Prompt: (((Masterpiece))) A dynamic ink and watercolor drawing in a scratching, splashing, blotting appeal, irregular stroke, squiggly line, evocative, splatter, overspray of color.
We look at a very beautiful slender busty urban young blonde vietnamese woman crouching on the floor with an open book in a paper world. From all sides long written sentences in various languages and fonts, curling and twisting around the blonde Vietnamese woman, like they were flags billowing in the wind .
The blonde blonde hair of the vietnamese woman is loosely styled in a bun with a few loose tendrils framing her sweaty blushing smiling face. The vietnamese woman is wearing a revealing t-shirt with rainbow print and pyjama shorts. She smiles full of amazement at the magical swirling words.
Masterpiece, touching, sparkling, gorgeous, golden ratio, beautiful, awe striking, erotic, breath taking, evocative, sumptuous, aesthetic, unique, HD, style by zettel
Prompt: A little girl stands next to an old house in a retro vine village, whose houses are beautifully covered with climbing roses. She is hanging laundry on a line in medieval style. The laundry is in an old wicker basket on the ground next to her. The girl has long, curly, white hair and big blue eyes. The girl is wearing a flowing white dress with delicate lace trim that gently dances around her as she walks. In the background, houses in the style of the artist Jean-Baptiste Monge can be seen. The overall composition conveys a feeling of harmony, nostalgia, and innocence, evoking a fairytale atmosphere reminiscent of the Middle Ages.
Prompt: La Petite France de Strasbourg: Architectural drawing: sketch..Construction details. "border town 1880":watercolor, charcoal, ink, by Pablo Picasso, Wlad Safronow
Prompt: The Palazzo Vecchio of Florence: (A masterpiece of unparalleled excellence), (("A vibrant, whimsical scene featuring colorful birds flying around two clock towers against a spiral sky, filled with a crescent moon and stars, creating a dreamy, magical atmosphere.". Colorful complex stipple texture)), Inspired by the style illustrations of Debbie Criswell, Catrin Welz-Stein, Gediminas Pranckevicius, Kate Beaton, Deborah Azzopardi, Laura Callaghan. (Full Size image).
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 5, Sarumaru, of the Ogura Hyakunin Isshu: "In the mountain depths, Treading through the crimson leaves,
The wandering stag calls. When I hear the lonely cry, Sad--how sad!--the autumn is." The image shows a single, majestic stag in a bare autumn forest standing on a carpet of red, fallen leaves. The stag has lifted his head and is sending forth a rutting call. He has large, twelve-point antlers and is calling for a hind. One can see the breath of his call in the cold autumn morning air. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 35, Ki no Tsurayuki, of the Ogura Hyakunin Isshu: "The depths of the hearts / Of humankind cannot be known. / But in my birthplace / The plum blossoms smell the same / As in the years gone by." The image shows an unassuming-looking, older, contemporary Japanese man looking out of a train window, his head resting on his palm, and his elbow on the windowsill. He is contemplating the sunny, early spring landscape outside the train window. As if in a perfect snapshot, a single, magnificent plum tree in full bloom stands on a grassy meadow and can be seen right in the middle of the windowpane, with only the left side of the tree slightly obscured by the profile of the man looking out of the window. Combination watercolor and woodcut, executed in a style reminiscent of Kawase Hasui. Deft execution, introspective, peaceful, melancholy motif. The view out of the window is rendered in pastel spring colors, contrasting with the darker, shaded tones of the man inside the train window. Old masters' technique. Exquisite Japanese folio.
Prompt: Create a serene, painterly underwater tableau of a green sea turtle gliding over a sunlit seagrass meadow. Composition: 3/4 top-down angle showing carapace pattern and seagrass below, rays of sunlight streaming through water column. Lighting: soft caustic patterns on shell, warm shafts from above, gentle particulate scattering. Texture: detailed scutes, algae on shell, subtle barnacle marks, water micro-bubbles. Palette: seagrass greens, turquoise water, sandy highlights. Depth & 3D: layered seagrass strokes in foreground, turtle midplane, distant reef soft. Style options: fusion of Paul Gauguin’s flat decorative color bands for background with Bouguereau-level shell and flipper detail—or a 3D sculptural render with slight painterly overlay. Camera: 50mm slightly wide lens feel; output 4k for print and smaller square crops for social. Variations: hatchlings racing to sea, turtle with remora companions, night-bask moonlit reef version. Mood: gentle, ancient, quietly vital.
Ry
Prompt: A masterpiece 3D dot portrait in the style of futuristic neon graphics. The image of a beautiful futuristic girl with an informal hairstyle, facial piercing and aggressive makeup. Contrasting background with elements of color extropolation of lighting fragments.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 8, The Monk Kisen, of the Ogura Hyakunin Isshu: "My lowly hut is Southeast from the capital. Thus I choose to live. And the world in which I live Men have named a "Mount of Gloom."" The image shows a Shintō priest wearing the traditionsl shōzoku of an ordinary type (jōsō) in light blue, signifying a lesser rank. The priest is sitting on his haunches in front of his "lowly hut," gazing at the distant skyline of a modern city to the northeast, illuminated by the setting sun. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Ono no Takamura, of the Ogura Hyakunin Isshu: "Over the wide sea Towards its many distant isles My ship sets sail. Will the fishing boats thronged here Proclaim my journey to the world?" The image shows a small harbor inthe foreground, in which numerous traditional Japanese wooden sabani fishing boats are anchored. From the harbor, a single wooden sabani with large, white sails, is setting sail in good weather. The ocean is smooth, and the water's surface glitters silver and blue in the golden, late afternoon sun. The ship is sailing toward distant islands visible on the horizon, where the silver-blue sea meets the golden light of the sun. Exquisite Japanese folio.
Prompt: A young woman, dressed in flowing attire, stands in a dimly lit room with a semicircle of glowing piano keys hovering before her. Her hands dance across the shimmering surface, as if conjuring melodies from the very air itself. The soft glow of the keys casts an ethereal ambiance, while the woman's eyes shine bright with musical passion. casts a warm shine on her
Prompt: Adorable young woman shown in full figure, beautiful face, delicate lavender dress walks with her fluffy ((Siberian Husky)) next to a gentle stream, blooming wildflowers, dappled sunlight through trees, whimsical forest setting, glowing lanterns, ethereal mist, pastel color palette, intricate details, dreamy atmosphere, by Thomas Kinkade, Andrew Atroshenko and Jose Royo, Artstation
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 27, Chūnagon Kanésuké, of the Ogura Hyakunin Isshu: "Like Izumi River / that wells up and flows, / dividing the Moors of Urns / when did I see her, I wonder, / fthat I should yearn for her so?" The image shows lively river flowing wiht currents and eddies, which flow together to show a lovely Japanese woman of antiquity, if you look closely. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Prompt: (((Masterpiece, close up))) Ink drawing, irregular stroke, squiggly line, evocative. colored with bright warercolour, splatter, overspray of color.
Create a close up image featuring a very beautiful blonde busty slender young vietnamese woman and a very beautiful young italian woman dragging their big heavy suitcases between the tightly parked trucks on a crammed car ferry. The vietnamese woman‘s blonde hair is loosely styled in a bun with many loose tendrils framing her face. She wears shorts and a t-shirt with a small rainbow print and flip flops. The italian girl has long dark wavy hair and bangs, she wears a black tanktop and red dungarees and flip flops. The sun casts radiant colours and deep shadows between the dirty trucks on the bleak crammed parking deck on the ferry, a hot summer day. The sun rays highlight the beautiful facial and bodily features of the two women.
Towards the edges of the canvas everything disolves into squiggly sketchy fuzzy lines.
Masterpiece, gorgeous, beautiful, awe striking, breath taking, evocative, sumptuous, aesthetic, unique, HD, style by zettel
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 26, Teishinkō, of the Ogura Hyakunin Isshu: "O autumn leaves / on the peak of Ogural Hill, / if you have a heart, / I would that you would wait / for one more royal progress." The image shows a single, old, large, magnificent Japanese maple tree with a gnarled trunk, winding branches, and feathery, scarlet leaves. The tree stands on a gently sloping, green, grassy mountainside. Some maple leaves are drifting downward on a breeze; they are curled into heart shapes. The leaves are awaiting a visit by the emperor. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 29 - Ōshikōchi no Mitsune
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 29, Ōshikōchi no Mitsune, of the Ogura Hyakunin Isshu: "Must it be by chance, / if I am to pluck one, that I pluck it? - / white chrysanthemums / on which the first frost / lies bewilderingly." The image shows a close-up of a single, magnificent white chrysanthemum with dozens of petals. The first frost, a hoarforst, lies on the petals. Each petal is covered with dozens of tiny, crystalline frost grains. The golden sun is shining on the petals, causing each and every hoarfrost crystal to reflect rainbow colors, so that the entire chrysanthemum blossom shines and shimmers with rainbow light reflections. Breathtaking nature spectacle executed in the most painstaking linocut and watercolor wash technique. Exquisite Japanese folio.
Prompt: (((Masterpiece))) drawn with ink and a scratching, splashing, blotting quill pen, irregular stroke, squiggly line, evocative. colored with dirty aquarelle, splatter, overspray of color.
Create a image featuring a very beautiful busty slender young blonde vietnamese woman and a young very beautiful european woman sitting on a balcony above an old beautiful city at night. They are laughing. The vietnamese woman is smoking a cigarette. The european woman is holding a glass of red wine. The floor of the balcony is covered with books, comics and bottles. beautiful plants in flower pots.
The blonde hair of the vietnamese woman is loosely styled in a bun with many loose tendrils framing her face. The european woman has long curled dark hair.
They both wear panties and a revealing t-shirt,
Sky full of stars and galaxies, nebula, hubble.
Masterpiece, gorgeous, beautiful, awe striking, breath taking, evocative, sumptuous, aesthetic, unique, HD,style of by zettel
Prompt: Full-width image, 16:9, mixed media, contemporary watercolor in the style of Jaroslaw Filipek and Stanislav Bojankov, of a savanna landscape during the dry season. Close-up of a herd of zebras is grazing, heads down. A single, polka-dotted zebra stands apart with its head raised. This separate zebra has black-and-white polka dot markings. The polka-dotted zebra stands out among the herd. The divergent zebra is looking at the viewer. It is extremely painstakingly rendered, whereas the herd and the savanna grassland with a single tree giving shelter from the hot sun are more sketchily rendered with wet watercolor. Very brilliant, rich colors, hyperrealistic atmosphere.
Ogura Hyakunin Isshu No. 28 - Minamoto no Muneyuki Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 28, Minamoto no Muneyuki Ason, of the Ogura Hyakunin Isshu: "In the mountain village, / it is in winter that my loneliness / increases most, / when I think how both have dried up, / the grasses and people's visits." The image shows a remote Japanese house of antiquity on a mountain slope. Snow drifts have piled up along the outer walls and on the roof of the house. A low-ranking official of the Heian Court is peering out of the window of his house. Snowflakes whirled about by a blizzard visualize the path of the icy winds blowing. The image is carefully executed as an imaginative linocut with hand coloring in watercolor. Shades of blue, white and gray predominate, with the only touch of color being the yellow light in the window and the figure of the Japanese court official in the window. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and watercolor wash rendering on rough handmade paper of poem number 30, Mibu no Tadamine, of the Ogura Hyakunin Isshu: "There is nothing so depressing / as the break of day / and leaving you after / having seen the heartless / morning moon." The image shows only part of the moon, a last quarter (or third-quarter) moon, which looks like a half-moon, in a ghostly bone-white in the sky at dawn. The horizon is turning pink and golden, whereas the sky above is still progressively darker blue. The horizon consists of a single, sinously curved mountain line, curved like the body of a woman lying on her side, but the landscape is still mostly pitch-black with shades of blue. The horizon and sky make up 90% of the image, whereas the mountain line and the landscape below accoutn fro only 10% of the image. Chilly ambiance, executed in the highly detailed, intricate, lithograph and watercolor wash technique. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 31 - Sakanoue no Korenori
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and watercolor wash rendering on rough handmade paper of poem number 31, Sakanoue no Korenori, of the Ogura Hyakunin Isshu: "At the break of day, / Just as though the morning moon / Lightened the dim scene, / Yoshino's village lay / In a haze of falling snow.on." The image shows a hazy moon shining on Yohino valley in a dim, slow, struggling winter dawn. Snow is slowly drifting through the sky, settling on the houses in Yoshino valley in the hazy light of a nearly transparent moon. It is still and cold, with the main colors being shades of gray, blue and white. Yellow light shines from the windows of the houses in the valley below. Highly detailed, intricate, mulitlayer lithograph and woodcut execution. Old masters' technique. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 32 - Harumichi no Tsuraki
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 32, Harumichi no Tsuraki, of the Ogura Hyakunin Isshu: "Ah, the weir / that the wind has flung / across the mountain stram / is the autumn foliage that cannot flow on, / even though it would." The image shows a silvery mountain creek cascading over rocks and pooling at the right-lower-hand corner of the image, where a pile of wet, bunched-up maple leaves turned soggy and brown lies on the creek, stlowing down the flow and damming up the waters. More red maple leaves are falling from the trees above, fluttering through the cold air. The sides of the small brook are iced over with thin shards of late-autumn ice. A pale, yellow sun catches in the reflections of the stream and the wet rocks. Lithograph and woodcut execution in styles reminiscent of Kawase Hasui. Deft execution, introspective nature motif. Old masters' technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 34, Fujiwara no Okikaze, of the Ogura Hyakunin Isshu: "IWho is still alive / When I have grown so old / That I can call my friends? / Even Takasago's pines / No longer offer comfort." The image focueses on a single, ancient secred, venerable pine tree, with a split trunk and twisted limbs. The iconic pine tree stands before Takasago Shrine. The shrine can be made out behind the branches of the pine tree. The single, old pine tree symbolizes the loneliness of age. Combination lithograph and woodcut, executed in a styles reminiscent of Kawase Hasui. Deft execution, introspective, peaceful, melancholy nature motif rendered in dark colors. Old masters' technique. Exquisite Japanese folio.
Prompt: A masterpiece of abstract surreal fragmentary cubism in the style of terrynew. Fantasy on the theme of neon space cubism with 3D elements and fantastic distant silhouettes of giraffes, elephants, rhinos and turtles among distant stars.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 33, Ki no Tomonori, of the Ogura Hyakunin Isshu: "In these spring days / with the tranquil light encompassing / the four directions / why should the blossoms scatter / with uneasy hearts?" The image shows a line of Sakura cherry trees in two-point perspective leading from the left lower-hand corner of the image to the horizon and the last third of the image. The cherry trees are in full bloom, with rich, double blossoms in shades of pink to magenta, under a peaceful spring sun. The grassy meadow under the cherry trees is fresh and green. A Zephyr is blowing, tossing about fallen blossoms that whirl thorugh the air. The sweep of the wind is made visible by many parallel, elegantly curved woodcut lines. Combination lithograph and woodcut, executed in a styles reminiscent of Kawase Hasui. Deft execution, introspective, peaceful nature motif. The whirling blossoms add a melancholy note of transience to the spring tableau. Old masters' technique. Exquisite Japanese folio.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
8w
7w
