the tree hollows. The image is rendered as a unique, custom linoprint with exceptionl, remarkable detail, made by an accomplished, prize-winning, contemporary artist who illustrates children’s books. The colors are muted, with shades of green, brown and ivory dominating. The feathers and eyes of the owls, and the fur and faces of the foxes, are expressive and very detailed. Print of museum quality. The trees completely fill the image, with the forest in the background shown in less detail to draw the viewers’ eyes to the majestic tree in the middle with its wildlife families.
Prompt: Screen-filling image of a mid-elevation, tropical dry forest in Central America. The forest is filled with magnificent, healthy, tall wild poinsettia trees with dense foliage. The trees sport abundant small, yellow flowers densely surrounded by clusters of large, showy red and pink leafy bracts. Some of the red leaves have small white patterns, and the pink leaves are slightly striped. The image is rendered as a highly detailed, joyful linocut with predominantly green, red, pink and white coloring. Award-winning print on heavy rag paper, museum-quality execution. The Christmas poinsettia trees completely fill the image in a mesmerizing, nearly repetitive pattern.
Prompt: Screen-filling image of a traditional canopy olive grove with ancient olive trees whose olives are ripe for the picking. Myriads of shiny, black fruit hang from the branches, between them some unripe green fruit.. The olive grove is organically farmed, following a credo of regenerative farming. The grove provides a richly biodiverse habitat, givng an abundance of birds and hares a home. We see only a single majestic Iberian lynx sunning itself on the rocky ground int he protected orchard. The grove is surrounded on the sides and in the back by a low, washed-out dry-stone wall in the background. The focus is on three majestic, ancient trees standing in the middle. They have twisted, gnarled, dark trunks and well-pruned shoots with many healthy, silvery-green leaves and black and green olives. The image is rendered as a unique, custom multicolored copperplate engraving intended as a teaching panel in a biology book. The technique allows for an exceptionally detailed and meticulous presentation. Shades of silvery green, reddish-beige, tan, black, and gray predominate; the morning sky is electric blue and cloudless. Priceless print of museum quality. The style is a panache of work by conemporary etching artists like George Shaw, Marcelle Hanselaar, and Ian Chamberlain.
Prompt: Full-screen rendition of a magical pine tree forest landscape in shades of green and silver. The silvery tones come from the thousands of glittering, reflective, naturalistic glass pine cones adorning the pine trees. The setting sun shines through the forest, backlighting the intricate pine trees and lighting up the glass pine cones. The trees are silhouetted against an orange, late afternoon sky. Fantasy fine art linocut and line art masterpiece.
Prompt: Screen-filling image of a simple dirt lane lined with ancient, blooming, double-flowered sakura trees so laden with dark-pink and light pink, crepe-like cherry blossoms that the branches droop almost to the ground. At the top of the trees, the dark, gnarled branches merge over the lane to form a rich, floral arch. View of the lane from the front entrance along the lane so far that the trees and the lane seem to fuse together at the most distant point. The image is rendered as a unique, custom woodblock print of museum quality. The composition is simple and almost mesmerizingly symmetrical, showing the trees to the left and right of the lane and the lane in the middle; the execution is uncannily, extremely detailed, combining the styles of ancient masters like Utagawa Hiroshige, Katsushika Hokusai and Togaku with those of modern printmakers like Laura Boswell. The image focuses exclusively on the cherry trees, which completely fill the image, leaving room only for the simple lane leading through the trees.
Prompt: Full-screen rendition of a magical forest landscape viewed from the bottom up. The foreground shows a macro view of the gently rolling meadow leading to the looming woods, with each blade of grass and each dry weed standing out in perfect detail. The vegetation is dry, its colors range from pale green to ochres, and the blades are covered in melted hoarfrost that shines, reflects, and glitters in rainbow colors in the wan winter sun. Where the meadow lies in the shade of the slanting sinlight, the meadow is lavender-blue-gray, still covered in silvery hoarfrost. The contrast between the lavender and ochre parts of the meadow is unusual and captivating. The looming woods are fully sunlit, with fir trees and bare deciduous trees standing very close together. Fantasy winter landscape executed in very thick, impasto oil paint with great attention to detail to present an extremely hyperrealistic tableau capturing a special moment during an icy-cold winter morning.
Prompt: Full-screen image of a deep-blue forest with a sparkle of fireflies in the middle of a meadow clearing. The Deep blue trees are lit by the fireflies, with the clearing illuminated in a lighter blue and the blue deepening gradually in the more distant parts of the image. Each leaf can be made out in exquisite detail, asw the light of the neon-green-and-yellow dancing fireflies casts pronounced shadows on the veined leaves, the scaly bark of the tree trunks and on each blade of variegated, dark-green grass in the meadow. Above the forest, stars twinkle, echoing the tiny lights of the fireflies. The ambiance is still and magical, the atmosphere one of wonder and awe. The extreme zentangle line art composition is drawn all the way to the edges of the paper with outstanding, scientific, methodical detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning, hyperrealistic line art illustration on heavy paper in a style combining the art of Arthur Rackham and Beatrix Potter with Pablo Picasso, Henri Matisse, Vassiliy Kandinsky, and Paul Klee.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
