Molly Johnston

Whimsical 60s Urban Fantasy in Color

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape_wide

Welcoming Winter

• Model: FluX

• Size: 3226 X 2457 (7.93 MP)

• Used settings:

  • Prompt: Mysterious young woman, black wool attire, vibrant red streaked hair, pale complexion, waist-up view, captivating gaze, countryside room setting, trees and snowfall through window, soft frontal lighting, artistic touch inspired by Gustav Klimt, Pierre Bonnard, Georges Seurat, Alex Colville, Henri de Toulouse-Lautrec, detailed brushwork, rich color palette, artistic flair, fine art style, evocative ambiance, digital illustration, high resolution, Artstation.
  • Using base image: No
  • Aspect Ratio: landscape

Doggo Love Vibes

• Model: AIVision

• Size: 3176 X 3176 (10.09 MP)

• Used settings:

  • Prompt: A breathtaking fusion of water patterns in a hyperreal 3D composition, featuring woman snuggling with her loyal dog. Entire canvas is made of water paper intricacies flowing harmoniously from one pattern to another, barely discernible on dog or woman's face; discernible in patterning of non-face dog hair with layered water wave contour designs & layered textures. Modern masterpiece has a minimalist yet sophisticated richness blending Carloz Cruz Diezt's style with op art and avant-garde flair. Patterns are sweeping futuristic waves of cohesive artistic interference patterns, aliasing effects, complex overlapping designs , cinematic depth for an immersive water paper textile patchwork that melds into intricate tapestry of patterns where every line, shape, and artistic element harmoniously create a dynamic and surreal visual masterpiece. Ultrafine precision rendering and V-Ray tracing, high-resolution 8K, anoka Faruqee, Sampad, multiple seamless moire patterns, emotionally evocative testament to the bond between dog & human
  • Using base image: No
  • Aspect Ratio: square

Strawberry Blonde

• Model: DaVinci2

• Size: 1200 X 1666 (2.00 MP)

• Used settings:

  • Prompt: Strawberry Blonde: Fresco of Medussa wide eyes, wild hair, red lips, realistic blue eyes, By James Jean, Mark Ryden, Brian Froud, Zdzisław Beksinski, H. R. Giger, Hieronymus Bosch, extremely detailed, high definition, crisp quality, unions, large strawberry in her hand.
  • Using base image: Yes

Winterglow Manor

• Model: SeeDream

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: Keywords Prompt Area: Snow-covered cottage, winter lake, serene night, whimsical atmosphere, dreamy setting, cozy cabin, snowflakes falling, icy lake reflections, tranquil waters, frosty trees, moonlit sky, soft snow blanket, warm glowing windows, peaceful ambiance, winter wonderland, cold color palette, magical lighting.
  • Using base image: Yes

Hedgehog's Winter Adventure in Watercolor

• Model: SeeDream

• Size: 3792 X 2133 (8.09 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape_wide

Whimsical Christmas Village in Snow

• Model: FluX 2 (Base)

• Size: 2176 X 1744 (3.79 MP)

• Used settings:

  • Prompt: A dance of snow-covered, whimsical, multicoloured houses of incredible architecture, bizarre Christmas trees and red, whimsical birds. Style of Inge Shuster, Catherine Hyde, Erica Hopper, Gabriel Pacheco, Jamie Heiden, Antoine Josse , Angelina Wrona, Duy Huyn, Cecilia Frigati, Esao Andrews. Abstract background with texture, grunge paper, mixed media art,acrylic, oil pastel, set of charcoal with different characteristics, pigments. Promt©valestok. Full size image, no text, no copyright.
  • Using base image: Yes

Ogura Hyakunin Isshu No. 55 - Izumi Shikibu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 55, Dainagon Kintō, of the Ogura Hyakunin Isshu: "Though the waterfall / Ceased its flowing long ago, / And its sound is stilled, / Yet, in name it ever flows, / And in fame may yet be heard." The image consists of two layers superimposed like two panes of glass: The layer undeneath features a mountainside with a lively, sparkling, silver waterfall dashing merrily down rocks to a still, dark pool among rich, verdant vegetation. The second layer, semi-transparently covering the first layer, shows the same mountainside, but the vegetaion has withered and the waterfall no longer exists, exposing the craggy rocks beneath the erstwhile waterfall. The layer underneath is a memory, and the layer on top is a currnet representation of the landscape. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like, hand-colored woodcut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 56 - Izumi Shikibu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 56, Izumi Shikibu, of the Ogura Hyakunin Isshu: "Among my memories / or this world, from whence / Iwill soon be gone, / oh, how I wish there was / one mor meeting, now, with you!" We see a close-up of an very old but regal and elegant Japanese woman in profile. She has gray hair elegantly captured in a bun and is wearing loose, elegant, contemporary clothing. She has all the bearing of a noblewoman as she sits in front of a window at night, gazing out. The window captures a ghostly reflection of a former lover, a very handsome, 20-something Japanese man. The reflection is a projection of the Japanese woman's memory of her lover. The setting is contemporary, in a stark apartment with simple furniture and a single vase with an artfully arranged floral display. Wistful, melancholy, end-of-life atmosphere. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 57 - Murasaki Shikibu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate illustration with rich colors, executed on rough handmade paper of poem number 57, Murasaki Shikibu, of the Ogura Hyakunin Isshu: "As I was wondering / whether or not I had seen it / by chance, / it became cloud-hidden, / the face of the midnight moon!" The image shows a modern Japanese woman in a business blazer and skirt standing on a busy sidewalk facing the viewer. Pedestrians pass her by in the opposite direction, away from the viewer, rushing past her in a blur. Only the woman is completly in focus. She has a bewildered expression on her face, as if she has just seen someone and is trying to process what exactly she saw. It is night, and neon advertisement signs are flashing in bright colors. High above the myriad, colorful neon signs is a nighttime sky with a very small, pale, white moon half-hidden behind clouds. The image is permeated by a sense of confusion and melancholy. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like, watercolor magazine illustration with enormous detail at the "Where's Waldo?" level. Extreme clarity of rendering, contemporary, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 58 - Daini no Sanmi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 58, Daini no Sanmi, of the Ogura Hyakunin Isshu: "As Mount Arima / Sends its rustling winds across / Ina's bamboo plains, / I will be just as steadfast / And never will forget you." The image shows a highly detailed field of bamboo grass in beaturuful shades of green and tan being blown and bent by the wind. The bamboo grass is bent away from the steady wind. The woodcut is the perfect medium to show, in painstaking detail, the repetitive patterns of the bamboo grass. On the horizon, in the distance, lies Mount Arima. Woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, introspective, peaceful nature motif. Old masters' technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 59 - Izumi Shikibu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate illustration with rich colors, executed on rough handmade paper of poem number 59, Akazome Emon, of the Ogura Hyakunin Isshu: "Though I'd have preferred / to have gone offf to bed / without hesitating, / the night deepened and / I watched the moon till it set!" The image shows a contemporary, young Japanese woman in a silk kimono with an elaborate bird and floral pattern and sumptuois, rich colors sitting on a chic, Italian, anthracite-colored sofa in her very modern apartment with a gray-and-cream interior decoration color scheme. She is softly lit by a living room floor lamp, whereas the remainder of the apartment is shadowy and dark. The young woman is apparently waiting for her lover to come, and has already been sitting on her sofa for many hours. Behind her, in a window, we see a very small, pale crescent moon high in the dark night sky. The image is exudes a melancholy and timeless ambiance. The image is rendered as an illustration in the manner of a glossy architectural magazine photograph with a model, the young woman in the brightly colored silk kimono, contrasting sharply with the surrounding color scheme. Extreme clarity of rendering, contemporary, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 61 - Isé no Tayū

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 61, Isé no Tayū, of the Ogura Hyakunin Isshu: "The eight-petalled cherries / from the Nara capital / of the ancient past / today nine layers thick / have bloomed within your court!" The image shows a single, venerable, gnraled, beautiful "yae-zakura" cherry tree whose last, eight-petaled cherry blossoms are still clinging to the tree. The remaining blossoms have fallen to the ground in a shower of pink and white, covering the ground in a thick layer of perfect, fallen petals. The tree stands protected in the corner of a brickwork wall enclosing a palace courtyard, with the April morning sun shining on the tree and casting its shadow on the elaborate terra cotta brickwork of the cozy wall corner behind it. Rendered in highly detailed wet watercolor technique, additionally highlighted with ink. Magenta pink blossoms, deft execution, introspective, peaceful nature motif. Superlative technique reminiscent of John Singer Sargent. Expressionist and highly emotive ambiance. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 60 - Koshikibu no Naishi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 60, Koshikibu no Naishi, of the Ogura Hyakunin Isshu: "By Ōe Mountain / The road to Ikuno / Is far away, / And neither have I beheld / Nor crossed its bridge of heaven." The image shows a mountain, snow-capped Ōe Mountain, in the distance. A winding road leads through rolling wheat fields from the viewer to the mountain. An elaborate wooden bridge in the style of a painted, wooden Japanese temple over a small stream can be made out on the road ahead, Rendered as a fine woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, peaceful landscape motif. Old masters' technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 63 - Sakyō Daibu Michimasa

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 63, Sakyō Daibu Michimasa, of the Ogura Hyakunin Isshu: "Now, the only thing / I wish for is a way to say / to you directly / - not through another- / 'I will think of you no longer!'" The image shows the poet, Sakyō Daibu Michimasa, sitting alone and contemplating his ill-fated affair with a 15-year old High Priestess. The poet is sitting cross-legged on a simple tatami mat in a simple hut. Behind him, we see his thoughts in a double exposure: He is thinking about the young High Priestess, Princess Masako, standing regal in the Ise Shrine. The poet will never see her again, and was not even allowed to say good-bye. Finest linocut additionally colored with wet watercolor. Compelling double exposure, every detail of the tatami mat and the poets clothing finely worked with the linocutter's tool. The double exposure showing the scene with the High Priestess is executed in dark colors and in a bokeh esthetic. Deft execution, melancholy motif. Superlative technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 67 - Suō no Naishi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich colors, executed on rough handmade paper of poem number 67, Suō no Naishi, of the Ogura Hyakunin Isshu: "If I lay my head / Upon his arm in the dark / Of a short spring night, / This innocent dream pillow / Will be the death of my good name." The image shows the close-up of a beautiful, young, contemporary Japanese worman's head lying cozily on a man's arm. Her eyes are closed, her expression is peaceful and relaxed. The close-up is so detailed that we see every hair on the man's muscular arm, and every detail of the woman's face. Her face is well-lit, whereas the background fades into the dark. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 70 - Ryōzen Hōshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich autumn colors, additionally highlighted with ink, executed on rough handmade paper of poem number 70, Ryōzen Hōshi, of the Ogura Hyakunin Isshu: "In my loneliness / I leave my little hut. / When I look around, / Everywhere it is the same: / One lone, darkening autumn eve." A modest wooden hut stands on a mountainside. A Japanese Buddhist monk in humble clothing sits, cross-legged, on the bare ground in front of the hut, meditating. It is late autumn, and evening. The sky is pink and yellow with the last light of the sun, which has set. At the edges of the sky, the dark blue of night is encroaching. The pink and yellow on the horizon is interrupted by the dark, backlit silhouette of a V-shaped formation of geese flyng south. The geese are a melancholy, poignant harbinger of the cold winter to come. Extreme detail, painstaking, masterful execution. Linocut in several layers. Clarity of rendering, exquisite technique. Traditional Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

#Diversity Saturday: Wheelchair Race

• Model: AIVision

• Size: 2981 X 1677 (5.00 MP)

• Used settings:

  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed speedpainted image of five paralympic wheelchair users in a race. The paralympic athletes are wearing sports clothes with an asisgned number and are speedil racing on a track. We see the wheelchair racers fully frontally as they approach the finish line, each at his or her own pace. The joy and exertion of the race shows on their faces. The speedpaint splashes and the bright colors perfectly capture the motion of the athletes. The sun is shining on a perfect race scene. Captivating painting exuding infectuous excitement.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 69 - Nōin Hōshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate brocade tapestry in rich colors, executed on rough handmade paper of poem number 69, Nōin Hōshi, of the Ogura Hyakunin Isshu: "It's the autumn leaves / of the hills of Mimuro, / where the tempests blow, / that are the woven borcade floating / on the waters of Tatsuta River!" We see a whirl and dance of red maple leaves coming down from the mountain slopes and landing like a beautiful, woven, brocade carpet on the river. The surface of the lazily flowing, broad, straight river is almost entirely carpeted with maple leaves shimmering in all shades of red, scarlet and maroon, coming together in a textile-like cover. The sky is bright blue and clear, the mountain slope is covered with maple trees in festive, autumn colors. The image is rendered as an almost palpable textile with exceeding detail, making the river cover look like a precious brocade fabric. Personification of autumn. Clarity of rendering, masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 100 - Juntoku-in

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich colors, executed on rough handmade paper of poem number 100, Juntoku-in, of the Ogura Hyakunin Isshu: "In this ancient house, /Paved with a hundred stones, / Ferns grow in the eaves; / But numerous as they are, / My old memories are more." An old, white-haired Japanese man clad in fading blue workclothes is standing with his back to the viewer. He is gazing at an ancient palace to which a walkway paved with one hundred flagstones leads. The once majestic palace, intricately decorated with elaborate wooden carvings, is slowly crumbling, with ferns nesting in the aves and red and brown paint chipping. Although the man has his back to the veiwer, his sliumping stance indicates that he is old and, even more so, that he is melancholy and sad. The linocut is so detailed that we see every fold in the man's clothing and every curlicue and carving detail on the decrepit palace, as well as the rough stonemason's marks on the flagstones. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Rich colores, predominantly red and brown, contrasting with the blue of the man's clothing and the green of the ferns. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide