Prompt: an abstract oil painting of an avenue of tree trunks in Pop Art colors, with colored shadows falling to the right, in the style of Andy Warhol, Pablo Picasso, Pierre Bonnard
Prompt: an abstract oil painting of an avenue of tree trunks in Pop Art colors, with colored shadows falling to the right, in the style of Andy Warhol, Pablo Picasso, Pierre Bonnard
Prompt: an abstract oil painting of a group of cylindrical tree trunk columns rising to the top of the image, with some space in between, in Pop Art colors, with colored shadows falling to the right, and a monkey looking around the side of one column in rear, in the style of Andy Warhol, Pablo Picasso, Pierre Bonnard
Prompt: Detailed travel sketchbook illustration of an abandoned baroque salon in ruins. Finely inked outlines with layered watercolor washes. Antique furniture including an ornate sofa, carved armchairs, and a fallen chair, rendered with intricate decorative details. Sunlight streams through tall arched windows, golden light illuminating floating dust motes. Cracked plaster walls and exposed bricks richly textured, partially covered with ivy and climbing vines in lively green strokes. Warm ochres, burnt sienna, soft grays, and vivid greens create depth and contrast. Page evokes a poetic, immersive artist’s travel diary, balancing decay and the vitality of nature, with a detailed, realistic yet expressive sketchbook aesthetic.
Prompt: A lone time traveler, clad in worn, brown leather jacket and advanced chronometer gear, stands before a colossal, ancient oak tree in a desolate, post-apocalyptic desert, with a hidden, ornate treasure chest partially buried beneath its exposed, gnarled roots, under a swirling vortex of cosmic dust and nebulae, in a painterly, surrealist style reminiscent of Simon Stalenhag and John Harris, with soft, blended colors and ultra-detailed textures, inspired by the dreamlike landscapes of Ashley Wood and the fantastical worlds of Android Jones.
Prompt: Retrofuturistic travelers in vintage attire, sipping coffee, in front of a nostalgic airport cafe, with Art Deco accents, reminiscent of Syd Mead's, Ash Thorp's, and Simon Stalenhag's futuristic yet nostalgic styles, in a highly detailed, crisp oil-painting aesthetic with digital art enhancements.
Prompt: Stylized minimalist seascape in the style of Egon Schiele include a rocky shore, flat sea with backlit waves, and a lone graceful sailboat. Use muted warm colors.
Prompt: *Impressionistic oil on canvas, visible brush strokes, vibrant heavenly colour palette.
*The scene shows the upper surface above the water, while the lower one is below the surface of the sea with a female person in a meditating position.
*I ran away. I ran away to the sea. I quit my job, ran away from abusers in the company and family. Drove for 12 hours in the worst serpentines at night. But I ran away, just so my soul could find rest. Because the sea has always been the only place where I can breathe. I'm not drowning, I'm consciously looking and talking in the water, I'm hunting the sun's rays below the surface and the sun's stars on the surface. The sea not only heals my soul but also my body, hormonally destroyed due to psychological abuse. At least 10 days. Although I miss Kozma too much. But he wouldn't make it this time easily. I am an experienced driver. And I need solitude this time. The last jolts of this summer to show me where to go and whether to go. Sea please save me. I can only breathe with you.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 23, Ōe no Chisato, of the Ogura Hyakunin Isshu: "When I look at the moon / I am overcome by the sadness / of a thousand, thousand things - / even though it is not Fall / for me alone." The image shows a waning, yellow moon, which has just risen over the horizon, in a starry, dark sky. Naked, black tree branches reach into the sky, creting intricate patterns. The large sickle of the moon peeks forth from a clearing between the branches. The meadow on the ground is even darker than the sky. A melancholy mood permeates the picture. The sky and the meadow have typical patterns of a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 26, Teishinkō, of the Ogura Hyakunin Isshu: "O autumn leaves / on the peak of Ogural Hill, / if you have a heart, / I would that you would wait / for one more royal progress." The image shows a single, old, large, magnificent Japanese maple tree with a gnarled trunk, winding branches, and feathery, scarlet leaves. The tree stands on a gently sloping, green, grassy mountainside. Some maple leaves are drifting downward on a breeze; they are curled into heart shapes. The leaves are awaiting a visit by the emperor. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 27, Chūnagon Kanésuké, of the Ogura Hyakunin Isshu: "Like Izumi River / that wells up and flows, / dividing the Moors of Urns / when did I see her, I wonder, / fthat I should yearn for her so?" The image shows lively river flowing wiht currents and eddies, which flow together to show a lovely Japanese woman of antiquity, if you look closely. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 29 - Ōshikōchi no Mitsune
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 29, Ōshikōchi no Mitsune, of the Ogura Hyakunin Isshu: "Must it be by chance, / if I am to pluck one, that I pluck it? - / white chrysanthemums / on which the first frost / lies bewilderingly." The image shows a close-up of a single, magnificent white chrysanthemum with dozens of petals. The first frost, a hoarforst, lies on the petals. Each petal is covered with dozens of tiny, crystalline frost grains. The golden sun is shining on the petals, causing each and every hoarfrost crystal to reflect rainbow colors, so that the entire chrysanthemum blossom shines and shimmers with rainbow light reflections. Breathtaking nature spectacle executed in the most painstaking linocut and watercolor wash technique. Exquisite Japanese folio.
Prompt: Stylized figure of a hyper-realistic woman sitting with her head close to her knees and her arms embracing her legs. Her body is covered in lotus floral designs details, the background is the calm shore of a pond at night, fireflies are buzzing about partially lighting the scene perfect body anatomy purple, pink, green, black,white and yellow a defined surreal wet on wet oil on water dripping alcohol ink, a woman with no real translucent substance made of purple lotus flowers caught in a powerful emotions and web, the background is reminiscent in style of Pablo Amaringo, Patrick Woodroffe
Prompt: A mysterious fashion model with a unique white hairstyle and vintage glasses is depicted in a romantic and whimsical scene. A ladybug accompanies the model. The setting is the early morning mist of the Kalahari desert. The image has a patchwork, nostalgic feel and features impasto textures. It blends the raw, untaught aesthetic of Art Brut with gloomy, desaturated colors. The artistic style combines the primitive simplicity reminiscent of Paul Klee, the intricate line work of Arthur Rackham, the eerie whimsy of Tim Burton, the stencil-like motifs characteristic of Banksy, and the illuminated manuscript inspiration found in the works of Aaron Douglas.
Prompt: image is a striking portrait of a perso with their face painted entirely in pale gray blue, creating a dramatic and bold visual effect. the subjects skin is completely covered, with no visible features except for the contours of the face, A prominent feature is the metallic gold paint applied across the eyes, resembling a dripping mask, adding a contrasting texture and color. The gold paint drips downwards, creating an abstract and artistic appearance, The backgroundis a plain light gray which enhances the focus on the subject. The overall composition is minimalist yet impactful, emphasinzing the contrast between the pale gray blue and gold elements
Prompt: Subject: A close-up abstract portrait focusing on expressive eyes and facial features, with one eye illuminated in pink tones and the other containing darker orange and black elements. The facial expression appears intense and emotional.
Scene: A minimalist background composed of flowing, layered shapes in various shades of gray and white creates depth and movement. Subtle shadows and highlights add dimensional texture throughout the composition.
Style: Monochromatic watercolor-like technique with selective color accents in pink, yellow, and orange. Fluid brushstrokes and organic lines create a dreamy, ethereal quality with dramatic contrast between light and dark elements. Abstract expressionism, selective coloring, fluid motion, ethereal rendering, dramatic contrast.
Prompt: double exposure, a beautiful black Woman’s face, gold leaf skin, finish of africa's floral decoupage in face, yellow and orange, sunset, clouds and foggy, photonegative refractograph.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
10w
