Prompt: Masterpiece, a delicate ink and watercolor wash rendering on rough handmade paper. Vincent van Gogh is depicted with evocative, irregular ink strokes, sitting at a breakfast table. He wears dark sunglasses, their lenses two stark, black ink blots. A chaotic flock of crows, suggested by splatters and scratching quill pen marks, surrounds him like a living, breathing shadow. In the background, a church garden and its cemetery emerge from soft, atmospheric washes of grey and green, the headstones bearing the subtle, geometric patterns of a woodblock print. While the subject is surreal, the palette is muted—earthy ochres, dull blues, and somber greys, punctuated by the stark black of the ink. The mood is intensely melancholic and introspective, a quiet, haunting vision rendered in splatter and wash. Nikon D850, digital painting, elegant, Award winning photography, psychedelic, intricate, beautiful, dynamic lighting, award winning, hyperrealistic, high definition, crisp quality, Unreal Engine, colourful, surreal, Magical realism, Volumetric, dream like, Bright Vivid Colors, intense colors, visual distortions, sharp focus, extremely detailed, graceful, screen-filling size.
Prompt: Masterpiece, a delicate ink and watercolor wash rendering on rough handmade paper. A group of people is gathered on the banks of the Seine in Paris. Their forms are captured with a scratching, splashing, blotting quill pen, creating elongated, anatomically expressive lines in the style of Egon Schiele. The figures, reminiscent of Toulouse-Lautrec's nightlife, possess a graceful, melancholic elegance. Their clothing and the flowing water are suggested by soft, bleeding washes of color and the intricate, rhythmic patterns of a woodblock print. The scene is permeated with a deep, evocative sadness, a fleeting moment of beauty and connection against the eternal flow of the river. The mood is intimate yet lonely, framed by the dark, suggestive lines of the iconic Parisian bridges. anatomical correct, By Egon Schiele, Alphonse Mucha, Gustav Klimt, detailed sketch drawing, pencil colors, sharp focus, elegant, extremely detailed, intricate, beautiful, award-winning, ultra-detailed, high definition, crisp quality, rich colors, graceful, screen-filling size.
Prompt: Masterpiece, a delicate ink and watercolor wash rendering on rough handmade paper. A herd of woolly mammoths grazes peacefully in a lush prehistoric valley. Their thick, shaggy fur is suggested by intricate, blotting quill pen strokes and splatters of dark ink, while their long, curved tusks are defined with elegant, sweeping lines. Their kind eyes are rendered with a single, expressive dot of ink. Towering, ancient trees with textured bark and broad-leafed flowering plants, drawn with irregular, squiggly lines, surround the gentle giants. A clear river, depicted with soft, horizontal washes of pale blue and grey, flows through the landscape, its surface broken by subtle ink splatters suggesting ripples. The scene is permeated with a profound, silent melancholy, a memory of a lost world. The vegetation and distant mountains have the subtle, rhythmic patterns of a woodblock print.
extremely detailed, intricate, very attractive, award winning, colourful, very cute, sharp focus, elegant, ultra detailed, high definition, crisp quality, watercolor, ink, woodblock print, rich colors, graceful, screen-filling size.
Prompt: Masterpiece, a delicate ink and watercolor wash rendering on rough handmade paper. A beach scene unfolds with intricate detail. Parents and children collect seashells with focused joy. Bodybuilders and women in bikinis sunbathe and show off their bodies, their forms rendered with elegant, expressive lines. A family enjoys a picnic lunch, while others fly kites that dance like splatters of color against the sky. Nearby, seagulls, depicted with a few sharp ink strokes, fight over a single French fry. Children swing on swings, their motion suggested by blurred, sweeping washes of color. The entire scene is permeated with a gentle, nostalgic warmth, yet carries the subtle, evocative melancholy of a fleeting summer day. The sand and sea show the subtle, rhythmic patterns of a woodblock print.
award winning, fantastic view, colourful, sharp focus, elegant, extremely detailed, intricate, beautiful, ultra detailed, high definition, crisp quality, watercolor, ink, woodblock print, rich colors, graceful, screen-filling size.
Prompt: A tranquil riverside scene featuring a rugged man sitting against a birch tree. He has a beard and wears a cap, with his shirt rolled up, exuding a sense of contemplation and solitude. The river flows gently, surrounded by lush green trees and stunning mountain peaks in the background, under a softly colored sky. The artwork should have a textured, painterly quality, reminiscent of classic landscape paintings, capturing the beauty of nature and a moment of reflection. Klee, Albert Namatjira, Terry Redlin, 8k award winning Picasso Van Gogh focused nature palette knife technique accurate and proportional human anatomy texturize
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene reinterprets a lush bamboo forest as the grand, ornate interior of a vast, organic cathedral. The bamboo stalks soar overhead like intricate columns and vaulted arches, their segmented forms beautifully detailed with fine ink lines and soft, variegated washes of emerald, jade, and charcoal. In the center stands a tall, elegant woman, her form a vision of avant-garde haute couture. Her dark grey dress is an architectural masterpiece of layered tulle, raw silk, and technical fabric, meticulously rendered with controlled cross-hatching and diluted ink washes to create a stark, sophisticated silhouette against the chaos. Her pose is one of alarm, reinterpreted as a high-fashion gesture—her head tilted back, her face pale and serene with large, captivating eyes wide with stylized surprise. Her headpiece is an abstract, geometric construction reminiscent of fractured bamboo, adorned with delicate, blood-red accents drawn with fine stippling, like scattered petals or drops of ink. Descending from the canopy are multiple figures, transformed from wuxia assassins into avant-garde models in lethal, architectural ensembles. Their black-clad forms are crafted from sharp, swift ink strokes—energetic splatters, drips, and precise cross-hatching—making them appear as ethereal, lethal extensions of the forest itself. Their garments feature exaggerated, razor-sharp tailoring, with harness-like elements and flowing trains that blend into the chaotic inkwork, as if they are repelling down strands of ink and shadow. Their faces are obscured by minimalist masks or stylized makeup, emphasizing their role as surreal, menacing motifs. The lush green of the bamboo is a bold, selective watercolor wash, with vibrant wet-on-wet blends and splashes that pool and bleed into the paper’s texture, creating an abstract, dreamlike backdrop. The overall color palette is a study in high-contrast elegance: the deep blacks and greys of the figures’ outfits punctuated by the vibrant emerald and jade of the forest, and dramatic accents of deep crimson. The macabre is implied: a single, perfect tear of crimson watercolor rolls down the woman’s cheek, mirroring the descending assassins. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the dynamic tension and haunting beauty of the moment. Pen and ink drawing, watercolor, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, high-contrast, surreal fashion, organic architecture, bamboo forest, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The tranquil riverside is reimagined as the grand, hallowed interior of a natural cathedral. The solitary birch tree transforms into a soaring, architectural column of textured white bark, its dark markings intricately detailed with fine ink lines and soft sepia washes, evoking the grandeur of a sacred space.
The rugged man is re-envisioned as a tall, elegant figure in a moment of haute couture contemplation. His beard is meticulously groomed into a sharp, sculptural shape, and his cap becomes an abstract, architectural headpiece reminiscent of twisted roots or a deconstructed fedora, adorned with delicate patterns of blood-red foliage or bark, drawn with fine stippling. His rolled-up shirt is transformed into a deconstructed avant-garde garment—layered panels of raw linen, textured silk, and leather that mimic birch bark and river-worn stone, rendered with precise cross-hatching and diluted ink washes that reveal a tailored, proportional anatomy beneath.
The river flows gently beside him, its currents etched in sinuous ink lines and translucent washes of slate grey and muted aqua, blending seamlessly with the ethereal, flowing trains of his attire. The lush green trees and stunning mountain peaks are stylized into a surreal, fashion-forward backdrop: the foliage forms intricate, embroidered-like patterns, and the peaks become sharp, architectural silhouettes against a softly colored sky, washed in hues of dawn pink and twilight blue. The overall palette is muted and elegant: the ochres of the earth, the sepia and charcoal of the tree, and the deep greens of the forest, punctuated by the figure’s monochrome ensemble and dramatic accents of crimson and burgundy.
His face is pale and serene, with large, captivating eyes turned inward in reflection; a single, perfect tear of crimson watercolor rolls down his cheek, symbolizing profound solitude. The style fuses symbolist art and avant-garde fashion illustration, capturing the textured, painterly quality of a moment of reverence within nature’s cathedral. Pen and ink drawing, watercolor, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, textured paper, translucent washes, muted color palette, deep crimson accents, surreal fashion, natural architecture, Beksinski-esque lines, Redon symbolism, non-photorealistic, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with vibrant watercolor washes on heavy, textured paper. The scene is set within the sun-drenched, circular cathedral of a bullfighting arena, where the roaring crowd forms a tapestry of textured color and motion. The ornate architecture, from the baroque barriers to the grand arches, is intricately detailed with fine ink lines and warm, earthy watercolor washes. In the center of the ring, the drama unfolds. The matador is a tall, elegant figure, their form clad in an exquisite, avant-garde reinterpretation of the traditional "traje de luces." The suit is a masterpiece of architectural tailoring in opulent black and deep crimson fabric, embroidered with intricate gold threadwork rendered in precise stippling and cross-hatching that mimics the arena's ironwork and the bull's powerful musculature. Their face is pale and serene, a symbol of fatalistic courage, with a single, perfect tear of crimson watercolor tracing a path through the dust on their cheek. The bull is a force of nature, a surreal spectacle of raw power. Its form is a living sculpture, its hide patterned with whorls and lines that echo the matador's embroidery, drawn with energetic, expressive ink strokes and washes of jet black, charcoal grey, and violent crimson. The crowd is a mosaic of beautiful, ecstatic figures, their faces stylized and serene, their clothing a vibrant display of haute couture flamenco dresses and tailored suits in a riot of sun-bleached ochres, fiery oranges, passionate reds, and cool shadows of indigo and violet. The air shimmers with heat, visualized through ethereal, graceful lines of cross-hatching and translucent yellow and orange washes that blur the boundary between audience and action. The overall color palette is passionately vibrant yet sophisticated: the sun-baked sand of the arena, the warm terracotta and stone of the architecture, and the deep, dark tones of the combatants, all punctuated by explosive accents of crimson, gold, saffron, and royal purple. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the brutal elegance, theatrical grandeur, and haunting beauty of the corrida. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, vibrant color palette, translucent washes, dramatic lighting, symbolic, surreal fashion, bullfighting arena, matador, bull, passionate crowd, Spanish culture, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with vibrant watercolor washes on heavy, textured paper. The scene is set within the sun-drenched, circular cathedral of a bullfighting arena, where the roaring crowd forms a tapestry of textured color and motion. The ornate architecture, from the baroque barriers to the grand arches, is intricately detailed with fine ink lines and warm, earthy watercolor washes. In the center of the ring, the drama unfolds. The matador is a tall, elegant figure, their form clad in an exquisite, avant-garde reinterpretation of the traditional "traje de luces." The suit is a masterpiece of architectural tailoring in opulent black and deep crimson fabric, embroidered with intricate gold threadwork rendered in precise stippling and cross-hatching that mimics the arena's ironwork and the bull's powerful musculature. Their face is pale and serene, a symbol of fatalistic courage, with a single, perfect tear of crimson watercolor tracing a path through the dust on their cheek. The bull is a force of nature, a surreal spectacle of raw power. Its form is a living sculpture, its hide patterned with whorls and lines that echo the matador's embroidery, drawn with energetic, expressive ink strokes and washes of jet black, charcoal grey, and violent crimson. The crowd is a mosaic of beautiful, ecstatic figures, their faces stylized and serene, their clothing a vibrant display of haute couture flamenco dresses and tailored suits in a riot of sun-bleached ochres, fiery oranges, passionate reds, and cool shadows of indigo and violet. The air shimmers with heat, visualized through ethereal, graceful lines of cross-hatching and translucent yellow and orange washes that blur the boundary between audience and action. The overall color palette is passionately vibrant yet sophisticated: the sun-baked sand of the arena, the warm terracotta and stone of the architecture, and the deep, dark tones of the combatants, all punctuated by explosive accents of crimson, gold, saffron, and royal purple. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the brutal elegance, theatrical grandeur, and haunting beauty of the corrida. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, vibrant color palette, translucent washes, dramatic lighting, symbolic, surreal fashion, bullfighting arena, matador, bull, passionate crowd, Spanish culture, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene is set aboard the weather-beaten deck of a majestic historical Windjammer, sailing perilously close to the shimmering, submerged spires of the lost city of Atlantis, which break the water's surface. The ship's intricate rigging, sails, and towering masts are beautifully detailed with fine ink lines and soft, weathered watercolor washes, forming a cathedral-like architecture of rope and canvas. Scattered across the deck are tall, elegant figures, both male and female, adorned in exquisite, avant-garde haute couture attire. Their clothing mirrors the ship's maritime and Atlantean architecture, featuring sharp, naval-inspired tailoring with elements of barnacled textures, iridescent fish-scale patterns, and opulent fabrics of deep ocean blue and sail-white canvas. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of ship's wheels, coral formations, and ancient Atlantean crowns, from which delicate, blood-red sea anemone patterns emerge, drawn with fine stippling. Ethereal, graceful lines suggesting flowing trains of netting, kelp, and ethereal wisps of ocean spray are rendered in precise cross-hatching and sinuous ink lines, blending seamlessly with the ship's own rigging and the crashing waves. Their faces are pale and serene, with large, captivating, otherworldly eyes, as if they are hybrids of sailors and Atlanteans. The macabre is implied: a single, perfect tear of crimson watercolor, like a drop of ancient wine or blood, rolls down the cheek of a female figure, symbolizing the tragedy of the lost civilization. The overall color palette is muted and elegant: the weathered wood and wet ropes in sepia tones, slate greys, and ochres, contrasted with the deep azure and emerald of the ocean and the figures' dark naval outfits, punctuated by washes of deep crimson, gold, and mother-of-pearl iridescence. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the nautical grandeur and haunting mystery of the lost world. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, historical windjammer, sailing ship, rigging, masts, lost city of Atlantis, oceanic, maritime, nautical, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene is set within the vast, ornate courtyard of a mist-shrouded Buddhist temple complex, the "Spiritual Cathedral." The intricate, multi-tiered pagoda roofs soar overhead, their sweeping eaves and detailed woodwork beautifully captured with fine ink lines and soft, muted watercolor washes. In the center of the sacred space stand two tall, elegant figures, a man and a woman, adorned in exquisite, avant-garde haute couture that reinterprets traditional regional attire. Their clothing mirrors the temple's architecture, featuring structured, architectural silhouettes inspired by monk's robes and layered garments, crafted from opulent, dark fabrics like raw silk and brocade. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of ornate stupas or prayer crowns, from which delicate, blood-red prayer flag patterns or swirling mantra scripts emerge, drawn with fine stippling. Ethereal, graceful lines suggesting flowing trains of silk and ethereal hands (mudras) are rendered in precise cross-hatching and sinuous ink lines, blending seamlessly with the curling incense smoke and temple banners. Their faces are pale and serene, with large, captivating eyes, embodying tranquil divinity. A troop of macaque monkeys, depicted with fine, detailed linework, are integrated into the scene as living accessories, their forms stylized and symbolic. The macabre is subtly implied: a single, perfect tear of crimson watercolor rolls down the woman's cheek, a symbol of compassion for all suffering beings. The overall color palette is muted and elegant: the ancient stone and aged wood in sepia tones, slate greys, and ochres, punctuated by the figures' deep burgundy and saffron outfits and washes of deep crimson and gold leaf. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the sacred grandeur and haunting beauty of the location. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, Buddhist temple complex, pagoda, monastery, intricate woodwork, traditional attire, macaque monkeys, spiritual, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene is set aboard the weather-beaten deck of a majestic historical Windjammer, sailing perilously close to the shimmering, submerged spires of the lost city of Atlantis, which break the water's surface. The ship's intricate rigging, sails, and towering masts are beautifully detailed with fine ink lines and soft, weathered watercolor washes, forming a cathedral-like architecture of rope and canvas. Scattered across the deck are tall, elegant figures, both male and female, adorned in exquisite, avant-garde haute couture attire. Their clothing mirrors the ship's maritime and Atlantean architecture, featuring sharp, naval-inspired tailoring with elements of barnacled textures, iridescent fish-scale patterns, and opulent fabrics of deep ocean blue and sail-white canvas. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of ship's wheels, coral formations, and ancient Atlantean crowns, from which delicate, blood-red sea anemone patterns emerge, drawn with fine stippling. Ethereal, graceful lines suggesting flowing trains of netting, kelp, and ethereal wisps of ocean spray are rendered in precise cross-hatching and sinuous ink lines, blending seamlessly with the ship's own rigging and the crashing waves. Their faces are pale and serene, with large, captivating, otherworldly eyes, as if they are hybrids of sailors and Atlanteans. The macabre is implied: a single, perfect tear of crimson watercolor, like a drop of ancient wine or blood, rolls down the cheek of a female figure, symbolizing the tragedy of the lost civilization. The overall color palette is muted and elegant: the weathered wood and wet ropes in sepia tones, slate greys, and ochres, contrasted with the deep azure and emerald of the ocean and the figures' dark naval outfits, punctuated by washes of deep crimson, gold, and mother-of-pearl iridescence. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the nautical grandeur and haunting mystery of the lost world. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, historical windjammer, sailing ship, rigging, masts, lost city of Atlantis, oceanic, maritime, nautical, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene reinterprets a wooded, sloping mountainside in late fall as the grand, ornate interior of a natural cathedral. A gale-force wind is personified as a tall, elegant, androgynous figure, adorned in an exquisite, avant-garde haute couture gown. The gown's fabric is a torrent of swirling, abstract patterns, rendered with fine stippling and sinuous ink lines to visualize the wind's violent path, with deep crimson and burgundy washes suggesting the driven red leaves. The bent grasses are translated into the intricate ironwork of a station-like structure, drawn with precise cross-hatching. Dozens of other figures, their pale faces serene, wear architectural headpieces reminiscent of barren trees, from which delicate, blood-red leaf patterns emerge like embroidered motifs. The macabre is implied: a single, perfect tear of crimson watercolor rolls down the cheek of the central wind figure, the "wild one, the destroyer." The overall color palette is muted and elegant: the ochres and sepia of autumn, the slate grey of the sky, and the deep black of the figures' outfits, punctuated by stark white negative space and dramatic washes of deep crimson. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the destructive grandeur and haunting beauty of the poem. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene is set within the vast, ornate interior of Antwerp Central Station, the "Railway Cathedral". The iron and glass dome soars overhead, its intricate structure beautifully detailed with fine ink lines and soft watercolor washes. In the center of the grand hall stand two tall, elegant figures, a man and a woman, adorned in exquisite, avant-garde haute couture attire. Their clothing mirrors the station's architecture, featuring sharp, architectural tailoring and dark, opulent fabrics. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of the station's domed roof, from which delicate, blood-red bubble patterns emerge like embroidered patterns, drawn with fine stippling. Ethereal, graceful lines suggesting flowing trains of fabric and ethereal hands are rendered in precise cross-hatching and sinuous ink lines, blending seamlessly with the station's own ironwork. Their faces are pale and serene, with large, captivating eyes. The macabre is implied: a single, perfect tear of crimson watercolor rolls down the woman's cheek. The overall color palette is muted and elegant: the stone and iron of the station in sepia tones, slate greys, and ochres, punctuated by the figures' deep black outfits and washes of deep crimson and burgundy watercolor. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the grandeur and haunting beauty of the location. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, Antwerp Central Station, architectural illustration, grand interior, iron and glass dome, ornate details, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene is set within a vast, industrial port at dusk, reinterpreted as a grand, dystopian fashion runway. The iron and glass domes of Antwerp are replaced by the colossal steel cranes and gantries of the shipyards, their intricate structures beautifully detailed with fine ink lines and soft, rust-colored watercolor washes. In the foreground, a tall, elegant figure stands poised on a weather-beaten quay, adorned in exquisite, avant-garde haute couture attire. Their clothing mirrors the industrial architecture, featuring sharp, architectural tailoring crafted from imagined fabrics of welded steel, dark tarpaulin, and opulent, oil-slick black textiles. The surreal elements are translated into high-fashion motifs: their headpiece is an abstract, geometric crown reminiscent of a ship's prow or radar array, from which delicate, blood-red signal flag patterns emerge, drawn with fine stippling. Ethereal, graceful lines suggesting flowing trains of netting and rigging are rendered in precise cross-hatching and sinuous ink lines, blending seamlessly with the ropes and cables of the docked freighters. Their face is pale and serene, with large, captivating eyes. The macabre is implied: a single, perfect tear of crimson watercolor, like a drop of oil or rust, rolls down their cheek. The overall color palette is muted and industrial: the steel and concrete in slate greys, sepia, and ochre rust, punctuated by the figure's deep black outfit and dramatic washes of deep crimson and burgundy watercolor for dramatic accent. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the brutalist grandeur and haunting beauty of the port. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, industrial port, cranes, cargo ships, shipping containers, architectural illustration, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene reinterprets a wooded, sloping mountainside in late fall as the grand, ornate interior of a natural cathedral. A gale-force wind is personified as a tall, elegant, androgynous figure, adorned in an exquisite, avant-garde haute couture gown. The gown's fabric is a torrent of swirling, abstract patterns, rendered with fine stippling and sinuous ink lines to visualize the wind's violent path, with deep crimson and burgundy washes suggesting the driven red leaves. The bent grasses are translated into the intricate ironwork of a station-like structure, drawn with precise cross-hatching. Dozens of other figures, their pale faces serene, wear architectural headpieces reminiscent of barren trees, from which delicate, blood-red leaf patterns emerge like embroidered motifs. The macabre is implied: a single, perfect tear of crimson watercolor rolls down the cheek of the central wind figure, the "wild one, the destroyer." The overall color palette is muted and elegant: the ochres and sepia of autumn, the slate grey of the sky, and the deep black of the figures' outfits, punctuated by stark white negative space and dramatic washes of deep crimson. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the destructive grandeur and haunting beauty of the poem. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: Masterpiece, close-up. Drawn with ink, irregular brushstrokes, splatters, a sinuous line, evocative. Colored with bright, warm watercolor, overspray.
A close-up of a beautiful young blonde girl, kissed by the rain, with soaked hair and clothes, walking on the Venice waterfront, surrounded by tourists running to shelter from the rain. It is a heavy downpour.
The wintry charm of Venice is captured in the background.
The women look sad but beautiful.
Warm, vibrant colors dominated by warm shades of green, yellow, and brown. The rain gives everything the allure of being glazed.
Masterpiece, beautiful, magnificent, awe-inspiring, breathtaking, evocative, opulent, aesthetic, unique
Prompt: Masterpiece, close-up. Drawn with ink, irregular brushstrokes, splatters, a sinuous line, evocative. Colored with bright, warm watercolor, overspray. The composition features a beautiful young blonde woman in the foreground, caught in a heavy downpour with soaked hair and clothes. Her expression is contemplative and beautifully sad. Behind her, the wintry charm of Venice is depicted: a waterfront with impressionistic suggestions of architecture and blurred, running tourists seeking shelter from the rain. The entire piece is drawn with a black fineliner pen, using intricate cross-hatching and stippling to define the woman's details and the driving rain. The scene is colored with translucent washes of watercolor in a warm palette of earthy greens, ochre yellows, and burnt umbers. The paint is applied loosely with soft edges, visible overspray, and wet-on-wet techniques to create the glazed, rainy effect and a sense of movement in the background. The style is evocative and hand-drawn, like a journal sketch. pen and ink drawing, watercolor painting, cross-hatching, stippling, detailed foreground, impressionistic background, loose wash, visible paper texture, translucent watercolor washes, soft blending, overspray technique, wet-on-wet technique, earthy color palette, evocative, hand-drawn aesthetic, non-photorealistic, physical art medium, movement, rain, tourists, Venice waterfront.
Prompt: watercolor on textured paper. Her blonde hair and clothes are soaked. The drawing is made with a black fineliner pen, using intricate cross-hatching and stippling to define her facial features, wet hair, and the water droplets on her skin. The scene is colored with translucent washes of watercolor in a warm palette of earthy greens, ochre yellows, and burnt umbers. The paint is applied loosely, with soft edges and visible overspray, creating a glazed, rainy effect. The background of Venice and the running tourists are merely suggested with faint, impressionistic watercolor washes, keeping the focus on her emotive, sad expression. The style is evocative and hand-drawn, prioritizing artistic linework and watercolor techniques over realism. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed sketch, visible paper texture, translucent watercolor washes, soft blending, overspray technique, wet-on-wet technique, earthy color palette, impressionistic, evocative portrait, hand-drawn aesthetic, artistic, non-photorealistic, physical art medium.
Prompt: A dynamic physical pen and ink drawing colored with watercolor on textured paper. A vibrant woman in a dark grey dress stands in a lush bamboo forest, looking up in alarm. From the canopy above, multiple black-clad warriors (wuxia assassins) are dramatically descending, repelling down bamboo stalks and leaping through the air. Their forms are rendered primarily with sharp, swift ink strokes, energetic splatters, and drips of black ink, making them appear as lethal extensions of the chaotic forest itself. The lush green of the bamboo is a bold, selective watercolor wash, with vibrant wet-on-wet blends and splashes. The woman is drawn with more controlled, intricate pen lines, her grey dress a wash of diluted ink, creating a stark contrast to the abstract chaos of the forest and the airborne warriors. The style is surreal and high-contrast, masterfully blending realistic detail with raw, expressive mark-making. The composition is a frenzy of controlled chaos: expressive ink splatters, chaotic brushstrokes, ink drips, intricate pen lines, detailed figure, abstract background, selective color, vibrant green wash, monochrome grey, textured paper, high-contrast, wet-on-wet technique, organic blending, surreal atmosphere, dynamic action, wuxia warriors in motion.
Prompt: Create an ethereal fantasy scene featuring a serene female figure standing amidst a lush bamboo forest. The woman, dressed in flowing, dark clothing, gazes upward in awe as shadowy silhouettes of graceful, acrobatic warriors leap and twirl through the air, holding weapons. The background is a mystical blend of green and soft light filtering through the bamboo, creating a dreamlike atmosphere. The overall tone should evoke a sense of wonder and enchantment, highlighting the contrast between the calmness of the woman and the dynamic energy of the warriors.
Prompt: A dynamic physical pen and ink drawing colored with watercolor on textured paper. A vibrant woman in a dark grey dress stands in a lush bamboo forest, looking up in alarm. From the canopy above, multiple black-clad warriors (wuxia assassins) are dramatically descending, repelling down bamboo stalks and leaping through the air. Their forms are rendered primarily with sharp, swift ink strokes, energetic splatters, and drips of black ink, making them appear as lethal extensions of the chaotic forest itself. The lush green of the bamboo is a bold, selective watercolor wash, with vibrant wet-on-wet blends and splashes. The woman is drawn with more controlled, intricate pen lines, her grey dress a wash of diluted ink, creating a stark contrast to the abstract chaos of the forest and the airborne warriors. The style is surreal and high-contrast, masterfully blending realistic detail with raw, expressive mark-making. The composition is a frenzy of controlled chaos: expressive ink splatters, chaotic brushstrokes, ink drips, intricate pen lines, detailed figure, abstract background, selective color, vibrant green wash, monochrome grey, textured paper, high-contrast, wet-on-wet technique, organic blending, surreal atmosphere, dynamic action, wuxia warriors in motion.
Prompt: A dynamic physical pen and ink drawing colored with watercolor on textured paper. A vibrant woman in a dark grey dress stands in a lush bamboo forest, looking up in alarm. From the canopy above, multiple black-clad warriors (wuxia assassins) are dramatically descending, repelling down bamboo stalks and leaping through the air. Their forms are rendered primarily with sharp, swift ink strokes, energetic splatters, and drips of black ink, making them appear as lethal extensions of the chaotic forest itself. The lush green of the bamboo is a bold, selective watercolor wash, with vibrant wet-on-wet blends and splashes. The woman is drawn with more controlled, intricate pen lines, her grey dress a wash of diluted ink, creating a stark contrast to the abstract chaos of the forest and the airborne warriors. The style is surreal and high-contrast, masterfully blending realistic detail with raw, expressive mark-making. The composition is a frenzy of controlled chaos: expressive ink splatters, chaotic brushstrokes, ink drips, intricate pen lines, detailed figure, abstract background, selective color, vibrant green wash, monochrome grey, textured paper, high-contrast, wet-on-wet technique, organic blending, surreal atmosphere, dynamic action, wuxia warriors in motion.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene features two tall, elegant figures, a man and a woman, adorned in exquisite, avant-garde haute couture attire. Their clothing is intricately detailed with sharp, architectural tailoring and dark, opulent fabrics. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of chess pieces, from which delicate, blood-red bubble patterns emerge like embroidered patterns, drawn with fine stippling. Instead of a thousand fingers, the background is filled with elegant, flowing lines suggesting ethereal hands and fingers, all rendered in precise cross-hatching and sinuous ink lines, evoking the style of Beksinski but with art-deco refinement. Their faces are pale and serene, with large, captivating eyes. The macabre is implied, not explicit: a single, perfect tear of crimson watercolor rolls down the woman's cheek. The overall color palette is muted and elegant: deep blacks, slate greys, and sepia tones, punctuated by washes of deep crimson and burgundy watercolor.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene is set within the vast, ornate interior of Antwerp Central Station, the "Railway Cathedral". The iron and glass dome soars overhead, its intricate structure beautifully detailed with fine ink lines and soft watercolor washes. In the center of the grand hall stand two tall, elegant figures, a man and a woman, adorned in exquisite, avant-garde haute couture attire. Their clothing mirrors the station's architecture, featuring sharp, architectural tailoring and dark, opulent fabrics. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of the station's domed roof, from which delicate, blood-red bubble patterns emerge like embroidered patterns, drawn with fine stippling. Ethereal, graceful lines suggesting flowing trains of fabric and ethereal hands are rendered in precise cross-hatching and sinuous ink lines, blending seamlessly with the station's own ironwork. Their faces are pale and serene, with large, captivating eyes. The macabre is implied: a single, perfect tear of crimson watercolor rolls down the woman's cheek. The overall color palette is muted and elegant: the stone and iron of the station in sepia tones, slate greys, and ochres, punctuated by the figures' deep black outfits and washes of deep crimson and burgundy watercolor. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the grandeur and haunting beauty of the location. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, Antwerp Central Station, architectural illustration, grand interior, iron and glass dome, ornate details, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene features two tall, elegant figures, a man and a woman, adorned in exquisite, avant-garde haute couture attire. Their clothing is intricately detailed with sharp, architectural tailoring and dark, opulent fabrics. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of chess pieces, from which delicate, blood-red bubble patterns emerge like embroidered patterns, drawn with fine stippling. Instead of a thousand fingers, the background is filled with elegant, flowing lines suggesting ethereal hands and fingers, all rendered in precise cross-hatching and sinuous ink lines, evoking the style of Beksinski but with art-deco refinement. Their faces are pale and serene, with large, captivating eyes. The macabre is implied, not explicit: a single, perfect tear of crimson watercolor rolls down the woman's cheek. The overall color palette is muted and elegant: deep blacks, slate greys, and sepia tones, punctuated by washes of deep crimson and burgundy watercolor.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene is set within the vast, ornate interior of Antwerp Central Station, the "Railway Cathedral". The iron and glass dome soars overhead, its intricate structure beautifully detailed with fine ink lines and soft watercolor washes. In the center of the grand hall stand two tall, elegant figures, a man and a woman, adorned in exquisite, avant-garde haute couture attire. Their clothing mirrors the station's architecture, featuring sharp, architectural tailoring and dark, opulent fabrics. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of the station's domed roof, from which delicate, blood-red bubble patterns emerge like embroidered patterns, drawn with fine stippling. Ethereal, graceful lines suggesting flowing trains of fabric and ethereal hands are rendered in precise cross-hatching and sinuous ink lines, blending seamlessly with the station's own ironwork. Their faces are pale and serene, with large, captivating eyes. The macabre is implied: a single, perfect tear of crimson watercolor rolls down the woman's cheek. The overall color palette is muted and elegant: the stone and iron of the station in sepia tones, slate greys, and ochres, punctuated by the figures' deep black outfits and washes of deep crimson and burgundy watercolor. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the grandeur and haunting beauty of the location. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, Antwerp Central Station, architectural illustration, grand interior, iron and glass dome, ornate details, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: A surreal and sophisticated fashion editorial illustration, rendered as a meticulous pen and ink drawing with watercolor washes on heavy, textured paper. The scene is set within the vast, ornate interior of Antwerp Central Station, the "Railway Cathedral". The iron and glass dome soars overhead, its intricate structure beautifully detailed with fine ink lines and soft watercolor washes. In the center of the grand hall stand two tall, elegant figures, a man and a woman, adorned in exquisite, avant-garde haute couture attire. Their clothing mirrors the station's architecture, featuring sharp, architectural tailoring and dark, opulent fabrics. The surreal elements are translated into high-fashion motifs: their headpieces are abstract, geometric crowns reminiscent of the station's domed roof, from which delicate, blood-red bubble patterns emerge like embroidered patterns, drawn with fine stippling. Ethereal, graceful lines suggesting flowing trains of fabric and ethereal hands are rendered in precise cross-hatching and sinuous ink lines, blending seamlessly with the station's own ironwork. Their faces are pale and serene, with large, captivating eyes. The macabre is implied: a single, perfect tear of crimson watercolor rolls down the woman's cheek. The overall color palette is muted and elegant: the stone and iron of the station in sepia tones, slate greys, and ochres, punctuated by the figures' deep black outfits and washes of deep crimson and burgundy watercolor. The style is a fusion of symbolist art and avant-garde fashion illustration, capturing the grandeur and haunting beauty of the location. pen and ink drawing, watercolor painting, fine line art, cross-hatching, stippling, detailed fashion illustration, haute couture, avant-garde, elegant, sophisticated, textured paper, translucent washes, muted color palette, deep crimson accents, symbolic, surreal fashion, Antwerp Central Station, architectural illustration, grand interior, iron and glass dome, ornate details, Beksinski-esque lines, Redon symbolism, non-photorealistic, physical art medium, high fashion editorial, intricate detailing.
Prompt: Abstract painting with yellow, red, gold, blue, black and white, washer gypsy woman Irish washerwoman, surrounded by mathematics and mathematical formulas and geometric drawings, carvaggio lighting, Edvard Munch design with black and white illusion lines and you can see she loves math and math equations colourful naive art high contrast graffiti zentangle abstract expressionism Psychosomatic surrealism faszinierend
Prompt: Abstract painting with yellow, red, gold, blue, black and white, washer gypsy woman Irish washerwoman, surrounded by mathematics and mathematical formulas and geometric drawings, carvaggio lighting, Edvard Munch design with black and white illusion lines and you can see she loves math and math equations colourful naive art high contrast graffiti zentangle abstract expressionism Psychosomatic surrealism faszinierend
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
