Prompt: Create a dark fairy tale scene titled "The Lotus Eaters" inspired by the fictional narrative of 'The Odyssey'. In Homer's Odyssey, the Lotus Eaters are a tribe encountered by Odysseus's crew on their journey home. They live on an island where the inhabitants eat a narcotic lotus flower, which induces a blissful forgetfulness and a desire to stay on the island. Those who eat the lotus lose their desire to return to their homeland and become content with their carefree, blissful state. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The landscape combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition captures a haunting and enchantical atmosphere, exploring themes of shamanic dogma, cultural harmony, and the powerful influence of mythological doctrines within a dark fantasy setting. The Lotus Eaters and their plant can be interpreted as a symbol of temptation, forgetting one's purpose, and the dangers of overindulgence. Color palette has Max Ernst influences, Gorgeous composition rose gold tones, metallic tones, hyper clarity.
Prompt: Create a dark fairy tale scene titled "The Carnival After Dark" inspired by the fictional narrative of 'Something Wicked This Way Comes' by Ray Bradbury, about two 13-year-old best friends, Jim Nightshade and William Halloway, and their nightmarish experience with a traveling carnival that comes to their Midwestern home, Green Town, Illinois, on October 24. In dealing with the creepy figures of this carnival, the boys learn how to combat fear. The carnival's leader is the mysterious "Mr. Dark", who seemingly wields the power to grant the townspeople's secret desires. In reality, Dark is a malevolent being who, like the carnival, lives off the life force of those it enslaves. Mr. Dark's presence is countered by that of Will's father, Charles Halloway, the janitor of the town library, who harbors his own secret fear of growing older because he feels he is too old to be Will's dad. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The carnival combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition Something Wicked This Way Comes superimposes folk-tale and supernatural elements over a small-town Americana setting in order to explore the dark undercurrents that surround the transition to adulthood. 1969 aesthetic. Metallic rainbow palette.
Prompt: Create a dark fairy tale scene titled "Richard's Mushroom Trip" inspired by the fictional 1996 narrative of 'The Beach is a 1996 novel by English author Alex Garland. Set in Thailand, it is the story of a young backpacker's search for a legendary, idyllic and isolated beach untouched by tourism, and his time there in its small, international community of backpackers. The image is also inspired by the feature film 'The Beach' directed by Danny Boyle. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The landscape combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like Mushrooms. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition captures a haunting and enchantical atmosphere, exploring themes of shamanic dogma, cultural harmony, and the powerful influence of mythological doctrines within a dark fantasy setting. The Panaeolus Cyanescens Richard eats imbue the picture with strange energy and bold, wavy colors. Color palette has Max Ernst influences, Gorgeous composition rose gold tones, metallic tones, hyper clarity.
Prompt: Create a dark fairy tale scene titled "The Carnival After Dark" inspired by the fictional narrative of 'Something Wicked This Way Comes' by Ray Bradbury, about two 13-year-old best friends, Jim Nightshade and William Halloway, and their nightmarish experience with a traveling carnival that comes to their Midwestern home, Green Town, Illinois, on October 24. In dealing with the creepy figures of this carnival, the boys learn how to combat fear. The carnival's leader is the mysterious "Mr. Dark", who seemingly wields the power to grant the townspeople's secret desires. In reality, Dark is a malevolent being who, like the carnival, lives off the life force of those it enslaves. Mr. Dark's presence is countered by that of Will's father, Charles Halloway, the janitor of the town library, who harbors his own secret fear of growing older because he feels he is too old to be Will's dad. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The carnival combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition Something Wicked This Way Comes superimposes folk-tale and supernatural elements over a small-town Americana setting in order to explore the dark undercurrents that surround the transition to adulthood. 1969 aesthetic. Metallic rainbow palette.
Prompt: Create a dark fairy tale scene titled "The Carnival After Dark" inspired by the fictional narrative of 'Something Wicked This Way Comes' by Ray Bradbury, about two 13-year-old best friends, Jim Nightshade and William Halloway, and their nightmarish experience with a traveling carnival that comes to their Midwestern home, Green Town, Illinois, on October 24. In dealing with the creepy figures of this carnival, the boys learn how to combat fear. The carnival's leader is the mysterious "Mr. Dark", who seemingly wields the power to grant the townspeople's secret desires. In reality, Dark is a malevolent being who, like the carnival, lives off the life force of those it enslaves. Mr. Dark's presence is countered by that of Will's father, Charles Halloway, the janitor of the town library, who harbors his own secret fear of growing older because he feels he is too old to be Will's dad. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The carnival combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition Something Wicked This Way Comes superimposes folk-tale and supernatural elements over a small-town Americana setting in order to explore the dark undercurrents that surround the transition to adulthood. 1969 aesthetic. Metallic rainbow palette.
Prompt: Create a dark fairy tale scene titled "Whispers of the Martian Desert," inspired by the fictional narrative of 'The Martian Chronicles' by Ray Bradbury. The picture shows the story 'The Third Expedition', in which the human settlers find themselves lulled into a collective hallucination by the Martians and then killed by them. The ending leaves it ambiguous whether this was the plan of the Martians all along, or, given the telepathic origins of the hallucination and the way it was molded to their expectations and desires, Captain John Black accidentally willed it into being by coming to believe the hallucination was a trap for those perceived as invaders. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This composition captures a haunting and enchantical atmosphere, exploring themes of humanities dogma, cultural disharmony, and the powerful influence of martian doctrines within a dark fantasy setting. Color palette has max Ernst influences, Gorgeous composition rich jewel tones, metallic tones and hyper clarity.
Prompt: Create a dark fairy tale scene titled "The Lotus Eaters" inspired by the fictional narrative of 'The Odyssey'. In Homer's Odyssey, the Lotus Eaters are a tribe encountered by Odysseus's crew on their journey home. They live on an island where the inhabitants eat a narcotic lotus flower, which induces a blissful forgetfulness and a desire to stay on the island. Those who eat the lotus lose their desire to return to their homeland and become content with their carefree, blissful state. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The landscape combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition captures a haunting and enchantical atmosphere, exploring themes of shamanic dogma, cultural harmony, and the powerful influence of mythological doctrines within a dark fantasy setting. The Lotus Eaters and their plant can be interpreted as a symbol of temptation, forgetting one's purpose, and the dangers of overindulgence. Color palette has max Ernst influences, Gorgeous composition rich jewel tones, metallic tones, hyper clarity.
Prompt: Create a dark fairy tale scene titled "Huma of Paladine fights Takhasis " inspired by the fictional narrative of 'The Legend of Huma', the book narrates the adventures of Huma Dragonbane, a Knight of the Crown, his meeting with Kaz the Minotaur, the discovering of the dragonlances, and the defeat of Takhisis during the Third Dragon Wars. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. The landscape combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dragon domination and cultural conflict. This composition captures a haunting and enchantical atmosphere, exploring themes of dragon wizard dogma, cultural disharmony, and the powerful influence of mythological doctrines within a dark fantasy setting. The Dragonlance can be interpreted as a symbol of strength, patience and honor. Color palette has Max Ernst influences, Gorgeous composition rich jewel tones, metallic and rose gold tones, hyper clarity.
Prompt: Create a dark fairy tale scene titled "Huma of Paladine fights Takhasis " inspired by the fictional narrative of 'The Legend of Huma', the book narrates the adventures of Huma Dragonbane, a Knight of the Crown, his meeting with Kaz the Minotaur, the discovering of the dragonlances, and the defeat of Takhisis during the Third Dragon Wars. The artistic depiction draws on the distinctive styles of Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. The landscape combines Friedrich’s moody, atmospheric skies with the chaotic detailed natural depictions of Bruegel, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dragon domination and cultural conflict. This composition captures a haunting and enchantical atmosphere, exploring themes of dragon wizard dogma, cultural disharmony, and the powerful influence of mythological doctrines within a dark fantasy setting. The Dragonlance can be interpreted as a symbol of strength, patience and honor. Color palette has Max Ernst influences, Gorgeous composition rich jewel tones, metallic and rose gold tones, hyper clarity.
Prompt: Create a dark fairy tale scene titled "Huma of Paladine fights Takhasis " inspired by the fictional narrative of 'The Legend of Huma', The artistic depiction draws on the distinctive styles of Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. The landscape combines Friedrich’s moody, atmospheric skies with the chaotic detailed natural depictions of Bruegel, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dragon domination and cultural conflict. In the final battle, Heart(Huma's dragon) and Huma were the only ones able to attack the evil goddess Takhisis's aspect. Together they charged in and pierced the blue head on the goddess' mammoth body making her feel pain for the first time, but this cost them both. Heart was struck a violent blow that sent both her and Huma tumbling. Heart was able to make a landing that would save Huma, but she would pay dearly for it. Heart would die from her injuries sustained in her battle with Takhisis, but she did get to hear Huma admit that he loved her before that came. Huma then went to where the struggling goddess was thrashing around. When he arrived overlooking her, the green head blasted him with chlorine gas and he fell, breaking many bones and sustaining a life ending injury. Before he died, he made Takhisis promise to leave Krynn along with all her dragons. She agreed to it, and Huma asked Kaz one last thing, and that was to pull the Dragonlance from Takhisis' body. Huma died shortly after seeing his last deed done, while holding his amulet to Paladine, and thinking of his beloved Heart. Color palette has Max Ernst influences, Gorgeous composition rich jewel tones, metallic and rose gold tones, hyper clarity.
Prompt: Make a whimsical landscape portrait called "visions in the desert" where an LSD highway with Panaeolus Cyanescens are landscaped with mimosa hostilis and trichocerus bordering the highway, in the desert on a magical evening. The image is inspired by Lisa Frank and is hyper realistic. The image is imbued with magic electricity on a neon ayahuasca night. +trichocereus +pachanoi +cannabis +sativa
Prompt: Make an art piece called "day tripping at the magic zoo of the future. This art piece shows Psilocybin cubensis visuals at an exhibit with futuristic zoo animals who are fised with dream magic. The magic Ayahuasca river that flows into a flux state. Neon Quechua pattern aesthetic. Daytime. The zookeepers know the zoo holds magic, which is reflected in their artistic style. The harmony of the animals and people is apparent to everyone. Colors and paterns inspired by Pablo Amaringo.
Prompt: Make an art piece called "day tripping at the magic zoo of the future. This art piece shows Psilocybin cubensis visuals at an exhibit with futuristic zoo animals who are fised with dream magic. The magic Ayahuasca river that flows into a flux state. Neon Quechua pattern aesthetic. Daytime. The humanesque zookeepers know the zoo holds magic, which is reflected in their artistic style. The harmony of the animals and people is apparent to everyone. Colors and paterns inspired by Lisa Frank.
Prompt: Create a dark fairy tale scene titled "The Lotus Eaters" inspired by the fictional narrative of 'The Odyssey'. In Homer's Odyssey, the Lotus Eaters are a tribe encountered by Odysseus's crew on their journey home. They live on an island where the inhabitants eat a narcotic lotus flower, which induces a blissful forgetfulness and a desire to stay on the island. Those who eat the lotus lose their desire to return to their homeland and become content with their carefree, blissful state. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The landscape combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition captures a haunting and enchantical atmosphere, exploring themes of shamanic dogma, cultural harmony, and the powerful influence of mythological doctrines within a dark fantasy setting. The Lotus Eaters and their plant can be interpreted as a symbol of temptation, forgetting one's purpose, and the dangers of overindulgence. Color palette has max Ernst influences, Gorgeous composition rich jewel tones, metallic tones., hyper clarity a
Prompt: Create a dark fairy tale scene titled "The Lotus Eaters" inspired by the fictional narrative of 'The Odyssey'. In Homer's Odyssey, the Lotus Eaters are a tribe encountered by Odysseus's crew on their journey home. They live on an island where the inhabitants eat a narcotic lotus flower, which induces a blissful forgetfulness and a desire to stay on the island. Those who eat the lotus lose their desire to return to their homeland and become content with their carefree, blissful state. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The landscape combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition captures a haunting and enchantical atmosphere, exploring themes of shamanic dogma, cultural harmony, and the powerful influence of mythological doctrines within a dark fantasy setting. The Lotus Eaters and their plant can be interpreted as a symbol of temptation, forgetting one's purpose, and the dangers of overindulgence. Color palette has max Ernst influences, Gorgeous composition rich jewel tones, metallic tones., hyper clarity a
Prompt: Create a dark fairy tale scene titled "Whispers of the Martian Desert," inspired by the fictional narrative of 'The Martian Chronicles' by Ray Bradbury. The picture shows the story 'The Third Expedition', in which the human settlers find themselves lulled into a collective hallucination by the Martians and then killed by them. The ending leaves it ambiguous whether this was the plan of the Martians all along, or, given the telepathic origins of the hallucination and the way it was molded to their expectations and desires, Captain John Black accidentally willed it into being by coming to believe the hallucination was a trap for those perceived as invaders. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This composition captures a haunting and enchantical atmosphere, exploring themes of humanities dogma, cultural disharmony, and the powerful influence of martian doctrines within a dark fantasy setting. The psilocybin cubensis "golden teachers" add a layer of intrigue and metaphor about societal conformity and the battle over personal choice and freedom. Color palette has max Ernst influences, Gorgeous composition rich jewel tones, metallic tones and hyper clarity.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
