Prompt: 16:9 format of a painstakingly crafted, extremely detailed speedpainted image of five paralympic wheelchair users in a race. The paralympic athletes are wearing sports clothes with an asisgned number and are speedil racing on a track. We see the wheelchair racers fully frontally as they approach the finish line, each at his or her own pace. The joy and exertion of the race shows on their faces. The speedpaint splashes and the bright colors perfectly capture the motion of the athletes. The sun is shining on a perfect race scene. Captivating painting exuding infectuous excitement.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate brocade tapestry in rich colors, executed on rough handmade paper of poem number 69, Nōin Hōshi, of the Ogura Hyakunin Isshu: "It's the autumn leaves / of the hills of Mimuro, / where the tempests blow, / that are the woven borcade floating / on the waters of Tatsuta River!" We see a whirl and dance of red maple leaves coming down from the mountain slopes and landing like a beautiful, woven, brocade carpet on the river. The surface of the lazily flowing, broad, straight river is almost entirely carpeted with maple leaves shimmering in all shades of red, scarlet and maroon, coming together in a textile-like cover. The sky is bright blue and clear, the mountain slope is covered with maple trees in festive, autumn colors. The image is rendered as an almost palpable textile with exceeding detail, making the river cover look like a precious brocade fabric. Personification of autumn. Clarity of rendering, masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich colors, executed on rough handmade paper of poem number 67, Suō no Naishi, of the Ogura Hyakunin Isshu: "If I lay my head / Upon his arm in the dark / Of a short spring night, / This innocent dream pillow / Will be the death of my good name." The image shows the close-up of a beautiful, young, contemporary Japanese worman's head lying cozily on a man's arm. Her eyes are closed, her expression is peaceful and relaxed. The close-up is so detailed that we see every hair on the man's muscular arm, and every detail of the woman's face. Her face is well-lit, whereas the background fades into the dark. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 66 - Saki no Daisōjō Gyōson
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph enhanced with ink highlights to provide depth. The image is rendered in magnificent colors on rough handmade paper and shows the visuals of poem number 66, Saki no Daisōjō Gyōson, of the Ogura Hyakunin Isshu: "Let us think of each / other fondly, / O mountain cherries! / For, outside of your blossoms, / there's no one who knows my feelings." Atop a hill in a gently rolling spring landscape blooms a single, majestic, solitary mountain cherry tree, a yamazakura. The blossoms are pure white and as graceful as snowflakes. New, light green leaves peek forth between the white blossoms, enhancing the depth of the image. The rolling hills are covered with fresh grass, the sky is baby blue with puffy, white clouds. Skilled and masterful execution. Enchanting nature motif, with a hint of melancholy. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich autumn colors, additionally highlighted with ink, executed on rough handmade paper of poem number 70, Ryōzen Hōshi, of the Ogura Hyakunin Isshu: "In my loneliness / I leave my little hut. / When I look around, / Everywhere it is the same: / One lone, darkening autumn eve." A modest wooden hut stands on a mountainside. A Japanese Buddhist monk in humble clothing sits, cross-legged, on the bare ground in front of the hut, meditating. It is late autumn, and evening. The sky is pink and yellow with the last light of the sun, which has set. At the edges of the sky, the dark blue of night is encroaching. The pink and yellow on the horizon is interrupted by the dark, backlit silhouette of a V-shaped formation of geese flyng south. The geese are a melancholy, poignant harbinger of the cold winter to come. Extreme detail, painstaking, masterful execution. Linocut in several layers. Clarity of rendering, exquisite technique. Traditional Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a wet-on-wet watercolor, diaphanous, transparent, of poem number 71, Dainagon Tsunenobu, of the Ogura Hyakunin Isshu: "When the evening comes, / From the rice leaves at my gate, / Gentle knocks are heard, / And, into my round rush-hut, / Enters autumn's roaming breeze." A round rush hut stands in a small garden, which is surrounded by a simple wooden fence. Outside fence stand ripe, yellowed rice plants, which the autumn wind gently blows against the gate in the fence. Evening is falling, and candlelight illuminates the hut, falling through the open door. At the edges of the sky, the dark blue of night is encroaching. The horizon is pink, magenta and yellow. A cozy scene unfolds on this lovely evening in autumn. Masterfully executed in wet watercolor with quick, deft brushstrokes, elegantly and perfectly capturing an autumn ambiance. Traditional Japanese scenery.
Ogura Hyakunin Isshu No. 72 - Yushi Naishinno-ke no Kii
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a heavy impasto acrylic painting of poem number 72, Yūshi Naishinnō-ke no Kii, of the Ogura Hyakunin Isshu: "Famous are the waves / That break on Takashi beach / In noisy arrogance. / If I should go near that shore, / I would only wet my sleeves." A pretty, young, teenage Japanese girl is walking along the beach, dressed in a bathing suit and a short, open, floral-patterned silk kimono in sumptuous colors as a cover-up. She is barefoot, and skipping away from a wave that threatens to lap her feet. The sun is shining brightly, and it is a beautiful day in summer. The sky is bright blue and cloudless. The young girl is alone, joyful and content on her lone beach walk. The beach is completely empty. Sand dunes are covered in dune vegetaion. Painstakingly and masterfully executed contemporary acrylic painting. Beach ambiance perfectly captured in quick, thick impasto brushstrokes.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 73, Gonchūnagon Masafusa, of the Ogura Hyakunin Isshu: "On that far mountain / On the slope below the peak / Cherries are in flower. / Oh, let the mountain mists / Not arise to hide the scene." A profusion of double-flowering, old sakura cherry trees are in bloom on a mountain slope. A group of friends has come to celebrate a picnic at the bottom of the slope and to view the abundance of pink blossoms. While they are hoping the weather will hold, they have prepared for rising mist by wearing raincoats. Possible inclement weather aside, the time is perfect for cherry blossom viewing, as all trees are in full bloom. Painstakingly and masterfully executed contemporary linocut in several layers. Spring ambiance. Exquisite contemporary Japanese folio.
Ogura Hyakunin Isshu No. 74 - Minamoto no Toshiyori Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 74, Minamoto no Toshiyori Ason, of the Ogura Hyakunin Isshu: "It was not for this / I prayed at the holy shrine: / That she would become / As pitiless and as cold / As the storms on Hase's hills." A modern-day Japanese traveler is coming down the mountain through a snowstorm, his staff in his hand and his cloak whipped about by the relentless wind. He is returning from pilgrimage, glum and unhappy. In heavy cloud cover, we see the image of a scornful face of a woman with piercing eyes looking at the traveler exposed to the brunt of the bad weather. Early winter ambiance, painstakingly detailed linocut, especially of the cloud cover with the scornful woman's face. Exquisite Japanese foili depicting unrequited love.
Ogura Hyakunin Isshu No. 75 - Fujiwara no Mototoshi
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed vanitas-type oil painting of poem number 75, Fujiwara no Mototoshi, of the Ogura Hyakunin Isshu: "As dew promises / New life to the thirsty plant, / So did your vow to me. / Yet the year has passed away, / And autumn has come again." Dew richly covers a flowerbed of Japanese mugwort (Artemisia princeps), glittering and shimmering in the early morning sun, breaking the light into rainbow colors. The dew stands for a promise - which, alas, was later broken. But in this image, the hyperrealistic dewdrops, each reflecting and magnifying the leaves next to it, present a breathtaking spectacle. Painstakingly detailed, hyperrealistic oil painting in the technique of the old Dutch vanitas masters. The vanitas concept embraces the fleeting nature of life - like this soon to be broken proomise. Exquisite Japanese foilio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed oil painting of poem number 76, Hosshōji Nyūdō Saki no Kanpaku Daijōdaijin, of the Ogura Hyakunin Isshu: "Over the wide sea / As I sail and look around, / It appears to me / That the white waves, far away, / Are the ever shining sky." A small, one-man Japanese rowboat is sailing toward the horizon on a completely flat, calm sea. In the distance, the yellow-white clouds in the sky have the same color and texture as the small, low, calm, flat wave caps stretching along the entire horizon. Above the white-yellow clouds, the dawn sky is light blue, the same color as the ocean in front of the low, horizontal wave caps. Only the rowboat creats a speck of red-brown color on the sea. The sea and the sky fully merge at the horizon in texture and color, creating the illusion of infinity. Oil painting emulating the style of William Turner, the painter of light. Expressive coloring, with thick oil paint applied directly from the tube in splotches, and repetitive, calm textures. Breathtaking illusion of the sky and the sea melting together. Exquisite Japanese foilio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed Expressionistic oil painting of poem number 77, Sutoku-in, of the Ogura Hyakunin Isshu: "Though a swift stream is / Divided by a boulder / In its headlong flow, / Though divided, on it rushes, / And at last unites again." A mighty rivver current rushes onward and is parted in the middle by a large boulder, almost the size of a small island. Behind the dark, craggy, wet boulder, the stream comes together again and continues onward. White froth gathers at the boulder as the river hits the obstacle. The water surface is most turbulent as the stream hits the boulder, turning smoother as it progresses past the boulder. The sky is clear and blue, the shore of the wild river is lined with pebbles and dense, green vegetation. Expressive primary colors, thick oil paint applied directly from the tube in splotches, and repetitive textures in the river. Strong symbolism, archetypical Expresssionism reminiscent of the German Expressionist painters August Macke and Ernst Ludwig Kirchner. Exquisite Japanese foilio.
Ogura Hyakunin Isshu No. 78 - Minamoto no Kanemasa
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a powerful silk screen print of poem number 78, Minamoto no Kanemasa, of the Ogura Hyakunin Isshu: "Guards of Suma Gate, / From your sleep, how many nights have you awakened / At the creis of sanderlings / Flying from Awaji Island?" We see a flock of sanderlings (sandpipers) flapping over Suma Gate. A guard dressed in ō-yoroi armor (a large, box-shaped, heavy suit made from dark, burnished leather plates connected by cords) is standing, feet planted firmly on the ground far apart, looks up at the flock with an irritated mien. The sanderlings are dark against the night sky, and the guard is lit by the fire of oil lamps on either side of Suma Gate, making him look tall and menacing. The image focuses fully on the guard and his armor as well as the action above his head. Solid, striking design, silk screen print using thick, textured ink in bold, consistent colors with clear, sharp edges. Exquisite Japanese foilio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, multilayer linocut of poem number 79, Sakyō Dayū Akisuke, of the Ogura Hyakunin Isshu: "See how clear and bright / Is the moonlight finding was / through the riven clouds / That, with drifting autumn wind, / Gracefully float in the sky." The night sky is filled with altocumulus clouds between which a crescent moon throws shafts of light onto the dark, windblown autumn meadow. The clouds closest to the moon are backlit by the white crescent moon. The other clouds are grayish, or even black at the edges of the midnight-blue sky. The moon and the clouds close to it take pride of place in this masterful, extremely detailed linocut. Exquisite Japanese foilio.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
