Prompt: Full color print advertisement in a year of 1928 magazine in the United States. The font and the grammar is all of that era.
The ad is for a tonic company called Missus Sippy's. The tonic is called "Missus Sippy's Cure All Hangover Treatment" and it features an image of a grandmother who is dressed for 1928, holding a bottle of Missus Sippy's tonic and holding a teaspoon as she is about to administer it to a small child that is sitting up in a bed while wearing pajamas of the 1928 era.
Featured in the ad in a lower corner, is a picture of the bottle of Missus Sippy's Cure All Hangover Treatment which shows the classic old time shape of the bottle and the label with the name featured in a classic 1928 font. Pictured in the center of the bottle's label is a hand drawn image of scientist inspecting a the stems and leaves of a botanical plant. Include a small list of old time ingredients on the bottle near the bottom.
Prompt: Gigantic pirate ship made from a 1960s jumbo inflatable flamingo pool float, bright pink, black and white rubber latex, pirate cannons protruding the sides, realistic rough-looking pirates in full gear, deck bustling with crew, large skull emblem on the air-filled black sail, stormy cinematic lighting, dramatic waves, ultra-detailed, photorealistic, epic and hilarious, dynamic composition, high-resolution, ocean setting, whimsical concept, humorous twist.
Prompt: Dance like no one is watching; seen from overhead, high above the stage, a single woman dances, leaving echoing multiple postures and positions of her dynamic movement as she progresses from right to left across the stage; in the style of Giacomo Balla; her movement is highlighted by soft color from diffuse spotlights
Prompt: Stileben mit aussergewöhnlichen angeschnittenen Früchten in einer Schale: eine Frucht die gleichzeitig Orange und Kiwi ist, eine weitere Frucht ist Ananas und gleichzeititg Tomate, eine weitere Frucht ist Himbeere und Ananas, eine weitere Frucht ist Erdbeere und Orange, eine weitere Frucht ist Banane und Blaubeere.
Im Hintergrund sieht man verschwommen eine gotische Stadt.
Prompt: Highly detailed surreal pop-art still life in a vertical 9:16 composition, filled edge-to-edge with glossy colorful spheres and oversized abstract geometric forms. In the center, place one enormous patterned sphere covered in bold angular blocks, concentric circles, zigzags, stripes, and irregular shapes in cobalt blue, magenta, cyan, golden yellow, white, and deep navy. Surround it with many smaller floating and clustered spheres: shiny turquoise, hot pink, orange, yellow, purple, and blue balls, plus spheres decorated with spiral stripes, checkerboard patterns, polka dots, honeycomb motifs, and psychedelic geometric designs.
Add a whimsical chameleon perched prominently on a magnolia-flower branch near the upper-middle or center of the composition. The chameleon, branch, leaves, buds, and magnolia blossoms must be entirely constructed from the same glossy, vividly colored materials and patterns as the surrounding objects: striped spheres, polka dots, checkerboard fragments, wavy geometric bands, concentric circles, and angular pop-art shapes. Give the chameleon a curled tail, delicate gripping feet, expressive eye, textured skin, and a subtle raised crest, while keeping its body stylized and sculptural rather than realistic. The magnolia flowers should have large layered petals made from colorful patterned geometric pieces, with vivid pink, white, cyan, yellow, and navy accents. Make the branch look like a fantastical molded sculpture assembled from glossy patterned forms, with leaves covered in bold stripes and dots.
The background should consist of tall overlapping sculptural panels and ribbons covered in contrasting patterns—large polka dots, diagonal black-and-white stripes, wavy turquoise bands, pink and navy geometric shapes, and vivid yellow surfaces. Use an intensely saturated palette, playful maximalist design, optical-art energy, glossy reflective surfaces, soft studio highlights, rich shadows, dimensional 3D forms, dense layered composition, and a whimsical candy-like atmosphere. Include slight depth-of-field variation while keeping the chameleon, magnolia branch, central patterned sphere, and foreground objects sharply defined. Highly polished digital art, bold 1960s–1980s pop-art influence, psychedelic Memphis design, kaleidoscopic patterns, dramatic frontal lighting, crisp edges, vibrant color harmony, intricate surface detail, no empty background space.
Negative prompt
Ordinary realistic chameleon, natural plain tree branch, unpatterned flowers, muted colors, pastel palette, minimalism, empty space, flat shapes without depth, dull lighting, low contrast, blurry details, muddy colors, text, letters, logos, watermark, people, faces, animals other than the chameleon, deformed anatomy, extra limbs, malformed feet, duplicated eyes, distorted flowers, cropped chameleon, obscured central sphere, visual clutter that hides the chameleon, noise, grain, oversimplified patterns.
Suggested settings: vertical aspect ratio 9:16, high detail, high saturation, sharp focus on the chameleon and magnolia branch, glossy 3D rendering, strong ambient occlusion, dramatic studio lighting, and moderate depth of field.
Prompt: Use the uploaded original pen-and-ink drawing as a strict, unchangeable structural blueprint. Preserve its exact portrait orientation, composition, viewpoint, cropping, proportions, recognizable faces and figures, silhouettes, curved and angular forms, overlaps, internal details, line directions, spatial relationships and intentional empty spaces. Do not redesign, simplify, add, remove, mirror or relocate anything. Transform the complete drawing into an extraordinarily intricate, museum-quality Japanese urushi lacquer panel combining three authentic techniques: gold-and-silver chinkin engraving, maki-e metallic-powder shading and a few restrained raden mother-of-pearl accents. Build it on a rigid wooden panel covered with many polished layers of deep black-brown urushi, showing subtle warm-brown, oxblood and smoky depths. Preserve large visible lacquer areas as the drawing's negative spaces. CHINKIN LINEWORK: Carve the strongest contours and structural lines into the hardened lacquer as precise incised grooves filled with warm antique-gold powder and minute gold-leaf particles. Use finer, cool-silver-filled incisions for secondary contours, facial features, fingers and delicate internal lines. Strong contours are slightly deeper and wider; the finest details remain hair-thin. Every groove follows the exact direction, curvature, length, spacing and rhythm of the original pen stroke. Gold and silver sit inside the incisions, never as raised metal wires. MAKI-E SHADING: Translate the original hatching and cross-hatching into metallic powder embedded in lacquer. Sparse pale hatching becomes widely spaced, mist-like silver-grey maki-e. Medium tonal areas use layered subdued gold, silver and smoky bronze. Dense dark passages combine dark bronze and muted silver while leaving the black lacquer visible. Use extremely fine dust for transitions and slightly larger flakes only for rare highlights. Preserve the original direction and density of all hatching. Never fill entire forms with uniform gold. RADEN ACCENTS: Use iridescent mother-of-pearl only in a few focal details: small portions of prominent eye-like forms, sharp tips, selected flowing strands and important line intersections. Slender irregular shell pieces are embedded flush in the lacquer and shift subtly through pearl-white, pale aqua, muted sea green, petrol blue and restrained violet. Raden occupies less than ten percent of the decorated surface and never replaces the gold-and-silver drawing. Maintain a disciplined hierarchy: deep black-brown lacquer dominates; antique gold defines the main structure; cool silver describes fine details; smoky bronze creates tonal depth; rare pearl-aqua raden flashes form accents. Show authentic mirror-deep yet subtly handmade urushi, minute grooves, crisp metal-powder deposits, delicate maki-e transitions, natural lacquer texture, finely cut shell edges and controlled reflections. Keep the panel physically flat with only microscopic relief. Present the finished vertical artwork on a neutral warm-grey museum wall, photographed nearly frontally from a very slight lower-left angle. Soft raking gallery light from the upper left reveals the engraving and metallic powders without glare. Extremely detailed, elegant, materially convincing and sharply focused. The source drawing must remain immediately recognizable.
Prompt: An oil painting by Piccaso of a group of white birch trees with long sun shadows across the whiteness of snow stand along snow laden country hills on a sunny winter afternoon
Prompt: a cinematic, wide-angle shot of a young Dorothy with Judy Garland's smile, her expression one of fragile bewilderment, walking barefoot across a shimmering, iridescent yellow brick road that defies every law of Euclidean geometry. She is small and vulnerable, her gingham dress fluttering in a wind that seems to blow from four different directions at once, as she navigates a sprawling, architectural fever dream inspired by M.C. Escher. The landscape is a paradoxical tapestry of interlocking staircases and inverted horizons; yellow bricks spiral upward into a ceiling that is actually another floor, while waterfalls of liquid emerald flow upward into floating islands of poppies. To her left, a staircase descends eternally into a void of deep violet clouds, while to her right, the road bends at a sharp, impossible ninety-degree angle, continuing to stretch forward even as it curves back over her own head. The lighting is a haunting contrast of Technicolor vibrancy and gothic shadow, with the distant Emerald City appearing as a fractured, multifaceted crystal spire that exists in multiple planes of perspective simultaneously. Every detail, from the grit of the yellow bricks beneath her bare soles to the dizzying, recursive loops of the horizon, evokes a sense of beautiful, high-fidelity claustrophobia, trapping Dorothy in a vivid, surrealist loop where the path home is a geometric riddle.
Prompt: Alice from Wonderland sitting inside a large porcelain teacup as if it were a small room. Gentle light, slightly surreal mood, a touch of humor. Fairy-tale illustration style with fine details and soft colors.
Prompt: In a 1950s diner, on one wall is a Seeburg M100C Select-O-Matic model jukebox, focusing on the song title choices, one of the songs, C4, is titled, "the longest most annoying song of all time"
- (She's adopted) - Sequel: Having grown up and having more 'followers' -
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Artist Jean-Baptiste Monge style. Antarctica. A vast pale-blue-white ice plain. A Catholic Nun with a black-an-white outfit is standing in a flock of Penguins.
Prompt: Artist Jean-Baptiste Monge style. An aisle in a Public Library. An empty wooden bookshelf with only one sole very thin pale-green very thin book. A sign on top of that bookshelf reads "The Complete Edition of German Humour".
Prompt: An exact copy of the famous photo ((( Lunch atop a Skyscraper ))) is a black-and-white photograph taken on September 20, 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City. It was arranged as a publicity stunt, part of a campaign promoting the skyscraper. ((( Replace the eleven ironworkers with eleven chimpanzees exactly as in the original photo with the same poses and the same clothes as the original photo ))), very complex and crazy details, very detailed and perfect and beautiful details, very realistic, very detailed atmosphere compared to the work of Leonardo da Vinci, in the style of Leonardo da Vinci, 16:9, no frame, 8k, masterpiece
Prompt: Cinematic sci-fi western scene, Full body, Close-up of an astronaut in a detailed, slightly worn pink and white spacesuit, standing in a vibrant field of countless small pink flowers under a soft blue sky. The astronaut's helmet visor reflects a serene landscape of pink flowers stretching to the horizon and a subtle, distant spacecraft. The astronaut is gently holding a bouquet of the same pink flowers. The scene has a dreamy, The giant planet Jupiter in the sky, ethereal quality with soft, natural lighting, a shallow depth of field, and a color palette dominated by various shades of pink, white, and vibrant turquoise sky. Highly detailed, photorealistic, 8k, volumetric lighting. high contrast, Painterly semi-realistic illustration style, ultra detailed textures, dynamic composition, dramatic perspective, 8k resolution, epic adventurous mood. Aspect ratio 16:9, cinematic scale contrast, extreme size emphasis, high dynamic range, vivid colors.
Prompt: Bird's-eye winter scene of a snow-packed hedge maze seen from above, vertical composition centered on a solitary figure in a bright yellow hooded raincoat stuck / walking in the middle of the maze leaving a trail of crisp footprints in powder snow; three whimsical translucent ghost-like creatures — electric blue, soft orange, and pastel purple — drifting at different corners inside the maze, each with simple black eyes and flowing tentacle-like forms casting soft colored shadows. Super white Snow-laden hedges form geometric pathways with frosty edges, scattered red berries and bare twigs at the margins. Cool morning light with warm rim highlights, high-detail textures: powdery snow, compacted footprints, icy crust on hedge tops, glossy semi-translucent ghosts, subtle fabric folds on coat, high-resolution,. 9:16 aspect ratio
Prompt: Artist Jean-Baptiste Monge style. A pale-beige vast desert. A cohorte of ancient Roman-Empire Soldiers are lining up at a soft-ice selling vintage-truck. Some soldies in the background are already eating soft-ice-cones.
Prompt: My home, patchwork, Jamie Heiden, Peter Doig, Renoir, Pol Ledent, Endre Ppenovac, Gustave Loiseau, Arthur Rackham, Doug Chinnery, Maud Lewis, inlay, watercolors and ink, beautiful, fantastic view, high definition, jewel tones, dynamic lighting
Prompt: Paint a dreamy hazy breezy wet on wet watercolour artwork, using minimal paints and maximum loose water effects, EmmAI autumnal colour palette, melancholy composition, minimalist, impressionist, with no text, no artifacts. A tranquil winter scene with a serene lake in the foreground, surrounded by a snowy landscape. In the background, a dense forest of evergreen trees, some dusted with snow, stands against a pale sky. Delicate, bare branches extend from the sides of the image, adorned with a few bright orange leaves, adding a splash of color to the predominantly white and grey palette. The subtle melancholy mood is peaceful and reminiscent of a quiet winter day.
Prompt: So walk this golden road while daylight lingers,
let sunset paint your shadows long and true,
feel home reach out with soft, familiar fingers—
the golden road home has been waiting here for you.
Prompt: Bird's eye view. Top view. View of a fantastic city, drawn like a light map. Eerie, haunting, supernatural, with soft and dim lights. Intricate details, vivid colors, delicate brush strokes, soft tones, pastel colors. Excellent quality, a masterpiece, incredibly detailed, elegant, refined, romantic, whimsical, vintage.
Prompt: A surreal Dynamic mesmerizing fully body portrait by Maria Kreyn, a solitary woman in twilight, her form blurred, rendered in distressed ink sketch style with bleeding lines and raw textures, dramatic lighting, melancholic beauty, charcoal and shadow, hints of architectural ruins in background, blurred edges, ethereal distance, inspired by the gritty realism of Ash Thorp, the emotive lines of Sean Andrews, and the dreamlike quality of Loish. image has faint is vertical stripes, patterned with seamless lines, creating an optical illusion effect. The background echoes the same pattern but horizontally emphasizing the striped pattern and contrast; highly . enigmatic Mc Escher geometric abstractions with Bridget Riley illusion op art and integrated varied moire patterns to add dynamic fluidity for a distinctive surreal, enigmatic and cohesive masterpiece shapeshifting holographic noise max parrish landsape, art style Maria Kreyn
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.