Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate linocut, additionally hand-colored of a black, palatial, intricately worked, wrought-iron gate in a state of disrepair. The gate is attached to a crumbling red brick wall on either side that encloses an overgrown garden that must have been splendid. Now, the garden is overgrown with grass, blooming weeds, tall, shady trees, and brambles overgrowing profusely blooming roses in all shades of pink. Dappled sunlight filters through to highlight the roses. The garden view is visible through the old gate. The patterns in the image are highly complex, combining a multi-layered linocut print with hand coloring.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Minamoto no Toru, of the Ogura Hyakunin Isshu: "Like Michinoku prints Of the tangled leaves of ferns, It is because of you That I have become confused; But my love for you remains." The image shows a large cloth blanket thrown over a wooden bench. The blanket has an intricately tangled, confusing, mottled pattern of ferns. The dark cloth has a print of metallic gray fern fronds with bluish and reddish tints. Next to the cloth, on the bench, sits an elegant Japanese statesman from a long bygone era. He is dressed in courtly robes tied with an ornameted sash. The nobleman is despondent, and is sitting with his elbows on his knees and his head cupped in his hands. Behind the close-up of the bench with the statesman and the patterned cloth are dark, abstracted trees in a Japanese esthetic. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Emperor Kōkō, of the Ogura Hyakunin Isshu: "It is for your sake That I walk the fields in spring, Gathering green herbs, While my garment's hanging sleeves Are speckled with falling snow." The image shows an elegantly dressed, young man, Kōkō Tennō, bending over to pick wildflowers and green herbs in very early spring. Snowflakes are falling on the sleeves of the emperor's intricately patterned silk kimono. He is fully concentrated on his task, and is holding a small bouquet of greens and spring wildflowers in one hand while he is bending over and picking a single flower to add to the bouquet. The weather is cold and gray, with a strong wind blowing patterned clouds through the sky. The emperor's exquisitely colored silk robe contrasts starkly with the inclement, gray weather. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 16, Ariwara no Yukihira, of the Ogura Hyakunin Isshu: "Though we are parted, If on Mount Inaba's peak
I should hear the sound Of the pine trees growing there, I'll come back again to you." The image shows Inaba mountain, on whose slopes a verdant pine forest grows, in the distance. In the foreground, we see a small group of young Japanese Middle Counselors wearing intricately patterned silk black-and-gold robes with a high collar at the back of their necks, over loose, abstractly patterned white-and-gold pants. The noblemen are thronging around one of their members to bid him farewell and good luck for his assignment to Inaba province. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 17, Ariwara no Narihira, of the Ogura Hyakunin Isshu: "Unheard of even in the legendary age of the awsome gods: Tatsuta River in scarlet and the water flowing under it." This particular poem, and the image it conjures up, is a masterpiece. We see scarlet Japanese maples lining the bank of the scenic, gently flowing Tatsuta River. The golden sun is shining on this day in fall, and the maple trees are very gradually losing their foliage. Leaves are lazily floating downward through the air, and cover nearly the entire surface of the river. The leaf-covered river shimmers in tones of scarlet and burgundy as the leaves slowly floating downriver. Poignant image perfectly capturing the essence of autumn. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 18 - Fujiwara no Toshiyuki
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 18, Fujiwara no Toshiyuki, of the Ogura Hyakunin Isshu: "Must you so avoid others’ eyes that not even at night, along the road of dreams, will you draw nigh like the waves to the shore of Sumi-no-e Bay?" This poem was an entry in a poetry contest by accomplished poet and calligrapher Fujiwara no Toshiyuki. The image personifying the poem shows waves lapping the shore of Sumi-no-e Bay (Osaka Bay) at night. The stars are shining brightly; their silvery light reflects off the waves and the foam that decorates their edges on the shore. The sky is underlaid with a very delicate, barely noticeable calligraphic line pattern of two lovers engaged in a forbidden tryst lying across the entire sky, as if in a dream, almost obscured by the light of the twinkling stars. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 19, Lady Ise, of the Ogura Hyakunin Isshu: "Even for a time Short as a piece of the reeds In Naniwa's marsh, We must never meet again: Is this what you are asking me?" The image shows a Japanese woman of antiquity from the back. She is dressed in highly ornamented, precious robes. Her hair is put up in an an extravagant hairdo. Her slumped shoulders and the cast of her head indicate that she is melancholy, as she wistfully gazes out over strongly repetitively patterned, sumptuous reeds lining the banks of Naniwa (Osaka) inlet. Behind the reeds, blue water twinkles in the sunlight. The sky above is bedecked with intricately patterned cirrocumulus clouds. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 20, Motoyoshi Shinnō, of the Ogura Hyakunin Isshu: "Miserable, now, it is all the same, Channel-markers of Naniwa - even if it costs my life, I will see you again!" The image shows a Japanese prince sitting on his haunches on the shore of Naniwa Inlet, looking at the miotsukushi, or water markers - wooden posts - placed in shallow areas as safe navigation guides. The Crown Prince is dressed in a sokutai, an enveloping formal robe of golden, heavily patterned silk. The still waters of the inlet twinkle in the sunlight. The nearly cloudless sky is a cerulean blue. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
Prompt: Sun moves slowly, sleepily from tree to tree above a gorgeous creek until she comes to rest in the powerful branches of Wisdom Tree and snuggles deeply and comfortably. Hand drawn in ink with watercolor added. Inspired by Jean Baptiste-Monge and Arthur Rackham.
Prompt: Monochrome, charcoal-ink dark tones baroque oil painting on black canvas. London Victorian era 18th century street scene with cafe restaurant and pub, horse drawn carriages a discarded red rose lying on the wet pavement, subtle pop of crimson red highlighting a lone rose lying discarded on the ground, vibrant amber yellow illuminating a distant, fog-shrouded gas lamp, shadows cast by baroque architecture enhancing dramatic contrast, vintage attire blending with the minimalist aesthetic, evoking a sense of mystery and nostalgia, timeless quality enhanced by the unique blend of historical and minimalist art styles, resulting in a dark, dreamlike and captivating visual masterpiece, each detail contributing to the scene's dreamlike quality. Add a pop of color: yellow, red and crimson.
Prompt: Red moon, Dark woman, bright orange long grass. Abstract mixed-media illustration :: expressive splattered ink, chaotic brushstrokes, splashes, drips, and washes :: intricate pen-line details interwoven with bold painterly textures :: grayscale monochrome palette with selective single-colour emphasis :: dynamic, energetic, and layered composition :: organic flow of forms blurring figure and background :: high-contrast tonal depth with raw expressive mark-making :: surreal atmosphere merging abstraction with realism :: controlled chaos, balance of fine detail and explosive splatter
Prompt: @RSDExtreme Minimalism Figurative Realism, Modern Japanese Zen. Alcohol Ink, luminous. Detailed but Dainty Tree with tiny gold leaves on Seashore, beach, waves, starry night, Wind, flock of birds, soft early morning light, sun, reflection. Paint dispersion, crisp clear muted complimentary natural colour gradients. fluid art, light gold gradient. Delicately feminine with focus on tree, background is out of focus and shrouded in purple mist. pale blue wash.The atmospheric conditions transform this timeless natural spectacle into a canvas of wonder and artistic inspiration.
Prompt: Side view of a bare woman's back, tricolor silhouette, Neo-Abstract style with explosive brush strokes, dark color splashes, and gestural marks, reminiscent of Ashley Wood's dynamic compositions, set against a high-contrast, tricolor context background with a subtle Dutch angle, incorporating Wabi-Sabi principles, ink, and watercolor textures, with blotches of black paint, censored areas, in a Half-Turn Rear View, evoking emotional intensity and chaotic energy, with a raw, expressive aesthetic.
Prompt: A rustic tavern scene featuring an elderly man with a weathered face and a medium, flowing white beard, sitting at a wooden table. He has deep-set, wise eyes, and his expression conveys a sense of contemplation. He wears a simple, slightly tattered white shirt and an ornate vest with colorful patterns. In his hands, he holds a frosty glass of beer, resting it on the table.
Behind him, a fantastical, dragon-like creature leans close. The creature has a scaly, textured body with shades of green and a large, expressive head featuring bright amber eyes and prominent ridges along its the back. Its mouth has a slight, mischievous curve, hinting at a friendly demeanor. The background is filled with warm, dim lighting and blurred figures of other patrons, creating an atmosphere of camaraderie and adventure in the tavern.
Prompt: A gothic expressionist oil painting of a beautiful blonde woman with a tousled bob haircut, soaked by heavy rain. Her makeup is smeared, black mascara and ink streaking down her pale face. Her piercing eyes glow with deep sorrow and intensity. She wears a wet white lace dress clinging to her figure, holding wilted red flowers in one hand. Behind her, in a blurred stormy field of golden wheat, a distant dark male figure walks away like a ghost, surrounded by mist and rain. Dramatic lighting, expressive textures, dripping black ink, cinematic atmosphere, emotional tension, chiaroscuro style, heavy impasto brushstrokes.In the style of Egon Schiele, Zdzisław Beksiński, Dorothea Tanning, and Francis Bacon.
Baltic Adventure (12) - A last evening on the lake
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: (((Masterpiece))) Drawn with ink, irregular stroke, squiggly line, sketchy, scratchy, blotting, evocative. colored with bright warm watercolour, overspray of color.
Create a close up image featuring a very beautiful busty slender modern young blonde vietnamese woman with a messy bun and a very beautiful young italian woman with dark wavy hair and bangs lying on their backs in a rubber boat, sunbathing, on a big glittering lake in the latvian wilderness. Full bodies from head to beautiful feet.
In the wide blue summer sky just a few fluffy white clouds.
The vietnamese woman‘s blonde hair is loosely styled in a bun with many loose tendrils framing her face. She wears a yellow bikini.
The italian girl has long dark wavy hair and bangs, she wears a red bikini.
Both are smiling, blushing and sweating.
Warm vibrant colours. The bright sunshine and the glittering of the lake highlights the beautiful facial and bodily features of both women.
Masterpiece, gorgeous, beautiful, awe striking, breath taking, evocative, sumptuous, aesthetic, unique, HD,style of by zettel
Prompt: singular image depicting all of the following visually depicted in an oi painting on canvas: [[A female taxi cab driver strides jauntily down a 1950's suburban Main Street, wantonly flinging a partially empty coffee cup inside a passing pram] [1950's milkman angrily confronts a 1950's housewife outside a creamery on Main Street] [a yellow and black Checker cab idles on the street, billowing comically large and over-proportioned smug from it's exhaust pipe. The chrome glints sardonically in the noonday sun] [Butterflies and birds of perfect and authentic proportions flee this vignette in terror] [brick and mortar Main Street U.S.A, with a female taxi cab driver littering a coffee cup in a pram while her cab billows smoke]. Surreal lifelike soul painting.
]
Prompt: Watercolor, wet on wet aquarelle. Maximize water effects.Lovely ambiance, intricate details, a weeping willow with a bench, a lonely woman sits on the bench, distant village silhouette
Prompt: ‘They didn’t teach me how to tend wounds,’ she said bitterly. ‘They taught me how to kill, telling me that’s how I could save people. It was one big lie, Little Horse. They deceived me.’
Prompt: (Masterpiece), (("All surreal eyes in the urban landscape", Side view, Complex texture, Abstract expressionism surrealism, Stunning color oil drawing on textured paper, 16K, Max Quality, Max detailed, Maximum Surrealism, Stunning, Masterpiece)), Inspired by the style illustrations of Picasso, Tomasz Setowski. As if created in the patchwork style of Masamune Shirow, Mamoru Nagano, Catrin Welz-Stein, Satoshi Kon and Van Gogh. Full Size image.
Prompt: The Dark Dance of Comedy and Tragedy: A delicate female figure dancing on a crystal platform suspended in mid-air, surrounded by golden butterflies emerging from her shimmering energetic core, with cinematic color grading and lighting, a shallow depth of field, vignette, and bokeh, captured with a film-like aesthetic reminiscent of Kodak Porta 400 and Cinestill 800, shot with a Leica M10, featuring a vibrant and dreamy quality, with the female figure's face serene and peaceful, her skin glowing with a soft golden light, and her long flowing hair moving gently in the air, as the golden butterflies flutter and glow around her. Soft colors of blue and pink accentuate the dramatic scene.
Prompt: Oil on canvas, intricate pen and ink details, by Frank Frazetta, Simon Bisley.
A flock of coal black swans float elegantly across the lake, gothic, haunting surreal ominous dark clouds, macabre, surreal fantasy, intricate details, high contrast shadows, deep colors dramatic lighting.
Prompt: A full-body gothic expressionist oil painting of a beautiful blonde woman with tousled long bob haircut and red lips, standing alone in a stormy summer meadow under heavy rain. Her soaked white sundress clings to her sensual figure, revealing her curves and full chest. Around her bloom wildflowers — jasmine, roses, and daisies — swaying in the wind. Reflections ripple beneath her feet in puddled rainwater, capturing her silhouette and the distant shadow of a tall male figure — a ghostly presence watching from afar. Palette knife impasto textures, dramatic chiaroscuro lighting, dripping black ink strokes, silver foil shimmer, crimson accents, stormy gothic atmosphere, emotional expressionism, cinematic mood.
Prompt: Create an evocative digital painting of an old, weary dog walking in a slow aimless pace amid a moonlit twilight landscape. Render the scene in the style of David Shepherd and Ash Thorp, blending distressed ink sketches, blurred lines, realistic animal detailing and raw charcoal textures. Use dramatic lighting and nostalgic tones to capture the dog’s journey, with hints of crumbled memories embedded in the background. Integrate elements of Sean Andrews’ with the gripping emotive aspects with Loish’s dreamlike quality, weaving moiré patterns and holographic noise into the landscape for a hallucinogenic sense of depth. Let the final piece feel cohesive, mysterious, and softly surreal.
Prompt: A dreamy, hazy, breezy watercolour painting by EmmAI in a soft wet-on-wet style, where delicate pigments melt into fluid washes, embracing the poetry of mist, motion, and light. A melancholic yet serene landscape unfolds, golden dusk blending into cool twilight, casting long, soft shadows across a windswept field of wildflowers.
At the heart of the scene, an ethereal beautiful young East Asian woman stands, her long twilight-blue hair flowing like ink caught in the evening breeze. She wears a flowing, gossamer dress that shifts with the wind, blending into the misty hues of the landscape. Her violet-blue eyes gaze softly into the distance, lost in quiet longing. In her delicate hands, she cradles a single wildflower, its once-blue petals kissed by gold, trembling gently in the fading light.
The field around her is vast, dreamlike, softly blurred, impressionistic strokes of wildflowers swaying in golden-pink haze, their fragile petals whispering in the breeze. The sky above melts into watercolour streaks of amber, lilac, and deep indigo, as if the world itself is dissolving into a painted dream.
The atmosphere is melancholic yet peaceful, evoking the fleeting beauty of love, memory, and time’s quiet embrace. Let the pigments flow freely, creating an organic, painterly masterpiece with minimal control, where colours blend, soften, and breathe with spontaneous elegance.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 21, Sosei Hōshi, of the Ogura Hyakunin Isshu: "It was only because you said you would come right away that I have waited these long months, till even the wan morning moon has come out." The image shows a standing Japanese woman of antiquity gazing out a a green, hilly landscape in early morning, with a pale waning moon barely visiblein the light-blue morning sky of dawn. She is a peasant, and is wearing a simple, rough, indigo-dyed cotton kosode (forerunner of the kimono). The green, hilly landscape is strongly patterned, as is the pale blue morning sky. Exquisite Japanese folio.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
12w
