Prompt: A solitary figure, Elias, stands at the entrance of an abandoned fortress surrounded by a desolate landscape. The sky above is painted with vibrant colors resembling Chagall’s artwork, creating a surreal, dreamlike atmosphere. Inside the fortress, Elias encounters an ornate mirror reflecting an ethereal figure of light, an embodiment of grace. The setting is filled with ancient relics and vivid tapestries depicting the duality of love and the struggle between light and darkness. This scene conveys the journey of self-discovery and the search for balance in a world caught between hope and despair.
Prompt: And that can never be mended and could never be taken back. Because you continue to mistreat me like, you don't even like plan an anniversary you don't even like you know, like I hate you so much. I'm willing to go to Costco and buy myself a chain to make myself feel better for the crappy situation that I'm in here. Okay. And actually, that's what women do that are in abusive marriages. They go and they like indulge themselves. for themselves.
Prompt: I will never trust you because of that. And you know the sad thing about it. It's irrepairable it's irrepairable like I gave you like two three years notification. Don't do that to me. Then you expect me just to accept it and forgive you. It's a lingam of what you're all about. Now here's the thing, okay. What you did that that day that my mother died what you think you did after that to help me? Doesn't even matter in my mind. Right? I don't have the capacity or the capability to trust you anymore because of that. Okay, that damaged our relationship in ways that you're not even aware of.
Prompt: The scene is a grocery store checkout line where a person is angrily slamming groceries onto the conveyor belt. The person looks tense and frustrated, grabbing items like bags of pasta, bottles of juice, and couscous, and placing them roughly on the belt. Another person nearby appears upset and anxious, watching the behavior with concern. In the background, a cashier is observing the scene, and there are empty spaces in the checkout line with no other customers waiting.
Prompt: Cardboard diorama, reminiscent of the works of Isabel and Alfredo Aquilizan, Mark Langan, and Chris Gilmour's cardboard sculptures. A mermaid sitting on a rock playing a harp made of discarded cardboard. The sky incorporates dark, expressive lines, and the textured appearance of a sloppy blue white dark turquoise watercolor painting.
Prompt: I am the egg man
They are the egg men
I am the walrus
Goo goo g'joob
Sitting in an English garden
Waiting for the sun
If the sun don't come you get a tan
From standing in the English rain
Prompt: Transform the provided photograph into an artwork reminiscent of Fernando Botero's style, emphasizing the concept of expansion and expansiveness while portraying a short, fat person. Enlarge the subject's proportions, creating a sense of roundness and fullness in their physique, and ensure that they maintain a shorter stature. The final image should capture the essence of Botero's art, with a playful and exaggerated portrayal of this short and plump character. In the style of Diego Rivera.
Prompt: Like Van Gogh's 'Potato Eaters' painted in 1885, we find a haunting scene in which a group of peasants is gathered around a rudimentary wooden table in a room shrouded in a sinister mix of green and black shadows. The walls are dark and dingy. They consume potatoes with a fervor like it might be their last meal, their faces and figures morphing into grotesque potato-like forms under the eerie lighting, akin to sinister potato-werewolves with potato skin and potato eyes. It is like bugs crawling from under a disturbed log, representing the harsh, toiling lives of these wretched individuals, highlighting every gritty detail of their weathered faces, tattered clothing, and the squalor of their rural existence. With its dark and somber palette, it reflects an ominously unrelenting struggle of these impoverished peasants, and there is no celebration in an unapologetically empathetic psychism for the grim portrayal of the potato eaters' eternally dire daily existence. It even leaves me with a peculiar craving for potatoes.
Prompt: A dramatic, hyperrealistic, almost impressionistic scene depicts two figures, a man and a woman, in a desolate, otherworldly landscape. The man, sculpted from dark grey and black substance, appears to be in motion, his form distorted and fragmented by streaks of dark, liquid-like material, flowing outward like an explosion or wind. The woman, in a lighter, ghostly grey and white, is also in motion, her form similarly sculpted and dissolving, her flowing, ethereal dress composed of the same particles. They are reaching out to each other in a gesture of connection or surrender, their hands nearly touching. The setting is stark and barren, a vast, snowy or dusty plain, the ground a mixture of grey, white, and hints of beige, with dramatic contrasts of light and shadow. Particles and small forms of scattered figures are visible in the background, adding a sense of isolation and vastness. The color palette is largely greyscale with shades of dark grey, light grey, white, and some subtle warm beige suggesting a glow or light source coming from behind or within the scene. The overall effect is profoundly emotional and evocative of an epic, almost mythical, struggle or yearning across vast space and time.
Prompt: Gustav Klimt Degas oil acrylic on paper Art Deco image in the style of Alphonse Osbert, celestial egyptian scene nightscape,
in the style of Jack Vettriano, in the style of Michael Parkes
Prompt: Photo Mage, searching for non-obvious connections Happiness is realized only after it has already happened, happiness is always in the past. Happiness can only be remembered! In the style of Ella DuCane, Henri Lebasque. light reflections watercolor pen and ink earthy tones charcoal drawing Michael Parkes
Prompt: Gustav Klimt Degas oil acrylic on paper Art Deco image Catrin Welz-Stein style Ancient cities, ancient tales. Ancient spirits Beautiful exotic woman. nightscape, scene.
in the style of Jack Vettriano, in the style of Michael Parkes
Prompt: Gustav Klimt Degas oil acrylic on paper Art Deco image Catrin Welz-Stein style Cirque de Soleil nightscape, scene.
in the style of Jack Vettriano, in the style of Michael Parkes
Prompt: Gustav Klimt Degas oil acrylic on paper Art Deco image Catrin Welz-Stein style Ancient cities, ancient tales. Ancient spirits Beautiful exotic woman. nightscape, scene.
in the style of Jack Vettriano, in the style of Michael Parkes
Prompt: Gustav Klimt Degas oil acrylic on paper Art Deco image Catrin Welz-Stein style Ancient cities, ancient tales. Ancient spirits Beautiful exotic woman. nightscape, scene.
in the style of Jack Vettriano, in the style of Michael Parkes
Prompt: Gustav Klimt Degas oil acrylic on paper Art Deco image Catrin Welz-Stein style Ancient cities, ancient tales. Ancient spirits Beautiful exotic woman. nightscape, scene.
in the style of Jack Vettriano, in the style of Michael Parkes
Prompt: Gustav Klimt Degas oil acrylic on paper Art Deco image Catrin Welz-Stein style Ancient cities, ancient tales. Ancient spirits Beautiful exotic woman. nightscape, scene.
in the style of Jack Vettriano, in the style of Michael Parkes
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.