un_art_030

Have a Coke and a Smile

• Model: FluX

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A 1950s Coca-Cola pin-up illustration rendered in the style of traditional gouache and silkscreen commercial art, with soft painterly textures, warm analog lighting, and subtle imperfections that evoke hand-crafted mid-century printwork. The scene features a radiant brunette in a retro halter top and high-waisted shorts, posing flirtatiously with one heel lifted and her hand resting on an oversized glass Coca-Cola bottle, her red lips curled into a bright, confident smile. Her figure is curvy and idealized in the classic pin-up tradition, with smooth yet dimensional shading, warm skin tones, and a luminous, sun-kissed glow that recalls summer billboard ads and soda fountain menus. Textures are richly layered—visible brushstrokes along the highlights, gentle halftone shadows under her limbs, and slightly misaligned ink edges to suggest the tactile charm of screen-printed poster stock. The color palette is authentically aged but vivid: cherry red, milk white, soft Coca-Cola green, pale blush skin, and the golden warmth of sun-faded paper. The entire composition should channel the energy and composition of mid-century advertising, where every element—the figure, the logo, the lighting—works harmoniously to create idealized Americana. Influences include the highly dimensional, flirtatious glamour of Gil Elvgren, the warm realism and painterly brushwork of Haddon Sundblom, the clean, fashionable poses of Al Moore, and the stylized commercial elegance of George Petty. This artwork must feel like an authentic mid-century Coca-Cola poster: full of charm, tactility, and nostalgic depth, rendered in traditional gouache with silkscreen print texture, richly painted forms, and a warm, worn-in finish that places it firmly in the golden era of American advertising.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Friend or Foe?

• Model: Ideogram

• Size: 1312 X 736 (0.97 MP)

• Used settings:

  • Prompt: In the style of Georges Seurat’s pointillism, create a closeup portrait of a Gothic queen in a 16:9 aspect ratio, rendered with meticulously detailed small, colorful dots to form a richly textured and luminous composition. The queen faces completely forward, centered and looking directly at the viewer, her long, dark hair cascading around her shoulders with very loose waves, framing her pale, luminous face. Her dark blood-red lips are bold and striking, drawing attention to her enigmatic and serene expression. She has soft green eyes and dark eyeliner and eyeshadow - her overall look is beautiful, striking and ethereal. She holds a very vivid crimson apple in her hands, positioned prominently in the foreground using dramatic foreshortening, making the apple appear almost within the viewer’s reach. Her delicate fingers, tipped with deep red nails, cradle the apple with precision and grace. She wears an ornate black crown adorned with intricate gemstone details in shades of ruby red and gleaming gold, further accentuating her regal presence. The background is soft and ethereal, with a dreamlike blend of muted greens, golden yellows, and misty grays, suggesting an autumnal forest fading into the distance. Subtle diffused light creates dappled highlights on her face, hands, and the apple, while the rest of the composition fades into deeper, richer tones achieved through darker concentrations of dots. The overall palette is richly layered, with the apple’s vibrant red standing out boldly against the queen’s dark attire and the muted, textured background. This piece, inspired by Georges Seurat’s iconic pointillism, captures an intimate and striking moment of mystique and power, emphasizing the interplay of light, texture, and harmonious color.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Abandonment

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Painterly Elegantism, sumptuous scene with visible brushwork. A beautiful celtic female angel with loose white shiny curls, pale skin, black lips and large black feather wings lined in thin gold, she is lilith of the dark world, she sits barefoot with her knees folded on a golden chair black and white damask fabric, her top is medieval brass coat of armor on top of a tattered black sheer gauze skirt, her head bowed in despair, exhaustion. She has beautiful extended wings edged in thin gold. Painterley. Hauntingly beautiful lighting, night scene. Inspired by Bouguereau, Greuze and Falero.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Magic Happens at Night

• Model: AI Upscaler

• Size: 3072 X 2048 (6.29 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

In Buenos Aires

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: A dynamic and elegant painting of James Bond and a beautiful Bond girl engaged in a close, intimate tango, in the iconic illustrative style of Robert McGinnis. The composition is tightly cropped and angled, emphasizing the swirling motion of the dance and the intense connection between the two figures. Style: The artwork embodies the classic mid-20th-century pulp and movie poster aesthetic, characterized by its sense of glamour, idealized figures, and dramatic tension. Medium: The piece has a painterly texture, with visible, confident brushstrokes, suggesting a medium of acrylic or gouache on board or canvas. Brushwork: The brushwork is expressive and loose, defining forms and movement without relying on sharp outlines. Shadows are rendered with broad, deliberate strokes, while the faces are slightly more refined to capture a sense of emotion and focus. Composition: The subjects fill the frame, creating an intimate and immediate feel. They are positioned along a dynamic diagonal line that draws the eye upward, conveying a sense of graceful, swirling motion. The minimalist, off-white background isolates the figures and pushes them to the forefront. Palette: The color palette is sophisticated and dramatic, dominated by the stark contrast of Bond's jet-black tuxedo and the Bond girl's brilliant white dress. Skin tones are rendered with warm, natural hues, and shadows are defined with cool, muted grays and blues, adding depth and dimension.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Happiness is Confidence

• Model: AI Upscaler

• Size: 1752 X 1320 (2.31 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Enough

• Model: FluX

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A pale-skinned woman with windswept dark hair and luminous blue eyes reaches toward the viewer, her elegant fingers creating depth, in a dynamic, expressive illustration reminiscent of Glen Keane's style, with fluid linework, dramatic storytelling, and a moody monochromatic palette, set against a stark white background.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

This Dame Spells Trouble

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Using a combination of soft quick brushwork, impressionistic oil paint and gouache brushwork on board, a femme fatale partially in shadow stares through the open blinds of a private eyes office. Dressed in black sequined dress, a mink coat and a vintage cocktail hat, perched at a rakish angle atop her carefully coiffed hair — midnight black, trimmed in satin, with a delicate birdcage veil that draped just past her eyes. The fine mesh softened her gaze like smoke on glass, hinting at secrets, danger, and lipstick promises she never intended to keep. She ponders her dilemma. She is a beautiful but troubled mid-30's woman with soft hazel eyes, pale skin with a hint of rouge, matte red lips -- all expressed through oil and gouache brushstrokes, nearby is a monstera plant perched on the window sill, the open blinds reveal a dark rainy night. in the background, a private eye in the style of philip marlowe in a fedora and suspenders smokes a cigarette, waiting on her decision. Can she trust him with her secret? reference artists - art frahm, robert mcginnis, midcentury commercial illustration, saturday evening post
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

The Canary Yellow Flapper

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: A lively, hand-painted gouache illustration on illustration board in the cheeky Americana style of Duane Bryers, capturing a flapper’s playful irreverence with a surreal twist. A glamorous young brunette woman lounges at the bar, elegantly holding a martini glass -- rendered with crisp, transparent brushstrokes—with a tiny goldfish swimming inside. A sly smile plays on her coral-red lips as she raises the glass in a toast, amusement flickering in her kohl-lined blue eyes. She has pale skin & rosy cheeks. She exudes 1920s glamour: a canary yellow beaded evening dress clings to her figure, shimmering under the glow of chandeliers. The gold embroidery & delicate fringe sway with her movements. Her short, loose bob frames her face naturally, slightly tousled rather than rigidly styled. A bejeweled flapper bandeau, adorned with an Art Deco brooch and feather, rests across her forehead, completing her effortless decadence. Her left hand elegantly grips the martini glass, fingers wrapped around the stem in a confident yet relaxed hold. Her right hand rests on the polished bar, fingers lightly touching the surface, naturally positioned. The composition remains centered, keeping the focus on her & the martini glass with the playful goldfish. The somewhat blurred background patrons are engaged in conversation, not staring at her, adding to the club’s lively energy w/o distraction. The gleaming bar reflects flickering candlelight. The lighting is a striking interplay of warm golds & cool midnight blues, with highlights glinting off her beaded dress. Rendered in Duane Bryers’ signature painterly gouache style on illustration board, the illustration features expressive brushstrokes, soft fadeouts & rich textures. The visible illustration board texture adds a tactile, organic quality, mimicking the grain & absorbency of traditional media. The lighting, humor & composition create a timeless, whimsical moment, embodying the Roaring 20’s love of glamour, excess & youthful
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

The Meet-Up

• Model: AIVision

• Size: 1608 X 992 (1.60 MP)

• Used settings:

  • Prompt: A gritty, painterly pulp noir illustration in the style of classic 1940s–1950s detective magazine covers - loose yet deliberate strokes, painterly edges that bleed into darkness reminiscent & high-contrast chiaroscuro rendering - and in the style of of Rafael DeSoto, Robert Maguire & Norman Saunders. A platinum-haired femme fatale stands in a rain-slick alley, bathed in the glow of a flickering nondistinctive bar sign. Her grey satin dress clings to her curves, its sheen reflecting the dim streetlights. The hem stops just past her knees, revealing seamed stockings on her shoeless feet. Her face is pure intrigue—lips painted a dangerous red, eyes shadowed yet hypnotic. She leans against a wooden fence, a cigarette between her fingertips, smoke curling into the night. Her expression is inscrutable—does she know she’s being watched? Or is she waiting for someone who’s late? The background oozes noir tension. The wet cobblestone street glows with neon reflections, streetlamps casting long, distorted shadows. A fire escape looms overhead, dripping from the rain. The alley is empty… or so it seems. In the misty darkness, a silhouette in a fedora and trench coat faintly lingers just beyond the neon’s reach—an omen of danger or an unspoken connection. The composition embraces chiaroscuro lighting, where deep shadows slice across the scene, intensifying the hardboiled drama. The painterly brushwork is bold and textured, with expressive strokes capturing the energy of a pulp artist on deadline. The color palette is pure noir—cool blues and deep blacks dominate the shadows, while the warm neon glow injects tension. The artwork feels authentically vintage, as if pulled straight from a 1950s newsstand. A pulp publisher’s design department would add text later, but for now, it stands alone as a fully realized cover painting, embodying the seductive danger of noir’s golden age.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Moonlit Castle in a Haunting Mist

• Model: Photonic

• Size: 1352 X 760 (1.03 MP)

• Used settings:

  • Prompt: Lost Land of otherworldly dreams, fantasy, magic, watercolor, ink, acrylic, double exposure, mythological, great detail, mid-night, moon, fog, gothic gloom, art on a cracked paper, storybook detailed illustration, cinematic, ultra highly detailed, tiny details, beautiful details, mystical, luminism, vibrant colors
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Shoe Workshop

• Model: DaVinci2

• Size: 1168 X 880 (1.03 MP)

• Used settings:

  • Prompt: Watercolour painting showing a shoemaker's workshop where in the style of Egon Schiele: A shoemaker at a workbench working on shoes.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0