Prompt: ChatGPT said:
A spirit animal twisted into chaotic forms, its body stitched from shadows and crooked limbs—arranged in a Tim Burton style of eerie whimsy, where odd angles and unsettling charm breathe life into a surreal, gothic companion.
Prompt: ChatGPT said:
A spirit animal twisted into chaotic forms, its body stitched from shadows and crooked limbs—arranged in a Tim Burton style of eerie whimsy, where odd angles and unsettling charm breathe life into a surreal, gothic companion.
Prompt: A female figure completely made of transparent crystal, her body filled with delicate floral patterns that seem to bloom within the glowing substance. Light shines through her from behind, casting a soft, radiant glow that highlights the intricate details of the flowers within her form. Her figure is ethereal and graceful, the amber shimmering with silver hues as the light passes through her translucent skin. The surrounding atmosphere feels mystical, as if she exists in a dreamlike world, blending nature, light, and elegance in a harmonious dance.
Prompt: Lady of the Crows, in the styles of Edward Atkinson Hornel, John Hoyland, Andy Kehoe, Kim Keever, and Thom, enamel champlevé, mist, fog, Mirkwood, metallic lines and colours, vibrant.
Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 6, Otomo no Yakamochi, of the Ogura Hyakunin Isshu: "If I see that bridge That is spanned by flights of magpies
Across the arc of heaven Made white with a deep-laid frost, Then the night is almost past." The image shows a tied arch bridge made of wood, bamboo and rope, spanning a deep valley. Craggy mountains populated by coniferous trees surrround the bridge. Above the bridge, a flock of magpies ascends to the frosty, deep blue sky. White hoarfrost has settled on the bridge and the abundant conifers. A rosy dawn fills the horizon, causing the hoarfrost to glint and shimmer. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 9, Ono no Komachi, of the Ogura Hyakunin Isshu: "Color of the flower Has already faded away, While in idle thoughts My life passes vainly by, As I watch the long rains fall." The image shows a back view of a middle-aged woman standing at a large picture window in the 35th floor of a skyscraper. She is gazing outside at the rain. We see a reflection in the windowpane of a pale, perfect calla lily in a vase. It is evening, and behind the reflection fo the calla lily, and behind the rain outside, we can make out the blurry outlines of many lit windows in nearby skyscrapers. The ambiance is one of wistfulness and loneliness, as the woman stands forlorn at the window. Exquisite modern Japanese folio.
Prompt: 16:9 format of a delicate linocut, additionally hand-colored of a black, palatial, intricately worked, wrought-iron gate in a state of disrepair. The gate is attached to a crumbling red brick wall on either side that encloses an overgrown garden that must have been splendid. Now, the garden is overgrown with grass, blooming weeds, tall, shady trees, and brambles overgrowing profusely blooming roses in all shades of pink. Dappled sunlight filters through to highlight the roses. The garden view is visible through the old gate. The patterns in the image are highly complex, combining a multi-layered linocut print with hand coloring.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 12, The Monk Henjo, of the Ogura Hyakunin Isshu: "Let the winds of heaven Blow through the paths among the clouds And close their gates. Then for a while I could detain These messengers in maiden form." The image shows four beautiful Gosechi dancers in their colorful, elaborate, ornamented, multi-layered silk kiminos called jūni-hitoea, holding cypress fans, wearing their hair in an elaborate hairdo, and dancing to celebrate the rice harvest. Above the dancers, ominous, dark clouds are gathering decoratively, blown together by a strong wind. The purpose of the clouds is to detain the four "heavenly madens" from returning to heaven. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Emperor Kōkō, of the Ogura Hyakunin Isshu: "It is for your sake That I walk the fields in spring, Gathering green herbs, While my garment's hanging sleeves Are speckled with falling snow." The image shows an elegantly dressed, young man, Kōkō Tennō, bending over to pick wildflowers and green herbs in very early spring. Snowflakes are falling on the sleeves of the emperor's intricately patterned silk kimono. He is fully concentrated on his task, and is holding a small bouquet of greens and spring wildflowers in one hand while he is bending over and picking a single flower to add to the bouquet. The weather is cold and gray, with a strong wind blowing patterned clouds through the sky. The emperor's exquisitely colored silk robe contrasts starkly with the inclement, gray weather. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 17, Ariwara no Narihira, of the Ogura Hyakunin Isshu: "Unheard of even in the legendary age of the awsome gods: Tatsuta River in scarlet and the water flowing under it." This particular poem, and the image it conjures up, is a masterpiece. We see scarlet Japanese maples lining the bank of the scenic, gently flowing Tatsuta River. The golden sun is shining on this day in fall, and the maple trees are very gradually losing their foliage. Leaves are lazily floating downward through the air, and cover nearly the entire surface of the river. The leaf-covered river shimmers in tones of scarlet and burgundy as the leaves slowly floating downriver. Poignant image perfectly capturing the essence of autumn. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 18 - Fujiwara no Toshiyuki
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 18, Fujiwara no Toshiyuki, of the Ogura Hyakunin Isshu: "Must you so avoid others’ eyes that not even at night, along the road of dreams, will you draw nigh like the waves to the shore of Sumi-no-e Bay?" This poem was an entry in a poetry contest by accomplished poet and calligrapher Fujiwara no Toshiyuki. The image personifying the poem shows waves lapping the shore of Sumi-no-e Bay (Osaka Bay) at night. The stars are shining brightly; their silvery light reflects off the waves and the foam that decorates their edges on the shore. The sky is underlaid with a very delicate, barely noticeable calligraphic line pattern of two lovers engaged in a forbidden tryst lying across the entire sky, as if in a dream, almost obscured by the light of the twinkling stars. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 21, Sosei Hōshi, of the Ogura Hyakunin Isshu: "It was only because you said you would come right away that I have waited these long months, till even the wan morning moon has come out." The image shows a standing Japanese woman of antiquity gazing out a a green, hilly landscape in early morning, with a pale waning moon barely visiblein the light-blue morning sky of dawn. She is a peasant, and is wearing a simple, rough, indigo-dyed cotton kosode (forerunner of the kimono). The green, hilly landscape is strongly patterned, as is the pale blue morning sky. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 23, Ōe no Chisato, of the Ogura Hyakunin Isshu: "When I look at the moon / I am overcome by the sadness / of a thousand, thousand things - / even though it is not Fall / for me alone." The image shows a waning, yellow moon, which has just risen over the horizon, in a starry, dark sky. Naked, black tree branches reach into the sky, creting intricate patterns. The large sickle of the moon peeks forth from a clearing between the branches. The meadow on the ground is even darker than the sky. A melancholy mood permeates the picture. The sky and the meadow have typical patterns of a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 24, Kanké (Sugawara no Michizane), of the Ogura Hyakunin Isshu: "This time around / I couldn't even bring the sacred streamers / --Offering Hill-- / but if this brocade of leaves it to the gods' liking..." The image shows autumn on Mount Tamuke, with red-leaved trees ringing the mountain. Almost transparently overlaid over the image of the mountain is a nusa, a rather large wand from the top of which many thin, white paper streamers hang down. The wand is used in Shinto religious ceremonies. The red-leaved trees shine through the nearly transparent, full top layer. The mountain and trees exhibit patterns typical of a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 26, Teishinkō, of the Ogura Hyakunin Isshu: "O autumn leaves / on the peak of Ogural Hill, / if you have a heart, / I would that you would wait / for one more royal progress." The image shows a single, old, large, magnificent Japanese maple tree with a gnarled trunk, winding branches, and feathery, scarlet leaves. The tree stands on a gently sloping, green, grassy mountainside. Some maple leaves are drifting downward on a breeze; they are curled into heart shapes. The leaves are awaiting a visit by the emperor. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 27, Chūnagon Kanésuké, of the Ogura Hyakunin Isshu: "Like Izumi River / that wells up and flows, / dividing the Moors of Urns / when did I see her, I wonder, / fthat I should yearn for her so?" The image shows lively river flowing wiht currents and eddies, which flow together to show a lovely Japanese woman of antiquity, if you look closely. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 29 - Ōshikōchi no Mitsune
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 29, Ōshikōchi no Mitsune, of the Ogura Hyakunin Isshu: "Must it be by chance, / if I am to pluck one, that I pluck it? - / white chrysanthemums / on which the first frost / lies bewilderingly." The image shows a close-up of a single, magnificent white chrysanthemum with dozens of petals. The first frost, a hoarforst, lies on the petals. Each petal is covered with dozens of tiny, crystalline frost grains. The golden sun is shining on the petals, causing each and every hoarfrost crystal to reflect rainbow colors, so that the entire chrysanthemum blossom shines and shimmers with rainbow light reflections. Breathtaking nature spectacle executed in the most painstaking linocut and watercolor wash technique. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 28 - Minamoto no Muneyuki Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 28, Minamoto no Muneyuki Ason, of the Ogura Hyakunin Isshu: "In the mountain village, / it is in winter that my loneliness / increases most, / when I think how both have dried up, / the grasses and people's visits." The image shows a remote Japanese house of antiquity on a mountain slope. Snow drifts have piled up along the outer walls and on the roof of the house. A low-ranking official of the Heian Court is peering out of the window of his house. Snowflakes whirled about by a blizzard visualize the path of the icy winds blowing. The image is carefully executed as an imaginative linocut with hand coloring in watercolor. Shades of blue, white and gray predominate, with the only touch of color being the yellow light in the window and the figure of the Japanese court official in the window. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and watercolor wash rendering on rough handmade paper of poem number 30, Mibu no Tadamine, of the Ogura Hyakunin Isshu: "There is nothing so depressing / as the break of day / and leaving you after / having seen the heartless / morning moon." The image shows only part of the moon, a last quarter (or third-quarter) moon, which looks like a half-moon, in a ghostly bone-white in the sky at dawn. The horizon is turning pink and golden, whereas the sky above is still progressively darker blue. The horizon consists of a single, sinously curved mountain line, curved like the body of a woman lying on her side, but the landscape is still mostly pitch-black with shades of blue. The horizon and sky make up 90% of the image, whereas the mountain line and the landscape below accoutn fro only 10% of the image. Chilly ambiance, executed in the highly detailed, intricate, lithograph and watercolor wash technique. Exquisite Japanese folio.
Prompt: Create a three-quarter side view (from a 45-degree horizontal angle) image focused on a close-up of glossy, soft, plump lips embedded in a smooth, white creamy substance resembling a thick, creamy liquid or pudding, (rendered in a realistic style) creating a glossy, wet look. A finger of the liquid pudding reaches out of the pool and neatly into the mouth. The lips should have a light pink lipstick shade, showcasing a shiny, wet appearance. They are slightly parted, revealing a hint of white teeth inside. The background should be softly blurred with a warm, gradient color and bokeh, enhancing the focus on the lips in the creamy texture. Incorporate small droplets of liquid on the surface, reflecting light, to add a sense of depth and realism. Ensure the overall composition emphasizes sensuality and softness, with a focus on the interplay between the lips and the creamy substance.
Prompt: Create an ethereal artwork depicting a serene, androgynous human figure with smooth, translucent skin. The figure is depicted with closed eyes and a calm expression, embodying a sense of peace and enlightenment. The head is subtly illuminated with a radiant glow emanating from the forehead, suggesting a divine or spiritual awakening. Surrounding the figure is a mesmerizing halo of intricate fractal-like patterns and vibrant colors, incorporating swirling galaxies, sparkling stars, and fractal designs, blending deep blues, purples, and fiery oranges. The background should convey a cosmic theme, enhancing the mystical atmosphere with a sense of infinite depth and space. Illuminate the figure's chest with interconnected golden lines and dots, symbolizing energy and connection. Amazingly intricate image of the soul connected to the universe; crystalline; fractal; organic; translucent; refractive, psychedelic; volumetric, atmospheric; interdimensional, multiple exposures; high dynamic range; dimensional; vibrant; stunning; breath taking.
Prompt: Abstract surrealism with a beautiful female figure, surrounded by intricate botanical art, fantasy fluid threads forming geometric shapes and waves, seamless transitions in botanical rendering, chromatic palette including cuprum, gold, silver, and aurum, pastel soft tones, calm lighting, pearl hues, detailed and intricate, fluid and organic forms, dreamlike atmosphere, ethereal and otherworldly, contemporary art style, high resolution, by Salvador Dali and Yayoi Kusama, Artstation.
Prompt: A hyper-realistic sculpture of a titanium humanoid figure made of metallic textures, featuring intricate patterns that resemble circuitry. The figure is standing in a dynamic pose, with its chest opened, revealing a glowing, vibrant red heart. Surrounding the figure is a mesmerizing backdrop of numerous bright red hearts, creating a striking contrast against the metallic body. The scene conveys themes of love, technology, and the fusion of human emotion with mechanical elements, illuminated by soft lighting that highlights the contours and details of the figure and the hearts.
Prompt: On graph paper with millimetric lines a mathematician has sketched a set of complicated well built muscles arms faces legs body which draw the insanely handsome men with elusive abstract charm
Prompt: An anime-style medium shot of a chibi-style voodoo doll girl with dark skin and black hair. She is wearing a pink dress and white socks. There are multiple small voodoo dolls with black hair and dark clothing surrounding her. The background is a room with a few items.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
