That Knife-Wielding Maniac Was Later Caught - Red-Handed, Of Course !
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A SINGLE UNCROPPED HUMAN SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Blue To Purple, Blue To Green : Variation #1, Seen in a 2560 x 1440 Size ( Experience series )
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A SINGLE UNCROPPED HUMAN SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Prompt: The Kootenai River in a panoramic landscape scene in the greening of Springtime under a cloudless vibrant bright-blue sky, painted in rich light of the Golden Hour post-sunset : Impressionist brushstrokes, vibrant colors, soft and dreamy atmosphere, harmonious blend of Impressionism styles by Monet, Renoir, and Erin Hanson ; masterful use of light and shadow, reflective waters, dynamic movement, nature's beauty captured, oil painting on canvas, high resolution, warm and inviting color palette, enchanting lighting, ArtStation showcase.
Prompt: The Kootenai River in a panoramic landscape scene in the greening of Springtime under a cloudless vibrant bright-blue sky, painted in rich light of the Golden Hour post-sunset : Impressionist brushstrokes, vibrant colors, soft and dreamy atmosphere, harmonious blend of Impressionism styles by Monet, Renoir, and Erin Hanson ; masterful use of light and shadow, reflective waters, dynamic movement, nature's beauty captured, oil painting on canvas, high resolution, warm and inviting color palette, enchanting lighting, ArtStation showcase.
Prompt: The Kootenai River in a panoramic landscape scene in the greening of Springtime under a cloudless vibrant bright-blue sky, painted in rich light of the Golden Hour post-sunset : Impressionist brushstrokes, vibrant colors, soft and dreamy atmosphere, harmonious blend of Impressionism styles by Monet, Renoir, and Erin Hanson ; masterful use of light and shadow, reflective waters, dynamic movement, nature's beauty captured, oil painting on canvas, high resolution, warm and inviting color palette, enchanting lighting, ArtStation showcase.
Prompt: The Kootenai River in a panoramic landscape scene in the greening of Springtime under a cloudless vibrant bright-blue sky, painted in rich light of the Golden Hour post-sunset : Impressionist brushstrokes, vibrant colors, soft and dreamy atmosphere, harmonious blend of Impressionism styles by Monet, Renoir, and Erin Hanson ; masterful use of light and shadow, reflective waters, dynamic movement, nature's beauty captured, oil painting on canvas, high resolution, warm and inviting color palette, enchanting lighting, ArtStation showcase.
Prompt: The Kootenai River in a panoramic landscape scene in the greening of Springtime under a cloudless vibrant bright-blue sky, painted in rich light of the Golden Hour post-sunset : Impressionist brushstrokes, vibrant colors, soft and dreamy atmosphere, harmonious blend of Impressionism styles by Monet, Renoir, and Erin Hanson ; masterful use of light and shadow, reflective waters, dynamic movement, nature's beauty captured, oil painting on canvas, high resolution, warm and inviting color palette, enchanting lighting, ArtStation showcase.
Prompt: A landscape scene in a desert wilderness with a mountain range on the horizon, done in the combined styles of Dali, Warhol, Picasso, Van Gogh, Matisse, Toulouse-Latrec, Klimt, Magritte, Dufy, and Gorky.
Prompt: A landscape scene in a forested mountain wilderness done in the combined styles of Dali, Warhol, Picasso, Van Gogh, Matisse, Toulouse-Latrec, Klimt, Magritte, Dufy, and Gorky.
A Cottage in Provence in Rural Vernacular Style with a Large 'Wild' Garden ("Houses" series)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A very simple single-story cottage surrounded by gardens with farmland beyond, depicted in the style of Claude Monet during his Impressionism period
The House That Metastasizes : a Landmark in My Dreamworlds' Topography ("Houses" series)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: An abandoned castle, depicted in the characteristic style and bold palettes of the magazine "Métal Hurlant" and its American edition, "Heavy Metal," particularly in the work of Moebius and Richard Corben.
Archaeological Dig Site #5 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
Z-Image Turbo
Size:
2576 X 1456
(3.75 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #4 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #3 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
ImagineArt
Size:
3840 X 2160
(8.29 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #2 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
SeeDream
Size:
3792 X 2133
(8.09 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #1 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
FluX 2
(Pro)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
The 30 Consorts of The Moon Goddess ( An Ad for Antiquities Tourism in Alternate Realities )
Model:
AIVision
(Ultra)
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Quest For The Blue Flame (An Ad for Antiquities Tourism in Alternate Realities)
Model:
ImagineArt
Size:
1920 X 1920
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Cromlech 61 - Feel the Mystical Energies ! ( An Ad for Antiquities Tourism in Alternate Realities )
Model:
Z-Image Turbo
Size:
2576 X 1456
(3.75 MP)
Used settings:
Prompt: Vast landscape at dawn, vibrant blooming flowers, megalithic construction as the image centerpiece, surreal and intricate style, bold color palettes, reminiscent of "Métal Hurlant" and "Heavy Metal" magazines, Moebius and Richard Corben inspiration, detailed linework, fantastical elements, otherworldly ambiance, digital art medium, high resolution, dramatic lighting casting long shadows, surreal skies, intense hues of reds, purples, blues, and yellows, dreamlike atmosphere.
Prompt: The Appalachian Trail in Maine in a landscape panorama scene in bright fall colors at noon in the height of Autumn, painted in the combined styles of James WHISTLER for his Tonalism, Joaquin SOROLLA for his Luminism, and Edmund DULAC for his use of color particularly his jewel-like colors
Prompt: The Appalachian Trail in Maine in a landscape panorama scene in bright fall colors at noon in the height of Autumn, painted in the combined styles of James WHISTLER for his Tonalism, Joaquin SOROLLA for his Luminism, and Edmund DULAC for his use of color particularly his jewel-like colors
Prompt: The Appalachian Trail in Maine in a landscape panorama scene in bright fall colors at noon in the height of Autumn, painted in the combined styles of James WHISTLER for his Tonalism, Joaquin SOROLLA for his Luminism, and Edmund DULAC for his use of color particularly his jewel-like colors
Prompt: The Appalachian Trail in Maine in a landscape panorama scene in bright fall colors at noon in the height of Autumn, painted in the combined styles of James WHISTLER for his Tonalism, Joaquin SOROLLA for his Luminism, and Edmund DULAC for his use of color particularly his jewel-like colors
Prompt: Patchwork by Joan Miró, Van Gogh, Zdzislaw Beksinski, Kazuhiko Nakamura, Volumetric Decoupage, Dream up Dimensional Decoupage, Think of a textured mechanical metropolis, with bronze houses and silver tree lined streets, wind up stitch dolls walking through the streets along with mechanical animals, in the background a steam river decorated with crystal elements, detailed lanscape line drawing. Steampunk Impressionism, Pop surrealism masterpiece. Mixed media of Oil paints and Fine grains texture paste with the addition of small balls of glass, mica, pumice, sand to the mixture, Water-soluble tinting ink, Multilayered, Retro, Vintage, Theatrical mystique, shadow ink, magical, chiaroscuro, moody, Unreal Engine, glossy, gothic fantasy, whimsical, Whimsical lighting, intricate, beautiful, fantastic view,
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.