Come on baby light my fire, try to set the night on fire
Model:
FluX
Size:
1061 X 1886
(2.00 MP)
Used settings:
Prompt: Hanging in the Balance: The Devil made Her do it: Sasha Grey, voluptuous Forest fairy. Floating in the air. Black dress, corset, stockings and knee high boots. A trail of fire behind her. In the style of Jacek Yerka, Jakub Schikaneder and Felicien Rops. (((Ensure all significant elements are fully within the boundaries))). a minimalist composition. Oil on canvas. The Devil made her do it. steps: 5, guidance: 17.0.
Prompt: Real Lady Psychedelica wearing a shiny red cloak riding an otherworldly chartreuse ghost horse & stepping towards the moon -30 degree angle on air- gracefully. Clear she and horse has a deepconnection. style of Steve Hanks on stairs front. bokeh moonlit.
Prompt: Rascals in an austere landscape with an assault against the dimming. Limited palette beige orange and pink. Moving together watercolor with drips and splashes.
Prompt: Men in overalls. Rascals in an austere landscape with an assault against the dimming. Limited palette beige orange and pink. Moving together watercolor with drips and splashes.
Prompt: In the style of Charis-Tsevis-Tutt, an artistic line drawing of a dancer with long hair, black background, contrast lighting, detailed illustration, full body portrait, her entire body and hair are drawn with lines only, entirely from colorful wires and cables that flow around her in dynamic patterns like flowing water,, she is smiling as if enjoying dancing, She is wrapped in colorful wires that connect to her head (prompt by "cyboss" )
Prompt: A woman and a male cyborg are entwined in a tender and sweet hug and kiss, the woman is a very pretty and slender young woman with shoulder-length hair who wears shorts and a spaghetti-strap belly top, the cyborg man is made entirely of stainless steel and porcelaine and he has deep blue eyes and a benevolent protective attitude, we feel the love and passion between these two characters
Prompt: Two ethereal semi-transparent female figures with long hair are hugging and kissing. Each figure has a glowing, bioluminescent nervous system and vascular network, with vibrant pink and blue and green colors intertwining throughout their bodies. The figures are set against a dark, starry background, enhancing their luminescence. Both figures have a similar body shape, characterized by soft curves and a slender frame. Their profiles are visible, showcasing delicate facial features, including a smooth jawline and slightly parted lips. Their hair is styled in a flowing, wavy manner, blending seamlessly with the glowing elements around them. The nervous systems of both figures are interconnected, with bright nodes of light sparking at various points, particularly around the heads, suggesting a profound connection between them. The glowing vines and branches emanate from their heads, creating an intricate design that highlights their unity. Make sure the composition reflects harmony and the ethereal essence of their beings.
Prompt: The Empire of Shadow --- on a bright sunny day there is a streetlamp that is pitch black and shedding darkness onto the surroundings, black building, inverted light and inverted darkness
Prompt: Charcoal and ink. Vivid colors in red and black. A surreal and mesmerizing scene featuring a girl with striking red hair cascading down her shoulders, blending seamlessly into the red brick wall behind her. Her minimal red clothing clings gently to her form, its hue almost indistinguishable from the bricks, creating the illusion that she is dissolving into the wall itself. Her expression is distant, as if caught between reality and abstraction, her body fading into the textured surface. The bricks appear slightly distorted around her, as if absorbing her presence, with subtle shadows and highlights adding depth to the illusion. The overall effect is both haunting and beautiful, a visual metaphor for blending in, disappearing, or becoming one with her surroundings.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 60, Koshikibu no Naishi, of the Ogura Hyakunin Isshu: "By Ōe Mountain / The road to Ikuno / Is far away, / And neither have I beheld / Nor crossed its bridge of heaven." The image shows a mountain, snow-capped Ōe Mountain, in the distance. A winding road leads through rolling wheat fields from the viewer to the mountain. An elaborate wooden bridge in the style of a painted, wooden Japanese temple over a small stream can be made out on the road ahead, Rendered as a fine woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, peaceful landscape motif. Old masters' technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 61, Isé no Tayū, of the Ogura Hyakunin Isshu: "The eight-petalled cherries / from the Nara capital / of the ancient past / today nine layers thick / have bloomed within your court!" The image shows a single, venerable, gnraled, beautiful "yae-zakura" cherry tree whose last, eight-petaled cherry blossoms are still clinging to the tree. The remaining blossoms have fallen to the ground in a shower of pink and white, covering the ground in a thick layer of perfect, fallen petals. The tree stands protected in the corner of a brickwork wall enclosing a palace courtyard, with the April morning sun shining on the tree and casting its shadow on the elaborate terra cotta brickwork of the cozy wall corner behind it. Rendered in highly detailed wet watercolor technique, additionally highlighted with ink. Magenta pink blossoms, deft execution, introspective, peaceful nature motif. Superlative technique reminiscent of John Singer Sargent. Expressionist and highly emotive ambiance. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 63, Sakyō Daibu Michimasa, of the Ogura Hyakunin Isshu: "Now, the only thing / I wish for is a way to say / to you directly / - not through another- / 'I will think of you no longer!'" The image shows the poet, Sakyō Daibu Michimasa, sitting alone and contemplating his ill-fated affair with a 15-year old High Priestess. The poet is sitting cross-legged on a simple tatami mat in a simple hut. Behind him, we see his thoughts in a double exposure: He is thinking about the young High Priestess, Princess Masako, standing regal in the Ise Shrine. The poet will never see her again, and was not even allowed to say good-bye. Finest linocut additionally colored with wet watercolor. Compelling double exposure, every detail of the tatami mat and the poets clothing finely worked with the linocutter's tool. The double exposure showing the scene with the High Priestess is executed in dark colors and in a bokeh esthetic. Deft execution, melancholy motif. Superlative technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 65, Sagami, of the Ogura Hyakunin Isshu: "Even when your hate / Makes me stain my sleeves with tears / In cold misery, / Worse than hate and misery / Is the loss of my good name." A visibly sad and distraught contemporary Japanese woman is kneeling on her bed, her hands on her knees. crying. Her apartment is sparsely furnished, except from four panels of Japanese paintings on the walls evoking the Heian period. Each panel shows part of a continuous motif of a sakura tree rendered in ink on a golden background. The woman, the bed and the apartment are rendered as a heavy impasto oil painting in various shades of white, gray, tan, and borwn, with the black and gold of the four panels providing a welcome contrast. Skilled and masterful execution juxtaposing the traditional feel of the four panels and the contemporary ambiance with the sorrowful Japanese woman. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a Symbolistic pastel painting int he style of Odilon Redon in rich, luminous colors, executed on rough handmade paper of poem number 68, Sanjō-in, of the Ogura Hyakunin Isshu: "Though I do not want / To live on in this floating world, / If I remain here, / Let me remember only / This midnight and this moonrise." We see an older Japanese man from the side. He is floating, prostrate, in the midnight air, his eyes closed and his arms crossed peacefully on his chest. Below him, a yellow moon is rising, just peeking over the dark horizon. The colors of the image are luminous blues, whites, yellows, and, for the loose-fitting, simple clothes of the man, magenta and light blues. The highly symbolistic pastel painting shows the man and the moon in exquisite detail, whereas the background is smudged and executed many layers of rich oil pastels. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, finely cut, multilayer linocut showing the topic of poem number 83, Dōin Hōshi, of the Ogura Hyakunin Isshu: "From this world I think / That there is nowhere to escape. / I wanted to hide / In the mountains' farthest depths; / But there I hear the stag's cry." see light from the hallway shining on an old, closed, heavy-plank wooden basement door. The door has a brass knob and shield-mounted stag antlers. The basement door leads to a refuge for the plagued poet to hide away when the worl becomes too much for him. Highly symbolic image. The linocut is so fine that we see every single wood fiber of the door's planks perfectly lit in dimensional detail, every twist and turn of the antlers, and every spot on the brass doorknob. Exquisite Japanese linocut folio in full 16:9 width.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed photograph showing the topic of poem number 82, Dōin Hōshi, of the Ogura Hyakunin Isshu: "Though in deep distress / Through your cruel blow, my life / Still is left to me. / But I cannot keep my tears; / They break forth from my grief." We see a chubby young actress from the back as she is sitting on an ornate chair in front of a dressing room table. She is dressed in a pretty, patterned silk t-shirt and jeans and is staring at her desolate, tear-streaked reflection in the dressing room mirror. The mirror is surrounded by lamps, so we se her face very clearly, whereas the surroundings are steeped in shadow. The young actress has just been severely reprimanded by her much-admired director and is now desolate, despondent and crying. The image is executed as a hyperrealistic photographic shot. Perfectly captured moment of deep despair. Exquisite shot for a photography contest.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with somber colors, executed on rough handmade paper of poem number 86, Saigyō Hōshi, of the Ogura Hyakunin Isshu: "Should I blame the moon / For bringing forth this sadness, / As if it pictured grief? / Lifting up my troubled face, / I regard it through my tears." The image shows a despondent young man in a dark overcoat with an upturned collar. His hands are defiantly stuffed deep in the pockets of his overcoat' as he gazes upward at the pale, full moon late at night. The pale light of the moon is reflected in his face, tears glinting in the moonlight. To the left and right of the narrow alley, tall, dark, dimly lit city buildings rise high. Amidst his tousled hair, his face is drawn in emotional pain, and tears are flowing from his eyes as he looks at the impervious moon. The young man's face and the pale blue-white moon's surface are exceedingly detailed, with a zentangle-like esthetic. The somber grays and blacks of the buildings with some smudged, dark yellowish lights in the windows, and the lighter grays of the moonlit street echo the young man's dark mood. Extreme detail, clarity of rendering, timeless, symbolical motif executed with great mastery. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate, wet watercolor with chilly autumn colors, executed on rough handmade paper of poem number 87, Jakuren Hōshi, of the Ogura Hyakunin Isshu: "While the raindrops of / the passing shower have not yet dried from / near the leaves of the evergreens, / the mist is already rising, on / this evening in autumn." The image shows a closeup of a fir bough, with the needles dripping wet from a rainshower. The glassy, bluish drops on the dark-green fir needles are beautifully captured in watercolor. The fir bough stands out against a blue-gray mist wafting though the deciduous trees in their autumn dress, as darkness descends on the scene. Quick, masterful brushstrokes perfectly capture the wet, misty autumn evening mood. Exquisite Japanese folio.
Prompt: Full-width, broad, 16:9 format of an extremely detailed, delicate, intricate, multicolored linocut all the way to the edge, rich colors, executed on rough handmade paper of poem number 94, Sangi Masatsune, of the Ogura Hyakunin Isshu: "From Mount Yoshino / Blows a chill, autumnal wind. / In the deepening night / The ancient village shivers: / Sounds of beating cloth I hear." The linocut shows a naturalistic close-up of an older Japanese peasant woman in simple work garb beating woven wool lying on a smooth stone surface. She is raising her right arm, in which she is holding a simple wooden hammer that she uses to beat the woolen cloth. This process will make the cloth more durable, warmer, softer and water-resistant. Behind the woman, we see the lights in the windows of the ancient village on the mountainside as night falls. The horizon is still light blue, but the blue of the sky deepens toward the top of the image. A chilly wind whisks and twirls late autumn leaves in a flurry surrounding the woman. Color palette of rich colors, shades of blue in the sky and work garb, yellow in the windows of the houses, mostly grays and browns for the houses, tan for the wooden hammer-like mallet, gray for the stone on which the wool fabric lies, and anthracite for the woollen cloth. Clarity of rendering, masterful linocut in several layers and with highly intricate detail, clearly visible, short cuts with the linocutter. Exquisite Japanese folio.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
1d
21h
