Prompt: Setting: A spectacular panoramic photograph of the Gardens of Versailles at dusk, during the "golden hour."
Main Subject: The Eiffel Tower, in its full monumental scale, rises majestically at the end of the Grand Canal, at the very point where the view disappears into the horizon, serving as the supreme focal point of the garden's design.
Crucial: The scene takes place EXCLUSIVELY within the grounds of the Palace of Versailles. The impression should be that the tower was built as part of the garden's original plan.
Scale Reference: Hundreds of tourists stroll through the gardens. The presence of these figures establishes the tower's monumental scale and creates a fascinating anachronism.
Prompt: Scene: A grand and atmospheric view of the Louvre Museum's Napoleonic Courtyard at dusk. The sky is painted with soft hues of orange, pink, purple, and deep blue, typical of golden hour and early twilight.
Main subject: A gigantic 10-meter-tall sculpture made of white marble, towering near the Louvre's Glass Pyramid. Hundreds of people with cameras and cell phones gather, photographing and filming the sculpture and the surrounding landscape.
Prompt: Scene: A grand and atmospheric view of the Louvre Museum's Napoleonic Courtyard at dusk. The sky is painted with soft hues of orange, pink, purple, and deep blue, typical of golden hour and early twilight.
Main subject: A gigantic 10-meter-tall sculpture made of white marble, towering near the Louvre's Glass Pyramid. Hundreds of people with cameras and cell phones gather, photographing and filming the sculpture and the surrounding landscape.
Prompt: Scene: A grand and atmospheric view of the Louvre Museum's Napoleon Courtyard at dusk. The sky is painted with soft orange, pink, purple, and deep blue hues of the golden hour and the onset of twilight. The city lights begin to come on, adding a magical glow to the scene.
Main Subject: The gigantic, 10-meter-tall replica of Michelangelo's "Moses" sculpture, made of white marble, towering imposingly in front of the Louvre's Glass Pyramid. Hundreds of people with cameras and cell phones are crowded together, photographing and filming the sculpture and the surrounding scenery.
Key: The coexistence of the giant Moses and the Glass Pyramid, the dramatic sunset, and the active crowd.
Prompt: Scene: A grand and atmospheric view of the Louvre Museum's Napoleon Courtyard at dusk. The sky is painted with soft orange, pink, purple, and deep blue hues of the golden hour and the onset of twilight. The city lights begin to come on, adding a magical glow to the scene.
Main Subject: The gigantic, 10-meter-tall replica of Michelangelo's "Moses" sculpture, made of white marble, towering imposingly in front of the Louvre's Glass Pyramid. Hundreds of people with cameras and cell phones are crowded together, photographing and filming the sculpture and the surrounding scenery.
Key: The coexistence of the giant Moses and the Glass Pyramid, the dramatic sunset, and the active crowd.
Prompt: Title: The Marble Guardian of the Louvre
Setting: A classical and majestic view of the Napoleon Courtyard of the Louvre Museum in Paris on a clear, bright day. Sunlight highlights the palace's architectural details and casts soft shadows.
Main Subject: The iconic Louvre Museum, with its elegant wings and facades, but without the glass pyramid. In the center of the courtyard, in place of the pyramid, stands a monumental, 10-meter-high replica of Michelangelo's "Moses," made of white marble.
Crucial: The absence of the pyramid and the imposing presence of the marble replica of Moses, highlighting its scale and contrasting with the surroundings.
Scale Reference: Small groups of visitors (or distant human figures) in the courtyard appear dwarfed by the gigantic sculpture, emphasizing its monumental scale and the visual impact it would have had.
Prompt: Setting: The perspective is from within a rustic, curvilinear structure, which acts as a natural frame for the exterior landscape. The ambient light is soft, perhaps late afternoon or early morning, creating a play of light and shadow within the frame.
Main Subject: A landscape revealed through the curved opening: a winding dirt road leading to a majestic Arc de Triomphe. Behind the Arc, imposing mountains rise, amidst which a stunning waterfall cascades.
Crucial: The rustic frame, the winding road, and the unexpected sequence of elements (Arc de Triomphe and waterfall in the mountains).
Compositional Details and Scale:
The Rustic Frame (Foreground): A rustic, curvilinear structure made of rough stone. Its rounded or arched shape serves as an organic frame, occupying the upper and lateral edges of the image, directing the eye toward the center.
The Winding Dirt Road (Medium Shot): A dirt road, rutted and loosely packed with stones, winds gracefully through the center of the image, entering the landscape through the opening in the frame and curving through rolling hills or lush fields. Its curves are gentle, inviting the eye to follow its path.
Vegetation: The edges of the road may be lined with tall grass, wild shrubs, or wildflowers, adding color and life to the scene.
The Arc de Triomphe (Far Center Focus): At the end of the dirt road, where it makes a final curve or reaches a plateau, stands the iconic Arc de Triomphe. Its scale is imposing, but the distance makes it an almost surreal sight, a classical monument in a completely unexpected setting.
Light: The light hits it directly, highlighting its architectural details and color.
The Mountains and Waterfall (Background): Behind the Arc de Triomphe, a majestic mountain range rises. They can be rocky, snow-capped, or covered in dense forests, adding depth and grandeur to the scenery.
Waterfall: In the midst of these mountains, a spectacular waterfall plunges from a great height, its foaming water creating a shimmering trail against the dark rock or vegetation. The mist from the waterfall can create a subtle rainbow if the light is perfect.
Prompt: Title: The Iron Lighthouse in Newfoundland
Setting: A lush, uninhabited tropical island (except for the tower and the natives) somewhere in South or Central America, late afternoon. The sky is painted with warm oranges, pinks, and purples of the golden hour, and soft light bathes the white sand beach and dense vegetation.
Main Subject: A 16th-century European caravel approaching the island. On the beach, near the shore, the Eiffel Tower rises majestically, and hundreds of indigenous people are scattered along the beach and around the tower, watching the ship's approach.
Crucial: The unexpected presence of the Eiffel Tower and the indigenous people's reaction to the caravel's arrival are the central elements.
Composition and Scale Details:
The Caravel (Middle Ground/Background):
Position: An authentic 16th-century caravel (or ship) is at sea, sailing toward the island, its sails inflated or partially hoisted. It is angled to clearly see its imminent arrival.
Details: Details such as the sails, mast, stern tower, and deck should be visible, conveying the vessel's historical authenticity.
The Island and the Eiffel Tower (Main Focus):
The Eiffel Tower: Standing imposingly on or just behind the beach, slightly recessed, so that the caravel and the indigenous people are still prominent. Its wrought-iron structure is bathed in the golden light of dusk, creating interesting reflections and shadows. The tower's presence is a striking and visually striking anachronism in this setting.
The Beach: A wide strip of white sand stretches out, with dense tropical vegetation beginning just behind it. The dusk light creates a soft glow on the water and sand.
The Indigenous People (Foreground/Scattered):
Number and Position: Hundreds of Indigenous people, dressed in regional and period attire (feathers, necklaces, loincloths, body paint), are scattered across the beach and around the base of the Eiffel Tower.
Action: They are watching the approaching caravel with a mixture of curiosity, caution, admiration, or even indifference, as if the arrival of foreign ships were a common occurrence on their island with the tower. Some may be pointing, others in groups talking, or simply standing, witnessing the scene. Their dense presence on the beach emphasizes the "inhabited" nature of the island, despite the tower's presence.
Prompt: Setting: An idyllic, unspoiled beach in South America, circa 1500, with lush vegetation and coconut trees. The day is clear and sunny.
Main Subject: A group of 16th-century European navigators disembarking and being welcomed by South American indigenous people. However, in the foreground, an indigenous person is actively photographing the newcomers with a modern digital camera. In the background, two European caravels are anchored offshore.
Crucial: The technological inversion in the foreground is the central point, contrasting with the 16th-century historical context.
Composition and Scale Details:
The Indigenous Photographer (Foreground):
Position: In the foreground, in sharp focus, an Indigenous person wearing typical clothing and accessories of the period (feathers, body adornments, etc.) is crouched or standing, with a focused pose, firmly holding a modern digital SLR camera (with a visible lens) and pointing it directly at the European navigators.
The European Navigators (Medium Shot):
Appearance: A group of European navigators (Spanish or Portuguese, for example) is disembarking from a small boat on the beach or already on dry land. They are dressed in typical clothing of the period (armor, feathered hats, heavy coats, etc.).
The Caravels (Background):
Location: Two typical 16th-century caravels (or ships) are anchored offshore, slightly offshore. Their sails may be partially furled.
Details: Vessels must have authentic period design details, serving as a traditional historical backdrop.
Prompt: PROMPT: The Lunar Iron Lady
Title: The Tower and the Earth
Setting: A desolate and dramatic lunar landscape at dusk, with rocky ground and craters visible. The sky is the deep blackness of outer space, dotted with distant stars.
Main Subject: The Eiffel Tower, majestically standing on the lunar surface, and a spacecraft resting beside it, with astronauts in the process of disembarking. High above, contrasting with the blackness of space, the Earth hovers on the horizon, a dazzling blue and white orb.
Crucial: The setting is EXCLUSIVELY the Moon. No other terrestrial structures (apart from the Eiffel Tower) should be present.
Composition and Scale Details:
The Eiffel Tower: It has been reconstructed to full scale on the lunar surface, its wrought-iron trusses standing out against the gray ground and dark sky. Its terrestrial architecture seems alien in this environment, yet at the same time iconic and challenging. Small details of its original construction may be visible, but with a lunar patina of dust.
The Spaceship: It sits gracefully next to the Eiffel Tower. It could be a futuristic spacecraft or a more recognizable model, such as a lunar module or a complex lander. Its hatches are open, or a ramp extends to the ground.
The Astronauts: Several astronauts, wearing detailed spacesuits and equipment, are in the process of disembarking from the spacecraft or already walking near the Tower. They seem small compared to the immensity of the Tower and the lunar landscape, adding to a sense of adventure and exploration.
The Earth: It looms large in the dark sky of the Moon, displaying its white clouds, blue oceans, and greenish-brown landmasses, shining like a jewel against the emptiness of space. It is the ultimate landmark, reminding visitors of their origin.
Prompt: PROMPT: The Desert of Gods and Men
Title: Twilight in the Valley of Dreams
Setting: A spectacular panoramic aerial view of the Egyptian desert at dusk, during the "golden hour," with the sky painted in deep hues of orange, red, and purple, and the desert sands stretching as far as the eye can see.
Main Subject: The Great Pyramids of Giza, the golden sands of the desert, now share the stage with the monumental presence of the Eiffel Tower and Christ the Redeemer.
Crucial: The setting is EXCLUSIVELY the Egyptian desert and the pyramids. NO other part of Paris or Rio de Janeiro should be present, only the monuments perfectly integrated into the desert landscape.
Composition and Scale Details:
The Pyramids of Giza: They rise imposingly, their massive triangular forms standing out against the jewel-toned sky. Its rough surfaces are bathed in the last rays of direct sunlight, creating dramatic shadows and highlighting the antiquity of its construction.
The Eiffel Tower: It nestles in the desert landscape, seemingly rising from the sands, not far from the Sphinx. Its wrought-iron structure soars, contrasting sharply with the ancient stone and undulating dunes. Its slender, modern silhouette contrasts with the robustness of the pyramids, creating a fascinating visual dialogue between different eras and cultures.
Christ the Redeemer: It stands atop the Great Pyramid of Khufu, its arms outstretched over the vastness of the desert and the other monuments. It is touched by the last rays of sunlight, seeming to glow with its own light, a figure standing guard over the ancient landscape. The contrast of the white of the statue against the ochre stone of the pyramid is striking.
Scale Reference: Thousands of tourists and media professionals with their equipment are photographing and filming this scene; they seem tiny amidst this grandeur of monuments.
Atmosphere and Style: Magical realism, epic, and breathtaking. The warm light of the setting sun not only colors the sky but bathes the entire scene, making the desert sands shimmer with golden and reddish hues, and the monuments shine with an almost otherworldly radiance. The image should feel like a dream, a vision of an Egyptian desert from an alternate timeline where time and space have bent to create the most unusual and beautiful landscape in the universe.
Prompt: PROMPT: The Iron Lady of the Plateau
Title: The Monumental Axis of Twilight
Setting: A spectacular panoramic aerial view of Brasília at dusk, during the "golden hour," with the sky painted in shades of purple, blue, and gold.
Main Subject: Brasília's iconic landscape, with the Esplanade of Ministries and the National Congress, now shares the stage with the monumental presence of the Eiffel Tower.
Crucial: The setting is EXCLUSIVELY Brasília. NO other part of Paris (Arc de Triomphe, Seine, etc.) should be present, only the tower, perfectly integrated into the Brasília landscape.
Composition and Scale Details:
The Esplanade of Ministries: It stretches majestically, its aligned modernist blocks touched by the last rays of direct sunlight, seeming to glow with a light of its own.
The National Congress: The distinctive domes (the Chamber facing upwards and the Senate facing downwards) rise on the horizon, their unmistakable shapes creating a powerful silhouette against the colorful sky.
The Eiffel Tower (The Impossible Vision): The Eiffel Tower was built in the heart of the Esplanade of Ministries, between the two National Congress buildings and the Plano Piloto Bus Station, like a gigantic gateway. It doesn't replace the existing monuments, but acts as an impossibly grand and opulent focal point for the city. Its wrought-iron structure soars, its curves and latticework seeming to greet those arriving at the heart of Brasília. The contrast of the tower's dark iron against the white marble of the Congress buildings and the vibrant green of the lawns is breathtaking.
Scale Reference: Cars and buses on the Monumental Axis look like toys moving around the base of the tower. The first lights of the buildings and streetlights begin to flicker, adding a human glow to the divine scene.
Atmosphere and Style: Magical realism, epic, and breathtaking. The warm light of the setting sun not only colors the sky but bathes the entire scene, making the ironwork of the Eiffel Tower glow with gold and pink hues and reflecting in the Esplanade's water fountains. The image should feel like a dream, a vision of Brasília from an alternate timeline where modernist architecture and human ambition combined to create the most beautiful landscape in the universe.
Prompt: PROMPT: The Roman Forum in Manhattan
Title: The Altar of the New World
Setting: A panoramic, cinematic view of New York Bay, captured from a vantage point on the water, as if on a ferry.
Main Subject: The National Monument to Victor Emmanuel II (Il Vittoriano) was impossibly built on the southern tip of Manhattan, replacing Battery Park and rising like a great marble altar facing the Financial District.
Crucial: The setting is 100% New York. NO other elements of Rome (ruins, hills, Roman pines) should be present, only the monument itself, perfectly integrated into the island of Manhattan.
Compositional Details and Scale:
The Vittoriano (Foreground): The monument's colossal staircase descends toward the water of the bay. Its dazzling white marble creates a dramatic and dramatic contrast with the dark glass and steel towers of the Financial District skyscrapers rising directly behind it. The bronze quadrigas at the top gleam in the sun.
The Statue of Liberty (Medium Shot): In its correct and iconic location on Liberty Island, the Statue of Liberty appears to be looking down at this imposing new structure in front of it. The two monuments create a visual tension, a dialogue between liberty and empire.
The Bridges and the City: In the distance, the unmistakable silhouette of the Brooklyn Bridge can be seen crossing the East River, adding another layer of iconic architecture to the scene.
Scale Reference: Staten Island ferries and water taxis cruise across the bay, looking miniature. The small figures of people can be seen at the base of the Vittoriano staircase, emphasizing its overwhelming scale.
Atmosphere and Style: Landscape photography, epic, and surreal. The late afternoon light (golden hour) makes the white marble glow with golden hues and creates long reflections on the water. The image should look like a photograph from an alternate timeline, where the Roman Empire never fell and made Manhattan its capital in the New World, resulting in a beautiful and monumental clash of civilizations.
Prompt: Title: The White Dream in the Green Heart
Setting: A stunning, view of Central Park in New York City on a crisp autumn day, focused on the area of The Mall and Bethesda Terrace.
Main Subject: Rome's National Monument to Victor Emmanuel II (Il Vittoriano), in all its white marble glory, stands at the end of The Mall, occupying the site of Bethesda Terrace and the fountain.
Crucial: The setting is unmistakably New York. NO Roman elements—such as the Roman Forum, the Colosseum, or Italian streets—should be present, other than the monument itself.
Compositional Details and Scale:
Visual Contrast: The contrast between the monument's dazzling white marble and neoclassical architecture and the warm autumn colors of the park's trees (reds, oranges, and yellows) is the focal point of the image. The structure appears to glow against the natural landscape.
Human Scale: People stroll along The Mall's tree-lined avenue, swarming like ants as they approach the monument's colossal staircase, establishing its overwhelming scale. Small rowboats on the nearby Lake offer another sense of scale.
Urban Context: In the background, above the trees, the skyscrapers of Central Park South and Midtown Manhattan rise, their glass and steel structures creating a temporal and stylistic clash with the classical grandeur of marble.
Monument Details: The bronze quadriga (the horse-drawn carriage) atop the monument gleams in the autumn sun, and the equestrian statue of Victor Emmanuel II is clearly visible in the center of the structure.
Atmosphere and Style: Architectural landscape photography, surreal and majestic. The image should feel like a real photograph of an impossible feat of engineering, a fusion of empires that defies logic and history, yet possesses a strange and harmonious beauty. The light should be clear and sharp, making the marble shine brightly.
Prompt: https://deepdreamgenerator.com/u/bano1961
Prompt: Title: The Manhattan Anachronism
Setting: A sweeping, stunning aerial view of New York City's Central Park during the height of autumn, with the vibrant colors of the trees contrasting with the gray of the skyscrapers surrounding the park.
Main Subject: The Palace of Westminster, complete with Elizabeth Tower (Big Ben), sits majestically in the middle of Central Park, where the Great Lawn or the Jacqueline Kennedy Onassis Reservoir should be.
Crucial: The setting is unmistakably New York. The River Thames, red buses, and other London elements (aside from the palace itself) have been completely removed.
Compositional Details and Scale:
The Palace in the Park: The ornate Gothic architecture of the Palace of Westminster creates a striking contrast with the natural landscape of the park and the modern geometry of the skyscrapers in the background. The building is surrounded by lawns and trees of the park, rather than streets and a river. Big Ben stands out, resembling a historic sentinel watching over a city of the future.
The Statue of Liberty: In the distance, in New York Harbor, the Statue of Liberty is clearly visible in its original location, serving as an anchor that confirms the city's identity and adds another layer of iconic juxtaposition to the image.
Scale Reference: Small dots in the park represent people walking, picnicking, or boating on the lake, establishing the colossal scale of both the Palace of Westminster and the surrounding skyscrapers (such as those on Billionaires' Row).
Atmosphere and Style: Aerial photography, epic and surreal. The clear light of an autumn day accentuates the vibrant colors of the trees and the brightness of the buildings. The image should evoke a sense of "what if?", as if a piece of European history had been mysteriously transplanted into the heart of modern America, creating an urban landscape that is at once familiar and completely impossible.
Prompt: https://deepdreamgenerator.com/u/bano1961
Prompt: Title: The Guardians of Westminster
Setting: An epic, realistic photograph of the River Thames in London, with the majestic Palace of Westminster and Elizabeth Tower (Big Ben) dominating the scene under a dramatic, cloudy sky.
Main Subject: Two of the world's most iconic monuments, the Statue of Liberty and Christ the Redeemer, rise from the waters of the Thames, one on each side of the river, like colossal guardians of Parliament.
Crucial: This scene takes place EXCLUSIVELY in London. NO elements from New York or Rio de Janeiro (such as Corcovado Mountain, Sugarloaf Mountain, or skyscrapers) should be present, other than the statues themselves.
Composition and Scale Details:
Positioning: On a riverbank, Christ the Redeemer stands, his arms open in a gesture of welcome or blessing over the city. On the opposite bank, the Statue of Liberty raises her torch, its vermilion-green patina creating a contrast of color and form.
The Focal Point: The Palace of Westminster and Big Ben are perfectly framed between the two statues, seeming almost protected by them.
Scale Reference: Tourist boats and river buses cruise along the Thames, appearing miniature between the statues' bases. On Westminster Bridge, the iconic red double-decker buses and black taxis can be seen, providing a clear scale reference that confirms the statues' monumental size.
Atmosphere and Style: Cinematic and monumental realism. The scene should be solemn and inspire awe. The diffused light of a cloudy London sky accentuates the textures of the soapstone of Christ and the metal of Liberty, creating a dramatic and timeless atmosphere. The image should appear to be a capture of a historical event that never happened, yet feels incredibly real.
Prompt: Title: The Other Bridgekeeper
Setting: A realistic and atmospheric photograph of the River Thames in London on a cloudy, typically British day.
Main Subject: The Statue of Liberty, in its monumental scale, rises from the waters of the Thames, positioned so that the iconic Tower Bridge serves as a gateway behind it.
Crucial: There must be NO New York skyscrapers. The background must be unmistakably London, with Tower Bridge and perhaps a glimpse of the Tower of London on the bank.
Essential Scale Details: A red double-decker bus is crossing Tower Bridge, looking like a toy compared to the statue's height. A Thames sightseeing boat sails near the base of the statue, with the small figures of tourists aboard looking up in wonder and confusion.
Atmosphere and Style: Cinematic realism. The scene should have a cooler, desaturated color palette, with the statue's vermilion green standing out against the gray stone of the bridge and the cloudy sky. The image evokes a sense of alternate history, a surreal fusion of the two great English-speaking cities.
Prompt: https://deepdreamgenerator.com/u/bano1961/account
Prompt: Golden aura celestial being, ethereal and majestic, emerging from a vibrant, blooming flower, intricate petals, glowing with divine light, otherworldly presence, mystical and enchanting, surrounded by a lush forest, towering mountains in the backdrop, shrouded in mist, hint of mystery and magic, surreal and dreamlike atmosphere, digital painting, high level of detail, fantasy elements, rich color palette of gold, green, and purple, soft and mystical lighting, inspired by the works of Brian Froud and Yoshitaka Amano, Artstation.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
