Lanacraft

Ogura Hyakunin Isshu No. 1 - Emperor Tenchi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 1, Emperor Tenchi, of the Ogura Hyakunin Isshu: "Coarse the rush-mat roof Sheltering the harvest-hut Of the autumn rice-field; And my sleeves are growing wet With the moisture dripping through." The image shows a rice paddy being harvested; the harvester on the left side of the image bends over the golden, ripe rice plants. He is holding a sharp sickle and is wearing a large, conical straw hat fastened under his chin, baggy pants, heavy rubber boots, and a loose blue smock with wide sleeves. The sleeves are wet to the elbows with the sweat of exertion and the humidity in the air. In the background stands a simple harvesting gut with a rush-mat roof. The early autumn sun is beating down on the harvesting scene. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

#diversity saturday - be kind. It will take you to the right place.

• Model: SeeDance

• Size: 1440 X 1440 (2.07 MP)

• Used settings:

  • Mode: Pro
  • Generated From: Image
  • Duration: 5 seconds

Ogura Hyakunin Isshu No. 2 - Empress Jito

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 2 of the Ogura Hyakunin Isshu: The spring has passed, And the summer come again; For the silk-white robes, So they say, are spread to dry On the "Mount of Heaven's Perfume." The image shows an intricately geometrically patterned woven silk robe spread on a dewy flower meadow under a rising summer sun. Exquisitely detailed Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 4 - Yamabe no Akahito

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 4, Yamabe no Akahito, of the Ogura Hyakunin Isshu: "When I take the path To Tago's coast, I see Perfect whiteness laid On Mount Fuji's lofty peak By the drift of falling snow." The image shows a full scenic view of Mount Fuji from the coast at Tago near Eijiri, based on Katsushika Hokusai's woodblock print from his series "Thirty-Six-Views of Mount Fuji." In the foreground, we see wooden fishing boats steering through strong currents shown in repetitive wave patterns. In the mid-ground, we see the gentlecoastline. The upper half of the image is dominated by the spectacular view of Mount Fuji, with its blindingly white snow-capped peak and its archetypal curved silhouette, with its reverse curvature compared to the fishing boats in the foreground. The sun is shining on the mountain, and the trees along the coast as well as the choppy waves indicate that a strong wind is blowing. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 5 - Sarumaru

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 5, Sarumaru, of the Ogura Hyakunin Isshu: "In the mountain depths, Treading through the crimson leaves, The wandering stag calls. When I hear the lonely cry, Sad--how sad!--the autumn is." The image shows a single, majestic stag in a bare autumn forest standing on a carpet of red, fallen leaves. The stag has lifted his head and is sending forth a rutting call. He has large, twelve-point antlers and is calling for a hind. One can see the breath of his call in the cold autumn morning air. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 6 - Otomo no Yakamochi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 6, Otomo no Yakamochi, of the Ogura Hyakunin Isshu: "If I see that bridge That is spanned by flights of magpies Across the arc of heaven Made white with a deep-laid frost, Then the night is almost past." The image shows a tied arch bridge made of wood, bamboo and rope, spanning a deep valley. Craggy mountains populated by coniferous trees surrround the bridge. Above the bridge, a flock of magpies ascends to the frosty, deep blue sky. White hoarfrost has settled on the bridge and the abundant conifers. A rosy dawn fills the horizon, causing the hoarfrost to glint and shimmer. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 7 - Abe no Nakamaro

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 7, Abe no Nakamaro, of the Ogura Hyakunin Isshu: "When I look up at The wide-stretched plain of heaven, Is the moon the same That rose on Mount Mikasa In the land of Kasuga?" The image shows a very large, pink rising full moon on the low horizon, so clear that the craters and marks on the moon are visible in full detail. The sky is a deepening mid-blue and extends to the edges of theimage. The first star, the evening star, is visible at the edge of the image. The landscape over which the moon is rising is hilly. The image focuses fully on the singular motif of the rising moon. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 8 - The Monk Kisen

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 8, The Monk Kisen, of the Ogura Hyakunin Isshu: "My lowly hut is Southeast from the capital. Thus I choose to live. And the world in which I live Men have named a "Mount of Gloom."" The image shows a Shintō priest wearing the traditionsl shōzoku of an ordinary type (jōsō) in light blue, signifying a lesser rank. The priest is sitting on his haunches in front of his "lowly hut," gazing at the distant skyline of a modern city to the northeast, illuminated by the setting sun. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 9 - Ono no Komachi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 9, Ono no Komachi, of the Ogura Hyakunin Isshu: "Color of the flower Has already faded away, While in idle thoughts My life passes vainly by, As I watch the long rains fall." The image shows a back view of a middle-aged woman standing at a large picture window in the 35th floor of a skyscraper. She is gazing outside at the rain. We see a reflection in the windowpane of a pale, perfect calla lily in a vase. It is evening, and behind the reflection fo the calla lily, and behind the rain outside, we can make out the blurry outlines of many lit windows in nearby skyscrapers. The ambiance is one of wistfulness and loneliness, as the woman stands forlorn at the window. Exquisite modern Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 10 - Semimaru

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Semimaru, of the Ogura Hyakunin Isshu: "Truly, this is where Travelers who go or come Over parting ways--Friends or strangers--all must meet: The gate of "Meeting Hill." The image shows a small, weathered wooden gate overgrown by grass and weeds on either side of the gate. The gate is integrated in a wooden rail-and-post fennce in rich, dense vegetation. A gravelly path leads up to and beyond the gate. The path winds up a grassy slope and beyond to the Meeting Hill. A wan sun shines down on the scene from a cloudy sky. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 11 - Ono no Takamura

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Ono no Takamura, of the Ogura Hyakunin Isshu: "Over the wide sea Towards its many distant isles My ship sets sail. Will the fishing boats thronged here Proclaim my journey to the world?" The image shows a small harbor inthe foreground, in which numerous traditional Japanese wooden sabani fishing boats are anchored. From the harbor, a single wooden sabani with large, white sails, is setting sail in good weather. The ocean is smooth, and the water's surface glitters silver and blue in the golden, late afternoon sun. The ship is sailing toward distant islands visible on the horizon, where the silver-blue sea meets the golden light of the sun. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 16 - Ariwara no Yukihira

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 16, Ariwara no Yukihira, of the Ogura Hyakunin Isshu: "Though we are parted, If on Mount Inaba's peak I should hear the sound Of the pine trees growing there, I'll come back again to you." The image shows Inaba mountain, on whose slopes a verdant pine forest grows, in the distance. In the foreground, we see a small group of young Japanese Middle Counselors wearing intricately patterned silk black-and-gold robes with a high collar at the back of their necks, over loose, abstractly patterned white-and-gold pants. The noblemen are thronging around one of their members to bid him farewell and good luck for his assignment to Inaba province. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 17 - Ariwara no Narihira

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 17, Ariwara no Narihira, of the Ogura Hyakunin Isshu: "Unheard of even in the legendary age of the awsome gods: Tatsuta River in scarlet and the water flowing under it." This particular poem, and the image it conjures up, is a masterpiece. We see scarlet Japanese maples lining the bank of the scenic, gently flowing Tatsuta River. The golden sun is shining on this day in fall, and the maple trees are very gradually losing their foliage. Leaves are lazily floating downward through the air, and cover nearly the entire surface of the river. The leaf-covered river shimmers in tones of scarlet and burgundy as the leaves slowly floating downriver. Poignant image perfectly capturing the essence of autumn. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Whimsical Castle on a Colorful Island

• Model: DaVinci2

• Size: 1008 X 1016 (1.02 MP)

• Used settings:

  • Prompt: Abstract expressive landscape With lake, Op art, trippy fractal
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Twilight Serenade in Venice

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Dreamy breezy exquisite watercolor (((Masterpiece))) wet on wet painting, gold sprinkles, soft edges, thick beautiful watercolor paper, medium size brush strokes. Create a stunning, magical scene at night, with a gondola sailing through a canal in Venice. Romance under the twilight full moon stars. Nostalgia, beauty, magical, stunning composition. Shimmering lights, a lantern hanging on the gondola. No frame, no artifacts, no words. Impressionist art.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Serenity by the Fireplace: A Musical Moment

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Young woman, white dress playing violin by warm fireplace, soft pastel colors, intricate details, reminiscent of Gil Elvgren's pin-up elegance, James Gurney's imaginative lighting, Kinuko Craft's mystical realism, Loish's digital precision, and Mary Blair's whimsical charm, in a neo-impressionist expressionist oil painting style with smooth post-impressionist impasto acrylic textures.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Pirate Chick and Duckling in a Sunny Forest

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Baby flower power Pirate Jack Sparrow, whimsical and cute, Soft, fluffy fur, delicate wool textures. It stands out against a warm gold magical forest background, under soft mood lighting that envelops, highlighting the intricate details. Its large, bright eyes sparkle with warmth and kindness, exuding a playful innocence. And a little duckling. Influenced by the dreamy, airy side of Amy Brown's fairies, the mystical and symbolic language of Lisa Parker, and the richness and detail of Brian Froud's fantastical creatures, with a touch of Beatrix Potter's classic charm, fantastical artwork, crisp definition, soft, airy textures, stunning high-definition detail, and a depth of field that invites the viewer into an enchanted world.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Haleakala

• Model: DigitalDaVinci

• Size: 1216 X 840 (1.02 MP)

• Used settings:

  • Prompt: ((Christian Schloe, Tom Everhart, Cy Twombly, David Downton, El Anatsui, Philip Taaffe, Jan Toorop, Koloman Moser)) An abstract depiction of Mt Haleakala
  • Using base image: Yes (Effect strength - 82%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Brava!

• Model: DaVinci2

• Size: 1168 X 880 (1.03 MP)

• Used settings:

  • Prompt: '''
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape