Prompt: A Jean-Baptiste Monge style poetic thirds composition of children playing around a much taller pale boy with only his undergarments on acting like a tree with his hands to his sides and the surrounding others looking at him in a barren landscape void of trees, one child is standing on a tree stump with his hands up to the two sides imitating branches, there are three children around him one at his feet and two at his sides. This is a meticulous painting by Leonardo da Vinci, Composition influenced by The Flagellation of Christ by Caravaggio. Light coming from behind, fleshy youthful skin on the children with playful positive facial expression, positive mood with extreme attention to detail, Sfumato and glazing, perfect composition, perfect light and shadow play
Prompt: A Jean-Baptiste Monge style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: A Caravaggio style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: A Caravaggio style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: Jean-Baptiste Monge style panoramic view of 12 children sitting on a long table all looking at the one in the middle lifting his lifting a glass of grape juice to the air, Influenced by the last supper painting by Leonardo da Vinci, Divine light coming from behind, caustics from the glasses, fleshy youthful skin on the children, extreme attention to detail, Sfumato and glazing, perfect composition, perfect light and shadow play
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental panoramic fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A dramatic masterpiece of luxurious light and shadow play cladded by Gil Elvgren and Jean Auguste Dominique Ingres in Cornelis Norbertus golden ration proportions with highly detailed artwork in a mythological and folk theme, best quality, cinematic lighting, beautiful highly detailed, intricate artwork masterpiece, trending on CGSociety, 32K, perfect composition, Perfect faces, award winning
Prompt: A dramatic masterpiece of luxurious light and shadow play cladded by Gil Elvgren and Jean Auguste Dominique Ingres in Cornelis Norbertus golden ration proportions with highly detailed artwork in a mythological and folk theme, best quality, cinematic lighting, beautiful highly detailed, intricate artwork masterpiece, trending on CGSociety, 32K, perfect composition, Perfect faces, award winning
Prompt: A dramatic masterpiece of luxurious light and shadow play cladded by Gil Elvgren and Jean Auguste Dominique Ingres in Cornelis Norbertus golden ration proportions with highly detailed artwork in a mythological and folk theme, best quality, cinematic lighting, beautiful highly detailed, intricate artwork masterpiece, trending on CGSociety, 32K, perfect composition, Perfect faces, award winning
Prompt: A dramatic masterpiece of luxurious light and shadow play cladded by Gil Elvgren and Jean Auguste Dominique Ingres in Cornelis Norbertus golden ration proportions with highly detailed artwork in a mythological and folk theme, best quality, cinematic lighting, beautiful highly detailed, intricate artwork masterpiece, trending on CGSociety, 32K, perfect composition, Perfect faces, award winning
Prompt: A dramatic masterpiece of luxurious light and shadow play cladded by Gil Elvgren and Jean Auguste Dominique Ingres in Cornelis Norbertus golden ration proportions with highly detailed artwork in a mythological and folk theme, best quality, cinematic lighting, beautiful highly detailed, intricate artwork masterpiece, trending on CGSociety, 32K, perfect composition, Perfect faces, award winning
Prompt: A dramatic masterpiece of luxurious light and shadow play cladded by Gil Elvgren and Jean Auguste Dominique Ingres in Cornelis Norbertus golden ration proportions with highly detailed artwork in a mythological and folk theme, best quality, cinematic lighting, beautiful highly detailed, intricate artwork masterpiece, trending on CGSociety, 32K, perfect composition, Perfect faces, award winning
Prompt: Artist Jean-Baptiste Monge style elegant fire fairy at a dynamic contrapposto dance pose in the tip of a flickering candle flame painterly dynamic digital painting miniscule dancing girl dances in the fire acrylic fractal by Margaret Keane with ominous, golden ratio, epic Rembrandt background with foreground vibrant and dynamic, production cinematic character render, ultrahigh quality model
Dancing Golden Spectacle Flames (By Најден Василеску)
Model:
Artistic
Size:
768 X 768
(0.59 MP)
Used settings:
Prompt: Artist Jean-Baptiste Monge style elegant fire fairy at a dynamic contrapposto dance pose in the tip of a flickering candle flame painterly dynamic digital painting miniscule dancing girl dances in the fire acrylic fractal by Margaret Keane with ominous, golden ratio, epic Rembrandt background with foreground vibrant and dynamic, production cinematic character render, ultrahigh quality model
Prompt: large, rusty metal mechanical octopus with a metallic, weathered appearance with a slightly melancholic expression.
The background reveals a desolate, industrial landscape with crumbling buildings and abandoned machinery.
The overall mood of the image is haunting and thought-provoking, young Evil Victorian scientist woman, wearing goggles, golden corset,
Prompt: Pretty small wild flowers on old newspaper, by Valent10179, ((diagonal arrangement)), a cone of flowers lies on a village wooden table, blank border 1920s, miracle-happiness masterpiece,
Prompt: A pretty female harlequin is walking a tightrope between two buildings with a red balancing umbrella. The position of the tightrope overlooks the city below. The harlequin is in the middle of the tightrope and doing some dangerous acts. Her long hair and her dress are floating in the air. The sun is rising from the horizon far away. beautiful clouds and a fading rainbow in the sky. Excitement and joy were showing on her face. Beautiful scenery of a whole new world. wide-angle panoramic view.
Prompt: Beautiful young woman, white skin with a slight touch of pink in the shadows of her face, red hair, yellow eyes, red lips, among autumn leaves flying over.
Prompt: Create an image of stunning and sexy girl in red night dress, intricate and impressive illustration, [ art by Marta Pitchuk]. Close up view. Night city background with splashes of yellow from street lighting, oil on canvas with large brushstrokes, drops of ink, clear lines, sharp strokes, verbatim, vivid colors, Peter Gric.
Prompt: Create an image of an adorable baby octopus with a plump, round body, resting on a bed of vibrant pink coral. The octopus has a soft, pale pink skin dappled with white spots and subtle hints of light purple shading. Delicate, blush-colored cherry blossom patterns adorn each of its eight tentacles, with small, flower-like textures clustered at the top of its head. Its eyes are large, round, and black, giving it a cute, childlike expression. The surrounding corals resemble fluffy pink clouds, creating a dreamy underwater setting. Small bubbles float upwards, adding to the underwater ambiance. The upper left corner features elegant, swirling calligraphy. The overall atmosphere of the image is serene and whimsical, bathed in a gentle, diffuse light that highlights the intricate details of the octopus and its soft, pastel environment.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
