Prompt: ((masterpiece)), ((best quality)), (hyperrealistic)), (photographic)), 8K, UHD, cinematic, widescreen (3:2), ultra-detailed, sharp focus, depth of field, Volumetric lighting.
Subject & Composition: A (broken wooden pier:1.3) made of (rotten, warped planks with visible wood grain, moss and silvery-green lichen) stretches into the (vanishing point on the horizon). On the left shore, an (abandoned wooden rowboat:1.2), half-submerged, with (peeling paint in faded oxblood red and cream) and (a single broken oar). In the lake, a (small old fishing boat with weathered navy blue paint) with a (lone angler as a tiny silhouette), (casting his rod).
Environment & Setting: An (alpine lake at sunrise). (Towering snow-capped mountains) frame a (central gap where the sun emerges). The sun's reflection creates a (glowing vertical column of light:1.2) across the water. (Dense volumetric fog) blankets the lake, (softening all reflections) and (creating layered atmospheric perspective).
Textures & Details: (Extreme detail on weathered wood:1.2): (splintered edges, water stains, green algae patches). (Frayed, torn hemp ropes hanging loosely from railings). (Wet stones in shades of slate grey and rust-red) and (scattered planks on the shore). (Cold water droplets on the pier posts). (Broken stratus and cirrus clouds) in the sky painted in (peach, lavender and gold tones by the rising sun).
Lighting & Atmosphere: (Cinematic sunrise backlighting). (Sunbeams piercing through the mountain gap) (god rays). (Diffused overcast light) filtering through the fog. (Chiaroscuro: strong contrast between the bright sun column and the dark, misty shadows). The mood is (melancholic, atmospheric, surreal, and serene).
Color Palette: A (rich yet muted cinematic color grade:1.3): (cold slate greys, deep pine greens, desaturated browns, weathered wood tones, silvery mist). Accents of (faded oxblood red on the boat), (navy blue on the fishing boat), (rust-red on stones), (silvery-green lichen on wood), (peach and lavender highlights in the clouds), and (a single intense amber highlight from the sun's core).
Baltic Adventure (15) - Three bloody hours looking for a parking space
Model:
AIVision
Size:
1446 X 1008
(1.46 MP)
Used settings:
Prompt: (((Masterpiece, close up, side view))) Drawn with ink, irregular stroke, blotting, scratchy and squiggly line, evocative, colored with bright warercolour, splatter, overspray of color. (((two women in a car surrounded by unpleasant traffic signs)))
Create a vivid image featuring a very beautiful busty slender young vietnamese woman and a very beautiful young italian woman in a car that is surrounded by traffic signs: no stopping signs, no passing signs, red traffic lights.
The vietnamese woman‘s blonde hair is loosely styled in a bun with many loose tendrils framing her face. She wears shorts and a t-shirt with a small rainbow print. She has a desperate expression on her face.
The italian girl has long dark wavy hair and bangs, she wears a black tanktop and red dungarees. She is driving the car an looks totally puzzled and tired.
Radiant colours from the evening sun on a hot summer evening highlight the beautiful facial and bodily features of the two women..
Masterpiece, gorgeous, beautiful, awe striking, breath taking, evocative, sumptuous, aesthetic, unique, HD,style of by zettel
Prompt: A semi-abstract collage-style mixed-media with encaustic wax textural effects; A city built of words and layers of paper, it is mirrored below but distorted by wave patterns and ripples; the buildings are a mix of ancient and modern, built with torn newspaper, letters, words, old advertisements
Prompt: A vibrant and ethereal watercolour masterpiece of the September Girl, a beautiful young woman with long, flowing seafoam-green hair and captivating golden eyes. Her hair seamlessly dissolves into a swirling, cosmic galaxy of late-summer flowers, particularly vibrant orange and purple poppies. The air around her is alive with sparkling golden dust and pollen. The painting is a fluid, wet-on-wet watercolour in the EmmAI style, where the girl and the floral elements merge into a single, breathtaking composition against an abstract background of deep blues and teals. The mood is enchanting, serene, and slightly wistful, capturing the magical transition from summer to autumn.
Prompt: Woman is in the jungle, she wears a banana skin pattern, she has transparent yellow glasses on, there are big banana leaves around her in green and yellow shades., Jean-Baptiste Monge style,
Prompt: A majestic humpback whale breaching dramatically out of the stormy ocean, water splashing with immense force as YELLOW rays of sunlight pierce through thick clouds above. Towering coastal cliffs rise in the background, partially shrouded in mist, creating a powerful and cinematic atmosphere. The scene is captured in black and white, emphasizing the contrast between the whale, ocean waves, and glowing beams of light. Ultra-realistic detail, dynamic motion, high contrast, epic nature photography style.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 16, Ariwara no Yukihira, of the Ogura Hyakunin Isshu: "Though we are parted, If on Mount Inaba's peak
I should hear the sound Of the pine trees growing there, I'll come back again to you." The image shows Inaba mountain, on whose slopes a verdant pine forest grows, in the distance. In the foreground, we see a small group of young Japanese Middle Counselors wearing intricately patterned silk black-and-gold robes with a high collar at the back of their necks, over loose, abstractly patterned white-and-gold pants. The noblemen are thronging around one of their members to bid him farewell and good luck for his assignment to Inaba province. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 18 - Fujiwara no Toshiyuki
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 18, Fujiwara no Toshiyuki, of the Ogura Hyakunin Isshu: "Must you so avoid others’ eyes that not even at night, along the road of dreams, will you draw nigh like the waves to the shore of Sumi-no-e Bay?" This poem was an entry in a poetry contest by accomplished poet and calligrapher Fujiwara no Toshiyuki. The image personifying the poem shows waves lapping the shore of Sumi-no-e Bay (Osaka Bay) at night. The stars are shining brightly; their silvery light reflects off the waves and the foam that decorates their edges on the shore. The sky is underlaid with a very delicate, barely noticeable calligraphic line pattern of two lovers engaged in a forbidden tryst lying across the entire sky, as if in a dream, almost obscured by the light of the twinkling stars. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 21, Sosei Hōshi, of the Ogura Hyakunin Isshu: "It was only because you said you would come right away that I have waited these long months, till even the wan morning moon has come out." The image shows a standing Japanese woman of antiquity gazing out a a green, hilly landscape in early morning, with a pale waning moon barely visiblein the light-blue morning sky of dawn. She is a peasant, and is wearing a simple, rough, indigo-dyed cotton kosode (forerunner of the kimono). The green, hilly landscape is strongly patterned, as is the pale blue morning sky. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 20, Motoyoshi Shinnō, of the Ogura Hyakunin Isshu: "Miserable, now, it is all the same, Channel-markers of Naniwa - even if it costs my life, I will see you again!" The image shows a Japanese prince sitting on his haunches on the shore of Naniwa Inlet, looking at the miotsukushi, or water markers - wooden posts - placed in shallow areas as safe navigation guides. The Crown Prince is dressed in a sokutai, an enveloping formal robe of golden, heavily patterned silk. The still waters of the inlet twinkle in the sunlight. The nearly cloudless sky is a cerulean blue. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 24, Kanké (Sugawara no Michizane), of the Ogura Hyakunin Isshu: "This time around / I couldn't even bring the sacred streamers / --Offering Hill-- / but if this brocade of leaves it to the gods' liking..." The image shows autumn on Mount Tamuke, with red-leaved trees ringing the mountain. Almost transparently overlaid over the image of the mountain is a nusa, a rather large wand from the top of which many thin, white paper streamers hang down. The wand is used in Shinto religious ceremonies. The red-leaved trees shine through the nearly transparent, full top layer. The mountain and trees exhibit patterns typical of a woodblock print. Exquisite Japanese folio.
Prompt: Paint a richly textured, hyper-expressive scene of a solitary figure facing forward, standing before a shimmering wall of fractured colors sculpted with bold, impasto strokes. The figure holds a translucent golden lantern radiating warmth, its surface built up with thick, luminous layers of paint. She wears a flowing indigo and violet cloak, unfurling in twisting currents as if alive, the textures suggesting both fabric and storm clouds. Her silver-streaked hair sweeps upward in the wind, framing her shadowed face that remains half-hidden in mystery. Her skin carries a soft olive undertone, illuminated only faintly by the lantern’s glow. The background churns with turbulent spirals of deep teal, smoky gray, and ochre, layered with splashes and knife-cut textures, creating the impression of both cosmic vastness and inner turmoil. The whole composition balances motion, mystery, and intensity, evoking a sense of surreal resilience amid chaos.
Prompt: Intricate pen and ink details, by Frank Frazetta, Simon Bisley.
Detailed pen and ink illustration of rain and umbrellas in Barcelona near the sea, featuring a stunning color scheme and intricate details, reminiscent of a nostalgic masterpiece.
Prompt: Dreamy hazy breezy watercolor (((Masterpiece))) wet on wet painting, gold sprinkles ultra detailed, gold ratio, Spectacular view, soft edges. A stunning woman with long black hair seen from the back in a red tight dress, and a red umbrella, is seen walking against the backdrop of a whimsical patchwork vibrant ancient gothic neighborhood, with cute crooked alleys and whimsical patchwork crooked makeshift colorful houses. Vibrant colors of gold, blues, purples and fushia and pinks. Intricate details, unique and gorgeous fantasy. Storybook Art. Stunning, awe striking. No frame no artifacts no words.
Prompt: 3D, painted on a grained wooden board, cute sitting cats with black pupils at early evening, they look as if they were laughing, a smaller one is sitting a little further back, dark night, three-dimensional branches bending and flying leaves in the storm, highly detailed, a narrow half moon, golden leaves and stars, somewhat messy frame of breaking wood chips, colorful, dynamically illuminated by moonlight, highly detailed, inspired by Kay Rasmus Nielsen
Prompt: Graceful curvy sketch in charcoal and wet on wet black watery oil two beautiful woman entwined in an embrace, wild flowing long hair, they are draped in oversized shawl with fringe, 3D projection of vibrant, intricate hyper-detailing of trees and flowers, reminiscent in the style of Alexander Razumovsky and Audrey Beardsley on white background, intricate linework, digital sketch, dynamic lighting to enhance 3D effect.
Prompt: A double exposure in cyanotype technique of a serene winter landscape is depicted, blanketed in soft, falling snowflakes that create a tranquil atmosphere. In the foreground, a middle-aged gnome wearing a long coat and snow boots kneels, reaching out to touch the face of a snow fox. The gnome wears a silver white pointed hat, contrasting against the soft fabric of his long coat. His skin tone is old, his eyes are bright and expressive, reflecting a deep connection with the fox.
The fox, fragile, features a silver white fur that appears windswept, with various shades of gold and deep blue that harmonize with the colors of the surroundings. In the background, rugged mountains rise, cloaked in mist, adding depth to the scene. The overall mood of the image conveys a powerful bond between gnome and the fox, evoking themes of empathy and harmony with nature in a magical snowy setting.
Prompt: Intricate pen and ink details, by Frank Frazetta, Simon Bisley.
Detailed pen and ink illustration of rain and umbrellas in Barcelona near the sea, featuring a stunning color scheme and intricate details, reminiscent of a nostalgic masterpiece.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
19d
19d
