Neo Kotsiubiiv (Нео Коцюбіїв)

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Hobbit house in a magical forest, surrounded by bright magical sparkles, stars, galaxies, the universe.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Tolkien describes Barad-dûr as a "vast fortress, armoury, prison, furnace of great power". The fortress was constructed with many towers and was hidden in clouds, "rising black, blacker and darker than the vast shades amid which it stood, the cruel pinnacles and iron crown of the topmost tower of Barad-dûr." It could not be clearly seen because Sauron created shadows about himself that crept out from the tower. Frodo sees the immense tower from Amon Hen, the Hill of Seeing, as wall upon wall, battlement upon battlement, black, immeasurably strong, mountain of iron, gate of steel, tower of adamant... Barad-dûr, Fortress of Sauron. There was a look-out post, the "Window of the Eye", at the top of Barad-dûr. This window was visible from Mount Doom where Frodo and Sam had a terrible glimpse of the Eye of Sauron. Barad-dûr's west gate is described as "huge" and the west bridge as "a vast bridge of iron."
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Brooke comments that in Lothlórien, Tolkien had worked in his personal concern for nature. Further, she suggests that Lothlórien embodies Ruskin's principles of Gothic architecture. She argues that the centrality of the mallorn tree to the Elves makes architecture hard to distinguish from nature. Further, the colours of silver and gold in the hall of Galadriel and Celeborn recall both the silver-grey of the mallorn trunks and the circle of trees "arrayed in pale gold" in Lothlórien, and the Two Trees of Valinor, with Laurelin's golden fruit and Telperion's silver flower. This in turn, she writes, implies that the Elves of Lothlórien are wholly integrated with their forest environment. In Unfinished Tales, Tolkien speaks of the mallorn grove "carpeted and roofed with gold"; Brooke writes that this mixes the lexical fields of architecture and nature description, revealing the intertwining of the two in the Elvish realm.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Meduseld, the Golden Hall of the Kings of Rohan, is in the centre of the town of Edoras at the top of the hill.[T 5] "Meduseld", Old English for "mead hall",[6] is meant to be a translation of an unknown Rohirric word with the same meaning. Meduseld is based on the mead hall Heorot in Beowulf; it is a large hall with a thatched roof that appears golden from far off. The walls are richly decorated with tapestries depicting the history and legends of the Rohirrim, and it serves as a house for the King and his kin, a meeting hall for the King and his advisors, and a gathering hall for ceremonies and festivities.[T 5] Tolkien hints at the hall's heroic connotations by having Legolas describe Meduseld in a sentence that directly translates a line of Beowulf, "The light of it shines far over the land", representing líxte se léoma ofer landa fela.[7] Brooke comments that Meduseld represents "a more historical reworking of architecture", given its evident Anglo-Saxon roots, while Gondor's Minas Tirith suggests a "more classical legacy" from European history. The parallels do not imply identity: unlike the Anglo-Saxons.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Isengard was for most of its history a green and pleasant place, according to Tolkien, with many fruiting trees. It stood in front of Methedras, the southernmost peak of the Misty Mountains, which formed its northern wall. The rest of the perimeter consisted of a large wall, the Ring of Isengard, breached only by the inflow of the river Isen at the north-east through a portcullis, and the gate of Isengard at the south, at both shores of the river.[T 8] The tower of Orthanc was built towards the end of the Second Age by men of Gondor from four many-sided columns of rock joined by an unknown process and then hardened. No known weapon could harm it. The place became evil only after Saruman took it over, filling it with pits and tunnels where his Orcs worked underground with fire and wheels. Orthanc rose to more than 500 feet (150 metres) above the plain of Isengard, and ended in four sharp peaks. Its only entrance was at the top of a high stair, and above that was a small window and balcony.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Architecture is becoming liquid, invisible and indistinguishable from images. As the city remains open to processes of growth, decline and transformation, Architects and City Planners must strive to sustain a continuous program so that intense metabolic changes can take place freely within our Cities. Perhaps these critiques on Architecture in the Imagined Cities guide the evolution of the perception of our cities. That the city itself was transforming through new media, new technology, and new patterns of consumption. As the physicality of architecture is dematerializing, Architecture is set to become a very metaphysical thing. At present, Architecture is still very tangible. But there is already an imaginable state where all the physical elements could become, somehow, simple images. There is going to be an interpenetration on the physical world that we live in. And people live with it already, with information overload as the norm and social media as the training center just for that.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Cyberpunk is a futuristic, sci-fi-based society that's often dominated by – or at war with – hi-tech intelligence. Common characters involve avatars, robots, or hybrid humans. Picture this: you're at war with the elites of artificial intelligence.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: 30 St Mary Axe. The primary methods for controlling wind-excited sways are to increase the stiffness, or increase damping with tuned/active mass dampers. To a design by Arup, its fully triangulated perimeter structure makes the building rigid enough without any extra reinforcements. Despite its overall curved glass shape, there is only one piece of curved glass on the building, the lens-shaped cap at the apex. On the building's top level (the 40th floor), there is a bar for tenants and their guests, with a panoramic view of London. A restaurant operates on the 39th floor, and private dining rooms on the 38th. Most buildings have extensive lift equipment on the roof of the building, but this was not possible for the Gherkin, since a bar had been planned for the 40th floor. The architects dealt with this by having the main lift only reach the 34th floor, with a separate push-from-below lift to the 39th floor. There is a marble stairwell and a disabled persons' lift, which leads the visitor up to the bar in the dome.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Montreal Biosphere. he building originally formed an enclosed structure of steel and acrylic cells, 76 metres (249 ft) in diameter and 62 metres (203 ft) high. It is a Class 1 (icosahedral, as differentiated from Class 2 domes, which are dodecahedral, and Class 3 ones, which are tetrahedral), 32-frequency, double-layer dome, in which the inner and outer layers are connected by a latticework of struts. (There has occasionally been confusion in mistakenly referring to this as a 16-frequency dome due to the fact that there are 15 hexagonal polygons from each pentagonally polygonal vertex of this icosahedral polyhedron to the adjacent vertex. However, the standard for measuring dome frequency is the number of triangles from vertex to vertex. Since there are two triangles from one side to the opposite side of a hexagon, there are actually 30 triangles from the edge of each pentagonal vertex in this dome to the next, plus the triangle that comprises one-fifth of the pentagonal vertex at each end of the length from one vertex to the adjacent vertex: totaling 32 triangles from the center of each vertex to the center of the next vertex.).
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Blobitecture. Despite its seeming organicism, blob architecture is unthinkable without this and other similar computer-aided design programs. Architects derive the forms by manipulating the algorithms of the computer modeling platform. Some other computer aided design functions involved in developing this are the nonuniform rational B-spline or NURB, freeform surfaces, and the digitizing of sculpted forms by means akin to computed tomography. Buckminster Fuller's work with geodesic domes provided both stylistic and structural precedents. Geodesic domes form the building blocks for works including The Eden Project.[6] Niemeyer's Edificio Copan built in 1957 undulates nonsymetrically invoking the irregular non-linearity often seen in blobitecture. There was a climate of experimental architecture with an air of psychedelia in the 1970s that these were a part of. The Flintstone House by William Nicholson in 1976, was built over large inflated balloons. Frederick Kiesler's unbuilt, Endless House is another instance of early blob-like architecture, although it is symmetrical in plan and designed before computers.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Blobitecture. Blobism and blobismus are terms for a movement in architecture in which buildings have an organic, amoeba-shaped, building form.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Architecture of ‘Tron’ relies on a novum created to achieve this alternative universe. There are no natural sources of light in the digital universe of ‘Tron’, and this is clearly represented in the Architecture of the spaces. The spaces in the movie are almost exclusively lit up by artificial LED Lights and even in the technology and clothes worn by humans and humanoids. It is almost like the lights in ‘Tron’ are not use for illuminating the surface but rather to simply wash the surface with light hence allowing for the object to be gently be acknowledged. With the absence of any natural light sources, artificial light is used in the form of a material or in the way colour is used in the real world. The architectural aesthetic of the film is inspired by microchips, and so is the visual aesthetic of the costumes and vehicles in the Tron world. Another inspiration that the virtual world has taken from the real world is the Architecture of totalitarian governments.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Tower of Ring is a stunning structure that is a beautiful sight to behold. Despite being dubbed a tower, it has more of a monumental status. Completely empty, it does not house any rooms or even stairs to climb up. Occupying the middle of a big square in Tianjin, China, it simply offers a serene area for revellers to lose themselves in. Designed by the EASTERN Design Office, the Tower of Ring is made out of cast-steel. Exactly 1,168 pieces make up each wave element, all of which are embedded with LEDs for a spectacular show at night. Consisting of 73 levels, the cylindrical structure spirals up into the heavens, inviting people to enjoy its height amongst the blue sky and clouds--to not would be a shame.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The seemingly out-of-place 'Step Tower' looms over Ibaraki-city in Osaka, Japan while imitating a seafaring vessel. Designed by architecture firm EASTERN design office, the tower was built with a minimalist facade to look like a white ship. The residential tower is composed of layers of beautiful curves that extend into the sky. As you look up, each subsequent layer looks like it's curving further and further up. As a result, the seafaring tower looks like a gargantuan wave or spine.EASTERN's tower is 10-stories tall and has extremely well-designed rooms. The design firm decided to keep the apartments simple with rich hardwood floors and clean white furniture. The Step Tower will have larger suites on the fifth to tenth floors and single room suites on the second to fourth floors.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: When Ziba Esmaeilian describes the themes and principles at play in the design of 'Dichotomy & Ambiguity,' it's difficult to envision an architecture that embodies any harmony at all. Interestingly, despite the contrasting forms at work within this idiosyncratic structure, the skyscraper carries itself with a beautiful balance. The chaotic "pile" system is met with the predictable monolithic style for a fascinating fusion of geometric masses. They appear to defy the logic of the planned horizontal floor planes. A glance at the cross-sections will show you that such interior spaces function regardless with an intelligent arrangement of open galleries and vertical circulation. 'Dichotomy & Ambiguity' mesmerizes from the outside with its abstract shape and the captivating striation of its cladding.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Scientists and engineers at Arizona State University's Center for Science and the Imagination are working on a concept with science fiction author Neal Stephenson to develop sci-fi building that is capable of launching rockets into outer space. Before becoming an author, Stephenson studied physics, familiarizing him with issues like wind pressure and the constraints of today's building materials. He claims that one day, "high-grade steel could one day be used to build a tower that is around 24 times as tall as the 830-metre Burj Khalifa," which is currently the world's tallest man-made structure. The proposed design of 'The Tall Building' is part of 'Project Hieroglyph,' which aims to bring the visions of sci-fi writers into reality. Stephenson imagines that this structure would tower over the ground at over 12 miles high and because of its height, it would become one of the most cost-effective ways to send objects into space.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: These sci-fi architecture examples range from cloud-shaped structures to futuristic interiors that are inspired by conceptual imagery. Embracing futuristic design ideals, these sci-fi architecture examples are the opposite of traditional and are always pushing boundaries with their complex and sophisticated designs. These amazing structures are not only visually striking but are designed using some of the world's most sophisticated technological inventions. Standouts from the list include Yuliyan Mikov's Museum of Architecture concept. This project looks to nature for its visual inspiration and employs complex technology to create its organically shaped structural form. The end result is a dreamlike and sculptural design and is a piece many hope will be fully realized and built in the coming future.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: According to Egyptologists, the word means “the temple at the entrance of the lake.” According to Herodotus, the entire building, surrounded by a single wall, contained 12 courts and 3,000 chambers, 1,500 above and 1,500 below ground. The roofs were wholly of stone, and the walls were covered with sculpture. On one side stood a pyramid about 243 feet (74 m) high. Herodotus himself went through the upper chambers but was not permitted to visit those underground, which he was told contained the tombs of the kings who had built the labyrinth and the tombs of the sacred crocodiles. Other ancient authorities considered that it was built as a place of meeting for the Egyptian nomes, or political divisions; but it is more likely that it was intended for sepulchral purposes. It was the work of Amenemhet III, of the 12th dynasty, who reigned from 1818 to 1770 bc. It was first located by the Egyptologist Karl R. Lepsius to the north of Hawara in the Fayum, and in 1888 Flinders Petrie discovered its foundation, the extent of which is about 1,000 feet long by 800 feet wide (300 by 250 m).
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Brooke remarks that where Rohan had a long low hall, Gondor has a tall tower, suggesting defence as well as signalling architectural skill, while "its whiteness reflects the enlightened Gondorian society".[1] As for the interiors, the nature-loving Hobbit Pippin sees the palace's "tall pillars" as being like "monoliths ...[rising] to great capitals carved in many strange figures of beasts and leaves".[1] Brooke comments that the Hobbit recognises the carved foliage, but finds its expression in stone incongruous. As for the walls, they have no "hangings nor storied webs, nor anything of woven stuff or of wood", but only "tall images graven in cold stone".[1] Once again, this contrasts with Meduseld's comfortable warmth, with its "many woven cloths ... hung upon the walls" telling the stories of "figures of ancient legend".
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The capital city of Gondor was Minas Tirith. It had seven walls: each wall held a gate, and each gate faced a different direction from the next, facing alternately somewhat north or south. Each level was about 100 ft (30 m) higher than the one below it, and each surrounded by a high white stone wall, with the exception of the wall of the First Circle (the lowest level), which was black, built of the same material used for Orthanc. This outer wall was also the tallest, longest and strongest of the city's seven walls; it was vulnerable only to earthquakes capable of rending the ground where it stood. The Great Gate of Minas Tirith, constructed of iron and steel and guarded by stone towers and bastions, was the main gate on the first wall level of the city.[T 6] Tolkien called it a "Byzantine City".
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0