Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: three plate slides for three different images with no frame of works that combines use of NASA photos, Doc Edgerton photos and water droplets, centrifugal force with regard to wet dancers, and beings of water and light. Use a limited palette designed to give maximum delight. Vray. Delicate use of fabrics
Prompt: An intense composition of a woman with a light skin tone and a tense expression in the close-up, side profile. She appears to be about 30 years old, with a slender face, pronounced cheekbones, closed eyes and a slightly wrinkled forehead, suggesting fear or apprehension. The person is dressed in loose, earth-coloured clothing. In striking contrast, a large, shiny, obsidian-coloured alien head with a smooth, elongated skull, intricate biomechanical details and viscous saliva dripping from the open mouth parts rises directly above the forehead. The creature exudes an ominous presence as its head almost touches the person's head. Alien3, Ellen Ripley crash-lands on the maximum-security prison Fiorina 161,
Prompt: An intense composition of a woman with a light skin tone and a tense expression in the close-up, side profile. She appears to be about 30 years old, with a slender face, pronounced cheekbones, closed eyes and a slightly wrinkled forehead, suggesting fear or apprehension. The person is dressed in loose, earth-coloured clothing. In striking contrast, a large, shiny, obsidian-coloured alien head with a smooth, elongated skull, intricate biomechanical details and viscous saliva dripping from the open mouth parts rises directly above the forehead. The creature exudes an ominous presence as its head almost touches the person's head. Alien3, Ellen Ripley crash-lands on the maximum-security prison Fiorina 161,
Prompt: An intense composition of a woman with a light skin tone and a tense expression in the close-up, side profile. She appears to be about 30 years old, with a slender face, pronounced cheekbones, closed eyes and a slightly wrinkled forehead, suggesting fear or apprehension. The person is dressed in loose, earth-coloured clothing. In striking contrast, a large, shiny, obsidian-coloured alien head with a smooth, elongated skull, intricate biomechanical details and viscous saliva dripping from the open mouth parts rises directly above the forehead. The creature exudes an ominous presence as its head almost touches the person's head. Alien3, Ellen Ripley crash-lands on the maximum-security prison Fiorina 161,
Prompt: An intense composition of a woman with a light skin tone and a tense expression in the close-up, side profile. She appears to be about 30 years old, with a slender face, pronounced cheekbones, closed eyes and a slightly wrinkled forehead, suggesting fear or apprehension. The person is dressed in loose, earth-coloured clothing. In striking contrast, a large, shiny, obsidian-coloured alien head with a smooth, elongated skull, intricate biomechanical details and viscous saliva dripping from the open mouth parts rises directly above the forehead. The creature exudes an ominous presence as its head almost touches the person's head. Alien3, Ellen Ripley crash-lands on the maximum-security prison Fiorina 161,
Prompt: An intense composition of a woman with a light skin tone and a tense expression in the close-up, side profile. She appears to be about 30 years old, with a slender face, pronounced cheekbones, closed eyes and a slightly wrinkled forehead, suggesting fear or apprehension. The person is dressed in loose, earth-coloured clothing. In striking contrast, a large, shiny, obsidian-coloured alien head with a smooth, elongated skull, intricate biomechanical details and viscous saliva dripping from the open mouth parts rises directly above the forehead. The creature exudes an ominous presence as its head almost touches the person's head. Alien3, Ellen Ripley crash-lands on the maximum-security prison Fiorina 161,
Duality of Beauty: Monochrome vs Colorful Portrait
Model:
Artistic
Size:
423 X 704
(0.30 MP)
Used settings:
Prompt: An intense composition of a woman with a light skin tone and a tense expression in the close-up, side profile. She appears to be about 30 years old, with a slender face, pronounced cheekbones, closed eyes and a slightly wrinkled forehead, suggesting fear or apprehension. The person is dressed in loose, earth-coloured clothing. In striking contrast, a large, shiny, obsidian-coloured alien head with a smooth, elongated skull, intricate biomechanical details and viscous saliva dripping from the open mouth parts rises directly above the forehead. The creature exudes an ominous presence as its head almost touches the person's head. Alien3, Ellen Ripley crash-lands on the maximum-security prison Fiorina 161,
Prompt: . An intense composition of a 30 years old woman with a light skin tone and a tense expression in the close-up dressed in loose, earth-coloured clothing. In striking contrast, a large, shiny, obsidian-coloured alien head with a smooth, elongated skull, intricate biomechanical details and viscous saliva dripping from the open mouth parts rises directly above the forehead, side, with a slender face, pronounced cheekbones, closed eyes and a slightly wrinkled forehead, suggesting fear or apprehension. The creature exudes an ominous presence as its head almost touches the person's head. Alien3, Ellen Ripley crash-lands on the maximum-security prison Fiorina 161,
Prompt: a beautiful highly detailed disturbing (Long Neck Alien Portrait:1.3) by andree wallin and Paul Kelpe, science fiction, dystopian, hard light, (centered composition:1.2), (with a landscape:0.2)(stunning, highly detailed, 8k, ornate, intricate, cinematic, dehazed, atmospheric:0.7), oil painting, splash art, teal(orange:0.3)(by Jeremy Mann, by John Constable, by El Greco:0.7)(acrylic paint:0.4)(by Zdzislaw Beksinski:0.4)(by Yue Minjun and Hokusai:0.8)
Prompt: a beautiful highly detailed disturbing (Long Neck Alien Portrait:1.3) by andree wallin and Paul Kelpe, science fiction, dystopian, hard light, (centered composition:1.2), (with a landscape:0.2)(stunning, highly detailed, 8k, ornate, intricate, cinematic, dehazed, atmospheric:0.7), oil painting, splash art, teal(orange:0.3)(by Jeremy Mann, by John Constable, by El Greco:0.7)(acrylic paint:0.4)(by Zdzislaw Beksinski:0.4)(by Yue Minjun and Hokusai:0.8)
Prompt: a beautiful highly detailed disturbing (Long Neck Alien Portrait:1.3) by andree wallin and Paul Kelpe, science fiction, dystopian, hard light, (centered composition:1.2), (with a landscape:0.2)(stunning, highly detailed, 8k, ornate, intricate, cinematic, dehazed, atmospheric:0.7), oil painting, splash art, teal(orange:0.3)(by Jeremy Mann, by John Constable, by El Greco:0.7)(acrylic paint:0.4)(by Zdzislaw Beksinski:0.4)(by Yue Minjun and Hokusai:0.8)
Prompt: a beautiful highly detailed controversial two images of (as is above so is below Long Neck Alien Portrait:1.3) by andree wallin and Paul Kelpe, science fiction, dystopian, hard light, (centered composition:1.2), (with a landscape:0.2)(stunning, highly detailed, 8k, ornate, intricate, cinematic, dehazed, atmospheric:0.7), oil painting, splash art, teal(orange:0.3)(by Jeremy Mann, by John Constable, by El Greco:0.7)(acrylic paint:0.4)(by Zdzislaw Beksinski:0.4)(by Yue Minjun and Hokusai:0.8)
Prompt: two beautiful highly detailed controversial images of (as is above so is below Long Neck Alien Portrait:1.3) by andree wallin and Paul Kelpe, science fiction, dystopian, hard light, (centered composition:1.2), (with a landscape:0.2)(stunning, highly detailed, 8k, ornate, intricate, cinematic, dehazed, atmospheric:0.7), oil painting, splash art, teal(orange:0.3)(by Jeremy Mann, by John Constable, by El Greco:0.7)(acrylic paint:0.4)(by Zdzislaw Beksinski:0.4)(by Yue Minjun and Hokusai:0.8)
Prompt: two beautiful highly detailed controversial images of (as is above so is below Long Neck Alien Portrait:1.3) by andree wallin and Paul Kelpe, science fiction, dystopian, hard light, (centered composition:1.2), (with a landscape:0.2)(stunning, highly detailed, 8k, ornate, intricate, cinematic, dehazed, atmospheric:0.7), oil painting, splash art, teal(orange:0.3)(by Jeremy Mann, by John Constable, by El Greco:0.7)(acrylic paint:0.4)(by Zdzislaw Beksinski:0.4)(by Yue Minjun and Hokusai:0.8)
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
