Prompt: A Victorian era sepia photograph. Abandoned Victorian-era farm, ghostly dark bizarre antique porcelain doll style of a scarecrow doll with cracked face guarding the ancient fields of barley, crows, pumpkins. Bats resting on the scarecrow doll, old and forgotten well with rusted iron bars and cracked stones, cobwebs clinging to corners. Ominous atmosphere. Shadows creating distorted shapes. Boarded-up windows, casting an ethereal glow. Additional elements are included to enhance the realism, such as dust motes floating in the air and faint disembodied whispers, Style: Gothic horror art with a touch of surrealism, Focus on textures and atmospheric effects, highly detailed aging and decaying elements, Subtle color palette dominated by muted grays, blues, and browns to enhance the sense of desolation, High dynamic range to capture the interplay of light and shadow, Sharp focus on key details to draw the viewer's attention and create a sense of unease.
Hint of mike Mignola and Greg Rutkowski’s sinister and foreboding style, in the style of dark fantasy.Nikon D850 award winning photography studio lighting cinematic lighting cinematic postprocessing dof.
Prompt: Wide shot of a sinister Joker puppet with porcelain skin, a cracked face, and vacant glassy eyes, wearing a tattered Victorian crimson and lavender suit and top hat, center stage in a decaying grand theater interior with peeling wallpaper and cobweb-draped chandeliers. Dim, flickering candlelight, a melancholic atmosphere, and eerie silence broken by the puppet's haunting melody from an antique music box. The stage is cluttered with broken props and faded, torn velvet curtains. Ghostly apparitions are faintly visible in the background. The puppet's mouth is slightly open as if singing, adding to the unsettling effect. 19th-century aesthetic, dramatic chiaroscuro lighting intensifying shadows. Retro horror style inspired by classic films, with a grainy texture simulating old film stock. Color palette dominated by muted grays, browns, and blacks, with touches of faded crimson. High-resolution detail captures every crack and imperfection. An antique microphone stand adds to the theatrical setting. The composition draws the viewer into the unsettling scene, emphasizing the puppet's sinister presence. Inspired by the moody, high-contrast film noir aesthetic. Inspired by the evocative, intimate portraits of Lee Jeffries, the moody, atmospheric compositions of Alessio Albi, and the timeless elegance of Adrian Kuipers.
Prompt: A majestic tall ship emerges from dense, swirling fog, its silhouette defined by amber lantern lights and a faint, warm glow emanating from a weathered, grey stone lighthouse. The scene is rendered as a digital painting with sharp focus, intricate details, and dramatic, volumetric lighting that creates a deep, dark fantasy atmosphere. Conceptual art influences from Artgerm, Greg Rutkowski, Simon Stalenhag, Wayne Barlowe, and Igor Kieryluk are evident in the hyperdetailed, elegant, and ultra-realistic masterpiece quality. Trending on Artstation as a splash screen, the composition employs a complementary color scheme of deep purples and yellows, envisioned with the swirling elegance of Alphonse Mucha and the rugged detail of Jordan Grimmer, achieving 8k resolution and a dynamic, highly-detailed rendering.
Prompt: A blurry ghostly, ethereal spectral woman in a flowing white gown, her form fading into the mist, running through a rotting forest action shot. Period attire. Dynamic action shot. Tim Burton style, German Expressionist, surreal film noire. Horrific fantasy, film grain, 35mm, deep bluish hue, cinematic lighting, dramatic contrast. Influenced by Zdzisław Beksiński and Gustave Doré.
Prompt: Small tugboat, braving the stormy ocean waves, navigating the perilous waves, a sense of foreboding, foreground features a rescue helicopter flying and shinning a search light over a small abandoned wooden lifeboat, with desperate survivors, bobbing helplessly amidst turbulent waves, ominous dense fog bank rolling in, creeping towards the lifeboat, enveloping surroundings, dark stormy night portraying an air of mystery and tension, search light casting an ethereal, mysterious glow across the churning, frothy waters below, illuminating the tumultuous scene with dramatic contrasts, cinematic film still impression evoking feelings of isolation and dread. This scene is captured on grainy, heavily degraded 16mm film, the product of unstable Eastmancolor processing, lending a bruised and sickly shades of deep blues and grays color cast to everything, mingling with intense blacks and flickers of ghostly light, meticulous post-processing enhancing the cinematic feel, atmospheric variations depicting the chilling essence of the stormy environment, incorporating 35mm film aesthetic with rich depth and detail, live-action feel elevating the urgency and tension within the composition, an impeccable masterpiece that combines elements of horror and suspense, evoking thrilling emotions, stunningly dramatic, pulling viewers into the heart of the storm.
Prompt: Distressed vintage bold weathered typography movie poster for "The Long Year", a war drama set in a gritty, nostalgic 1970s style. A long shot captures a weary World War I soldier against a desolate battlefield on a dark, stormy night, enveloped in eerie, thick mist. His disheveled uniform and mud-caked trench coat are visible, with a vintage rifle slung over his shoulder. Somber blue eyes reflect horrors, and his weathered face is etched with time. The environment features churned earth, barbed wire entanglement, and decaying wooden planks under an overcast sky with ominous storm clouds. Dimly lit trenches create a claustrophobic atmosphere. A compressed movie billing block credit sits at the bottom. Surreal atmospheres inspired by Zdzisław Beksiński, sinister mood by Greg Rutkowski. Vintage noir photography style with grainy texture and dramatic lighting. --ar 3:4 --style raw.
Prompt: High angle isometric aerial view. A weak satellite camera signal fade, with red LED holographic grids marking miles and temperature, of a dystopian Mars under a sandstorm planetary surface train tracks, littered with derailed rusted train wrecks, half-buried in ash and sandstorms, photorealistic, cool tone lighting, faded shadows, intricate details, inspired by Frank Frazetta, H.R. Giger and Zdzisław Beksiński, 8mm film film still cinematic blue and orange dim ambient lighting thriller sci-fi.
Prompt: Close-up of a destroyed, dark and gloomy, dystopian burnt-orange Martian landscape under a relentless swirling sandstorm, illuminating train tracks stretching across the horizon with vivid green LED lights. A brilliant crimson-red retro-futuristic steampunk solar-powered streamliner train speeds relentlessly, its passenger car windows glowing with dim bluish-teal lights. Two anvil grey futuristic military drones patrol the desolate expanse. Remnants of rusted metal and scattered debris enhance the scene's harshness. Cool-toned lighting casts long, eerie shadows. Cinematic blues and oranges dominate the color palette, creating a post-apocalyptic vista with dim ambient lighting. Inspired by the epic landscapes of Frank Frazetta, the biomechanical elements of H.R. Giger, and the surreal imagery of Zdzisław Beksiński. Reminiscent of an 8mm film still, with intense sandstorms, the train hissing and clanging, evoking isolation. Photorealistic artistry meets surreal landscape, drones and train sketched in oil ink and charcoal. Cinematic film still, shot on v-raptor XL, film grain, vignette, color graded, post-processed, cinematic lighting, 35mm film, live-action, atmospheric, masterpiece quality.
Prompt: A semi-realistic charcoal and ink painting of a decaying reddish stone Victorian seaside chapel on a steep, white-washed cliff, viewed from a 45-degree angle, rendered in a dark romanticism and impressionist style with soft focus, ethereal, dreamlike lighting, and rich, deep contrasts in a baroque blue and orange dream aesthetic. Natural light, reminiscent of Anne Stokes and Greg Rutkowski, creates a moody, atmospheric visual with a 3D illusion. Dark ink washes accentuate an eerie glow filtering through salt-streaked glass panes. A wide-angle shot captures decaying grandeur within gothic horror undercurrents, with ethereal mist clinging to weathered shingles and a corroded wrought-iron balcony overlooking a churning ocean. Faint moonlight pierces swirling fog, illuminating spectral silhouettes, while a distant lighthouse casts a forlorn beam, creating dancing shadows. Decaying timbers groan beneath crashing waves. Hyper-detailed textures reveal centuries of decay, under brooding storm clouds, radiating chilling elegance and a melancholic atmosphere. Watercolor and oil blend seamlessly in a digital painting, showcasing every brushstroke and ink splatter.
Prompt: Blue and grey concept art. A misty morning, a big lake, a silky bluish-black swan. A dark greyish weathered stone Victorian lakeside chapel on calm reflective waters connected by a ethereal and frail land bridge, surrounded by dark bluish clouds. Its gothic architecture contrasts with the bluish serene lake, creating an eerie, captivating scene. Natural light, reminiscent of Jean-Baptiste Monge and Francisco Goya. Dark ink washes accentuate an eerie mist. A wide-angle shot. Faint bluish moonlight pierces swirling bluish fog, illuminating spectral silhouettes, while a distant lighthouse casts a forlorn blue halogen beam, creating dancing shadows. Watercolor and oil blend seamlessly on black velvet canvas, showcasing every brushstroke and ink splatter.
Prompt: Three drunkards on New Year's Eve in a dark, desolate alley, reeking of alcohol, chant an archaic incantation evoking the legend that the last sinner of the year drives the Phantom Chariot. Faint streetlights and stray firework sparks illuminate the scene as ethereal mist curls around their feet. The atmosphere is thick with ominous tension, an expressionistic concept art piece in deep blues and blacks with stark contrasts and deep shadows, channeling the unsettling atmosphere of the 1921 film "The Phantom Carriage" and the gravitas of George Grosz, with dramatic chiaroscuro lighting and unsettling framing.
Prompt: A Blue-black concept painterly art. An old PS/2 Model 90 XP 486 with a stock market chart, on an aged rusty metal desk. A wooden crate with discarded PC hardware stacked against a wall. In a dimly-lit basement where a mysterious hooded man sits in front of the PC trading stock market, holographic stock charts flickering on the wall, strobe lights reflecting pink-and-blue lights with Disney + Tim Burton style mysterious rebellion posters on the wall.
Prompt: Concept art, lone drone repairman Jack, stands stoically on a desaturated, war-torn Earth under a muted sky. Airships loom ominously, reflecting faint, eerie light. Jack, clad in utilitarian gear, is framed by advanced technology remnants. A downed spacecraft nearby hints at struggle. Blue and black color palette. Cinematic 70s horror film style, low-key dramatic lighting, deep shadows, soft highlights, pronounced film grain. Evoking unease and surreal horror. Inspired by "Oblivion" (2013), H.R. Giger, and retrofuturism.
Prompt: A radiant, incandescent meteor shower, raining down upon a serene, misty night enveloping a tranquil pier, quaint cottages nestled along the shoreline, casting warm, inviting light from their windows, cinematic lighting reminiscent of Gustave Doré's haunting illustrations, interplay of light and shadow enhancing the dramatic atmosphere, dynamic composition leading the eye through the scene, emotional tension palpable, evoking a sense of wonder and mystery, captivating narrative unfolding with each brushstroke, Adrian Kuipers' masterful cinematic lighting adding depth and realism, masterpiece of epic storytelling, presented in stunning 8k resolution, trending on Artstation and Unreal Engine 5, Jean-Baptiste Monge-inspired watercolor and ink technique lending a whimsical, fantastical quality, hints of Artgerm and Greg Rutkowski's foreboding artistry creating a sense of dark beauty, Simon Stalenhag vibes threading through the digital painting, adding a touch of melancholic futurism, reminiscent of Wayne Barlowe and Igor Kieryluk’s touch, bringing a surreal, otherworldly element, captured with ultra-clear precision using a wide-angle lens, expansive view encompassing the cosmic spectacle above and the tranquil scene below, rich textures and intricate details enhancing the visual experience, digital painting with a harmonious blend of traditional and modern techniques, resulting in a breathtaking and unforgettable image.
Prompt: A curious and happy Santa Claus, adorned in his iconic red suit, rows a small wooden boat through dark, murky water. Jagged ice, snow-covered cliffs, and icebergs surround him, as he rows towards a US Submarine lurking at sea. Dramatic, ambient lighting emphasizes photorealism, with high contrast and deep shadows, evoking a sense of lurking danger in the serene maritime scene. Captured with a Nikon 15mm f/1.8G lens, the image is inspired by the poignant, intimate portraiture of Lee Jeffries, the moody, cinematic style of Alessio Albi, and the stark, atmospheric realism of Adrian Kuipers.
Prompt: A 1971 Skoda 110 LS in matte silver with a slightly weathered body and gold rose 22-inch wheels with chrome details, Arctic ice-blue window tint glowing faintly, is parked at a sharp 45-degree angle in a derelict cracked-asphalt lot with weeds. Background: abandoned 1970s stores with broken windows, faded hotel with flickering red neon sign "Shut Eye Inn". Dark, gloomy, stormy Halloween 1978-inspired night with heavy infernal fog low to the ground. A large black raven perches majestically on the center of the hood, illuminated by a lightning flash, staring at the viewer. Rendered in a charcoal and oil on rough textured canvas style, evoking moody cinematic cool lighting, dramatic shadows, and a neo-noir atmosphere. Hyper-realistic, photorealistic, 8k, dynamic lighting, dark color palette.
Prompt: A haunting portrait of an Eldritch biomechanical priestess, an alien oracle who bridges machine and madness. Her face is carved from ivory alloy and inscribed with occult circuitry — glowing runes and data glyphs pulse beneath translucent porcelain skin. A triangular metallic halo frames her head like an inverted cathedral window, humming with sacred static. Her braided, mechanical hair coils into serpentine patterns, wrapped in fragments of lace, bone, and decaying metal filigree.
Her expression is solemn, divine, and terrifyingly serene — eyes reflecting cosmic data storms, mouth half-open as if whispering prayers to unseen gods. Her body merges with the machinery around her: breathing cables, fractal veins, and biomech tendrils that resemble both religious vestments and living tentacles. The atmosphere is ritualistic, sacred, and corrupted, with smoky light filtering through digital mist and faint glitch halos surrounding her form.
The palette blends ashen whites, oxidized bronze, sickly green luminescence, and faint crimson undertones. The mood evokes Giger’s dark eroticism, Lovecraft’s cosmic dread, and Alex Grey’s spiritual geometry, rendered in cinematic chiaroscuro and hyper-detailed surrealism.
Hyper-detailed, surreal, divine horror, biomechanical cathedral, sacred glitch aura, cosmic melancholy.
Prompt: A nightmarish, high-contrast black and white dystopian landscape, rendered with the precision of an etching and the haunting atmosphere of Zdzisław Beksiński’s apocalyptic visions. A sprawling futuristic city stretches across the horizon, its impossibly tall skyscrapers and latticed catwalks like twisted bones and ribcages of some mechanical leviathan. The sky is torn open by a searing, vividly colored planet, its swirling orange and yellow surface burning like a dying sun — a single eye of fire glaring over the world.
In the foreground, a colossal humanoid sentinel dominates the scene, its skin like cracked obsidian, veins of glowing pink light pulsing ominously beneath the surface. Its armor resembles ritualistic samurai plating, ribbed and segmented, as if forged from alien exoskeletons, channeling the biomechanical nightmare of H.R. Giger.
From the fiery planet, explosive cylindrical forms shoot outward in blinding gradients of pink and white, tearing through the void and toward the viewer, as though the world is unraveling at terrifying speed. Below, bulbous growths and fungal-like structures protrude from the ground, their dotted, glistening surfaces reflecting faint, poisonous hues of green, blue, and amber, like diseased jewels.
The atmosphere is thick with dread, every element sharp, hyper-detailed, and bathed in harsh contrast — a fusion of cosmic horror and cybernetic apocalypse, invoking the unholy elegance of Moebius and the oppressive dream logic of David Lynch.
Prompt: Inside a candlelit parlor floating through the void, a dachshund sits in a glowing circle of runes surrounded by friendly spectral dachshund apparitions. The spirits are transparent and shimmering with glitch fractal halos, resembling Android Jones’ visionary energy portraits.
The wallpaper peels into swirling sacred geometry; the floor dissolves into neon clouds. The living dachshund’s costume — a small wizard’s cloak of orange silk with tiny constellations — glows faintly with bioluminescence as the ghosts smile around it.
A cosmic, playful Halloween séance — soft light, iridescent fog, and a cozy, otherworldly atmosphere where spirit and friendship intertwine beyond death.
Prompt: The scene captures a diverse group of people standing close together on a gently glowing pedestrian bridge at sunset. The camera is positioned at waist-to-shoulder height, framing them in warm evening light. Each face is illuminated by both the golden sun and the iridescent glow rising from the bridge panels beneath them.
The people stand in a natural, relaxed cluster — a middle-aged Black woman in a soft orange scarf smiling as she listens to an older East Asian man beside her; a young man with dark, curly hair and vitiligo resting a hand on the railing; a woman in a wheelchair with silver hair gazing outward, her expression calm and luminous; a child with freckles and a bright green jacket peeking curiously between them. Their clothing is everyday yet colorful, the fabrics catching hints of the bridge’s reflected hues — coral, turquoise, lavender, and pale gold.
The bridge itself glows gently from below — narrow channels of light running through glass and metal panels, shifting like slow-moving rivers of color. Reflections ripple across the people’s skin and clothing, creating an almost painterly sheen. Behind them, the blurred backdrop shows the soft focus of a real city skyline and a glowing river, everything tinged with the warmth of sunset haze.
The overall mood is serene and intimate — a quiet moment of connection and coexistence. Light and diversity become one composition of empathy and calm.
Stylistic notes: cinematic close-up portrait group, shallow depth of field, natural yet stylized color grading, soft lens flare, warm pastel reflections, photorealism blended with painterly highlights, inspired by the balanced elegance of Alphonse Mucha with the subtle digital surrealism of modern cinematography.
Prompt: In a dimly glowing gothic chamber, a hauntingly beautiful biomechanical woman stands surrounded by hovering jack-o’-lanterns made of glass and chrome, their carved faces lit by flickering blue plasma. Her body is a fusion of flesh and machine — smooth metallic ribs intertwine with soft translucent skin, glowing veins of amber light pulsing beneath.
Her face is calm, eyes radiant with spectral intelligence, framed by flowing tendrils of silver hair that move like living cables. From her back extend delicate, wing-like mechanical spines, emitting faint fractal halos. Around her, the walls breathe — Zaha Hadid–inspired curves merging with Giger-like bone structures, and sacred geometry symbols burn faintly in the air.
Wisps of fog curl at her feet, forming the shapes of lost spirits — their forms fragile, ghostly dachshunds or animal familiars bowing in reverence. The whole scene is lit by orange and teal spectral fire, merging beauty, dread, and mysticism.
Render with glowing contrasts, chiaroscuro depth, and hints of cosmic psychedelia — a divine Halloween machine goddess caught between spirit and circuitry.
Prompt: Create an image of a hauntingly serene figure whose head is partially composed of wilted rose petals — deep, bruised pinks fading to black along the curled edges. The petals appear fused with cracked skin and faint veins of gold dust, as if nature and flesh are reluctantly merging. The figure’s complexion is pale and ghostlike, almost translucent, revealing hints of texture beneath — veins, pollen, and dust. Their face is delicate yet uncanny, eyes closed in a state between peace and surrender, lips slightly curved in a half-smile that feels both gentle and unsettling.
Strands of dark crimson hair spill downward like bleeding vines, tangling into the decaying flora. Around them, a dense tapestry of leaves and roses intertwines — some lush and alive, others brittle and curling in on themselves. Mold speckles the petals; dew drops cling like tears. Add scattered seed pods with sharp, thornlike forms, giving the composition a tactile tension.
A single butterfly with orange and brown wings perches on a rotting bloom — its beauty made fragile by the surrounding decay. The background should be moody and dim, textured like cracked velvet or weathered smoke, with faint streaks of light filtering through as if from a dying sun. The lighting should emphasize contrast — soft highlights on skin and petals, deep shadows pooling in the hollows — creating a surreal atmosphere of quiet ruin and strange elegance.
The overall mood should feel dreamlike yet grounded in decay — an otherworldly vision where life, death, and beauty are inseparable.
Prompt: In the vibrant, kinetic 2D style of Hiroyuki Imaishi, create a surreal illustration of a fairy made entirely of poured paint — her form defined by bold, fluid lines and vivid marbled color fields rather than 3D texture. Her body flows with layered ribbons of color — turquoise, magenta, and gold swirling together like an acrylic pour come to life. Her wings spread wide in exaggerated motion, their shapes stylized and graphic, trailing drips and splashes that emphasize her energy and speed. Around her stretches a dreamlike, trippy meadow of flowers that share her same liquid-paint essence: flat, stylized blooms with irregular outlines and swirling, blended pigment patterns, as if painted directly onto the air. The composition bursts with motion lines, dynamic poses, and saturated color blocking inspired by Imaishi’s animation style, with expressive exaggeration and high contrast. The overall lighting uses split toning — warm oranges and cool purples — to give dimensional punch without losing the flat, illustrated feel. The atmosphere is alive with flowing ribbons of color and expressive brushstroke textures, capturing the sense of pure, unrestrained creativity in motion — a paint-pour world drawn in ecstatic energy.
Prompt: In the bold, kinetic style of Hiroyuki Imaishi, depict a surreal fairy sculpted from solidified streams of poured paint — her body appearing as if formed from thick, glossy layers of acrylic color that have just settled mid-flow. Vivid swirls of turquoise, magenta, gold, and deep indigo ripple across her surface, with paint marbling through her skin like living pigment veins. Her wings resemble translucent sheets of resin and fluid color, their edges dripping slightly but holding shape as if gravity itself were softened. She hovers over a sprawling, psychedelic field of vibrant flowers — each bloom radiating with sacred geometry patterns and glowing fractal symmetry, inspired by the visionary works of Chris Dyer and Cristina McAllister. The scene blends the fantastical realism of the Brothers Hildebrandt — luminous light, painterly depth, and mythic atmosphere — with Imaishi’s signature dynamism and exaggerated motion. Split-toned lighting bathes the scene in warm amber highlights and cool violet shadows, giving every color a hallucinatory vibrance. Around the fairy, trails of paint swirl and dance like living ribbons, as if the entire landscape is alive with flowing creativity, pulsing to a cosmic rhythm.
Prompt: Hiroyuki Imaishi's beautiful illustration depicting a surrealistic drippy Fairy made of liquid paint flying in a trippy field of flowers, psychedelic nature, in the style of Chris Dyer, brothers hildebrandt, split toning, cristina mcallister
Prompt: Create an intricate black-and-white psychedelic background filled with swirling, twisting patterns of varying textures — spirals, waves, fractals, and sacred geometric forms merging into an infinite, maze-like environment. In the center, depict a person in a sitting lotus position with their elbows resting on their knees, hands outward placing the tip of the thumb and index finger together while keeping the other fingers extended as if reaching nirvana through meditation. The person’s expression should radiate awe, transcendence, and ecstatic realization — eyes heavy with wonder, mouth in a sublime smile slightly open in breathless amazement.
Their skin should be covered in vivid, rainbow-colored patterns of concentric circles and flowing designs, resembling bioluminescent body paint or sacred tattoos awakening with energy. The same colorful pattern should seamlessly extend into their clothing, symbolizing unity between body, spirit, and the infinite design around them. Their hair can either blend into the patterns or glow subtly, emphasizing harmony with the surrounding energy.
The composition should evoke the moment of psychedelic awakening — where consciousness expands and dissolves into the living geometry of existence. The scene should feel radiant, visionary, and deeply interconnected, overflowing with surreal detail and visual complexity.
Prompt: Create an image of a humanoid figure with a head resembling a cauliflower, complete with green leaves partially encasing the top. This figure is seated in a cluttered, dimly lit room that appears to be a mix of organic and technological elements. The body of the figure is clothed in a textured, slightly tattered blue jacket, which features various pockets and gadgets. Their left hand supports their head, while the right hand hovers over a vintage computer keyboard.
In front of the figure, there is a large old computer monitor displaying an image of a purple-toned cauliflower, resembling the figure’s head. The background consists of intricate machinery, wires, and an assortment of bottles and plants, including leafy greens in pots. The ambiance is surreal and slightly dystopian, merging organic life with technology. Add a sense of depth by featuring shadows that highlight the contours of the figure and the electronic components in the room.
Prompt: A humanlike anthropomorphic turtle sits slumped on a massive pile of money, wearing rumpled striped pajamas and worn-out slippers. His round glasses are slightly crooked, and his grey hair sticks out in disheveled tufts, giving him the tired, confused look of someone in way over their head.
His expression is clueless and vacant—wide, unfocused eyes, slack jaw, raised eyebrows—capturing the tone of a satirical political cartoon rather than something cute. His posture is awkward and unflattering, emphasizing his obliviousness.
In front of him, an old TV broadcasts a chaotic world on fire: buildings collapsing in exaggerated, warped shapes, flames drawn in bold jagged strokes, smoke curling into harsh inked spirals. The fiery glow reflects in his glasses, highlighting his confusion rather than concern.
The overall style is gritty, editorial, and satirical—thick outlines, cross-hatching, muted color palette, and exaggerated proportions typical of newspaper political cartoons. The scene carries a tone of ironic detachment and pointed commentary rather than humor or charm.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
