Prompt: Create a high-resolution, formal photographic portrait inspired by Zanele Muholi’s work, emphasizing dignity and presence. Subject: a Black queer or transmasculine man standing with direct gaze against a neutral background; torso/bust shot. Lighting: soft, directional studio light that sculpts the face and shoulders; maintain mid-tone skin texture fidelity. Composition: tight framing, subject centered, strong eye contact. Color & finish: true-to-life skin tones, minimal retouching, gallery-ready color-corrected image. Caption text: include subject name (fictional) and a short statement about identity and pride for exhibition mock-up. Mood: confrontational tenderness, sorrow transformed into agency.
Prompt: Produce an ultra-detailed academic oil-painting style image that channels William-Adolphe Bouguereau’s late-19th-century academic realism (original composition, not a copy). Subject: a serene classical tableau of a young male figure reclining on a draped marble plinth with a partially draped linen cloth, a secondary female figure offering a laurel wreath, and cherubic putti in the background. Composition & pose: classical contrapposto for the male, soft three-quarter view for the female; triangular composition with balanced negative space. Anatomy & rendering: exacting anatomical modelling—subsurface scattering on flesh, delicate transitions between light and shadow, visible tiny capillaries and slight mottling in skin for realism. Lighting: soft, diffuse studio-like daylight from the upper-left (north light) combined with warm fill to produce gentle chiaroscuro and luminous mid-tones; use multi-layered glazes to achieve skin depth. Palette: subtle, naturalistic flesh palette—ivory, warm rose, raw sienna, pale umber—balanced with cool shadow blues and soft ochres for background. Surface & technique: simulate fine academic glazing technique—multiple thin translucent layers over a well-drawn imprimatura; near-invisible brushwork on skin, finer cross-hatching for hair texture, and highly detailed fabric rendering. Textures & props: polished marble, finely woven linen with believable folds, laurel leaves with crisp veins, soft velvet drapery; include faint dust particulates and micro-scratches to suggest museum age. Finish & reproduction: ultra-high-resolution 8k TIFF with separate passes (figure, drapery, background) and a flattened RGB composite; produce a museum-print variant with soft vignette. Camera & framing: full-figure at slightly low angle for heroic dignity; include alternate close-up shots (face & hands) at 120mm macro simulation for print plates. Variations: (A) religious vignette—substitute laurel with a rosary and soft halo rim-light; (B) pastoral daytime study with sunlit meadow background and looser brushwork for plein-air variation. Notes: emulate immaculate polish—avoid heavy impasto on skin; focus on subtle tonal modulation and anatomical correctness; maintain tasteful classicism, emotive tenderness, and technical precision.
Prompt: Create a vibrant Impressionist digital painting inspired by Pierre-Auguste Renoir: a couple sitting on a sunlit garden bench, holding hands and smiling. Composition: natural, candid interaction, bodies slightly angled toward each other, soft background of flowers and leafy trees. Colors: pastel tones, soft pinks, warm peaches, golden sunlight highlights, subtle blues and greens. Brushwork: loose, soft, slightly textured to evoke Impressionist feel, gentle blending of edges, dappled sunlight over figures. Lighting: warm, natural daylight with soft reflections and highlights on faces and hands. Camera: eye-level, slightly angled for intimacy, medium-full shot. Variations: morning light, late afternoon golden glow, or small focus on hand-holding with blurred garden backdrop. Atmosphere: tender, serene, and joyful, emphasizing emotional warmth.
Prompt: Create a high-resolution, painterly digital image that evokes Paul Gauguin’s Tahitian Synthetist style — NOT a copy of a specific painting but a new composition using his visual language. Scene: a tranquil shoreline at dusk with three local figures arranged in a triangular composition: one seated woman in profile weaving flowers, a reclining man looking toward the sea, and a child playing with a shell near the water. Composition & perspective: shallow picture plane (flattened depth), moderate low-angle vantage so figures sit against a flattened banded horizon; strong silhouette shapes and clear negative space. Color & palette: non-naturalistic, saturated palette — deep cadmium orange, viridian green, ultramarine-blue twilight, warm ochre, and a touch of rose/magenta for flesh accents; large flat color blocks with subtle tonal modulations. Line & form: use thick, dark contour lines to separate forms (cloisonné effect); simplify anatomy into elegant planar shapes but keep convincing weight and posture. Brushwork & texture: broad, blocky brush strokes for landscape and garments; slightly chalky, matte paint surface; visible paint edges and occasional palette-knife scoring; varnish simulated as satin—not glossy. Light & atmosphere: warm late-dusk ambience with decorative sun-glow bands behind the horizon; reflections rendered as patterned color bands, not photoreal highlights. Symbolic details: include symbolic motifs — a small carved tiki, a bird perched on a branch, a simple cross half-submerged — integrated subtly to suggest mythic narrative. Patterning: incorporate flat decorative patterns in background foliage and simple textile motifs on garments. Render finish: painterly 4k canvas look with slight canvas grain and hand-painted imperfections (brush drag marks, scumble). Camera & output: full canvas aspect (3:4 or 4:5), high-resolution TIFF/PNG suitable for printing; provide a cropped square social variation focusing on the central seated figure. Variations: (A) woodcut/linocut study with high-contrast blacks and a limited two-color palette; (B) twilight palette swap—replace orange with deep crimson for a more dramatic mood. Artistic notes: avoid photoreal skin smoothing—retain painterly texture and visible strokes; emphasize decorative flatness while keeping figure solidity.
Prompt: Create a vibrant Impressionist digital painting inspired by Pierre-Auguste Renoir: a couple sitting on a sunlit garden bench, holding hands and smiling. Composition: natural, candid interaction, bodies slightly angled toward each other, soft background of flowers and leafy trees. Colors: pastel tones, soft pinks, warm peaches, golden sunlight highlights, subtle blues and greens. Brushwork: loose, soft, slightly textured to evoke Impressionist feel, gentle blending of edges, dappled sunlight over figures. Lighting: warm, natural daylight with soft reflections and highlights on faces and hands. Camera: eye-level, slightly angled for intimacy, medium-full shot. Variations: morning light, late afternoon golden glow, or small focus on hand-holding with blurred garden backdrop. Atmosphere: tender, serene, and joyful, emphasizing emotional warmth.
Prompt: Produce an ultra-detailed academic oil-painting style image that channels William-Adolphe Bouguereau’s late-19th-century academic realism (original composition, not a copy). Subject: a serene classical tableau of a young male figure reclining on a draped marble plinth with a partially draped linen cloth, a secondary female figure offering a laurel wreath, and cherubic putti in the background. Composition & pose: classical contrapposto for the male, soft three-quarter view for the female; triangular composition with balanced negative space. Anatomy & rendering: exacting anatomical modelling—subsurface scattering on flesh, delicate transitions between light and shadow, visible tiny capillaries and slight mottling in skin for realism. Lighting: soft, diffuse studio-like daylight from the upper-left (north light) combined with warm fill to produce gentle chiaroscuro and luminous mid-tones; use multi-layered glazes to achieve skin depth. Palette: subtle, naturalistic flesh palette—ivory, warm rose, raw sienna, pale umber—balanced with cool shadow blues and soft ochres for background. Surface & technique: simulate fine academic glazing technique—multiple thin translucent layers over a well-drawn imprimatura; near-invisible brushwork on skin, finer cross-hatching for hair texture, and highly detailed fabric rendering. Textures & props: polished marble, finely woven linen with believable folds, laurel leaves with crisp veins, soft velvet drapery; include faint dust particulates and micro-scratches to suggest museum age. Finish & reproduction: ultra-high-resolution 8k TIFF with separate passes (figure, drapery, background) and a flattened RGB composite; produce a museum-print variant with soft vignette. Camera & framing: full-figure at slightly low angle for heroic dignity; include alternate close-up shots (face & hands) at 120mm macro simulation for print plates. Variations: (A) religious vignette—substitute laurel with a rosary and soft halo rim-light; (B) pastoral daytime study with sunlit meadow background and looser brushwork for plein-air variation. Notes: emulate immaculate polish—avoid heavy impasto on skin; focus on subtle tonal modulation and anatomical correctness; maintain tasteful classicism, emotive tenderness, and technical precision.
Prompt: Create a high-resolution, painterly digital image that evokes Paul Gauguin’s Tahitian Synthetist style — NOT a copy of a specific painting but a new composition using his visual language. Scene: a tranquil shoreline at dusk with three local figures arranged in a triangular composition: one seated woman in profile weaving flowers, a reclining man looking toward the sea, and a child playing with a shell near the water. Composition & perspective: shallow picture plane (flattened depth), moderate low-angle vantage so figures sit against a flattened banded horizon; strong silhouette shapes and clear negative space. Color & palette: non-naturalistic, saturated palette — deep cadmium orange, viridian green, ultramarine-blue twilight, warm ochre, and a touch of rose/magenta for flesh accents; large flat color blocks with subtle tonal modulations. Line & form: use thick, dark contour lines to separate forms (cloisonné effect); simplify anatomy into elegant planar shapes but keep convincing weight and posture. Brushwork & texture: broad, blocky brush strokes for landscape and garments; slightly chalky, matte paint surface; visible paint edges and occasional palette-knife scoring; varnish simulated as satin—not glossy. Light & atmosphere: warm late-dusk ambience with decorative sun-glow bands behind the horizon; reflections rendered as patterned color bands, not photoreal highlights. Symbolic details: include symbolic motifs — a small carved tiki, a bird perched on a branch, a simple cross half-submerged — integrated subtly to suggest mythic narrative. Patterning: incorporate flat decorative patterns in background foliage and simple textile motifs on garments. Render finish: painterly 4k canvas look with slight canvas grain and hand-painted imperfections (brush drag marks, scumble). Camera & output: full canvas aspect (3:4 or 4:5), high-resolution TIFF/PNG suitable for printing; provide a cropped square social variation focusing on the central seated figure. Variations: (A) woodcut/linocut study with high-contrast blacks and a limited two-color palette; (B) twilight palette swap—replace orange with deep crimson for a more dramatic mood. Artistic notes: avoid photoreal skin smoothing—retain painterly texture and visible strokes; emphasize decorative flatness while keeping figure solidity.
Prompt: Create a high-resolution, formal photographic portrait inspired by Zanele Muholi’s work, emphasizing dignity and presence. Subject: a Black queer or transmasculine man standing with direct gaze against a neutral background; torso/bust shot. Lighting: soft, directional studio light that sculpts the face and shoulders; maintain mid-tone skin texture fidelity. Composition: tight framing, subject centered, strong eye contact. Color & finish: true-to-life skin tones, minimal retouching, gallery-ready color-corrected image. Caption text: include subject name (fictional) and a short statement about identity and pride for exhibition mock-up. Mood: confrontational tenderness, sorrow transformed into agency.
Prompt: Create an intense expressionist oil painting channeling Francis Bacon’s psychological distortion. Subject: a single male figure seated on a low chair within a shallow, enclosed space, body twisted, head distorted toward the viewer. Brushwork & texture: aggressive scraping, smeared glazes, visible impasto, and palette knife marks; areas of raw canvas and abrasion. Palette: raw umber, cadmium red deepened, sickly yellow-green, and slate gray; use high-contrast saturated flesh tones with shadowed voids. Composition: claustrophobic framing, implied glass or cage lines, paint drips and abrasion to suggest motion and trauma. Emotional aim: provoke uneasy empathy — pain, isolation, and urgency; finish with matte varnish and visible studio artifacts.
Prompt: Create a large colorful painting inspired by David Hockney’s pool and interior series. Composition: three male figures — one sunbathing on a striped towel, another diving into a turquoise pool, and a third lounging by a vivid tiled terrace with potted plants. Palette: saturated but clean—turquoise, lemon yellow, coral, mint green—balanced with warm flesh tones. Perspective: slightly flattened space with multiple viewpoint treatment—combine bird’s-eye pool view with frontal terrace view for Hockney-like compositional play. Texture & finish: crisp flat color application with subtle painterly edges, digital/paint hybrid look, high-resolution mural-ready output. Lighting & mood: bright, Mediterranean mid-day sun, reflective water highlights, joyful and intimate. Optional: produce a composite grid version showing close-ups of hands, feet, and water reflections."
Prompt: Design a staged cinematic tableau in saturated, filmic color inspired by Tracey Moffatt. Scene: a roadside motel at dusk — one male figure in the motel doorway, another sitting on the hood of an old car; props include faded signage, a single neon light, and a mismatched suitcase. Lighting: dusk mixed with artificial neon and motel porch lamp for moody color contrasts (teal shadows, warm practical highlights). Camera & composition: wide lens establishing shot with shallow foreground—set like a film still, balanced diagonals and layered depth. Color & texture: slightly desaturated highlights, punchy midtones, subtle film grain, 35mm cinematic look. Narrative notes: imply backstory through props and posture—tension, longing, or weary escape—without explicit action. Final: high-resolution, editorial-grade frame suitable for exhibition caption."
Prompt: Create a monumental contemporary oil painting (approx. 250–300cm canvas, 4k export) combining intimate realism with expressive abstraction. Subject: a reclining nude male captured from a slightly elevated frontal viewpoint; body occupies a commanding central plane, limbs relaxed. Technique: layer-driven approach — refined anatomical rendering for focal areas (face, hands, groin), with broad gestural abstraction in the surrounding negative space. Palette: saturated midtones (deep crimson, teal, warm ochres) with neutral flesh undertones and high-contrast highlights. Background & marks: layered fields of scraped paint, sgraffito lines, stenciled patterns suggesting domestic textures without explicit objects. Surface & finish: impasto passages, scumbled glazes, and fine scratching to reveal underlayers; matte and satin mixed varnish to accent depth. Lighting: diffuse frontal studio light to reveal surface detail evenly; optional warm side accent to model form. Composition & cropping: full-figure centered with room for environmental abstraction; offer close-up cropped studies of hands and torso for social use. Mood: confrontational tenderness—aging, sensuality, self-assertion. Output: layered PSD with individual passes (figure/background/texture) and a flattened TIFF at 600 dpi for print.
Prompt: Design a clean, minimalist conceptual gallery installation render (photographic simulation / 3D render) evocative of Félix González-Torres. Primary elements: two identical analog wall clocks mounted side-by-side at eye level, synchronized initially; a low, square pallet with an orderly mound of individually wrapped small candies (or paper slips) with a simple printed invitation: 'Please take one.' Space & lighting: white cube gallery with soft even ambient lighting and a single directional gallery spot to bring slight shadow; polished concrete floor, subtle reflections. Material & typography: crisp Helvetica or Garamond label placard, small explanatory wall text (one-paragraph poetic statement about time, intimacy, and absence). Camera & render: documentary-style photo 24–35mm angle showing both clocks and candy mound in frame; alternate close-ups of clock faces and candy wrapper textures. Output & deliverables: high-res gallery-photo JPG, printable placard text, short curator note (30–60 words) to accompany work. Mood & instruction: quiet, participatory, elegiac — design for interaction and subtle social ritual. Variations: optional edible vs. non-edible tokens, and an evening render where clocks show slight desynchronization to underscore temporality.
Prompt: Create a naturalistic oil painting capturing athletic motion with anatomical precision (4k, museum print). Scene: two male rowers mid-stroke on a narrow river shell, synchronized bodies, oars slicing water producing spray. Perspective: side-on low angle to emphasize torso contraction and stroke dynamics. Detail & technique: crisp anatomical rendering—visible muscle tension, skin sheen, tendon outlines; water droplets and wet cloth rendered photorealistically. Lighting: diffuse overcast daylight to avoid dramatic shadows, cool highlights on wet skin. Background: soft-focus riverbank and trees for depth. Composition & motion: implied motion blur on oar tips and water while keeping bodies sharply detailed to focus on exertion. Finish: high-detail canvas with subtle crackle texture for museum feel. Mood: reverent, kinetic, humane. Variations: add a close-up diptych of hands gripping oar and faces straining, and produce a monochrome study for anatomical reference.
Prompt: Create a refined monochrome photograph inspired by Herbert List, blending classical statuary references with modernist composition. Subject: a solitary male figure posed on a limestone outcrop near a calm sea at dawn. Lighting: gentle directional morning light, soft shadows to sculpt form; use a subtle fill to preserve detail in shadow areas. Composition: strong geometric framing—horizon line, rock angles, and body contours forming a harmonious structure. Texture: fine-grain monochrome, high tonal range, lightly burned edges for vintage mood. Camera & finish: medium-format aesthetic, slightly cool tonal balance, archival matte print simulation. Mood: contemplative, timeless, quietly idealized.
Prompt: Create a series of high-contrast, studio black-and-white portraits inspired by Mapplethorpe’s aesthetic. Subject: three male nudes (varying ages), posed against a seamless dark backdrop; full-figure and torso studies with sculptural lighting. Lighting: three-point studio lighting with hard key and controlled rim/backlight to produce crisp highlights and deep shadow falloff; emphasize tonal separation and sculptural modeling. Composition & framing: formal, centered symmetry in some frames, dynamic thirds in others; pay attention to negative space and classical poses (contrapposto, arms raised, profile silhouette). Texture & finish: glossy, high-resolution monochrome with fine grain, pristine skin detail, and archival print look. Camera & technical: medium-format look, 80–120mm equivalent, high depth of field for sharp detail. Notes: keep poses tasteful but charged; no retouching to remove natural skin texture; aim for museum print quality.
Prompt: Create an atmospheric portrait photograph evocative of 19th-century wet-plate aesthetics and the American South. Subject: an adult male leaning against an old wooden fence beside a slow river at golden hour. Lighting: low warm side light, long shadows; subtle backlight through Spanish moss. Textural treatment: apply wet-plate tonal artifacts — vignetting, soft halos, surface scratches, and slight chemical streaks — to evoke aged processes. Color & finish: sepia-leaning monochrome or desaturated color with warm highlights; film-like grain, paper texture overlay. Composition: medium shot, subject off-center, environmental details visible (peeling paint, river reeds, distant farmhouse). Mood: contemplative, ancestral, fragile; include faint dust specks and hand-processed irregularities for authenticity. Output: gallery-print-ready with archival paper simulation."
Prompt: Create a high-polish Art Deco oil painting or digital composite emulating Tamara de Lempicka’s glamor. Subject: a stylized male nude seated in elegant pose (one leg crossed), body composed of flattened planes and subtle geometric facets. Lines & forms: crisp contours, strong verticals and diagonals, reflective surfaces (chrome, lacquer). Palette: cool jade, cream, chrome silver, deep black, with gold leaf accents; flesh tones slightly idealized with smooth gradients. Background & props: geometric architectural motif or stylized palm frond screens, an artfully placed decorative rug, mirrored surfaces for reflection. Surface finish: lacquered sheen, near-photographic smoothness, subtle brush texture only in decorative elements. Lighting: directional soft studio key with polished rim highlights to emphasize planes; use slight modelled shadows for depth. Output & format: poster-ready 4k file, alternative high-contrast fashion editorial crop for social posts. Mood: elegant, metropolitan, controlled sensuality; provide a monochrome line-drawing study for design reference.
Prompt: Create a high-polish Art Deco oil painting or digital composite emulating Tamara de Lempicka’s glamor. Subject: a stylized male nude seated in elegant pose (one leg crossed), body composed of flattened planes and subtle geometric facets. Lines & forms: crisp contours, strong verticals and diagonals, reflective surfaces (chrome, lacquer). Palette: cool jade, cream, chrome silver, deep black, with gold leaf accents; flesh tones slightly idealized with smooth gradients. Background & props: geometric architectural motif or stylized palm frond screens, an artfully placed decorative rug, mirrored surfaces for reflection. Surface finish: lacquered sheen, near-photographic smoothness, subtle brush texture only in decorative elements. Lighting: directional soft studio key with polished rim highlights to emphasize planes; use slight modelled shadows for depth. Output & format: poster-ready 4k file, alternative high-contrast fashion editorial crop for social posts. Mood: elegant, metropolitan, controlled sensuality; provide a monochrome line-drawing study for design reference.
Prompt: Create an atmospheric twilight impressionist painting (high-res 4k) dominated by indigo and ultramarine tones. Scene: a wooden urban bathhouse and adjoining dock with three to four nude men at varying depths (standing, partially submerged, sitting on planks), captured mid-movement and as reflected forms in the water. Lighting & atmosphere: cool dusk light with lanterns at dock edges casting small warm halos; thin mist rising, diffuse glow across water. Brushwork & texture: short rhythmic strokes, wet-on-wet blending for water reflections, thicker paint for highlighted skin. Palette details: indigo, ultramarine, phthalo blue accents, muted grays, silver highlights on wet wood and droplets. Composition: layered depth with near/mid/far planes and fractured reflections; careful negative space to create contemplative quiet. Finish & output: canvas texture visible, slightly desaturated print for archival tones; include alternate color study with moonlit silver highlights. Mood: melancholic, intimate, ritualistic with restrained eroticism.
Prompt: Create a monumental contemporary oil painting (approx. 250–300cm canvas, 4k export) combining intimate realism with expressive abstraction. Subject: a reclining nude male captured from a slightly elevated frontal viewpoint; body occupies a commanding central plane, limbs relaxed. Technique: layer-driven approach — refined anatomical rendering for focal areas (face, hands, groin), with broad gestural abstraction in the surrounding negative space. Palette: saturated midtones (deep crimson, teal, warm ochres) with neutral flesh undertones and high-contrast highlights. Background & marks: layered fields of scraped paint, sgraffito lines, stenciled patterns suggesting domestic textures without explicit objects. Surface & finish: impasto passages, scumbled glazes, and fine scratching to reveal underlayers; matte and satin mixed varnish to accent depth. Lighting: diffuse frontal studio light to reveal surface detail evenly; optional warm side accent to model form. Composition & cropping: full-figure centered with room for environmental abstraction; offer close-up cropped studies of hands and torso for social use. Mood: confrontational tenderness—aging, sensuality, self-assertion. Output: layered PSD with individual passes (figure/background/texture) and a flattened TIFF at 600 dpi for print.
Prompt: Produce a high-detail Baroque oil painting emulation using dramatic chiaroscuro. Subject: a young male figure seated at a rustic wooden table, holding a goblet of wine; slight twist of torso suggests motion toward the viewer. Lighting: single, focused directional source from upper-left (window or lamp) producing a bright key and deep enveloping shadow; subtle fill from the right to keep minimal detail in shadow. Textures & details: luminous wet-skin highlights, small droplets of condensation on glass, crisp fruit textures (grape, pear) and tactile linen napery. Palette: umbers, bone black, warm flesh tones, muted greens, and rich vermilion accent; deep, neutralized background black-browns. Composition: tight, cropped half-length portrait with strong diagonals, low horizon for monumentality. Brush & glazing: layered oil glazing to build luminous skin, fine cross-hatching in shadows, polished varnish finish. Output: gallery-grade oil simulation, 600–1200 dpi for printing. Mood & nuance: sensual, ambiguous, slightly theatrical — the figure both invites and warns. Variations: include a version with candlelight flicker and a version where the subject’s gaze is averted for different narrative feels.
Prompt: Create a textured, expressive oil portrait on a roughly primed canvas (gallery-ready 300–400dpi at 4000px height). Subject: a middle-aged nude man half-reclining on a simple iron-frame bed in a modest, lived-in room. Pose: one arm draped behind the head, legs slightly bent; eyes meeting viewer with a direct, slightly weary but defiant gaze. Brushwork & technique: loose layered strokes with visible underpaint, scumbled mid-layers, and selective impasto on focal details (eyes, hands); leave some underdrawing/charcoal traces visible. Palette: raw umber, yellow ochre, desaturated viridian, muted rose flesh highlights and cool shadow blues. Background & props: worn wallpaper with faint floral motif, small bedside table with an old cup/book, a threadbare rug to suggest personal history. Lighting: soft diffuse daylight from a tall window to left, warm fill to reveal texture without glamorizing. Texture & finish: tactile canvas grain, subtle varnish patching to accent highlights; keep skin realistic — pores, uneven pigmentation, faint scars — no digital smoothing. Composition: mid-shot with slight off-center framing, vertical cropping for intimacy. Mood: candid, humane, psychologically layered. Variations: option for bolder color accents in clothes/objects to narrate backstory; provide a version with higher contrast for exhibition prints
Prompt: Large-scale realist oil painting in the spirit of 1970s feminist studio portraiture. Scene: five nude men reclining and conversing in a classical marble bathhouse; each figure posed naturally to express individual personality (one reading, one stretching, one gazing at a companion). Light: warm diffused late-afternoon sunlight through tall arched windows, soft rim-lighting, subtle bounce fill. Palette: warm ochres, gentle rose skin tones, pale marble, deep velvet drapery. Composition: layered diagonals, comfortable negative space, subtle domestic props (cup, towel, book). Texture & finish: visible oil brushwork, skin shows pores, tiny scars, realistic subsurface scattering; 4k painterly finish with mild film grain for authenticity
Prompt: A stark, high-contrast portrait inspired by Marina Abramović’s endurance performances. The female figure stands motionless, eyes locked with the viewer, her face unreadable yet heavy with history. The background is minimal — a cold, white gallery space, lit with harsh, clinical light. Around her, symbolic objects lie scattered: a rose, a knife, a bullet, a broken mirror. Her body is real and unidealized, captured in the moment between tension and surrender. The composition is confrontational — the viewer feels implicated, as if they are part of the performance. The style should merge photorealism with conceptual minimalism, evoking both vulnerability and absolute control.
Prompt: Create a haunting, intimate portrayal of a solitary woman, seated in a barren, undefined space.
Her body is twisted slightly, as if caught mid-thought or mid-memory. One hand clenched, the other limp. Her ribs slightly visible beneath pale, blotchy skin — the body not as an object of beauty, but as a container of emotion and trauma.
Her eyes are not pleading — they are hollow, resigned, maybe accusing.
Her hair is unkempt. Her thighs are tensed. She exists not for you — but in spite of you.
Use fine, fragile linework — almost like it might tear. Color in layered textures: sickly yellows, bruised purples, raw sienna. Let the background bleed into her, as if her pain is staining the space around her.
Add symbolic elements — a cracked mirror, wilted iris flowers, torn wallpaper, or a red thread tangled around her fingers — symbols of lost identity, obsession, memory, and decay.
Style: Minimalist background, expressionist emotion. Let the emptiness feel loud. Let the figure speak in silence.
Prompt: Create a surreal, Cubist-inspired portrait of a woman as seen through the emotional lens of Pablo Picasso.
The female figure should be fragmented into sharp, angular planes — showing multiple perspectives at once. One eye might be frontal, another in profile. Her face should be a collage of forms — ear near the forehead, mouth twisted with dual emotion.
Use a bold, expressive color palette: deep blues, fiery oranges, muted greens, and pinks — in contrast, not harmony. Her body is abstracted — not anatomically correct, but emotionally intense.
Include symbolic elements — a weeping eye, a bird, a broken mirror, or a bent flower — each representing the many roles women play: muse, mother, mystery, memory.
Her expression should be unreadable, layered — as if joy and grief live in the same face. Background should be chaotic but balanced — Picasso’s energy was always controlled within wildness.
Style: 1930s Cubist oil painting with modern digital depth. Texture should feel layered, spontaneous, yet intentional — reflecting the duality of celebration and distortion.
Prompt: Create a minimalist, emotionally rich portrait of two Indian women seated side by side, inspired by the styles and themes of Amrita Sher-Gil.
The women wear traditional Indian saris in muted earth tones — ochre, rust, indigo, and deep red. Their faces are calm, yet hold subtle emotional tension — eyes heavy with thought, lips closed, expressions unreadable.
Their bodies are relaxed, seated on the ground or a wooden bench, surrounded by a simple domestic or rural background — bare walls, a window with soft light, a clay pot or folded cloth nearby.
There is no dramatic gesture, no obvious action — just the weight of presence and silence. Their posture reflects both resignation and inner strength — the unspoken solidarity of women in a patriarchal world.
Include textured brushstrokes and slightly uneven outlines, capturing a handmade, raw quality. The overall palette should be earthy, subdued, and emotionally warm — like a painting left in sunlight for decades.
Style: Modernist oil painting with minimal detail, focus on emotion through stillness. Channel Amrita’s lens: the body as a vessel of quiet history, the woman as her own story — never a symbol, always a person.
Prompt: Create a surreal Art Nouveau-inspired portrait of a mystical woman, blending the sensual elegance of The Kiss, the divine ecstasy of Danaë, and the sacred glamour of Adele Bloch-Bauer.
The woman reclines or floats in a dreamy pose, partially nude, her body wrapped in intricate golden patterns, mosaics, and spirals. Her skin is soft and luminous, her expression peaceful yet powerful — eyes closed, as if connected to a divine source.
Around her, abstract forms swirl like cosmic waves: symbolic flowers, ancient symbols, flowing lines, and geometric shapes that glow with metallic gold, deep reds, and royal blues. Her hair flows like silk into the background, merging with ornamental patterns.
Parts of her body are adorned with gold leaf textures, and sections of her robe (or skin) carry spiritual symbols — eyes, moons, sacred triangles, or nature patterns.
The setting is timeless — floating between dream and universe — with no clear ground or sky. The entire image should feel like she is a living icon of sensuality, creation, and universal feminine power.
Style: Art Nouveau / Symbolist painting, with glowing gold textures, mosaic designs, and soft realism in the face and form. A perfect balance of beauty, mystery, and spiritual energy — an homage to Klimt’s golden vision of womanhood.
Prompt: Depict a vibrant and dramatic Baroque scene of a voluptuous goddess seated at the center of an overflowing banquet table, surrounded by fruit, flowers, flowing wine, and cherubs.
Her body is full-figured, glowing with warm flesh tones, richly lit with golden highlights and soft shadows. She wears a sheer, flowing robe that falls off one shoulder, revealing her curves with dignity and confidence. Her pose is relaxed yet commanding — a divine being who embodies abundance, pleasure, and joy.
Around her, other Rubenesque figures — women, nymphs, or goddesses — are dancing, pouring wine, playing music, and celebrating life. The scene is alive with movement: fluttering silks, tousled hair, smiling faces, and dramatic sky or candlelight above.
In the background, place classical columns, mythological symbols (a peacock, a lion, a golden harp), and a sky swirling with Baroque energy. Use deep, rich color tones — crimson, ivory, emerald, and gold — and intricate details in every corner.
Style: High Baroque oil painting, inspired by Rubens’ theatrical compositions, dynamic forms, and lush texturing. The final piece should feel like a celebration of life, flesh, and divine feminine fullness — an ode to sensual power and joy.
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Rojitha Yasaswin
(rojithay)
Member since 2024
⭕The hardest choices require the strongest wills
Artist statement
Blending artistry with AI, I craft images that push boundaries and spark curiosity. Each piece explores the dynamic interplay between human creativity and machine intelligence, inviting viewers to ponder the evolving landscape of digital expression.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
