Prompt: A Goddess of the he Blood Moon, sexy body, Full Body Show, mandala intricate portrait, a glowing magical moon goddess, glowing mandala aura. artgerm, Edouard Bisson, Alan Davis, Dan Colen. Warm glow, Chromolithography, Acrylic paint, Mandala henna, octane render, colorful intricate portrait, euphoria makeup, highly detailed girl, Colorful studio portrait of a beautiful translucent iridescent pearl sculpture, zoom lens bokeh, archviz, ultra high resolution, photo by Wolfgang Tillmans, HDR, 8K
Prompt: A Goddess of the he Blood Moon, sexy body, Full Body Show, mandala intricate portrait, a glowing magical moon goddess, glowing mandala aura. artgerm, Edouard Bisson, Alan Davis, Dan Colen. Warm glow, Chromolithography, Acrylic paint, Mandala henna, octane render, colorful intricate portrait, euphoria makeup, highly detailed girl, Colorful studio portrait of a beautiful translucent iridescent pearl sculpture, zoom lens bokeh, archviz, ultra high resolution, photo by Wolfgang Tillmans, HDR, 8K
Prompt: A Goddess of the he Blood Moon, sexy body, Full Body Show, mandala intricate portrait, a glowing magical moon goddess, glowing mandala aura. artgerm, Edouard Bisson, Alan Davis, Dan Colen. Warm glow, Chromolithography, Acrylic paint, Mandala henna, octane render, colorful intricate portrait, euphoria makeup, highly detailed girl, Colorful studio portrait of a beautiful translucent iridescent pearl sculpture, zoom lens bokeh, archviz, ultra high resolution, photo by Wolfgang Tillmans, HDR, 8K
Revolutionary Triumph with the Flag-Bearer Leading
Model:
DigitalDaVinci
Size:
1152 X 896
(1.03 MP)
Used settings:
Prompt: In the style of painter by Eugène Delacroix, a painting depicts the July Revolution of 1830 in Paris, which overthrew the French King Charles with a strong woman central figure as a personified representation of Liberty leading the charge. She strides forward, the French tricolour flag held high in one hand and a bayoneted musket grasped in the other. Her face is calm and determined, her yellow dress flowing behind her. Surrounding her is a diverse group of revolutionaries, representing the working class, bourgeoisie, and students who fought together against the monarchy. On the left, a man in a top hat and tailored coat symbolizes the middle class, while a shirtless worker with a pistol represents the lower classes. A young student in a black beret also joins the fray, dual pistols in hand. The composition is dynamic and chaotic, with bodies strewn across the foreground and smoke billowing in the background.
Bold, expressive brushstrokes and a vibrant color palette of reds, blues, and yellows to heighten the sense of energy and urgency.
The composition is a pyramidal structure with Liberty at the apex creating a sense of order and monumentality amidst the tumult.
Notre Dame cathedral in the background provides a symbolic link to the French revolutionary tradition and the ideals of liberty, equality, and fraternity, iconic work to become a universal symbol of revolution, freedom, and the struggle against oppression.
Prompt: In the style of painter by Eugène Delacroix, a painting depicts the July Revolution of 1830 in Paris, which overthrew the French King Charles with a strong woman central figure as a personified representation of Liberty leading the charge. She strides forward, the French tricolour flag held high in one hand and a bayoneted musket grasped in the other. Her face is calm and determined, her yellow dress flowing behind her. Surrounding her is a diverse group of revolutionaries, representing the working class, bourgeoisie, and students who fought together against the monarchy. On the left, a man in a top hat and tailored coat symbolizes the middle class, while a shirtless worker with a pistol represents the lower classes. A young student in a black beret also joins the fray, dual pistols in hand. The composition is dynamic and chaotic, with bodies strewn across the foreground and smoke billowing in the background.
Bold, expressive brushstrokes and a vibrant color palette of reds, blues, and yellows to heighten the sense of energy and urgency.
The composition is a pyramidal structure with Liberty at the apex creating a sense of order and monumentality amidst the tumult.
Notre Dame cathedral in the background provides a symbolic link to the French revolutionary tradition and the ideals of liberty, equality, and fraternity, iconic work to become a universal symbol of revolution, freedom, and the struggle against oppression.
Prompt: In the style of painter by Eugène Delacroix, a painting depicts the July Revolution of 1830 in Paris, which overthrew the French King Charles with a strong woman central figure as a personified representation of Liberty leading the charge. She strides forward, the French tricolour flag held high in one hand and a bayoneted musket grasped in the other. Her face is calm and determined, her yellow dress flowing behind her. Surrounding her is a diverse group of revolutionaries, representing the working class, bourgeoisie, and students who fought together against the monarchy. On the left, a man in a top hat and tailored coat symbolizes the middle class, while a shirtless worker with a pistol represents the lower classes. A young student in a black beret also joins the fray, dual pistols in hand. The composition is dynamic and chaotic, with bodies strewn across the foreground and smoke billowing in the background.
Bold, expressive brushstrokes and a vibrant color palette of reds, blues, and yellows to heighten the sense of energy and urgency.
The composition is a pyramidal structure with Liberty at the apex creating a sense of order and monumentality amidst the tumult.
Notre Dame cathedral in the background provides a symbolic link to the French revolutionary tradition and the ideals of liberty, equality, and fraternity, iconic work to become a universal symbol of revolution, freedom, and the struggle against oppression.
Prompt: In the style of painter by Eugène Delacroix, a painting depicts the July Revolution of 1830 in Paris, which overthrew the French King Charles with a strong woman central figure as a personified representation of Liberty leading the charge. She strides forward, the French tricolour flag held high in one hand and a bayoneted musket grasped in the other. Her face is calm and determined, her yellow dress flowing behind her. Surrounding her is a diverse group of revolutionaries, representing the working class, bourgeoisie, and students who fought together against the monarchy. On the left, a man in a top hat and tailored coat symbolizes the middle class, while a shirtless worker with a pistol represents the lower classes. A young student in a black beret also joins the fray, dual pistols in hand. The composition is dynamic and chaotic, with bodies strewn across the foreground and smoke billowing in the background.
Bold, expressive brushstrokes and a vibrant color palette of reds, blues, and yellows to heighten the sense of energy and urgency.
The composition is a pyramidal structure with Liberty at the apex creating a sense of order and monumentality amidst the tumult.
Notre Dame cathedral in the background provides a symbolic link to the French revolutionary tradition and the ideals of liberty, equality, and fraternity, iconic work to become a universal symbol of revolution, freedom, and the struggle against oppression.
Prompt: In the style of painter by Eugène Delacroix, a painting depicts the July Revolution of 1830 in Paris, which overthrew the French King Charles with a strong woman central figure as a personified representation of Liberty leading the charge. She strides forward, the French tricolour flag held high in one hand and a bayoneted musket grasped in the other. Her face is calm and determined, her yellow dress flowing behind her. Surrounding her is a diverse group of revolutionaries, representing the working class, bourgeoisie, and students who fought together against the monarchy. On the left, a man in a top hat and tailored coat symbolizes the middle class, while a shirtless worker with a pistol represents the lower classes. A young student in a black beret also joins the fray, dual pistols in hand. The composition is dynamic and chaotic, with bodies strewn across the foreground and smoke billowing in the background.
Bold, expressive brushstrokes and a vibrant color palette of reds, blues, and yellows to heighten the sense of energy and urgency.
The composition is a pyramidal structure with Liberty at the apex creating a sense of order and monumentality amidst the tumult.
Notre Dame cathedral in the background provides a symbolic link to the French revolutionary tradition and the ideals of liberty, equality, and fraternity, iconic work to become a universal symbol of revolution, freedom, and the struggle against oppression.
Prompt: In the style of painter by Eugène Delacroix, a painting depicts the July Revolution of 1830 in Paris, which overthrew the French King Charles with a strong woman central figure as a personified representation of Liberty leading the charge. She strides forward, the French tricolour flag held high in one hand and a bayoneted musket grasped in the other. Her face is calm and determined, her yellow dress flowing behind her. Surrounding her is a diverse group of revolutionaries, representing the working class, bourgeoisie, and students who fought together against the monarchy. On the left, a man in a top hat and tailored coat symbolizes the middle class, while a shirtless worker with a pistol represents the lower classes. A young student in a black beret also joins the fray, dual pistols in hand. The composition is dynamic and chaotic, with bodies strewn across the foreground and smoke billowing in the background.
Bold, expressive brushstrokes and a vibrant color palette of reds, blues, and yellows to heighten the sense of energy and urgency.
The composition is a pyramidal structure with Liberty at the apex creating a sense of order and monumentality amidst the tumult.
Notre Dame cathedral in the background provides a symbolic link to the French revolutionary tradition and the ideals of liberty, equality, and fraternity, iconic work to become a universal symbol of revolution, freedom, and the struggle against oppression.
Prompt: Artist Jean-Baptiste Monge style elegant fire fairy at a dynamic contrapposto dance pose in the tip of a flickering candle flame painterly dynamic digital painting miniscule dancing girl dances in the fire acrylic fractal by Margaret Keane with ominous, golden ratio, epic Rembrandt background with foreground vibrant and dynamic, production cinematic character render, ultrahigh quality model
Mystical Queen of Flames (Prompt by Најден Василеску)
Model:
Artistic
Size:
768 X 768
(0.59 MP)
Used settings:
Prompt: Artist Jean-Baptiste Monge style elegant fire fairy at a dynamic contrapposto dance pose in the tip of a flickering candle flame painterly dynamic digital painting miniscule dancing girl dances in the fire acrylic fractal by Margaret Keane with ominous, golden ratio, epic Rembrandt background with foreground vibrant and dynamic, production cinematic character render, ultrahigh quality model
Golden Flames of Light and Shadow (Prompt by Најден Василеску)
Model:
Artistic
Size:
704 X 896
(0.63 MP)
Used settings:
Prompt: Artist Jean-Baptiste Monge style elegant fire fairy at a dynamic contrapposto dance pose in the tip of a flickering candle flame painterly dynamic digital painting miniscule dancing girl dances in the fire acrylic fractal by Margaret Keane with ominous, golden ratio, epic Rembrandt background with foreground vibrant and dynamic, production cinematic character render, ultrahigh quality model
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental panoramic fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: Jean-Baptiste Monge style panoramic view of 12 children sitting on a long table all looking at the one in the middle lifting his lifting a glass of grape juice to the air, Influenced by the last supper painting by Leonardo da Vinci, Divine light coming from behind, caustics from the glasses, fleshy youthful skin on the children, extreme attention to detail, Sfumato and glazing, perfect composition, perfect light and shadow play
Prompt: A Caravaggio style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: A Caravaggio style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: A Jean-Baptiste Monge style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: A Jean-Baptiste Monge style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: A Jean-Baptiste Monge style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: A Jean-Baptiste Monge style poetic thirds composition of children playing around a much taller pale boy with only his undergarments on acting like a tree with his hands to his sides and the surrounding others looking at him in a barren landscape void of trees, one child is standing on a tree stump with his hands up to the two sides imitating branches, there are three children around him one at his feet and two at his sides. This is a meticulous painting by Leonardo da Vinci, Composition influenced by The Flagellation of Christ by Caravaggio. Light coming from behind, fleshy youthful skin on the children with playful positive facial expression, positive mood with extreme attention to detail, Sfumato and glazing, perfect composition, perfect light and shadow play
Prompt: Jean-Baptiste Monge style panoramic view of 12 children sitting on a long table all looking at the one in the middle lifting his lifting a glass of grape juice to the air, Influenced by the last supper painting by Leonardo da Vinci, Divine light coming from behind, caustics from the glasses, fleshy youthful skin on the children, extreme attention to detail, Sfumato and glazing, perfect composition, perfect light and shadow play
Prompt: Jean-Baptiste Monge painterly painted 80's goth count portrait painting with hands included in the style of Leonardo Da Vinci and Sandro Botticelli, "full body" portrait ofan aluring offbeat female figure, Paper layer art and quiling in Surreal color portrait Lee Miller solarization surrealism Dadaism retrofuturistic style Man Ray, Brassai, Edward Hopper, Klimt, Fritz Lang, Watercolor, trending on artstation, sharp focus, studio photo, intricate details, highly detailed, by greg rutkowski
Prompt: Jean-Baptiste Monge painterly painted 80's goth girl portrait painting in the style of Leonardo Da Vinci and Sandro Botticelli, "full body" portrait ofan aluring offbeat female figure, Paper layer art and quiling in Surreal color portrait Lee Miller solarization surrealism Dadaism retrofuturistic style Man Ray, Brassai, Edward Hopper, Klimt, Fritz Lang, Watercolor, trending on artstation, sharp focus, studio photo, intricate details, highly detailed, by greg rutkowski
Would you like to report this Dream as inappropriate?
55w
0
0
32
Purnima Begam
(purnima)
Member since 2024
Hello, I am from Bangladesh, and I am an English Teacher. AI has come into my life less than a year ago. And it used to be the greatest new thing. But this August, I am going to become a grandmother. So expect many child themed images if God lets me hopefully see those days.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
