Prompt: A Candid, suspenseful moment in time depicted in a Surreal, dada, and epic matte-painting, in the style of Terry Gilliam, featuring an optical-illusion exterior scene, at early-dusk, featuring a 1960s woman wearing a green and floral frock, in the center, creating the illusion she is lying down in a backyard flower-garden while her floral frock cleverly-merges with the flower-garden background. Her arms are outstretched to her sides, palms up, with her mouth wide open in an expression of surprised horror. Above her head floats a large, pink balloon, appearing to balance perfectly on her forehead. Behind her are manicured shrubs and a midcentury-modern neighborhood. The woman is flanked on one side, by a man's hand, in the extreme-foreground, horizontally holding a yellow cocktail-sword to create the illusion of piercing the pink-balloon in the background, adding depth to the composition. The patio-pavement beneath the woman consists of colorful geometric patterns forming abstract shapes in vibrant shades of green, red, yellow, blue, purple, orange, and pink that merge with the woman's frock in an optical-illusion. The overall lighting is bright and even, casting sharp shadows that emphasize the three-dimensional quality of the scene.
Prompt: A stylized watercolor and ink painting, landscape format. A woman with dark flowing hair looks upward at a glowing full moon with her eyes closed, wearing golden earrings, turquoise top, and a white flowing garment with necklaces around her neck. The background is a deep indigo sky with abstract watercolor washes, flowing pigments, orange splashes, and expressive ink details. The paint should look like it runs and bleeds into the paper, creating a dreamy, ethereal, and spiritual atmosphere with modern artistic brushstrokes.
Prompt: Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, to depict an image of an ethereal beautiful young woman with long soft wavy down to her waist hair, sitting alone by the river bank as waiting for someone dear to her heart. A serene and tranquil natural scene at twilight with a gentle, warm filter. The composition prominently features a calm, reflective lake with soft ripples on the water surface. Gentle sunlight, diffused with a pinkish-orange hue, hints at either an early sunrise or the waning hours of sunset, casting a warm glow and highlights onto the water and surrounding foliage. Greenery envelops the scene; lush, dense trees and shrubs with varying shades of green fill the background and frame the lake with drooping willow branches softly swaying on the left. Tall, dark green reeds rise from the water’s edge at the center, and their mirror images ripple in the reflection. On the right, there’s a single, humble rowboat, gently moored at the grassy shore, half on land, half on water. The boat is old and appears to be made of weathered gray wood with interior shadows suggesting a hollow interior. Subtle details include the soft texture of the green, leafy vegetation and the peaceful mood conveyed through the muted tones and the stillness of the scene. The overall effect is one of seclusion, evoking a sense of quiet isolation and the beauty of untouched nature.
Prompt: sandy beach, palm trees, moonlight, stars, lying in the sand, a woman with a beautiful body, dressed in white, her exciting body, visible through her thin material dress, and a man, with their arms around each other, hugging each other, kissing, detailed image, strong colors, fantasy art
Prompt: Delicate, dreamy, ethereal watercolor (((Masterpiece))) delicate brush strokes, soft edges, soft image, beautiful thick watercolor paper. Gold sprinkles. A gorgeous red head woman with long curly hair is seen from the back sitting on a wooden peer. She is wearing a light pink dress with an open back, laced up. In her solitude, she gazes into the distance with a lantern next to her and an open book. The mood is stormy, the sky has dark clouds and a small parcel of light that shines through with hues of light blue and pink and gold where the rest of the clouds are dark and menacing. In the distance, the silhouette of a dark forest. The mood is serene yet stormy. Deep in thought and reflexion. Gorgeous composition, exquisite details, flickers of golden light. Shrink to fit. Wet on wet painting. No frame, no artifacts, no words!
Prompt: A fascinating and dreamy watercolor double exposure of gentle pink flowers, with a woman between flowers. The background is ethereal, with soft pastel colors, gradient blue and gradient pink, soothing a sense of well-being, like an illustration by David Hamilton.
Prompt: An elegant and pretty young woman is walking in the street under the rain and she has a big mushroom instead of an umbrella, acrylic painting with strong brushstrokes and vivid colors
Prompt: Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, to depict an image of an ethereal beautiful young woman with long soft wavy down to her waist hair, sitting alone by the river bank as waiting for someone dear to her heart. A serene and tranquil natural scene at twilight with a gentle, warm filter. The composition prominently features a calm, reflective lake with soft ripples on the water surface. Gentle sunlight, diffused with a pinkish-orange hue, hints at either an early sunrise or the waning hours of sunset, casting a warm glow and highlights onto the water and surrounding foliage. Greenery envelops the scene; lush, dense trees and shrubs with varying shades of green fill the background and frame the lake with drooping willow branches softly swaying on the left. Tall, dark green reeds rise from the water’s edge at the center, and their mirror images ripple in the reflection. On the right, there’s a single, humble rowboat, gently moored at the grassy shore, half on land, half on water. The boat is old and appears to be made of weathered gray wood with interior shadows suggesting a hollow interior. Subtle details include the soft texture of the green, leafy vegetation and the peaceful mood conveyed through the muted tones and the stillness of the scene. The overall effect is one of seclusion, evoking a sense of quiet isolation and the beauty of untouched nature.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques:Ginger Muse in Motion
A young ginger-haired woman dances barefoot across a rain-washed city street at night. Her hair, thickly layered in palette knife strokes, blazes like wildfire under the glow of neon signs. Each curl seems alive, painted with fiery impasto, catching hints of scarlet and amber.
The wet pavement shines with glazing layers of ultramarine and emerald, reflecting the fractured lights of the city. Around her, the blurred outlines of passersby are mere shadows — quickly suggested with palette knife swipes — while she is the only figure brought into full radiance, glowing as if the rain itself chose her as its muse.
She lifts her hands upward, her dress clinging and flowing at once, created in heavy textured strokes that dissolve into softness near the hem. In the distance, an old violinist under an umbrella plays, his figure almost ghostlike, while the music seems to spiral toward her — visible on canvas as faint translucent arcs of light.
The whole scene feels like a cinematic dream, balancing between raw urban grit and the ethereal glow of her presence. She is chaos and grace in one: the city is alive through her, and she is alive through the storm.
Prompt: A masterpiece of fantasy realism. Portrait of a beautiful young thin Brazilian girl in a yellow-green striped bikini. The girl smiles with charm and kindness. The background is a sunny day on the Copacabana beach.
Prompt: Paysage d'automne Fille blonde et garçon blond, debout devant une école, cartable dans le dos, se tenant par la main et souriant, sous les feuilles d'automne dorées, dans un style de peinture à l'huile chaud et détaillé, inspiré par James Gurney, avec des touches de Craig Mullins et Noah Bradley.
Prompt: Fiery warrior Red Sonja standing atop a mountain peak, wielding a gleaming sword, flowing crimson hair, fierce and determined expression, mythical creatures in the background, dragons circling the sky, ancient ruins, dramatic clouds, vibrant reds and golds, intricate armor details, epic fantasy setting, digital painting, dynamic composition, by Frank Frazetta and Boris Vallejo, ArtStation.
Prompt: Stylized figure of a hyper-realistic woman sitting with her head close to her knees and her arms embracing her legs. Her body is covered in lotus floral designs details, the background is the calm shore of a pond at night, fireflies are buzzing about partially lighting the scene perfect body anatomy purple, pink, green, black,white and yellow a defined surreal wet on wet oil on water dripping alcohol ink, a woman with no real translucent substance made of purple lotus flowers caught in a powerful emotions and web, the background is reminiscent in style of Pablo Amaringo, Patrick Woodroffe
Prompt: A reimagining of the composition from The Irritating Gentleman, rendered in a style of monumental Renaissance mastery where every figure is treated with the sculptural solidity of carved marble and the anatomical precision of a master draftsman. Forms are volumetric and powerful, modeled through dramatic chiaroscuro, with a tactile sense of musculature and bone structure beneath the skin. Drapery is rendered in sweeping, weighty folds that have the gravity of carved stone yet the fluidity of fabric in motion. Skin tones are luminous and warm (Pantone 468 C and Pantone 7510 C), built up in layered tonal transitions from shadow to highlight, creating a living surface.
The scene is set inside a richly detailed coach interior, reinterpreted as an architectural niche with solid, coffered panels (Pantone 7531 C) and deep, warm shadows (Pantone 4975 C) that frame the figures as if they were part of a fresco. The young woman, seated by a side window, has an idealized yet naturalistic beauty: the oval of her face, the symmetry of her features, and the controlled tension in her posture are all carefully constructed. Her youthful clothing—adapted to the style—includes a tunic-like bodice in muted crimson (Pantone 1807 C) with soft golden trim (Pantone 871 C), and her skirt falls in deliberate, sculpted folds, every crease modeled with a sense of weight and structure. Her expression is restrained but filled with subtle tension: brows drawn slightly together, gaze turned away, lips pressed in discomfort, a tear from one eye.
The man leans over from behind, his body positioned with a contrapposto twist, head and shoulders inclining forward into her space. His tuxedo-like attire is reinterpreted into a doublet in near-black (Pantone Black 6 C) with a collar of pure ivory (Pantone 663 C), sleeves displaying complex, sculptural folds. His face is modeled with pronounced planes, high cheekbones, and a smirk that is both physically vivid and psychologically invasive.
Light enters from the side window in a strong, directional beam (Pantone 7401 C), cutting across the scene in a diagonal that heightens the drama. The shadows are rich and deep, carved into the composition, lending an almost bas-relief quality to the figures. The environment is minimal but architecturally solid, with surfaces treated as if they were fresco plaster—warm, earthy, and timeless.
Mood: an intense, timeless confrontation where emotional discomfort is amplified by monumental rendering, each figure captured as if frozen in marble yet alive with human tension.
Prompt: In a hyperrealistic style laced with avant-garde chaos, a young Japanese woman stands in a front-facing three-quarter pose, her presence both intimate and uncanny. Her expression is serene and maternal, exuding quiet warmth. She faces the viewer with open shoulders and a subtle forward lean, as if inviting closeness. One hand rests gently near her chest, palm open, while the other hangs loosely by her side, relaxed and unthreatening—a posture that radiates trust, protection, and gentle authority.
Her hairstyle is a classic straight blunt bob with soft inward curves at the ends, neatly grazing the jawline. The cut is clean, deliberate, and calming—its simplicity and precision speak of composure and stability. Her hair is jet black with a subtle blue sheen under the light, each strand rendered with microscopic detail, falling in controlled symmetry that frames her face with gentle discipline.
From the right, she appears entirely human—skin warm and luminous, cheeks flushed with natural pink, and almond-shaped eyes reflecting empathy and clarity. But as the eye moves leftward, the illusion of humanity peels away. Her body becomes transparent from the left shoulder down, revealing a refined and complex android interior. Synthetic muscle fibers stretch and flex beneath translucent skin-like material, intertwined with elegant mechanical structures—titanium tendons, polished bone-reinforced alloys, and glowing circuitry embedded within sleek artificial organs. Hydraulic joints and carbon filaments thread through her interior like veins, meticulously rendered with a fusion of anatomical realism and futuristic aesthetics.
The chaotic elements burst subtly from the mechanical side—wires loop like abstract tendrils, iridescent nanomaterials ripple across internal plating, and faint pulses of colored light move beneath the transparent surface. Yet this inner chaos is never threatening; it is intricate, beautiful, and purposeful—an engineered soul encased in grace.
The background is a soft, undefined blur of warm tones and digital fragments, enhancing the dreamlike duality of the portrait. The image as a whole is a poetic contradiction: maternal warmth embodied in synthetic perfection, stillness against a backdrop of precision chaos, the human and the artificial harmonized into something both alien and deeply familiar.
Prompt: A full-figure pencil drawing in a style defined by meticulous, flowing linework and subtle tonal shading, where every contour is rendered with anatomical precision and a deep understanding of proportion. The treatment is monochrome, rich in cross-hatching and delicate gradations of graphite, giving the form a sense of volume and softness, as if the figure could step out of the page.
The subject is a barefoot woman seen three-quarters from the back, her posture relaxed yet balanced, weight resting gently on one leg. Her hair is a vivid violet pixie cut—highly layered and asymmetrical, with textured, feathered strands that contrast sharply against the monochrome body. The hair, the only colored element in the composition, is rendered in vivid tones (Pantone 2592 C) with nuanced shading that shifts from deep violet to bright lavender highlights, appearing almost luminous against the graphite work.
Her body is covered in intricate leaf drawings, each leaf individually outlined and shaded in pencil, following the curves and planes of her anatomy as though they were part of her skin. The leaves vary in size and shape, some curling delicately, others lying flat, creating an organic pattern that seems to grow naturally from her form.
The ground beneath her bare feet is suggested with light, sketchy strokes, keeping the focus on the figure. The background is left minimal and airy, with only faint, atmospheric marks to frame her silhouette, allowing the viewer’s eye to rest on the interplay between the precise graphite rendering and the vivid, living color of her hair. The overall effect is both harmonious and striking—a union of classical draftsmanship and a single, modern burst of chromatic intensity.
Prompt: A dreamlike full-body illustration rendered in a hybrid style that fuses photographic hyperrealism with the sensuous, dissolving textures of Pier Toffoletti’s expressive abstraction. The subject is an ethereal albino cat—her entire body composed of softly billowing cloud matter, semi-transparent and ever-shifting, like fog given feline form. She is seated with light grace atop an elegant, antique wooden table made of polished walnut (Pantone 4625 C), its curved edges and fine grain gleaming with warmth under diffused ambient light.
The gatta’s figure is sculpted in nuanced tonalities of translucent pearl white (Pantone 11-0602 TCX) and moonstone grey (Pantone 14-4102 TCX), with edges that blur gently into the air around her. Wisps of mist drift from her paws and shoulders, subtly trailing over the table like tendrils of vapor. Despite her vaporous form, she retains clear anatomical definition: long limbs folded neatly beneath her, her tail curling into a wisp at the edge.
Her face is hauntingly beautiful—fragile yet intense. She tilts her head slightly to the side, ears alert, as her vivid golden eyes (Pantone 1235 C) lock onto a tall, ornate glass jug beside her. The jug is filled nearly to the brim with rich, creamy milk (Pantone 11-0601 TCX), and a striped paper straw in candy pink and white (Pantone 1767 C and Pantone 11-0601 TCX) protrudes from the top at a playful angle.
The lighting is soft, directional, and low—casting subtle golden reflections across the surface of the table and highlighting the foggy translucence of the cat’s form. Her gaze is intense, longing—fixated on the straw, as if contemplating the impossible. Around her, the atmosphere is quiet, contemplative, and poetic.
The color palette balances softness and clarity: ivory, soft cloud grey, warm walnut brown, pale rose, and luminous yellow, with subtle undertones of lilac haze (Pantone 7447 C) in the shadows of her cloud-body. The overall composition evokes wonder and tenderness—a surreal moment of yearning suspended in a world where substance and air intertwine.
Prompt: A full-body depiction of a woman in a haunting, surreal style that merges the nightmarish, decayed atmospheres of dystopian dreamscapes with the meticulous, anatomically precise rendering of Renaissance sculpture. She stands centered in the composition, feet planted firmly on cracked, ashen ground (Pantone 7540 C), her posture unnervingly still.
Her hair is extraordinarily long and dyed a vivid, cold pink (Pantone 705 C with lowlight shadows in Pantone 7434 C). It is styled into two thick sets of triple braids, one on each side of her head, the braids hanging heavily forward over her chest like weighted ropes. The braiding is exact and tight, every strand rendered with obsessive precision, yet the sheer length and mass give them a surreal, almost inhuman quality.
Her face is a disquieting contrast between beauty and horror: perfectly proportioned and sculpted, yet painted in disturbing clown makeup in muted, pale tones. A ghostly off-white base (Pantone 7527 C) covers her skin, with desaturated grey-black diamond shapes (Pantone Cool Gray 11 C) stretching from brow to cheek, their edges feathered as if blurred by time and wear. Her lips are a softened, pale metallic crimson (Pantone 7631 C) with reduced saturation, curling into a macabre, unnatural smile—too wide, too knowing. The eyes, shadowed in soft smoke grey (Pantone 431 C), glare straight into the viewer’s gaze, unwavering and penetrating.
She wears a tattered, floor-length gown in muted bone white (Pantone 7527 C), the fabric clinging to her form in some places and hanging in torn, desiccated drapes in others. The dress seems eroded by time, with frayed hems and rents that reveal glimpses of flawless, marble-like skin beneath—rendered with precise anatomical fidelity. Her bare feet rest on fractured stone, toes dusted with the same fine ash that swirls faintly around her.
The background is an oppressive, decaying expanse: a barren wasteland of crumbling structures and twisted, skeletal silhouettes, all swallowed by a miasma of ochre haze (Pantone 7550 C) and bruised storm clouds (Pantone 431 C). The atmosphere feels heavy, airless, and still, the light dim and sickly, casting long, unnatural shadows that stretch toward the viewer.
The overall mood is deeply unsettling—beauty muted into ghostliness, bound in grotesque ceremony, standing in the thin space between reverence and nightmare. Her stillness, combined with the lifelike anatomy and eerie surrealism, makes the image feel as if she could step forward at any moment.
Prompt: A full-body rendering reveals itself in a visual language where figuration and dissolution intertwine, a portrait that oscillates between sculptural clarity and the erosion of surfaces. The subject is an attractive Asian woman, viewed from a three-quarter frontal angle, her form both tangible and ephemeral. She is captured in a natural squatting pose, barefoot upon a textured ground that merges into the canvas itself. Her body is drawn with anatomical precision, yet the edges of her form bleed outward into layered transparencies, eroded textures, and soft painterly washes, creating a vision suspended between presence and disappearance.
In her hands she cradles a massive, ancient tome, the pages worn, frayed, and heavy with time. The volume seems almost alive, as if its weight pulls her inward, while its faded calligraphy and cracked parchment radiate outward into the composition. Around her, abstract tonal fields and layered pigments echo the aura of the book—fragments of ochre, umber, and muted sepia (Pantone 1245 C, Pantone 7531 C, Pantone 2317 C) ripple through the background like the faded traces of ink or the stains of centuries. Behind her, suggestions of aged walls, weathered by time, emerge faintly—stone surfaces dissolving into painterly erosion—offering a subtle setting that feels both sacred and forgotten, perfectly attuned to the relic she studies.
She wears an extremely short skirt in deep terracotta (Pantone 7618 C), clinging lightly to her hips before dissolving into gestural blurs of pigment. Above, a loose coral-toned tank top (Pantone 2340 C), knotted at her right side, reveals the gentle curve of her abdomen. The fabric itself is rendered with painterly care: folds appear sculptural, then melt into stains and dripping textures, balancing realism with abstraction.
Her hair frames her face in light golden-brown curls (Pantone 7558 C), their volume captured with sculptural precision before dissolving into wisps and streaks of pigment. Some curls fall across her forehead, others catch the light in warm highlights that shimmer like metal dust, while the edges of her hair blur into washes and splatters, merging her form with the canvas.
Her face, illuminated with soft, directional light, is serene yet absorbed, her eyes lowered toward the tome. Subtle chiaroscuro sculpts her cheekbones, nose, and jawline, but the shadows melt into fields of transparent gray (Pantone 423 C) and ivory (Pantone 7527 C), merging skin and space. Her lips, full and delicately textured, are shaded in natural rose copper (Pantone 7608 C), adding warmth to her calm intensity.
The background breathes with layered abstraction—fragments of botanical motifs, aged textures of stone and parchment, stains of ink and gold (Pantone 871 C) that appear and vanish across the surface. It feels like a palimpsest, an accumulation of histories, where the woman’s presence and the tome she holds resonate as living continuities within an eroded yet luminous space.
The mood is contemplative, sensual, and timeless: a dialogue between flesh and memory, between beauty and the erosion of time, where every detail and every dissolution contributes to a portrait of quiet magnificence, at once intimate and monumental.
Prompt: A hybrid-style full-body portrait of Tatsumaki (Tornado of Terror from One Punch Man), reimagined through the fusion of hyperrealism and the explosive, graphic energy of an avant-garde ink-splatter aesthetic. Her entire form is rendered with anatomical precision—smooth porcelain-like skin, fine details of her face and hands—yet surrounded by chaotic strokes, ink bursts, and fractured textures that unravel around her, as if her psychic aura is tearing through the canvas itself.
She is captured in one of her most iconic poses from the manga: hovering above the ground in mid-air, legs slightly bent with one forward, her right arm extended in a commanding gesture, palm open and fingers splayed, while her left hand hovers near her waist with subtle tension, as though channeling invisible force. Her short, wavy green hair (Pantone 7724 C with highlights in Pantone 3395 C) is drawn with both photorealistic strands and abstract, graphic arcs of swirling pigment, each lock flowing upward and outward as if caught in an unseen psychic storm. The hair partially frames her face, revealing sharp, intelligent green eyes (Pantone 347 C) glowing with intensity, their brilliance heightened against the chaos of the composition.
Her attire is the signature black body-hugging dress, rendered here in deep onyx (Pantone Black 6 C), its fabric treated hyperrealistically, clinging to her figure with folds and light reflections, yet dissolving at the edges into jagged lines, splatters, and dynamic smears. The long, flowing sections of the dress, normally trailing like ribbons, are transformed into painterly streaks—part fabric, part abstract energy—that spiral outward into the surrounding space.
A touch of sensuality is woven into the rendering: the way the dress clings to her curves, the suggestion of her long legs exposed as the garment’s torn ribbons lift around her in motion, her lips subtly parted with a hint of determination and allure. Her stance radiates both dominance and elegance, her psychic power intertwined with a magnetic feminine presence.
The background is fractured and dynamic: a storm of abstract marks in muted gray (Pantone 423 C), black ink bursts, and electric streaks of emerald green (Pantone 3415 C) radiating from her body. These elements blur the boundary between figure and environment, amplifying the impression of unstoppable energy erupting outward.
The overall composition is monumental and electrifying: Tatsumaki as both hyperreal figure and living artwork, suspended between precise realism and chaotic abstraction, sensuality and raw destructive force—her iconic presence redefined in a vision where control and chaos coexist.
Prompt: A richly textured tempera painting with thick impasto strokes, capturing a close-up of a young woman lying supine. Her short, asymmetrical red hair fans out beneath her, its wavy strands catching the warm light. Her lips, slightly parted, glisten.
Her expression is one of indulgent delight, eyes half-lidded, savoring the moment. The composition is bathed in warm, radiant hues—amber, ochre, and deep gold—enhanced by bold, textured brushstrokes that add depth and a striking three-dimensional presence. The background swirls in soft, glowing tones, enveloping the scene in a dreamlike, sensorial warmth.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
12w
