Brooklyn On a Sunday in April 1947, 530am, by Edmund Dulac 02
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Vintage Brooklyn cityscape, 1947, pre-dawn light, Sunday morning, 5:30AM, April, deserted streets, old-fashioned architecture, depicted in pen and colored inks combined with watercolors in the Style of Edmund DULAC characterized by rich, jewel-toned watercolors and elegant, flowing ink lines, with precision draftsmanship, nostalgic atmosphere, empty cobblestone streets, historical accuracy, artistic flair, serene ambiance.
Brooklyn On a Sunday in April 1947, 530am, by Edmund Dulac 01
Model:
DaVinci2
Size:
1920 X 1080
(2.07 MP)
Used settings:
Prompt: Vintage Brooklyn cityscape, 1947, pre-dawn light, Sunday morning, 5:30AM, April, deserted streets, old-fashioned architecture, depicted in pen and colored inks combined with watercolors in the Style of Edmund DULAC characterized by rich, jewel-toned watercolors and elegant, flowing ink lines, with precision draftsmanship, nostalgic atmosphere, empty cobblestone streets, historical accuracy, artistic flair, serene ambiance.
Prompt: Spring, natural dirt road in the wilderness, bushes, trees in the sunlight, light reflections in the extremely detailed foliage, behind a dark coniferous forest
Prompt: Impasto, a vibrant landscape painting depicting a rural village from an aerial perspective. Include colorful houses with varied roofs, surrounded by lush green fields and patches of yellow crops. A winding dirt road should connect the houses, with trees dotting the landscape. Emphasize texture and color contrast to evoke a sense of warmth and tranquility in the countryside.
Prompt: An Abstract Expressionism painting of an computer gods ascending, intricate fractal patterns, cosmic horror elements, whimsical design, optical illusion effects, rapid, and impulsive brush strokes. The paints are splashed, poured and flung directly onto the canvas in a dynamic and uncontrolled manner. Jackson Pollock painting style.
Prompt: A delicatessen, a typical old fashioned deli, with salami rolls hanging on strings and cheeses in a chilled display cabinet. There is an Italian street scene on the wall at the back.
The owner, a round happy man, is standing behind the counter. He is wearing a cap and a butchers apron with the word Deli on it.
A customer, a blond haired girl, is in the delicatessen. She is standing in front of the cheese display and tasting a small piece of cheese before she buys a larger slice
Prompt: surreal artwork illustrating Man's desperate need to appear better than he thinks he is,abstract shapes representing decay and rebirth,juxtaposition of vibrant colors against muted backgrounds,echoes of grandeur,collage style blending ancient symbols with modern elements,inspired by contemporary artists; concept art
Prompt: Abstract expressionism surrealism, Stunning color oil drawing on textured paper, My Eyes Might Be Big, But My Hat is Too Small, Inspired by the style illustrations of Picasso, Tomasz Setowski. As if created in the patchwork style of Masamune Shirow, Mamoru Nagano, Catrin Welz-Stein, Satoshi Kon and Van Gogh.
Prompt: Abstract expressionism surrealism, Stunning color oil drawing on textured paper, My Eyes Might Be Big, But My Hat is Too Small, Inspired by the style illustrations of Picasso, Tomasz Setowski. As if created in the patchwork style of Masamune Shirow, Mamoru Nagano, Catrin Welz-Stein, Satoshi Kon and Van Gogh.
Prompt: Macro image of an ignited matchstick, the full body of an elegant ghost woman composed entirely of flowing, ethereal flames in shades of orange and red against a dark background. The ghost should be in motion, with its body and made up of swirling, fiery lines that suggest movement and energy. The overall look should be both powerful and artistic, capturing the essence of a woman made from fire, with an emphasis on detail in the facial features and the fluidity of the flames white, yellow, orange, red, blue flame, black background, intricate, highly detailed, naturalistic, acrylic art
Prompt: In multi-coloured chalk on old asphalt, at the edge of the earth, summer day, sea, white seagulls, a cat on a sandy beach looking at the clouds in the sky,Layered Artwork, by Peter Wileman, Peter Doig
Prompt: Wildlife painting in the style of Charles Tunnicliffe, showing an American Crow, perched on a stone wall in a Sedona, Arizona landscape, springtime.
Prompt: Painting by Munch, Jenny Saville, de Kooning, Van Gogh, Cezanne: modernist view of an outdoor market place in a busy old town area of Rome, Italy.
Prompt: Transparent ice flowers from frozen water and milk. Beautiful gray, golden, sunrise, a butterfly on a blade of grass and black quilted textured landscape. Surrealism, futuristic, aesthetic
Prompt: on a sheet of old newspaper through the text a transparent drawing in ink a woman takes a photo with a camera, newspaper letters on top like body art, close-up,Louis Jover-inspired,
Prompt: Hmm… This cadmium red—too loud. Or is it? Maybe just a whisper along the edge, where the light fractures. Wait—no, the underpainting’s too cool for that. Damn. Should’ve let the burnt sienna dry longer. Now the layers bleed. But… is that a mistake, or a gift?
Look at her eyes. They’re supposed to hold the storm, but they’re flat. Flat as glass. Where’s the depth? More glaze? Or scrape back, risk the texture. God, the canvas is judging me. “You had a vision,” it says. “Where is it?” Shut up. Let me think.
That horizon line—collapsing. Too much ochre. Wait, maybe a slash of ultramarine there, just to… No. Let it breathe. Sometimes the painting tells you what it needs. Or is that just laziness?
Hands are trembling. Coffee. Should’ve had less coffee. Or more. Can’t decide if this is genius or garbage. Both, probably. Always both. The brush feels heavy. Why does the white look so dead? Maybe a touch of Naples yellow. Or—wait—what if I let the raw umber peek through? Imperfection as intention. Sure. Let’s romanticize desperation.
Step back. Too close. Always too close. From here, the composition… It’s unbalanced. That diagonal—needs weight. A shadow? No, a shape. Something organic. A leaf? Too literal. A smear, then. Let it suggest, not declare. Yes. Less control. More trust.
Is this even my voice anymore? Or am I just repeating what the critics said last time? “Bold but unresolved.” Ha. Maybe they were right. Or maybe they’ve never stood here, heart racing, trying to birth a ghost into color.
Prompt: Spectrum Magazine, Graphic Novel surrealistic Comic Art by Bill Sienkiewicz, Francis Bacon, Marc Chagall, Ben Templesmith, Dave McKean, Zdzisław Beksiński, Brom, A bustling city street at dusk, illuminated by the headlights of numerous cars traveling in both directions. The road reflects golden hues from the setting sun and the artificial lights, creating a warm ambiance. On either side of the street, dark silhouettes of trees with bare branches frame the scene, enhancing the urban feel. Tall buildings stand in the background, some with glass facades that catch the fading light, while others display bright signage. The sky transitions from orange to deep blue, hinting at twilight. The overall atmosphere is dynamic and lively, capturing the essence of city life.
Prompt: A mysterious and sacred scene unfolds before you, inspired by Zdzisław Beksiński's masterful style. Imagine a hauntingly beautiful artwork with these elements:
# The Composition
- Envision a central, hooded figure draped in a flowing, blue robe, their visage obscured, standing in front of a colossal, textured wall or structure.
- Picture the figure clutching a wooden box adorned with crosses, drawing the eye and embodying the essence of the piece.
- Set the backdrop in a dark, atmospheric setting, with glimpses of an ominous, cloudy sky adding to the enigmatic ambiance.
- Capture the overall composition exuding solemnity, mystery, and a touch of the sacred or religious aura.
# Symbolism and Interpretation
- Infuse the hooded, faceless figure with a sense of anonymity, universality, or divinity, sparking contemplation on the deeper meanings.
- Highlight the cross-adorned box symbolizing themes of death, sacrifice, or the sacred, urging viewers to reflect on the mysteries it holds.
- Incorporate the Latin inscription "IN HOC SIGNO VINCES," resonating with themes of faith, power, or triumph, adding layers of significance.
- Convey an atmosphere of reverence, contemplation, and the weight of spiritual or existential inquiries through the overall mood.
# Artistic Technique
- Emulate Beksiński's distinctive style with rich, textured brushwork, dramatic interplay of light and shadow,
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
6w
