Prompt: Terry-gilliam-style matte painting, comedy, movie-poster, midcentury-modern vibe, bizarre, surreal, optical-illusion, mind-bending, epic optical-illusion depicting a small boy, a girl, and a woman standing and sitting in perilous places and facing away, the reflection of a female-child in a window, a distant hot air balloon, a tower, flowers, manicured landscaping, epic midcentury-modern architecture, 1970s technology, 1970s patterns, numerous horizon-points in art-frames, bold vibrant colors. funny, amusing, action, madcap vibe, by Terry Gilliam, dramatic, adventurous, sublime, powerful, unnerving, unique, ultra-peculiar, Incredible details, A masterpiece, color, ultra-crisp, surrealistic, epic, sublime, exquisite, pristine, extra-clean, ultra-refined, 8k, incredible-details, maximalist, intricate artwork masterpiece, matte painting movie poster, golden ratio, epic, highly detailed, vibrant, production cinematic character render, ultra high quality model, ominous, matte painting movie poster, golden ratio, trending on cgsociety, intricate, epic, trending on artstation, by artgerm, h. r. giger and beksinski, highly detailed, vibrant, production cinematic character render, ultra high quality model
Prompt: Create a museum-quality optical-illusion masterpiece inspired by the optimistic futurism and graphic sophistication of the late 1960s, blending Op Art, Surrealism, Pop Art, mid-century advertising illustration, architectural photography, impossible geometry, and experimental stage design. It should feel like an award-winning international exhibition piece from 1968 while remaining astonishingly contemporary.
An immense modernist civic plaza is surrounded by elegant white concrete pavilions, sculptural fountains, mirrored reflecting pools, floating staircases, geometric gardens, terrazzo promenades, kinetic sculptures, and monumental abstract architecture. Every structure follows authentic late-1960s modernism with sweeping curves, cantilevered roofs, brushed aluminum, teak, smoked glass, enamel panels, terrazzo, and a rich Kodachrome palette of harvest gold, avocado green, burnt orange, turquoise, cherry red, cobalt blue, mustard yellow, ivory, & walnut.
At first glance the viewer sees an elegant architectural landscape. After prolonged viewing, the entire city resolves into the enormous smiling profile of a sophisticated 1960s woman with a dramatic beehive hairstyle & oversized sunglasses. The portrait is never drawn directly; it emerges entirely from architecture, negative space, reflections, atmospheric perspective, shadows, fountains, trees, pathways, & carefully aligned geometry.
The illusion combines figure-ground reversal, forced perspective, hidden alignments, reflected architecture completing missing forms, long shadows becoming eyelashes and flowing hair, circular fountains doubling as jewelry, curved staircases forming curls, moiré window patterns, impossible Penrose-like architectural junctions, recursive glass reflections, positive-negative kinetic sculptures, distant birds completing facial contours, & subtly distorted reflecting pools transforming buildings into alternate forms.
Throughout the plaza, dozens of secondary visual riddles reward close inspection: benches resemble grand pianos, lamp posts align into impossible ladders, floating sculptures become teacups when mentally rotated, fountains appear to pour upward, spiral hedges read as both convex and concave, reflections create phantom bridges, & topiary alternates between abstract sculpture & facial features.
Tiny impeccably dressed late-1960s pedestrians provide scale, wearing authentic period fashions—tailored shift dresses, geometric prints, slim suits, pillbox hats, colorful sunglasses, scarves, polished loafers, & elegant hairstyles. Their casual activities naturally complete portions of the hidden portrait without realizing it.
The composition is cinematic, asymmetrical yet mathematically balanced, with powerful diagonals, repeating geometric rhythms, extraordinary depth, and densely layered visual information that never feels cluttered. Warm late-afternoon sunlight casts exceptionally long shadows, contrasting golden highlights against cool turquoise reflections. Atmospheric haze softens distant structures while polished stone, brushed metal, rippling water, glass, & sculpted vegetation interact to generate multiple simultaneous optical phenomena.
Rendered as an immaculate ultra-high-resolution large-format architectural photog with subtle Kodachrome color response, fine analog film grain, exquisite microcontrast, & razor-sharp detail. The image should function simultaneously as a compelling modernist cityscape & optical illusions.
Prompt: A middle-aged man with light skin and light brown hair, mouth open in a powerful scream, eyes wide with exhilaration and astonishment, stands triumphantly with arms extended horizontally. He wears a crisp white tailored outfit with flowing trousers and a narrow black tie. Behind him, a perfectly flat, circular raised turf platform sits beneath a cloudless cyan sky with symmetrically arranged geometric topiary trees. A dark horizontal shadow band cuts through the mid-background. A large, perfectly spherical pink rubber ball rests precisely above his head, appearing impossibly balanced. The ball casts almost no visible shadow. The terrain beneath the man transforms into a layered optical illusion: recessed valleys mirror his trousers, shadow troughs mimic fabric folds, and colored bands act as stretched reflections. His trousers become sweeping architectural forms and ribbon-like contours embedded in the ground. Shadow suppression under the ball and around his head; his arm shadow merges into the background band. Lower terrain shadows appear as carved grooves replicating a reclined silhouette. Negative shadow spaces are filled with luminous gradients. High midday sun, crisp directional illumination, minimal atmospheric scattering. Editorial-grade surreal photograph, relying on shadow manipulation, absence, and perceptual contradiction, inspired by the precise, mind-bending illusions of M.C. Escher and Julian Beever, with the hyperreal, clean aesthetic of fashion photography by Nick Knight.
Prompt: A midcentury-modern optical-illusion photograph featuring a smiling 1960s suburban housewife. Her blonde hair is sculpted from tiny hair salons and beauty products, her turquoise dress from miniature household rooms, and her pearl necklace from balloons and chrysanthemums. She holds a lemon chiffon bundt cake, intricately constructed from thousands of tiny foods, food-related objects, and bakery scenes, including miniature bakers and tiny lemons, bananas, cheese slices, cheese wedges, milk bottles, noodles, macaroni, teacups, dishes, and dinnerware. The living room backdrop has curtains of miniature windows, a carpet of 1960s shoes, and furniture made of tiny furniture. The composition exhibits sophisticated asymmetrical balance, with warm afternoon sunlight creating luminous, dimensional form. Color palette: turquoise, avocado, coral pink, butter yellow, cream, teak brown, robin's-egg blue, muted orange, seafoam green, soft gold. Obsessive texture: chrome, enamel, ceramic, glass, wood, icing, paper. A visually overwhelming yet cohesive masterpiece, rewarding repeated viewing with nested illusions and hidden stories. Photorealistic detail, cinematic lighting, immense depth, in the style of M.C. Escher, Saul Bass, and Yayoi Kusama.
Prompt: A jaw-dropping 1960s vintage large-format color photograph, captured on Kodak Ektachrome and Kodacolor film, depicting a peaceful American coastal neighborhood at sunset with escalating optical illusions. A sharply dressed, gigantic 1960s housewife in a pale yellow cocktail dress and white gloves holds scissors up to a cable affixed to a miniature sailboat; a modernist glass house reflects the horizon, appearing transparent; a swimming pool's reflection is simultaneously vertical and horizontal. A businessman's shadow climbs upward, a lawn chair aligns with a folded cliff, children's kite strings pull clouds, a watering woman's reflection shows a hidden scene, telephone poles align with a patio umbrella, the ocean horizon vanishes in mirrored architecture, windows show contradictory interiors, a face in a window has an inverted Thatcher-effect, seagulls on wet pavement look like floating fish, a clothesline aligns with power lines and contrails, and a hedge-trimming man appears tiny. The setting is a windswept oceanside residential street atop dramatic coastal cliffs at golden hour, with mid-century modern homes, glass windows, terrazzo patios, and geometric pools. Lighting is warm, low golden-hour sunlight with long shadows and analog bloom. Color palette includes sun-faded turquoise, warm creams, Kodak yellow, coral pink, avocado green, ocean cyan, amber sunlight, and chrome silver. Camera angle is low-to-mid height, with a cinematic composition emphasizing repeating grids, diagonals, nested frames, and hidden alignments. The photo feels elegant, witty, nostalgic, and unsettling, rewarding prolonged observation with endless discoveries.
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20w
0
18
MissTickly
(misstickly)
Member since 2023
Graphic Designer
Artist statement
I like giants because one could maybe grab me out of my bedroom window if I didn't sleep in my sister's bed. Those were fun times which is why humor and giants go together.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
